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Ross (3284 KP) rated Doors: Twilight in Books
Mar 24, 2021
Great idea, poorly executed
The idea behind the Doors books is that of three different versions of a story with a shared beginning, but the stories diverge when the characters go through one of three (actually five but two are ignored as far as I'm aware!) doors. A team of people, each hired for their own area of expertise, are tasked with rescuing a rich German man's daughter who has wandered down into the mysterious cellar of their former family home, where a series of doors are believed to lead to strange new places.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
What can I say about <i>Revenger</i>?
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.
MaryAnn (14 KP) rated The Pages of Her Life in Books
Nov 4, 2019
Award-winning and bestselling author James L. Rubart explores the way our memories shape us . . . and how they affect our beliefs. Allison Moore has no idea why she got out of her car on that rainy March afternoon and picked up the soaked journal laying on the side of the road. Brought it home. But she did. It was empty. Except for two lines scrawled in the front, too washed out to read. And a Jesus emblem inside the back cover. Something about the journal compels her to start writing in it, capturing thoughts about her newly acquired job that she thought would be heaven, but has turned into hell. Then one day, she finds words in the center of the journal. Words she didnt write: Mene mene tekel upharsin. After her heart stops hammering, Allison Googles the phrase, and reads the story of Belshazzars Feast, where a hand from God writes on the wall, and the king is slain. Fear grips her, certain God is coming after her for what she did twelve years back. What shes done wrong her whole life. She vows to make things right. Then she discovers more phrases appearing underneath each of her journal entries. Those phrases take her on an emotional roller coaster that forces her to look at everything she believes about her past in a new light, and opens her eyes to a supernatural realm of staggering consequence.
My Thoughts: What would you do if someone gave you a journal that changed your words after you wrote and spoke directly to you? This is what happened to our main character Allison. This was an enjoyable read, about one woman and her brother and how their memories formed who they were in their lives. The memories of their father's lack of approval affected them throughout life and in relationships.
Journaling is a wonderful way to talk to God and to see how He works in our lives. This journal that is given to Allison is extraordinaire! With the changing entries that she sees in her journal, Allison is able to see who she really is and how loved and important she is to herself and those around her.
There are lessons to be learned in this novel; we really do need to look deep inside ourselves, checking our character to see if it stands up to what God wants us to be and turn to God in difficult situations. Trust God, listen for what He has for you in life.
I loved the concept of this novel. The author has done a wonderful job of putting this story together. The characters were very true to life and easy to connect with. The storyline was flowing and a fast read. I truly enjoyed this book and I look forward to reading more from James L. Rubart.
My Thoughts: What would you do if someone gave you a journal that changed your words after you wrote and spoke directly to you? This is what happened to our main character Allison. This was an enjoyable read, about one woman and her brother and how their memories formed who they were in their lives. The memories of their father's lack of approval affected them throughout life and in relationships.
Journaling is a wonderful way to talk to God and to see how He works in our lives. This journal that is given to Allison is extraordinaire! With the changing entries that she sees in her journal, Allison is able to see who she really is and how loved and important she is to herself and those around her.
There are lessons to be learned in this novel; we really do need to look deep inside ourselves, checking our character to see if it stands up to what God wants us to be and turn to God in difficult situations. Trust God, listen for what He has for you in life.
I loved the concept of this novel. The author has done a wonderful job of putting this story together. The characters were very true to life and easy to connect with. The storyline was flowing and a fast read. I truly enjoyed this book and I look forward to reading more from James L. Rubart.
Stylish Sprint
Games and Entertainment
App
Stylish Sprint is an action running game where you play as a stickman who travels the world in...
Dianne Robbins (1738 KP) created a post in Pets!
Dec 4, 2018 (Updated Dec 4, 2018)
Heather Cranmer (2721 KP) rated Spine Chillers: Krampus in Books
Dec 31, 2018
Just an Okay Read
When I heard about Krampus by Nancy Gray, it sounded like something I would love to read especially since I loved her other novel, Empty Eyes, so much. Unfortunately, Krampus was just an alright read.
