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Gareth von Kallenbach (977 KP) rated 1917 (2020) in Movies
Nov 28, 2019
World War I was called “The Great War” and “The War to End All Wars” as the sheer number of nations and continents involved in the conflict as well as the tremendous loss of life; was thought to be so horrific that war would become a thing of the past.
As we know this did not happen as a generation later the world was once again at war with even great death and destruction to follow. However in “1917” we see the conflict from the viewpoint of a lowly Corporal Schofield (George MacKay) who along with his friend Blake (Dean-Charles Chapman) are tasked with delivering a message across enemy lines to warn advanced units to call of an attack due to an ambush being set by the Germans.
The duo are told that the enemy has pulled back and as such; the dreaded No Man’s Land between the opposing trenches are likely to be abandoned as well their approach to a town near their destination. With the phone lines down; the duo are the only option and they are at first shocked to learn that it would just the two of them.
As they make their way across a grim and corpse-laden battlefield, the audience as well as the two men get a look at the horrific conditions that combat took place under and how fallen individuals were left to decompose where they fell due to the entrenched and stagnant nature of Trench Warfare.
As complications mount, the two must face up to their greatest fears and challenges; driven by a sense of mission and purpose for a conflict they just want to see end so they can return home to their families.
Director Sam Mendes has crafted an Oscar Caliber film as it is gripping as it is breathtaking thanks to the amazing visuals. The contrast between the beauty of the landscape and the carnage of war has rarely been captured as well as it was in this film and the fact that Mendes had a hand in writing the story based on stories told by a relative really help to bring the full impact of the story home.
The film has some amazing sequences like sustained and extended shots where you wonder how Mendes was able to film scenes with so many things going on in one take as there is a scene near the start that looks as if it is an extended scene with no breaks or cutaways.
In the end the biggest selling point for the film is that it is a human drama at its core. While there is combat and action, they are not the focal points as much of the film centers around the young men and their conversations.
The film will stay with you after the credits roll and I consider “1917” to be one of the best films of 2019 and one not to be missed.
As we know this did not happen as a generation later the world was once again at war with even great death and destruction to follow. However in “1917” we see the conflict from the viewpoint of a lowly Corporal Schofield (George MacKay) who along with his friend Blake (Dean-Charles Chapman) are tasked with delivering a message across enemy lines to warn advanced units to call of an attack due to an ambush being set by the Germans.
The duo are told that the enemy has pulled back and as such; the dreaded No Man’s Land between the opposing trenches are likely to be abandoned as well their approach to a town near their destination. With the phone lines down; the duo are the only option and they are at first shocked to learn that it would just the two of them.
As they make their way across a grim and corpse-laden battlefield, the audience as well as the two men get a look at the horrific conditions that combat took place under and how fallen individuals were left to decompose where they fell due to the entrenched and stagnant nature of Trench Warfare.
As complications mount, the two must face up to their greatest fears and challenges; driven by a sense of mission and purpose for a conflict they just want to see end so they can return home to their families.
Director Sam Mendes has crafted an Oscar Caliber film as it is gripping as it is breathtaking thanks to the amazing visuals. The contrast between the beauty of the landscape and the carnage of war has rarely been captured as well as it was in this film and the fact that Mendes had a hand in writing the story based on stories told by a relative really help to bring the full impact of the story home.
The film has some amazing sequences like sustained and extended shots where you wonder how Mendes was able to film scenes with so many things going on in one take as there is a scene near the start that looks as if it is an extended scene with no breaks or cutaways.
In the end the biggest selling point for the film is that it is a human drama at its core. While there is combat and action, they are not the focal points as much of the film centers around the young men and their conversations.
The film will stay with you after the credits roll and I consider “1917” to be one of the best films of 2019 and one not to be missed.
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JT (287 KP) rated Rogue (2008) in Movies
Mar 10, 2020
Along the quiet river banks of the Australian outback, buried deep within the baron red plains that surround desolate bush, lies a fear, a fear that lurks beneath the murky waters. Greg McLean does to boat trips what backpacking did for Wolf Creek, after seeing it you’re going to want to steer well clear of ever doing it.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Phillip Youmans recommended City Of God (2002) in Movies (curated)
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Felipe (17 KP) rated Chaplin (1992) in Movies
Dec 7, 2020
A modern tragedy meant to be one of the greats
Contains spoilers, click to show
Richard Attenborough delivers another masterpiece of cinematic biography and is a worthy successor to Ghandi. The structure of the film is told as a flashback while Charlie Chaplin is writing his autobiography with a fictional editor that does not exist. We see for the first time the flaws of who Chaplin is as a person and we see him confront his past in a way that is painful not unlike how it is painful when we relive moments in our lives we would rather choose to forget. However, the success of the film is how it strips the illusion of who Chaplin was and presents to us a person who is tragically flawed but who is unbale to appreciate his own genius. An example is when Chaplin's version of the invention of the Tramp is seen for what he imagined it to be an idealized moment in which the character is calling to him except for what it really was, We see the reality of the movies during this time; a hectic spur of the moment improvised invention drawn from real life. Yet we see Chaplin as the midwife to this new artform the movies and we see him develop it for what it is, the highest expression of art that stirs our imagination and makes us believe anything is possible. We even cry during Chaplin's moments of personal tragedy; the insanity and loss of his mother; repeated failed marriages; the death of his best friend, Douglas Fairbanks and finally his tragic and painful exile from America the only place he knew as home all taking place in the backdrop of the invention and evolution of cinema. However, I feel that in the end Chaplin is the one that comes out triumphant. In the last moments of the movie we see how Chaplin despairs that he feels that he has been forgotten and made irrelevant by the changing times; he feels that the weight of not only his age but the weight of the world on his shoulders and yet we see that everything he believes himself to be is completely wrong when Hollywood bestows on him the greatest honor which is not only the special Oscar but also a standing ovation. His final triumph is to be made a knight by Queen Elizabeth II, we are truly made to see that although flawed he is triumphant in the end.
