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Sparring with Life Jimmy Tibbs My Autobiography
Book
The Kray Twins approached him to be his manager at the age of 18, but his dad had the unenviable...
Ross (3284 KP) rated The Sieve (Drakon Book 1) in Books
Jul 31, 2018
Very short book 1 of 4
This first instalment in the Drakon book sees a mysterious figure, Da-Ren, appear at a monastery looking for salvation, and then follows his memories of his coming-of-age journey as a 12 year-old boy. Dragged from his bed in the orphans camp of his tribe and thrown into The Sieve - a 6 week long trial to weed out the weakest of the tribe, he and his fellow tribe members are forced to stand barely clothed in the freezing field - if they don't fall they get the luxury of clothes and meat; otherwise its porridge. The story flows really well and only seems to drag in a couple of chapters - quite a feat considering the daily drudge being described!
This first part is very short indeed and I can't help but wonder why. I think the overall page count of the full 4 "book" series is about 1500 - so cutting it in to 4 sections seems a little far. This book is about 250 pages. While it tells the full story of Da-Ren's time in the sieve and concludes with his final rating (the role he will perform for the tribe for the rest of his life) I think more of the present story (the monastery) could have been added on the end. A story featuring flashbacks should absolutely not finish in the flashback - showing that this is not really a standalone book at all.
I will read the rest of the series in due course as I loved the storytelling, the world built and am intrigued as to what is next.
This first part is very short indeed and I can't help but wonder why. I think the overall page count of the full 4 "book" series is about 1500 - so cutting it in to 4 sections seems a little far. This book is about 250 pages. While it tells the full story of Da-Ren's time in the sieve and concludes with his final rating (the role he will perform for the tribe for the rest of his life) I think more of the present story (the monastery) could have been added on the end. A story featuring flashbacks should absolutely not finish in the flashback - showing that this is not really a standalone book at all.
I will read the rest of the series in due course as I loved the storytelling, the world built and am intrigued as to what is next.
Hazel (1853 KP) rated Running From Twenty Four in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
“Sometimes life isn’t all unicorns puking rainbows when you’re young, free and single in London town.” What Sam thinks is going to be a night of consoling her best friend Jason after the death of his father turns into a drunken night ending in tragedy. Whilst sitting in a pub until the early hours of the morning, Sam and her friends become acquainted with barmaid Toni who invites them to a house party. Too drunk to turn the offer down they all end up at a flat owned by the eccentric Ulysses, drinking cocktails full of who knows what, surrounded by dozens of dressed up people.
Tragic circumstances cause the five 20-somethings to pull together after making poor decisions in an attempt to deal with a certain result of the party. Lack of common sense makes their night worse before it can get better, but thankfully it all turns out all right in the end.
As well as the drunken storyline, the reader learns more about the character Sam, from her dull job to her learning to live with her sexuality. Although the beginning of the story portrays Sam as a girl without much care in the world, it turns out she is suffering with frequent anxiety attacks and depression.
<i>Running From Twenty Four</i> is about people in their twenties trying to find their way in life whilst also dealing with grief and heartbreak. It also comes with a message about appreciating what you have now and not worrying so much about everything else.
<i>Running From Twenty Four</i> by Shem Douglas is a short story that can be read within a couple of hours, however some readers may be uncomfortable with some of the themes, particularly suicidal ideation. Despite some of the morbid topics the story is entertaining and humorous, ideal for readers in their twenties who feel they have not quite found their path in life.
“Sometimes life isn’t all unicorns puking rainbows when you’re young, free and single in London town.” What Sam thinks is going to be a night of consoling her best friend Jason after the death of his father turns into a drunken night ending in tragedy. Whilst sitting in a pub until the early hours of the morning, Sam and her friends become acquainted with barmaid Toni who invites them to a house party. Too drunk to turn the offer down they all end up at a flat owned by the eccentric Ulysses, drinking cocktails full of who knows what, surrounded by dozens of dressed up people.