The plot for Krampus is based on the central European folklore about a horned half goat, half demon who punishes naughty children during the Christmas season. Nancy Gray does a great job at sticking with the folklore in her book. Although this is a middle grade book, I felt like this would be better for upper middle grade since the subject matter is a bit more scary than Nancy Gray's previous scary novels. There are a few decent plot twists throughout Krampus. The world building is done very well, and at times, I felt like I was right there with Nick, living every moment, both good and bad, with him. Krampus is a short read which is perfect for middle schoolers who may not have the attention span for a longer book.
I had a hard time caring about the characters in Krampus at first, but about halfway through, I found myself worried about what would happen to Nick and wanting everything to turn out alright for him. I especially loved the character of Gretel/Greta. I found her to be the most interesting in the book even if she wasn't in the novel very much. I just loved her no-nonsense, straightforward attitude. I would love to read a Spine Chiller's novel about Greta. That's how much I loved her! The character of the Krampus was done very well, and as I've said before, the Krampus in this novel is very much like the one in folklore.
The pacing is what lets this book down the most in my opinion. During the first half of Krampus, the pacing is a bit all over the place although mostly it's just a bit slow. I found myself growing bored with Krampus and wondering if I should just give up. The action takes a long time to make an appearance, and I kept wondering when something major would happen. Since this is a short novel, I decided to persevere. I'm glad that I kept on reading because the second half is where the pacing picks up, and I found myself immersed in the book. I couldn't wait to learn what Nick's fate would be and what would become of the Krampus. The second half of this book definitely held my attention to the point where I stayed up a little later just to finish it so I could get closure.
Trigger warnings for Krampus include demons, monsters, violence, scary themes, one profanity, bullying, and death. Basically, this is a very dark book.
Overall, Krampus was just an alright read. I felt like it was much darker than the previous Nancy Gray book I had read. The plot is interesting enough, but the pacing during the first half is what makes Krampus just an okay read. However, I would definitely recommend Krampus by Nancy Gray to those aged 13+. The second half of this book makes it worthwhile.
--
(A special thanks to Lola's Blog Tours for providing me with an eBook of Spine Chillers:Krampus by Nancy Gray in exchange for an honest and unbiased review.)
The plot for Krampus is based on the central European folklore about a horned half goat, half demon who punishes naughty children during the Christmas season. Nancy Gray does a great job at sticking with the folklore in her book. Although this is a middle grade book, I felt like this would be better for upper middle grade since the subject matter is a bit more scary than Nancy Gray's previous scary novels. There are a few decent plot twists throughout Krampus. The world building is done very well, and at times, I felt like I was right there with Nick, living every moment, both good and bad, with him. Krampus is a short read which is perfect for middle schoolers who may not have the attention span for a longer book.
I had a hard time caring about the characters in Krampus at first, but about halfway through, I found myself worried about what would happen to Nick and wanting everything to turn out alright for him. I especially loved the character of Gretel/Greta. I found her to be the most interesting in the book even if she wasn't in the novel very much. I just loved her no-nonsense, straightforward attitude. I would love to read a Spine Chiller's novel about Greta. That's how much I loved her! The character of the Krampus was done very well, and as I've said before, the Krampus in this novel is very much like the one in folklore.
The pacing is what lets this book down the most in my opinion. During the first half of Krampus, the pacing is a bit all over the place although mostly it's just a bit slow. I found myself growing bored with Krampus and wondering if I should just give up. The action takes a long time to make an appearance, and I kept wondering when something major would happen. Since this is a short novel, I decided to persevere. I'm glad that I kept on reading because the second half is where the pacing picks up, and I found myself immersed in the book. I couldn't wait to learn what Nick's fate would be and what would become of the Krampus. The second half of this book definitely held my attention to the point where I stayed up a little later just to finish it so I could get closure.
Trigger warnings for Krampus include demons, monsters, violence, scary themes, one profanity, bullying, and death. Basically, this is a very dark book.
Overall, Krampus was just an alright read. I felt like it was much darker than the previous Nancy Gray book I had read. The plot is interesting enough, but the pacing during the first half is what makes Krampus just an okay read. However, I would definitely recommend Krampus by Nancy Gray to those aged 13+. The second half of this book makes it worthwhile.
