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Michael is a 14-year-old who gets bullied in school, and just so happens to have electrical powers? The tale seems familiar until the exciting addition of having these special abilities is introduced. One of my favourite superpowers or forms of magic is one that is based on the elements, so I was very curious to see how electricity would be represented here. It was fascinating to see how it could manifest itself differently and be used in a variety of situations.

The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.

It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.

As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.

I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
  
Jurassic World: Fallen Kingdom (2018)
Jurassic World: Fallen Kingdom (2018)
2018 | Action, Adventure, Sci-Fi
A bold new era
“We’re not on an island anymore” barks Chris Pratt’s Owen Grady towards the finale of Jurassic World: Fallen Kingdom. And he’s not wrong, the fifth film in the Jurassic franchise says goodbye to Isla Nublar in rip-roaring fashion, transforming itself into a a family friendly gothic horror film in its last hour.

Ok, ok, let’s start from the beginning. The Jurassic franchise has often been criticised for relying too heavily on the same story points to make a film. 2015’s Jurassic World, whilst becoming one of the highest-grossing films of all time, was lambasted for being a modern-day reimagining of 1993’s classic, Jurassic Park. And while some of that criticism was justified, it was still pure sugary, popcorn entertainment.

Now, three years later, director J.A. Bayona (The Impossible, A Monster Calls) takes over from Colin Trevorrow to bring us a film that starts out like we expect, but ends on a note that will transform the series beyond recognition. The question is, does it actually work?

Three years after the destruction of the Jurassic World theme park, Owen Grady (Pratt) and Claire Dearing (Bryce Dallas Howard) return to the island of Isla Nublar to save the remaining dinosaurs from a volcano that’s about to erupt. They soon encounter terrifying new breeds of gigantic dinos while uncovering a conspiracy that threatens the entire planet and our own existence.

Fallen Kingdom begins with a pre-title card sequence situated in the lagoon of Isla Nublar that is up there with the best in the series. J.A. Bayona masterfully uses light and shadow to create a really compelling opening that is sure to be one of the summer’s best action scenes. And that is a trait that is brought to the rest of the film. Fallen Kingdom is absolutely beautiful.

The cinematography is exquisite and much better than the staid filming style of Bayona’s predecessor. There are scenes throughout this film that feel like they could be pulled straight from the screen and hung in your living room: it’s gorgeous.

Despite Bayona’s inexperience at creating a juggernaut film like this, his previous films are felt throughout. There’s a deep, earthy colour palatte that is the polar opposite of what we saw in Jurassic World. Where that was clinical and far too blue, Bayona’s colourings feel real, raw and grounded in reality.

The cast is also an incredibly strong part of the film. Pratt and Bryce Dallas Howard both sizzle with on-screen chemistry and there’s a cheeky nod to the backlash Howard faced after wearing high-heels for much of Jurassic World’s runtime. Newcomers Justice Smith and Daniella Pineda are terrific as a jumpy IT wiz and veterinary surgeon respectively. James Cromwell is nicely ret-conned into the story as John Hammond’s business partner, Benjamin, and adds a touch of class to proceedings.

Rafe Spall is excellent as the slimy assistant of Benjami, Eli and Toby Jones hams up the screen as an auctioneer. So far, so good then?

The first half of the film, situated on Isla Nublar as it pops into life is astounding and features some of the best destruction ever put to film. The CGI is leaps and bounds ahead of its predecessor and the dinosaurs feel absolutely real throughout. What I didn’t expect however, is poignancy. There are moments in Fallen Kingdom that have real emotional whack, especially as the rescue operation leaves the island. A lone Brachiosaur standing at the dock is heart-breaking and beautifully done.

J.A. Bayona utilises his horror roots beautifully and there is no denying it is the best-looking film in the series
Unfortunately, Fallen Kingdom’s biggest selling point is also its biggest downfall. In trying to do something new, the film stalls as we head to a gothic-esque mansion for the final hour. The confines of the house slow the pacing right down and despite the constant onslaught of action, it really does lag. The special effects and animatronics remain flawless and the action is thrilling, but the script lets them down.

Speaking of the script, this was Jurassic World’s biggest weakness and the same can be said here. Colin Trevorrow and Derek Connelly should be applauded for bringing this franchise back from the edge of extinction, but my god, they cannot write dialogue to save their lives. The characters often converse in what feels like speech bubbles and this can really bring you out of the moment.

There’s also a laughably poor plot twist that feels like it was written by a five-year-old to add some wow factor to the film’s final third. It fails miserably. Then there’s the film’s ‘villain’, the Indoraptor. This genetically modified beast is a sorely underdeveloped entity throughout the film. Sure, she’s menacing enough, but it feels shoehorned in. Trevorrow has stated that Fallen Kingdom will be the last Jurassic movie to feature hybrid dinosaurs: this is absolutely the right decision.

Trevorrow has said that his Jurassic vision is a new trilogy, but the ending of Fallen Kingdom feels like it simply can’t be fixed in one more film. It’s Planet of the Apes-esque in scale.

When we take a look at the score, it’s a story of two halves. Michael Giacchino is one of the greatest composers working today and his music for Jurassic World was absolutely sublime. Here, however, the music is unrecognisable as Jurassic in its construction. John Williams’ iconic theme is rendered to a few bars here and there and that’s a real shame. It’s a good score most definitely, but it could have been so much better.