Tragic circumstances cause the five 20-somethings to pull together after making poor decisions in an attempt to deal with a certain result of the party. Lack of common sense makes their night worse before it can get better, but thankfully it all turns out all right in the end.
As well as the drunken storyline, the reader learns more about the character Sam, from her dull job to her learning to live with her sexuality. Although the beginning of the story portrays Sam as a girl without much care in the world, it turns out she is suffering with frequent anxiety attacks and depression.
<i>Running From Twenty Four</i> is about people in their twenties trying to find their way in life whilst also dealing with grief and heartbreak. It also comes with a message about appreciating what you have now and not worrying so much about everything else.
<i>Running From Twenty Four</i> by Shem Douglas is a short story that can be read within a couple of hours, however some readers may be uncomfortable with some of the themes, particularly suicidal ideation. Despite some of the morbid topics the story is entertaining and humorous, ideal for readers in their twenties who feel they have not quite found their path in life.
Hydraulic Control Systems: Theory and Practice
Takao Nishiumi and Shizurou Konami
Book
A hydraulic system controls the transmission of energy. It transforms the mechanical energy of a...
Hazel (1853 KP) rated The Diamond Courier in Books
Dec 10, 2020
Twenty years have passed since the end of Hannah Byron's World War One novel In Picardy's Fields. It is now 1939 and the Second World War is just beginning, but all seems peaceful in Kent, England where the narrator, Lili Hamilton, lives with her parents. War is the last thing on Lili's mind as she contemplates how to get out of an arranged marriage and pursue a career in journalism.
The surname Hamilton may be familiar to those who have read the previous book but Lady Madeleine has left her war achievements far behind in The Diamond Courier where she plays the role of a prim and proper lady of the house. Her daughter, Liliane, feels trapped by her sensible parents' expectations who thwart her plans to be a political journalist. Yet Lili, encouraged by the handsome leader of the British Communist Party Leo Oppenheim, perseveres, thus estranging herself from her family.
Lili soon learns living in London with Leo is not the life she desired, but feels it is too late to back out, especially after witnessing the treatment of Jews on the continent. The Jewish community need someone to bring their precious diamonds to safety before the Germans get their hands on them, and they believe Lili is the best person for the job. Unless, of course, she gets caught.
The Diamond Courier is much darker than Byron's previous book. Naturally, war is not a happy topic, but the sense of hope felt in In Picardy's Fields is missing in this novel. The story divides into two sections, "Leo" and "After Leo". The former is lengthier, drawn-out, and not always pleasant to read. The latter, on the other hand, is packed with danger, excitement and adventure.
For Lili, Communism is something new and exciting, which she desires to pursue. The party has clear views about the war, with which all members must agree. Yet, when faced with the horrors of war, Lili realises she must cast aside her political opinions. Whether Communist, Jew, sympathiser or resistance member, no one deserves the terrible treatment delivered by the Nazis.
Although this is a work of fiction, Byron remains faithful to the true nature of the Second World War. She does not gloss over any of the atrocities and, whilst the reader keeps their fingers and toes crossed that Lili will get her "happily ever after" ending, this cannot be possible for everyone in the novel.
Aiming to show the strength of women living in a "man's world", Byron has created female characters of whom to be proud and respect. Whilst the storyline may not always be pleasant, it is a gripping narrative that immerses the reader into Lili's life and experiences. Hannah Byron has a way with words that keeps the reader engaged throughout. She is an author to keep an eye on.
The surname Hamilton may be familiar to those who have read the previous book but Lady Madeleine has left her war achievements far behind in The Diamond Courier where she plays the role of a prim and proper lady of the house. Her daughter, Liliane, feels trapped by her sensible parents' expectations who thwart her plans to be a political journalist. Yet Lili, encouraged by the handsome leader of the British Communist Party Leo Oppenheim, perseveres, thus estranging herself from her family.
