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Heather Cranmer (2721 KP) rated Spine Chillers: Empty Eyes in Books
Nov 14, 2018
Well Written Plot (2 more)
Believable Characters
Lots of Spookiness
A Spooky Read
I'm a sucker for a good horror story. When I saw that Spine Chillers: Empty Eyes by Nancy Gray was available for review, I knew it was a story I would be interested in. Luckily, it was a great read.
Empty Eyes is a short read, and the chapters are also fairly short. Combine that with a book that has great pacing, and you've got the recipe for a winner. I found myself so enthralled in this book that I never wanted to stop reading. I was always wanting to know what would happen next. Not once did I find myself becoming bored with Empty Eyes, nor do I think it's too fast paced where it becomes difficult to understand what's going on. The pacing was perfect and consistent throughout.
This is a middle grade novel, and the world building suits this age group. Even though I'm not in the middle grade age group, the plot still felt realistic and spooky! There were a couple of plot twists which I enjoyed, and all my questions were answered by the end of the book. Everything is explained perfectly throughout the book for a middle grade student. Nothing was dumbed down either. I did enjoy the plot immensely. Ian is at a school carnival one night when he encounters some bullies. Desperate to get away from them, he runs into an abandoned house. While hiding in the house, he is confronted by two children wearing gray hoodies with black eyes. They want to be Ian's friend, but Ian is terrified. The children decide they will be Ian's friend regardless of if he wants them too. He develops a black mark near his heart that pulses. Grown ups can't really see the mark, but Ian and his best friend can. Soon, Ian is behaving in a way that he never has before. Will Ian ever return to his former self or are the black eyed children controlling him?
I found the characters in Empty Eyes to be enjoyable. They also acted their age instead of coming across as sounding younger than their actual ages. I think many children (and adults) can relate to the character of Ian who is constantly bullied in school. I admired Duane, Ian's best friend. I loved how loyal he was to Ian throughout the whole ordeal. The black eyed children were very creepy characters, and I was really impressed with how they were written.
Trigger warnings for Empty Eyes include some swearing, some violence, thoughts of murder (although this isn't graphic), sneaking out, and bullying.
All in all, Empty Eyes was a very enjoyable spooky read. Even though it is written with a middle grade audience in mind, I found myself really getting pulled into the story. I would definitely recommend Spine Chillers: Empty Eyes by Nancy Gray. I believe any age group aged 12 and above would find this story to be a creepy read that will draw them in immediately from the very first page and not let go until it's over.
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(A special thank you to Lola's Blog Tours for providing me with an eBook of Spine Chillers: Empty Eyes by Nancy Gray in exchange for an honest and unbiased review.)
Empty Eyes is a short read, and the chapters are also fairly short. Combine that with a book that has great pacing, and you've got the recipe for a winner. I found myself so enthralled in this book that I never wanted to stop reading. I was always wanting to know what would happen next. Not once did I find myself becoming bored with Empty Eyes, nor do I think it's too fast paced where it becomes difficult to understand what's going on. The pacing was perfect and consistent throughout.
This is a middle grade novel, and the world building suits this age group. Even though I'm not in the middle grade age group, the plot still felt realistic and spooky! There were a couple of plot twists which I enjoyed, and all my questions were answered by the end of the book. Everything is explained perfectly throughout the book for a middle grade student. Nothing was dumbed down either. I did enjoy the plot immensely. Ian is at a school carnival one night when he encounters some bullies. Desperate to get away from them, he runs into an abandoned house. While hiding in the house, he is confronted by two children wearing gray hoodies with black eyes. They want to be Ian's friend, but Ian is terrified. The children decide they will be Ian's friend regardless of if he wants them too. He develops a black mark near his heart that pulses. Grown ups can't really see the mark, but Ian and his best friend can. Soon, Ian is behaving in a way that he never has before. Will Ian ever return to his former self or are the black eyed children controlling him?
I found the characters in Empty Eyes to be enjoyable. They also acted their age instead of coming across as sounding younger than their actual ages. I think many children (and adults) can relate to the character of Ian who is constantly bullied in school. I admired Duane, Ian's best friend. I loved how loyal he was to Ian throughout the whole ordeal. The black eyed children were very creepy characters, and I was really impressed with how they were written.
Trigger warnings for Empty Eyes include some swearing, some violence, thoughts of murder (although this isn't graphic), sneaking out, and bullying.