--
(A special thanks to Lola's Blog Tours for providing me with an eBook of Spine Chillers:Krampus by Nancy Gray in exchange for an honest and unbiased review.)
James P. Sumner (65 KP) rated The Informer (2019) in Movies
Sep 10, 2019
A real hidden gem.
I went into this film knowing very little about it, other than the two-line blurb on my local cinema's website. Released to a muted fanfare, this twisty-turny crime drama is a surprisingly gripping and taut thriller, with some stand-out performances from the cast.
Joel Kinnaman plays Pete Koslow, an ex-con that we soon discover is working undercover for the FBI to help take down a mob boss in New York City. Not much is known (or, frustratingly, revealed) about Koslow's backstory, but Kinnaman plays the part very well. It's not as in-depth as maybe it could've been, but his personal arc is a fresh and original spin on a tried-and-tested formula, and it is, at times, compelling to watch.
Needless to say, Koslow's arrangement with the FBI goes sour before too long, and he's left alone in prison with multiple groups of enemies with their own agendas trying to kill him. The second half of the film, where the twists and turns and clever plotting flows more freely, reminded me of Will Smith's "Enemy of the State" and Liam Neeson's "A Walk Among The Tombstones", in terms of the complex approach and execution to resolving a seemingly inescapable situation.
The story was told to great effect, with the gritty tone and the deliberate pacing perfectly suiting this competent thriller.
Ana de Armas is terrific as Koslow's long-suffering and admiringly-loyal partner, Sofia. She has a look of naivety and innocence throughout, with her perma-watering wide eyes and youthful good looks, yet she is as tough as they come and the perfect match for Kinnaman's lead.
Clive Owen also deserves a mention for another consistent performance, despite him being woefully underused here. He steals every scene he's in, playing a menacing background antagonist incredibly well.
For me, this movie was let down by two things. First, its ending, which felt sudden and rushed, as if it stopped mid-sentence. It's not the kind of film that warrants a sequel, nor was it, I imagine, made with the intention of one. So to leave so many questions unanswered serves little purpose and ultimately leaves you disappointed after what was otherwise a very, very clever film.
Secondly, Rosamund Pike's performance left a lot to be desired. Because of her outstanding lack of on-screen charisma, you never truly connect with her character, Agent Wilcox. Her handling of Koslow's operation felt hollow. She showed no emotional range whatsoever, and wore the same expression throughout the entire film. Consequently, the journey of her character and the impact her decisions have on both other people, and the movie's eventual outcome, felt empty and pointless.
Despite that, this is a real hidden gem. As I noted earlier, this wasn't what you would call a "big" release. It came out under the radar and, as a result, was the subject of very few expectations. But what you have here is an intelligent thriller that provides an original take on a typical storyline that delivers in almost every way it intended to.
This is the film you stream off Netflix on a Friday night while eating a takeaway after a hard week at work.
Joel Kinnaman plays Pete Koslow, an ex-con that we soon discover is working undercover for the FBI to help take down a mob boss in New York City. Not much is known (or, frustratingly, revealed) about Koslow's backstory, but Kinnaman plays the part very well. It's not as in-depth as maybe it could've been, but his personal arc is a fresh and original spin on a tried-and-tested formula, and it is, at times, compelling to watch.
Needless to say, Koslow's arrangement with the FBI goes sour before too long, and he's left alone in prison with multiple groups of enemies with their own agendas trying to kill him. The second half of the film, where the twists and turns and clever plotting flows more freely, reminded me of Will Smith's "Enemy of the State" and Liam Neeson's "A Walk Among The Tombstones", in terms of the complex approach and execution to resolving a seemingly inescapable situation.
The story was told to great effect, with the gritty tone and the deliberate pacing perfectly suiting this competent thriller.
Ana de Armas is terrific as Koslow's long-suffering and admiringly-loyal partner, Sofia. She has a look of naivety and innocence throughout, with her perma-watering wide eyes and youthful good looks, yet she is as tough as they come and the perfect match for Kinnaman's lead.