Lili soon learns living in London with Leo is not the life she desired, but feels it is too late to back out, especially after witnessing the treatment of Jews on the continent. The Jewish community need someone to bring their precious diamonds to safety before the Germans get their hands on them, and they believe Lili is the best person for the job. Unless, of course, she gets caught.
The Diamond Courier is much darker than Byron's previous book. Naturally, war is not a happy topic, but the sense of hope felt in In Picardy's Fields is missing in this novel. The story divides into two sections, "Leo" and "After Leo". The former is lengthier, drawn-out, and not always pleasant to read. The latter, on the other hand, is packed with danger, excitement and adventure.
For Lili, Communism is something new and exciting, which she desires to pursue. The party has clear views about the war, with which all members must agree. Yet, when faced with the horrors of war, Lili realises she must cast aside her political opinions. Whether Communist, Jew, sympathiser or resistance member, no one deserves the terrible treatment delivered by the Nazis.
Although this is a work of fiction, Byron remains faithful to the true nature of the Second World War. She does not gloss over any of the atrocities and, whilst the reader keeps their fingers and toes crossed that Lili will get her "happily ever after" ending, this cannot be possible for everyone in the novel.
Aiming to show the strength of women living in a "man's world", Byron has created female characters of whom to be proud and respect. Whilst the storyline may not always be pleasant, it is a gripping narrative that immerses the reader into Lili's life and experiences. Hannah Byron has a way with words that keeps the reader engaged throughout. She is an author to keep an eye on.
Anna Marie Green (7 KP) rated Mass Effect: Andromeda in Video Games
Jul 3, 2018
Incredible Scenery (2 more)
Excellent Gameplay
Good Story Concept
Horrible Dialogue Interactions (4 more)
Rushed Production Led to Disastrous Bugs
The Faces
Online Mode
Romance Options Feel Hollow
The Tragedy of Mass Effect
The game I love to hate.
ME:A is worth at least a single playthrough, at least to understand where the complainsts were coming from. This game enrages us so much for a variety of reasons:
1. It Isn't Really Mass Effect
For a the bells and whistles of the Mass Effect title, Andromeda feels more like an Alternative Universe Fanfiction. There are hints of the original hidden in the world– messages from Liara T'Soni, a mention of Shephard, and the logs with the Reapers– but the story is so jarringly different at times that they could have replaced any of the alien species with new ones and been none the wiser. Ryder's relationship with SAM is at complete odds with the entirery of the Mass Effect story. This was probably BioWare's narrative goal, but it was so poorly executed that it just read as lazinezs.
2. The Dialogue
I'm not entirely sure who was in charge of the game's dialogue, but I am certain they helped ghostwrite 50 Shades of Grey.
"He's dead. Ha. Probably because I shot him in the face."
"You, and your god damned father. Sorry. My face is tired."
It's just... Horrible. Like a really crummy porno imitation of a good film. The voice actors have awkward pauses and scenes where they just look at you for a few moments.
3. The Ruined Potential
The worst thing about this game is the fact that underneath all the mistakes, the palimpsest of poorly written dialogue, and the rushed money-grubbing of a rabid EA, Mass Effect Andromeda was actually... Fun? The story was genuinely interesting. The characters had good stories. The worlds were beautiful and creative.
The Angara were interesting and creative. The revelation towards the end? I wouldn't say I was completely surprised, but it did leave me wanting to know about the galaxy beyond the Heleus Cluster.
It's just a shame they ruined their own creation before it was even completed.
Andromeda was flawed and greedy, but at the same time, it was a testament to game design and world development.
ME:A is worth at least a single playthrough, at least to understand where the complainsts were coming from. This game enrages us so much for a variety of reasons:
1. It Isn't Really Mass Effect
For a the bells and whistles of the Mass Effect title, Andromeda feels more like an Alternative Universe Fanfiction. There are hints of the original hidden in the world– messages from Liara T'Soni, a mention of Shephard, and the logs with the Reapers– but the story is so jarringly different at times that they could have replaced any of the alien species with new ones and been none the wiser. Ryder's relationship with SAM is at complete odds with the entirery of the Mass Effect story. This was probably BioWare's narrative goal, but it was so poorly executed that it just read as lazinezs.