All in all, Empty Eyes was a very enjoyable spooky read. Even though it is written with a middle grade audience in mind, I found myself really getting pulled into the story. I would definitely recommend Spine Chillers: Empty Eyes by Nancy Gray. I believe any age group aged 12 and above would find this story to be a creepy read that will draw them in immediately from the very first page and not let go until it's over.
-
(A special thank you to Lola's Blog Tours for providing me with an eBook of Spine Chillers: Empty Eyes by Nancy Gray in exchange for an honest and unbiased review.)
Rutger Hauer recommended Hiroshima Mon Amour (1959) in Movies (curated)
Sammeh Lowry (15 KP) rated Coraline in Books
Jul 13, 2019
I am 25 years of age,and this book terrified me. I LOVED it, it was spooky it was creepy it was absolutely fantastic. The illustrations in it were just magnificent and the story itself was one I have never known before. It was so well written with just the right amount of creepyness. Coraline moves into a new home, but something doesn't feel right. Is it the mist? or the signs of danger people keep warning her about? It's not. It's the flat that is empty behind the door in the drawing room. Where her other Mother and Father live, with black buttons for eyes and papery skin. They're waiting for Caroline to join them and stay forever and ever. Oh I just LOVED it!
Acanthea Grimscythe (300 KP) rated The Jekyll Revelation in Books
May 15, 2018
When I first laid eyes upon Robert Masello’s The Jekyll Revelation, I felt excitement. What could be better than combining Jekyll and Hyde with Jack the Ripper? In theory, nothing. Unless it’s this book. With an agonizingly slow advancement of plot and painfully dull characters, The Jekyll Revelation felt like a waste of my time. Thank god there was an audiobook accompaniment, or I wouldn’t have finished it.
The Jekyll Revelation goes back and forth in time, alternating between present day California where Rafe and Heidi (who vanishes halfway through the story, along with the repercussions for Rafe’s actions) patrol the desert and the past, where Robert Louis Stevenson, only just now writing his famed The Strange Case of Dr. Jekyll and Mr. Hyde, is slowly dying from consumption. The latter portions are told in first person, as it is the recounting of Stevenson’s fictional life by journal. Many of these chapters could be removed and the book would be the same.
I guess it could be said that my biggest quarrel with this book is its slow progression. It isn’t until the final quarter of the novel that anything picks up, and by then the present is damn near irrelevant. Sure, there’s some loose ends that get tied up in the present, but it just feels hollow and empty.
Overall, I didn’t like this book. Fellow members of the #spookyfriendsbookclub seem to also have given it up, with only one member still reading it. I likely won’t be including Masello in future votes.
The Jekyll Revelation goes back and forth in time, alternating between present day California where Rafe and Heidi (who vanishes halfway through the story, along with the repercussions for Rafe’s actions) patrol the desert and the past, where Robert Louis Stevenson, only just now writing his famed The Strange Case of Dr. Jekyll and Mr. Hyde, is slowly dying from consumption. The latter portions are told in first person, as it is the recounting of Stevenson’s fictional life by journal. Many of these chapters could be removed and the book would be the same.
I guess it could be said that my biggest quarrel with this book is its slow progression. It isn’t until the final quarter of the novel that anything picks up, and by then the present is damn near irrelevant. Sure, there’s some loose ends that get tied up in the present, but it just feels hollow and empty.
Overall, I didn’t like this book. Fellow members of the #spookyfriendsbookclub seem to also have given it up, with only one member still reading it. I likely won’t be including Masello in future votes.
MaryAnn (14 KP) rated The Wonder Years: 40 Women Over 40 on Aging, Faith, Beauty, and Strength in Books
Mar 5, 2019
It seems that when women reach a certain age in their life, they start to feel like their value is decreasing; they are facing the empty nest, (the children are leaving home), they tend to feel like they are limited in what they can do, and there is the fear of aging.
Well, it's time to start looking at life after 40 in a different light! In this book, well-known Christian women from ages 40 to 85 give their wisdom on how to face these worries. With Spiritual wisdom, a sense of humor, these women give some incredible insight into life after 40.
You will read the writings of Lauren F. Winner, Joni Eareckson Tada, Elisa Morgan, Madeleine Engle and kay Warren.