Lindsay (1717 KP) rated Anchor in the Storm (Waves of Freedom, #2) in Books
Aug 30, 2018 (Updated Apr 9, 2019)
Anchor in the Storm is sweet and lovely read. I felt like I was in the story and I felt bad for Lillian and Arch. What will they endure together?
Sarah Sundin put you through the emotions with all her stories, but this one had me with my emotions after a chapter. Lillian finds out her brother is missing after an attack on his Navy ship "Atwood".
Are you a fan of Historical Fiction or do you enjoy reading about World War Two? This book has that feel to it. I enjoy learning about how we got into World War 2.
Lillian wants to be a druggist and a female one at that. In an era that is still new to the world with female having jobs. We are at the beginning of World War Two. The story starts out December 7, 1942, or around that time.
Arch is on leave time from the Navy. He has to deal with his troubles. Will they find love together and find out they need to open up and trust god first.
Arch seems to annoy Lillian and Lillian needs to prove herself. When they get to Boston something is up with her new job. They're a lot of perceptions for sedatives. Could there be a drug ring? Arch is dealing with it though the Navy's end for he sees it going on with his men. Is there a romance in the air?
Sarah Sundin put you through the emotions with all her stories, but this one had me with my emotions after a chapter. Lillian finds out her brother is missing after an attack on his Navy ship "Atwood".
Are you a fan of Historical Fiction or do you enjoy reading about World War Two? This book has that feel to it. I enjoy learning about how we got into World War 2.
Lillian wants to be a druggist and a female one at that. In an era that is still new to the world with female having jobs. We are at the beginning of World War Two. The story starts out December 7, 1942, or around that time.
Arch is on leave time from the Navy. He has to deal with his troubles. Will they find love together and find out they need to open up and trust god first.
Arch seems to annoy Lillian and Lillian needs to prove herself. When they get to Boston something is up with her new job. They're a lot of perceptions for sedatives. Could there be a drug ring? Arch is dealing with it though the Navy's end for he sees it going on with his men. Is there a romance in the air?
Joe Goodhart (27 KP) rated New X-Men: Childhood's End, Volume 2: Crusade in Books
Nov 30, 2020
I finished reading NEW X-MEN: CHILDHOOD'S END Vol 2 this afternoon. Wow! No, seriously, WOW! I thought the first volume had some drama going on, but this volume turned that drama up to eleven!
It's a brutal story, as the New X-Men have to struggle with trying to work as team as well as dealing with their teammates getting killed by Reverend Stryker. Humor is nowhere to be found in this story. From the opening pages' funeral for the "M-Day"/"mutant powers no more" students who perished at the end of the first volume, you can tell you're gonna have a storyline big on the feels!
For me, what really stood out for me was the way Laura Kinney's (X-23) was written, as well as the students' reactions to all the ensuing chaos. We can see some of the students starting to think of Laura as one of them, instead of just the token "weird, new kid". I am pleased with Marvel's decision to let Yost and Kyle handle this. Man, I miss GOOD editorial decisions, versus the ham-fisted ones being made of late!
Okay, I am already over-anxious, wanting to go read Vol. 3, as this story arc is like a loose tooth you gotta wiggle. Yes, it's very moody and sombre, but it should be, as this TPB features a hell of lot of death and destruction. Initially, I did not necessarily approve of the basis for the revived X-FORCE, but seeing what these poor kids went through, yeah, the world definitely called for a team that allowed for killing of the Big Bads.
In short, read this, but definitely read Vol. 1 first!
<b>RATING:</b> 5 out of 5 SNIKTS
It's a brutal story, as the New X-Men have to struggle with trying to work as team as well as dealing with their teammates getting killed by Reverend Stryker. Humor is nowhere to be found in this story. From the opening pages' funeral for the "M-Day"/"mutant powers no more" students who perished at the end of the first volume, you can tell you're gonna have a storyline big on the feels!
For me, what really stood out for me was the way Laura Kinney's (X-23) was written, as well as the students' reactions to all the ensuing chaos. We can see some of the students starting to think of Laura as one of them, instead of just the token "weird, new kid". I am pleased with Marvel's decision to let Yost and Kyle handle this. Man, I miss GOOD editorial decisions, versus the ham-fisted ones being made of late!
Okay, I am already over-anxious, wanting to go read Vol. 3, as this story arc is like a loose tooth you gotta wiggle. Yes, it's very moody and sombre, but it should be, as this TPB features a hell of lot of death and destruction. Initially, I did not necessarily approve of the basis for the revived X-FORCE, but seeing what these poor kids went through, yeah, the world definitely called for a team that allowed for killing of the Big Bads.
In short, read this, but definitely read Vol. 1 first!
<b>RATING:</b> 5 out of 5 SNIKTS