Clive Owen also deserves a mention for another consistent performance, despite him being woefully underused here. He steals every scene he's in, playing a menacing background antagonist incredibly well.
For me, this movie was let down by two things. First, its ending, which felt sudden and rushed, as if it stopped mid-sentence. It's not the kind of film that warrants a sequel, nor was it, I imagine, made with the intention of one. So to leave so many questions unanswered serves little purpose and ultimately leaves you disappointed after what was otherwise a very, very clever film.
Secondly, Rosamund Pike's performance left a lot to be desired. Because of her outstanding lack of on-screen charisma, you never truly connect with her character, Agent Wilcox. Her handling of Koslow's operation felt hollow. She showed no emotional range whatsoever, and wore the same expression throughout the entire film. Consequently, the journey of her character and the impact her decisions have on both other people, and the movie's eventual outcome, felt empty and pointless.
Despite that, this is a real hidden gem. As I noted earlier, this wasn't what you would call a "big" release. It came out under the radar and, as a result, was the subject of very few expectations. But what you have here is an intelligent thriller that provides an original take on a typical storyline that delivers in almost every way it intended to.
This is the film you stream off Netflix on a Friday night while eating a takeaway after a hard week at work.
Bob Mann (459 KP) rated Fences (2016) in Movies
Sep 29, 2021
The Last Post.
In “Fences” Denzel Washington plays Troy – a bitter, self-centred and selfish man in his mid-fifties who loves the sound of his own voice. They say “empty vessels make the most noise” and here is a case in point. Set in the early fifties, race plays a strong card in every aspect of life, and Troy feels betrayed by a failed baseball career that – in his eyes at least – looked over his skills to the colour of his skin. But Troy is also a stubborn cuss, and refuses to acknowledge that even in the 50’s “The times they are a changing’”. His cussedness puts him on a collision course with his teenage son Cory (Jovan Adepo), given his aspirations for a college football scholarship, and his mother (Viola Davis, “The Help”) tries to keep the peace between the two of them.
This is a film primarily about resistance to change. All those changes in the outside world are on the ‘other side of the fence’ that Troy habitually tries to finish but never seems to put his mind to. Fences keep things out; but they also keep things in, and Troy is in a cocoon of his own making. He justifies his actions as a ‘family provider’ with lengthy speeches but ultimately they deliver hollow words and assertions that don’t stand up to scrutiny.
This is a pressure cooker of family life that is primed to blow, and a revelation (which I didn’t see coming) sets that fuse alight.
This is a film worth watching for the acting performances of Denzel Washington and (particularly) Viola Davis, winner of the Best Supporting Actress BAFTA and a strong contender for the Oscar. Both give assured performances, although Troy is such an instantly dis-likable and pitiable character that I could feel my emotions influencing my judgement about his performance.
But this is also a strong ensemble cast, with Mykelti Williamson (famously appearing as Bubba of the ‘Bubba Gump Shrimp Factory’ fame) being effective as Troy’s disabled brother and English-born Jovan Adepo being particularly impressive in an extremely assured feature debut.
However, the Broadway roots of the piece are highly visible with 98% of the film set either in the back yard, in the house, or on the front steps (the set could clearly rotate!). For such a claustrophobic topic, this is perhaps apt. But as a feature film I longed for the action to go elsewhere. The film version of the story – with a few tweaks to the screenplay – has lots of opportunities for this, but these are never taken. This makes the whole piece feel ‘worthy but dull’. In particular, anyone looking for a useful tutorial on fence building needs to look elsewhere!
As for the recent “Moonlight” there is also excessive use of the “N” word and other outdated racial references that have the potential to offend.
Good luck to Viola Davis and Denzel Washington (who also directed this) for their Best Supporting Actress and Best Actor Oscars nominations. But “Best Film” Oscar? No, I don’t think so. In truth this is a film that I will struggle to remember or get excited about in a month’s time and it will not be on my re-watch list.