These women will provide ideas and thoughts about aging and to look at aging with your eyes open to new possibilities and most of all to grow closer to God. Each essay provides a look into God's perspective on the later years of life, reminding us that it's always possible to serve Him with the life experiences we have.
The book is comprised of short essays, that makes it quick to read, you can put it down and pick it back up at without interruption of the book.
It was interesting and it made me chuckle a couple of times. This is a good book for those who are in the 40 and over age, or those who are approaching it. It might even be a good book to do in a group setting with women of this age group.
Well, it's time to start looking at life after 40 in a different light! In this book, well-known Christian women from ages 40 to 85 give their wisdom on how to face these worries. With Spiritual wisdom, a sense of humor, these women give some incredible insight into life after 40.
You will read the writings of Lauren F. Winner, Joni Eareckson Tada, Elisa Morgan, Madeleine Engle and kay Warren.
These women will provide ideas and thoughts about aging and to look at aging with your eyes open to new possibilities and most of all to grow closer to God. Each essay provides a look into God's perspective on the later years of life, reminding us that it's always possible to serve Him with the life experiences we have.
The book is comprised of short essays, that makes it quick to read, you can put it down and pick it back up at without interruption of the book.
It was interesting and it made me chuckle a couple of times. This is a good book for those who are in the 40 and over age, or those who are approaching it. It might even be a good book to do in a group setting with women of this age group.
Adam Silvera recommended 100 Sideways Miles in Books (curated)
Emma @ The Movies (1786 KP) rated The Painter And The Thief (2020) in Movies
Oct 23, 2020
After seeing the trailer for this one I was intrigued to see how the subject was handled in this format.
Barbora Kysilkova's prized paintings have been stolen from a gallery, the culprits were not careful and are soon picked up by the police. But all investigations come back empty handed and the two paintings may never resurface. Barbora is interested to meet one of the men responsible for her loss and soon an unlikely friendship begins between the two of them. As their lives become even more entwined we follow their path through troubles and redemption.
The documentary is split into two main parts, first we follow the painter as she uncovers whatever she can about the crime in an attempt to recover the pieces. The second follows out thief and the struggles of his life. Each side of the story shows very different ways of existing, but as it evolves you make surprising discoveries about them both that open your eyes to how reality is sometimes hidden underneath a persona we project.
We're treated to an enlightening journey with the way the narrative is laid out, and it's one that's almost impossible not to react to. Everything from the simple frustrations, to fear and worry, shows through as the connection between them grows, it feels more and more... uncomfortable. This is actually addressed by Barbora's boyfriend and it seems only evident to us and him that it's all a little nuts. At the end I was particularly shocked by the outcome.
Overall I had expected to see more about the crime itself, and in what I'd seen leading up to this it felt like it was bigger, but the crime actually comes across as quite unexceptional. That leaves us with a documentary that's much more focused on human fascination and curiosity, and in my opinion, how that can turn into an unhealthy obsession. While the second half feels more engaging, it was a bit of a slog getting to that. As a piece about human nature it's interesting, but when presented with something involving a crime I'm much more interested in seeing that than anything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/the-painter-thief-movie-review.html
Barbora Kysilkova's prized paintings have been stolen from a gallery, the culprits were not careful and are soon picked up by the police. But all investigations come back empty handed and the two paintings may never resurface. Barbora is interested to meet one of the men responsible for her loss and soon an unlikely friendship begins between the two of them. As their lives become even more entwined we follow their path through troubles and redemption.
The documentary is split into two main parts, first we follow the painter as she uncovers whatever she can about the crime in an attempt to recover the pieces. The second follows out thief and the struggles of his life. Each side of the story shows very different ways of existing, but as it evolves you make surprising discoveries about them both that open your eyes to how reality is sometimes hidden underneath a persona we project.
We're treated to an enlightening journey with the way the narrative is laid out, and it's one that's almost impossible not to react to. Everything from the simple frustrations, to fear and worry, shows through as the connection between them grows, it feels more and more... uncomfortable. This is actually addressed by Barbora's boyfriend and it seems only evident to us and him that it's all a little nuts. At the end I was particularly shocked by the outcome.