2. The Dialogue
I'm not entirely sure who was in charge of the game's dialogue, but I am certain they helped ghostwrite 50 Shades of Grey.
"He's dead. Ha. Probably because I shot him in the face."
"You, and your god damned father. Sorry. My face is tired."
It's just... Horrible. Like a really crummy porno imitation of a good film. The voice actors have awkward pauses and scenes where they just look at you for a few moments.
3. The Ruined Potential
The worst thing about this game is the fact that underneath all the mistakes, the palimpsest of poorly written dialogue, and the rushed money-grubbing of a rabid EA, Mass Effect Andromeda was actually... Fun? The story was genuinely interesting. The characters had good stories. The worlds were beautiful and creative.
The Angara were interesting and creative. The revelation towards the end? I wouldn't say I was completely surprised, but it did leave me wanting to know about the galaxy beyond the Heleus Cluster.
It's just a shame they ruined their own creation before it was even completed.
Andromeda was flawed and greedy, but at the same time, it was a testament to game design and world development.
Walkaway: A Novel
7.0
Rate It
Book
From New York Times bestselling author Cory Doctorow, an epic tale of revolution, love,...
Science fiction fiction
Olivia (102 KP) rated The Female of the Species in Books
Mar 27, 2019 (Updated Mar 27, 2019)
1/3rd Hard Candy, 1/3rd American Psycho 2, and 1/3rd Netflix's The End of the Fxxxing World
This book was perfect. I don't think I can really say anything negative about it. I found myself unable to tear my eyes from the pages for even a moment. I guess if I really had to nitpick, the ending was a little predictable. But that in no way takes away from the rest of the story or McGinnis' masterful writing.
I've heard a few people say it was intense, hard to finish. I personally, did not have that trouble. Then again, I watched and read a lot of stuff I probably shouldn't have at a really young age and am probably, at least slightly, emotionally stunted. I can definitely see where other readers are coming from though. So, as much as I highly recommend this book, proceed with caution.
I've heard a few people say it was intense, hard to finish. I personally, did not have that trouble. Then again, I watched and read a lot of stuff I probably shouldn't have at a really young age and am probably, at least slightly, emotionally stunted. I can definitely see where other readers are coming from though. So, as much as I highly recommend this book, proceed with caution.
Lonely Planet Traveller
Travel and Magazines & Newspapers
App
Need holiday inspiration? Lonely Planet Traveller is packed with ideas, whether you’re after a...
BankofMarquis (1832 KP) rated Knock at the cabin (2023) in Movies
Mar 31, 2023
Disappointing Ending
Writer/Director M. Night Shyamalan is a hit or miss film maker and that is because his films (usually) rely on a “twist” in the proceedings that make the movie you are watching turn into something different. Sometimes it works (the classic THE SIXTH SENSE), sometimes it doesn’t (THE HAPPENING). But, at least he has the courage of his convictions and you have to respect him for that. However, in KNOCK AT THE CABIN, Shyamalan is doing something that might undercut those twists – he’s beginning to pull his punches.
KNOCK AT THE CABIN opens with an interesting premise – a couple and their daughter are at a remote cabin (with, conveniently enough, no cell phone service) when 4 strangers show up and declare that the world will end unless one of the 3 is sacrificed to stop the upcoming carnage.
It’s a good idea that has, inherently, some moral complications and one quickly jumps onto the side of the 3 in the cabin, writing off the 4 strangers as insane, but as events transpire – and the seeming sincerity of the 4 strangers comes into focus – one starts to have doubts.