Finally, we have to circle back around to the cast and the elephant in the room: Jeff Goldblum. His return as Dr Ian Malcolm in this film adds a nice bookend, beginning and end, but you have seen all but two or three lines of his dialogue in the trailer. A horrifically underused presence, but a nice cameo nonetheless.

Overall, Jurassic World: Fallen Kingdom is a solid addition to the ever-expanding series. J.A. Bayona utilises his horror roots beautifully and there is no denying it is the best-looking film in the series with superb set pieces, well-choreographed action and gorgeous cinematography. However, once again the film is let down by poor scriptwriting from Trevorrow and Connelly and a second half that struggles to keep pace with the stunning first.

Is it better than Jurassic World? Well that’s for you to decide, but comparing them is almost impossible.


https://moviemetropolis.net/2018/06/07/jurassic-world-fallen-kingdom-review-a-bold-new-era/
  
Formula 51 (2002)
Formula 51 (2002)
2002 | Action
4
4.0 (1 Ratings)
Movie Rating
Story: The 51st State starts in 1971 California where Elmo McElroy (Jackson) getting caught smoking weed losing he recently receive diploma in pharmacy. Move forward 30 years Elmo works as a drug maker for The Lizard (Meat Loaf). We learn that Dakota (Mortimer) owes The Lizard a debt which she pays off with her assassin skills. Elmo has taken it upon himself to escape The Lizard but he doesn’t get the job done, this leads to The Lizard giving Dakota a chance to clean her slate for good by sending her to kill Elmo and the drug dealer who never turned up for the deal Durant (Tomlinson).

Next we meet Felix DeSouza (Carlyle) a fellow dealer who is happy to live in Manchester while cheering for Liverpool putting him into conflict when he doesn’t need too. Felix has to deliver Elmo to Durant to help with the latest deal as Elmo brings his product to England but to keep things interesting Dakota just so happens to be Felix’s ex make the assassination attempt difficult due to the personal side.

It is up to Felix and Elmo to try and work out a deal in the city before the time runs out with Dakota trying to track down Elmo to for The Lizard. All this while determined detective Kane (Pertwee) want in on the action and to stop the deal taking place. All these factors lead to the final outcome of the film when we find out just who is playing who.

The 51st State is a film that really made me want to switch it off very early because the needless amount of swearing and aggressive toning of the language just seemed to be there because someone couldn’t think of any real words. I wasn’t the most interested in this film because of the heavy drug use either because I feel drugs over use makes people out to stupid because not everyone needs drugs but the films seems to make the point everyone does. After getting through the opening half of the film and getting used the poorly written script the story does unfold to be quite interesting. We get plenty of twists and turn along the way and the final twist does actually make you smile because of how Elmo has handled it all. (5/10)

 

Actor Review

 

Samuel L Jackson: Elmo McElroy is the most wanted chemist in the world of drugs, he decides to leave his old market behind and take his work to England where he gets stuck in the middle of a battle for power between the drug lords. Samuel does end up giving us a performance you would expect but his image if something that will shock with his kilt. (7/10)

 elmo

Robert Carlyle: Felix DeSouza is the hot head Liverpool fan who works for a drug lord in the city but when things get out of hand he has to help settle the deal for Elmo and his price tickets to Liverpool v Manchester United. Robert gives the performance you would expect from the British star. (7/10)

robert

Emily Mortimer: Dakota Parker is the deadly beautiful assassin who is working off a debt from The Lizard, she has history with Felix but is working on catching Elmo for The Lizard. Emily does a good job as the assassin with a past. (7/10)

 dakota

Meat Loaf: The Lizard is the American drug lord that has been double crossed by Elmo but he isn’t taking it lightly when he sends his best assassin to bring him back to complete the business deal they had going down. Meat Loaf does end up giving a performance you wouldn’t expect from the musician. (7/10)

 

Rhys Ifans: Iki is the local dealer who can help get the deal done in Liverpool once everything gets out of hand. He is playing both sides because he is the go to guy in the city. Rhys is one of the best over the top crazy performers in the acting work and he shows why here. (7/10)

 ike

Support Cast: The 51st State has a supporting cast that includes plenty of different characters involved in the drug world that all help motive our characters.

 

Director Review: Ronny Yu – Ronny does try to give us a crime caper but does he need to just have the characters swearing for the sake of it. (5/10)

 

Action: The 51st State has a couple of fights but most of the action is almost happening. (5/10)

Crime: The 51st State puts us in a drug world well giving us a mixture of colourful characters. (8/10)

Thriller: The 51st State doesn’t pull you in as much as it should because we think everything is done and dusted early on and by the time it has changed we are not sure what to think. (6/10)

Settings: The 51st State uses the setting of Liverpool very well making everything feel like a normal day with the crime happening around it. (8/10)

Suggestion: The 51st State is one to try, I think if you are a fan of the genre you will enjoy but otherwise it might end up feeling like too much. (Try It)

 

Best Part: Final deal.

Worst Part: Too much needless aggressive swearing.

 

Believability: No (0/10)

Chances of Tears: No (0/10)

Chances of Sequel: No

Post Credits Scene: Early on in the credits.

 

Oscar Chances: No

Budget: $28 Million

Runtime: 1 Hour 33 Minutes

Tagline: In a world of shady characters and dirty deals, this is just business as usual.

 

Overall: This is a typical over aggressive drug filled film that has a twist that makes it more enjoyable.

https://moviesreview101.com/2015/12/11/the-51st-state-2001/