Overall I had expected to see more about the crime itself, and in what I'd seen leading up to this it felt like it was bigger, but the crime actually comes across as quite unexceptional. That leaves us with a documentary that's much more focused on human fascination and curiosity, and in my opinion, how that can turn into an unhealthy obsession. While the second half feels more engaging, it was a bit of a slog getting to that. As a piece about human nature it's interesting, but when presented with something involving a crime I'm much more interested in seeing that than anything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/the-painter-thief-movie-review.html
Heather Cranmer (2721 KP) rated Spine Chillers: The Scarecrow in Books
Jan 4, 2019
The Plot (2 more)
The Pacing
The Characters
A Great Spooky Read!
I've read two other novels by Nancy Gray, Empty Eyes and Krampus, so when I read the synopsis of The Scarecrow, I know I had to read it. It sounded really interesting. I was not disappointed.
All of the previous books in the Spine Chillers series have been short, and The Scarecrow was no exception. I love how each book in the series can be read as a standalone.
I found myself enthralled by the plot of The Scarecrow from the very beginning. Once I started reading, I was immediately thrust into all the action. Yes, the plot about a scary scarecrow come to life has been done many times before, but I loved the way Nancy Gray made her story a bit different. There are a couple of plot twists, and there was even one I didn't see coming. The Scarecrow is a scary read, but it's not overly scary for its targeted audience. I found the world building to be believable. It was easy to be transported to Sophie's world with each word I read.
The pacing for The Scarecrow is done fantastically. Not once did it slow down to where it became boring, and it was never too fast paced where I was just left confused. The pacing is spot on, and I found myself wanting to know more about the scarecrow, Hunt, Sophie, and Edward with each page. This was a definite page turner. Luckily The Scarecrow is a short read because I never wanted to stop reading. I had to know how everything would turn out.
I loved the characters in The Scarecrow. I found Sophie to be incredibly brave and sweet the way she was willing to put her life on the line to look for and save her cousin. Edward was an interesting character in a good way. Even the adults in this book were likable as well as believable.
Trigger warnings for The Scarecrow include one minor profanity (one of the characters says "what the hell"), violence, and disobeying adults.
Overall, The Scarecrow is a great read for those that like to be spooked. It has a great story line, interesting characters, and fantastic pacing. I would definitely recommend Spine Chillers: The Scarecrow by Nancy Gray to those aged 11+. Even though this is written for the middle grade age group, I really think adults would enjoy it too.
All of the previous books in the Spine Chillers series have been short, and The Scarecrow was no exception. I love how each book in the series can be read as a standalone.
I found myself enthralled by the plot of The Scarecrow from the very beginning. Once I started reading, I was immediately thrust into all the action. Yes, the plot about a scary scarecrow come to life has been done many times before, but I loved the way Nancy Gray made her story a bit different. There are a couple of plot twists, and there was even one I didn't see coming. The Scarecrow is a scary read, but it's not overly scary for its targeted audience. I found the world building to be believable. It was easy to be transported to Sophie's world with each word I read.
The pacing for The Scarecrow is done fantastically. Not once did it slow down to where it became boring, and it was never too fast paced where I was just left confused. The pacing is spot on, and I found myself wanting to know more about the scarecrow, Hunt, Sophie, and Edward with each page. This was a definite page turner. Luckily The Scarecrow is a short read because I never wanted to stop reading. I had to know how everything would turn out.
I loved the characters in The Scarecrow. I found Sophie to be incredibly brave and sweet the way she was willing to put her life on the line to look for and save her cousin. Edward was an interesting character in a good way. Even the adults in this book were likable as well as believable.
Trigger warnings for The Scarecrow include one minor profanity (one of the characters says "what the hell"), violence, and disobeying adults.
Overall, The Scarecrow is a great read for those that like to be spooked. It has a great story line, interesting characters, and fantastic pacing. I would definitely recommend Spine Chillers: The Scarecrow by Nancy Gray to those aged 11+. Even though this is written for the middle grade age group, I really think adults would enjoy it too.
Ross (3284 KP) rated Doors: Twilight in Books
Mar 24, 2021
Great idea, poorly executed
The idea behind the Doors books is that of three different versions of a story with a shared beginning, but the stories diverge when the characters go through one of three (actually five but two are ignored as far as I'm aware!) doors. A team of people, each hired for their own area of expertise, are tasked with rescuing a rich German man's daughter who has wandered down into the mysterious cellar of their former family home, where a series of doors are believed to lead to strange new places.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
What can I say about <i>Revenger</i>?
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.