Shyamalan does a professional job of weaving the tension into the first ¾ of this film as the 3 in the cabin are trying to make logical sense out of the predicament they are in while the 4 strangers become more and more desperate in their attempts to convince the trio in the cabin to sacrifice one of themselves. This is a director sure of himself and slowly, strongly leading the audience to the ending.
He helps himself by casting some VERY good performers in a film that, basically, takes place in one room. Jonathan Groff (Broadway’s HAMILTON) and Ben Aldridge (Thomas Wayne in the TV Series PENNYWORTH) are convincing and believable as the besieged couple, while David Bautista (Drax in the GUARDIANS OF THE GALAXY films), Rupert Grint (yes, Ron Weasley from the HARRY POTTER films) and newcomer (at least to me) Abby Quinn (RADIUM GIRLS) counterbalance these two nicely. Special notice needs to be made of the 4th person knocking on the cabin, Nikki Amuka-Bird (THE OUTFIT) and youngster Kristen Cui – who both bring much needed pathos and humanity to a film that could have turned into an out-of-control testosterone fest, but ended up being grounded by these two.
So, all of this adds up to a very good time at the movie theater – providing that Shyamalan can stick the landing of this piece.
Alas, he does not. And he does something worse – he pulls his punches as the outcome of one of the characters is changed from what happens to them in the 2018 novel THE CABIN AT THE END OF THE WORLD by Paul Tremblay. Shyamalan could have delivered a gut punch to the audience to accentuate the past bit of time spent with these characters (kind of like what Frank Darabont did with THE MIST) but instead decides to play it safe and lands squarely in the middle of mediocrity-land.
Your enjoyment of this film will depend on how much you like how this film ends. For the BankofMarquis, it was ¾ of a good film with a bad ending.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
KNOCK AT THE CABIN opens with an interesting premise – a couple and their daughter are at a remote cabin (with, conveniently enough, no cell phone service) when 4 strangers show up and declare that the world will end unless one of the 3 is sacrificed to stop the upcoming carnage.
It’s a good idea that has, inherently, some moral complications and one quickly jumps onto the side of the 3 in the cabin, writing off the 4 strangers as insane, but as events transpire – and the seeming sincerity of the 4 strangers comes into focus – one starts to have doubts.
Shyamalan does a professional job of weaving the tension into the first ¾ of this film as the 3 in the cabin are trying to make logical sense out of the predicament they are in while the 4 strangers become more and more desperate in their attempts to convince the trio in the cabin to sacrifice one of themselves. This is a director sure of himself and slowly, strongly leading the audience to the ending.
He helps himself by casting some VERY good performers in a film that, basically, takes place in one room. Jonathan Groff (Broadway’s HAMILTON) and Ben Aldridge (Thomas Wayne in the TV Series PENNYWORTH) are convincing and believable as the besieged couple, while David Bautista (Drax in the GUARDIANS OF THE GALAXY films), Rupert Grint (yes, Ron Weasley from the HARRY POTTER films) and newcomer (at least to me) Abby Quinn (RADIUM GIRLS) counterbalance these two nicely. Special notice needs to be made of the 4th person knocking on the cabin, Nikki Amuka-Bird (THE OUTFIT) and youngster Kristen Cui – who both bring much needed pathos and humanity to a film that could have turned into an out-of-control testosterone fest, but ended up being grounded by these two.
So, all of this adds up to a very good time at the movie theater – providing that Shyamalan can stick the landing of this piece.
Alas, he does not. And he does something worse – he pulls his punches as the outcome of one of the characters is changed from what happens to them in the 2018 novel THE CABIN AT THE END OF THE WORLD by Paul Tremblay. Shyamalan could have delivered a gut punch to the audience to accentuate the past bit of time spent with these characters (kind of like what Frank Darabont did with THE MIST) but instead decides to play it safe and lands squarely in the middle of mediocrity-land.
Your enjoyment of this film will depend on how much you like how this film ends. For the BankofMarquis, it was ¾ of a good film with a bad ending.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)