This is a film primarily about resistance to change. All those changes in the outside world are on the ‘other side of the fence’ that Troy habitually tries to finish but never seems to put his mind to. Fences keep things out; but they also keep things in, and Troy is in a cocoon of his own making. He justifies his actions as a ‘family provider’ with lengthy speeches but ultimately they deliver hollow words and assertions that don’t stand up to scrutiny.
This is a pressure cooker of family life that is primed to blow, and a revelation (which I didn’t see coming) sets that fuse alight.
This is a film worth watching for the acting performances of Denzel Washington and (particularly) Viola Davis, winner of the Best Supporting Actress BAFTA and a strong contender for the Oscar. Both give assured performances, although Troy is such an instantly dis-likable and pitiable character that I could feel my emotions influencing my judgement about his performance.
But this is also a strong ensemble cast, with Mykelti Williamson (famously appearing as Bubba of the ‘Bubba Gump Shrimp Factory’ fame) being effective as Troy’s disabled brother and English-born Jovan Adepo being particularly impressive in an extremely assured feature debut.
However, the Broadway roots of the piece are highly visible with 98% of the film set either in the back yard, in the house, or on the front steps (the set could clearly rotate!). For such a claustrophobic topic, this is perhaps apt. But as a feature film I longed for the action to go elsewhere. The film version of the story – with a few tweaks to the screenplay – has lots of opportunities for this, but these are never taken. This makes the whole piece feel ‘worthy but dull’. In particular, anyone looking for a useful tutorial on fence building needs to look elsewhere!
As for the recent “Moonlight” there is also excessive use of the “N” word and other outdated racial references that have the potential to offend.
Good luck to Viola Davis and Denzel Washington (who also directed this) for their Best Supporting Actress and Best Actor Oscars nominations. But “Best Film” Oscar? No, I don’t think so. In truth this is a film that I will struggle to remember or get excited about in a month’s time and it will not be on my re-watch list.
Fun & engaging read
Allison and her family move to New York City from Dallas for her husband, Michael's, job. At first, Allison is excited--ready for the glitz and glamour of the city. Instead, she finds herself and her family (including her three children) living in a cramped small apartment within a high-rise building. She has no friends and no one to confide in and shortly after moving, she loses her job. Things go from bad to worse when she hits an empty parked car outside her son Jack's school--right in front of the judgemental eyes of all the other mothers. The note Allison leaves leads her to a fancy penthouse, which she finds occupied by young pop star, Carter Reid. Allison doesn't see Carter as a pop star, however: she sees an abandoned kid, friendless, without parents, and about to ruin his career by backing out of the Broadway musical in which he agreed to star. Somehow, Allison becomes involved in Carter's life and as she does, she finally finds a reason to embrace New York.
This was such a fun book and such an engaging read. Now, at first, Allison is adrift in New York and in the beginning of the book, I was so frustrated with the abuse she took from Carter that I was a bit annoyed with the story. But Poeppel gets you past that pretty quick. The entire book is humorous, as it's filled with funny moments with Allison, her family, and the cast of supporting characters. Howard, a security guard Allison helps tutor, particularly shines, as does Owen, Carter's butler. Poeppel is very adept at capturing the individual voice of each of her characters. I loved Allison's kids, too. I fell for her eldest daughter, Charlotte, because I could have been her 20 years ago (geez I'm old), but teenage Megan and funny, quirky Jack were awesome too. The characters truly become like family.
Even if Allison frustrated me at times, with her coddling of Carter, I certainly found her relatable. The fact that she wasn't a morning person, her love for her children yet inability to always know what was happening in their lives, and her closeness with her own mom. She comes across as a real person, and I was incredibly impressed at how well she handled Carter and the celebrity world. The theme of family runs across the book--not just Allison's family, but how the disparate characters in the novel become their own family, and you really find yourself rooting for Carter because of it.
And, indeed, the magic of the book is how it transforms Carter. In the beginning, I couldn't believe anyone would like this kid, but as you read on... well, let's just say you will be rooting for Carter Reid. Poeppel captures Carter so precisely--his mannerisms, his dialect, his voice--it's amazing. It's easy to picture him, and he grows on you, for sure. By the end of the novel, you may feel a little misty. Sure, it's sometimes easy to see where things may be going, but that's OK, because it is such a rather enjoyable ride to be on. Plus, you never know exactly what wrench Carter is going to throw in Allison's carefully laid plans.
