Last Breath
6.8
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The fantastic prequel to The Good Daughter, the stunning new standalone from the No. 1 bestselling...
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The Gloaming
10.0
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Mara’s island is one of stories and magic. She knows she’ll eventually end her days atop the...
LGBTQ+ Magical Realism
The Little Book of Man City
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In 2012, 44 years of agonised waiting came to an end with Manchester City winning the Premier League...
Phil Leader (619 KP) rated The Magicians' Guild (Black Magician Trilogy, #1) in Books
Nov 20, 2019
The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.
Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.
The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.
The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.
Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.
This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.
Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.
Hazel (1853 KP) rated These Shallow Graves in Books
Dec 17, 2018
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
Bostonian916 (449 KP) rated The Hunt (2020) in Movies
Jun 29, 2020
Perhaps what's the most disturbing in reflection is that in the climate of the world today, I can actually see something similar being played out in real life. Obviously without the twists and turns of Hollywood, but suffice it so say that there are some bonkers things going on in the universe we live in.
Back to the movie...
Incredible acting by everyone involved. I can think of at least three different occasions where I began to really track and follow a character thinking that they were going to be a main protagonist (or antagonist, depending on your point of view) only to then almost immediately watch them get snuffed quicker than a bag of nails at a hammer convention. Pretty interesting way to approach it. But honestly, it worked well for this particular movie.
The choreography of the final sequence was remarkable. Humor was appropriately injected and the scene made you actually believe that it could happen under similar circumstances, to a degree, of course.
All in all, I'm thankful that everyone involved finally had the fortitude to release this movie. Regardless of what side of the political fence you fall on, there are lessons to be learned, even though it might be uncomfortable to do so. And to be frank, at the end of the day, just a bit of compassion and understanding would have prevented the events of this film from unfolding. But that wouldn't have made for much of a movie.
Trickery (Curse of the Gods, #1)
Jaymin Eve and Jane Washington
8.7
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Willa Knight: Dweller. Slave. Non-magical being. In Minatsol, being a dweller means that you are...