Overall, I really enjoyed this one. It started off a little slow, and I was initially frustrated with Carter's behavior (and Allison's acceptance of it). However, the book then takes off, and I was quickly immersed in the well-written characters and the arc of the story. It's such a fun book in so many ways--and touching too--plus there's a celebrity aspect that gives it an enjoyable twist, and you often feel like you're in NYC on a Broadway set. Definitely an enjoyable read.
This was such a fun book and such an engaging read. Now, at first, Allison is adrift in New York and in the beginning of the book, I was so frustrated with the abuse she took from Carter that I was a bit annoyed with the story. But Poeppel gets you past that pretty quick. The entire book is humorous, as it's filled with funny moments with Allison, her family, and the cast of supporting characters. Howard, a security guard Allison helps tutor, particularly shines, as does Owen, Carter's butler. Poeppel is very adept at capturing the individual voice of each of her characters. I loved Allison's kids, too. I fell for her eldest daughter, Charlotte, because I could have been her 20 years ago (geez I'm old), but teenage Megan and funny, quirky Jack were awesome too. The characters truly become like family.
Even if Allison frustrated me at times, with her coddling of Carter, I certainly found her relatable. The fact that she wasn't a morning person, her love for her children yet inability to always know what was happening in their lives, and her closeness with her own mom. She comes across as a real person, and I was incredibly impressed at how well she handled Carter and the celebrity world. The theme of family runs across the book--not just Allison's family, but how the disparate characters in the novel become their own family, and you really find yourself rooting for Carter because of it.
And, indeed, the magic of the book is how it transforms Carter. In the beginning, I couldn't believe anyone would like this kid, but as you read on... well, let's just say you will be rooting for Carter Reid. Poeppel captures Carter so precisely--his mannerisms, his dialect, his voice--it's amazing. It's easy to picture him, and he grows on you, for sure. By the end of the novel, you may feel a little misty. Sure, it's sometimes easy to see where things may be going, but that's OK, because it is such a rather enjoyable ride to be on. Plus, you never know exactly what wrench Carter is going to throw in Allison's carefully laid plans.
Overall, I really enjoyed this one. It started off a little slow, and I was initially frustrated with Carter's behavior (and Allison's acceptance of it). However, the book then takes off, and I was quickly immersed in the well-written characters and the arc of the story. It's such a fun book in so many ways--and touching too--plus there's a celebrity aspect that gives it an enjoyable twist, and you often feel like you're in NYC on a Broadway set. Definitely an enjoyable read.
Kara Skinner (332 KP) rated Conference Cupid in Books
Jun 12, 2019
Genre: Contemporary
Word Count: 19,780
Average Smashwords Rating: 5 out of 5 stars
My Rating: 4 out of 5 stars
Get Conference Cupid free on Smashwords.
I’m still trying to catch my breath from reading Conference Cupid by Eden Elgabri. The sex and the romance is a huge whirlwind that left me wanting even more. But I’m still not sure why I liked it so much.
Devin Barnett can’t believe it when he sees his old high school crush walk into his hotel for the romance writers conference. She’s just as beautiful as he remembers, but he doubts she will recognize him. After all, he was just a skinny nerd in high school. He certainly never would have entered her radar. But maybe he can finally have her.
Keary hasn’t been with anyone since her divorce a year ago and she is used to being alone. But she can’t resist the sexy hotel worker who only has eyes for her. Little does she know that he’s known her for a long time and isn’t really a hotel worker, but the owner of the hotel.
Oh man. There is so much to love about this story. Despite his money, success, and looks, Devin immediately becomes an insecure shy guy whenever he is with Keary. All he really wants to do is worship her, and he knows he’ll daydream about her after the conference.
It became critical that he learn where she did her writing. He needed to be able to imagine her in that room. His heart hitched. He needed to be able to imagine her there after she left the conference, when she went home to her real life.
I also like that Keary doesn’t know she’s that great. She’s insecure after her divorce and is a little shy and unsure around Devin in the beginning. Together they have amazing chemistry and really hot sex scenes. Devin continues to worship her and Keary loves having someone who cares so much about her after an empty marriage.
But there were some things about both of them that I didn’t like. Devin does lie to her, after all. When the conference is coming to an end and he knows he’ll never see her again, he tries to impregnate her and trap her that way. What the hell, Devin? You were pretty great until then. Then he practically pressured her into unprotected sex, didn’t pull out like he said he would, and hoped she would get pregnant so she would stay with him. Seriously, WTF?
I’m annoyed at Keary but her criminal act is being rude to the staff at the hotel. When the receptionist tells her her hotel room has been upgraded to a regency suite and that all of her things have been moved for her, Keary glares at her and says she doesn’t like people touching her stuff. As if the poor girl had personally gone into Keary’s room and tried on her underwear. She stalks off without so much as a thank you, planning on complaining to the management. For a complimentary room upgrade. Just because she didn’t like the idea of some bored hotel staff, who couldn’t care less about going through her personal items, moving her bags from one room to another. Of course all her complaints disappear when she sees all the luxury perks that come with the upgrade.
If Keary and Devin had the ability to behave like responsible adults, their falling out would not have happened. But despite all of the unsettling character flaws in Devin and Keary, I still liked this book and I wish there was more. And that takes a lot of talented writing.
Word Count: 19,780
Average Smashwords Rating: 5 out of 5 stars
My Rating: 4 out of 5 stars
Get Conference Cupid free on Smashwords.
I’m still trying to catch my breath from reading Conference Cupid by Eden Elgabri. The sex and the romance is a huge whirlwind that left me wanting even more. But I’m still not sure why I liked it so much.
Devin Barnett can’t believe it when he sees his old high school crush walk into his hotel for the romance writers conference. She’s just as beautiful as he remembers, but he doubts she will recognize him. After all, he was just a skinny nerd in high school. He certainly never would have entered her radar. But maybe he can finally have her.
Keary hasn’t been with anyone since her divorce a year ago and she is used to being alone. But she can’t resist the sexy hotel worker who only has eyes for her. Little does she know that he’s known her for a long time and isn’t really a hotel worker, but the owner of the hotel.
Oh man. There is so much to love about this story. Despite his money, success, and looks, Devin immediately becomes an insecure shy guy whenever he is with Keary. All he really wants to do is worship her, and he knows he’ll daydream about her after the conference.
It became critical that he learn where she did her writing. He needed to be able to imagine her in that room. His heart hitched. He needed to be able to imagine her there after she left the conference, when she went home to her real life.
I also like that Keary doesn’t know she’s that great. She’s insecure after her divorce and is a little shy and unsure around Devin in the beginning. Together they have amazing chemistry and really hot sex scenes. Devin continues to worship her and Keary loves having someone who cares so much about her after an empty marriage.
But there were some things about both of them that I didn’t like. Devin does lie to her, after all. When the conference is coming to an end and he knows he’ll never see her again, he tries to impregnate her and trap her that way. What the hell, Devin? You were pretty great until then. Then he practically pressured her into unprotected sex, didn’t pull out like he said he would, and hoped she would get pregnant so she would stay with him. Seriously, WTF?
I’m annoyed at Keary but her criminal act is being rude to the staff at the hotel. When the receptionist tells her her hotel room has been upgraded to a regency suite and that all of her things have been moved for her, Keary glares at her and says she doesn’t like people touching her stuff. As if the poor girl had personally gone into Keary’s room and tried on her underwear. She stalks off without so much as a thank you, planning on complaining to the management. For a complimentary room upgrade. Just because she didn’t like the idea of some bored hotel staff, who couldn’t care less about going through her personal items, moving her bags from one room to another. Of course all her complaints disappear when she sees all the luxury perks that come with the upgrade.
If Keary and Devin had the ability to behave like responsible adults, their falling out would not have happened. But despite all of the unsettling character flaws in Devin and Keary, I still liked this book and I wish there was more. And that takes a lot of talented writing.