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Real Food/Fake Food: Why You Don't Know What You're Eating and What You Can Do about It
Book
"Olmsted makes you insanely hungry and steaming mad--a must-read for anyone who cares deeply about...
Rachel King (13 KP) rated Sea Glass (Glass, #2) in Books
Feb 11, 2019
I was a little disappointed by this book, since I enjoyed the previous one so much. I had expected Opal Cowan to spend more time and effort in exploring what she can do with her glass abilities, but it seemed to be more of the same denial of her immense magical potential. Put glass in Opal's hands and the world is hers to command, whether for good or bad, but she is so focused on the weight of responsibility that this power gives her that she really does not do much with it at all - until the tail end of the book.
A large part of the book is devoted to Opal attempting to stop the spread of blood magic knowledge, as well as monitoring Ulrick and Devlen's actions. In the meantime she graduates, gets together with the Stormdancer Kade, and pursues setting up her own private glass-making business, though with not much success in the latter. All of her pursuits take large chunks of time because someone is constantly trying to control her for her different abilities, which can make for tedious reading. I enjoyed her romance with Kade simply because there seemed very little effort on either of his or her part to connect with the other - like they were made for each other. In contrast, Devlen's almost constant attention to Opal is perplexing because Opal regularly second-guesses his intentions. It is nearly impossible to figure out his real motivation because his previous actions show him to be a very good liar and manipulator. I will be interested to see where his subplot goes in the final book.
The way that Opal finally deals with the power that she has over glass took me by surprise, but I like it. The outcome creates an entirely new set of circumstances for her, but one that she has a precedent for. Plus, no longer is she at the mercy of magic, though how much she realizes that will hopefully be shown in the final book, Spy Glass.
A large part of the book is devoted to Opal attempting to stop the spread of blood magic knowledge, as well as monitoring Ulrick and Devlen's actions. In the meantime she graduates, gets together with the Stormdancer Kade, and pursues setting up her own private glass-making business, though with not much success in the latter. All of her pursuits take large chunks of time because someone is constantly trying to control her for her different abilities, which can make for tedious reading. I enjoyed her romance with Kade simply because there seemed very little effort on either of his or her part to connect with the other - like they were made for each other. In contrast, Devlen's almost constant attention to Opal is perplexing because Opal regularly second-guesses his intentions. It is nearly impossible to figure out his real motivation because his previous actions show him to be a very good liar and manipulator. I will be interested to see where his subplot goes in the final book.
The way that Opal finally deals with the power that she has over glass took me by surprise, but I like it. The outcome creates an entirely new set of circumstances for her, but one that she has a precedent for. Plus, no longer is she at the mercy of magic, though how much she realizes that will hopefully be shown in the final book, Spy Glass.
LeftSideCut (3778 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 21, 2019
Please stop now
Contains spoilers, click to show
Where to begin...
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Morgen Frances (21 KP) rated Crowned with Guilt in Books
Jul 9, 2018
Remember the Reaper (book 1)
I could never say enough about this book. Not only was it an amazing read, but it’s the authors debut novel. She takes you on a journey you don’t want to ever end. The characters have such depth, you’re sucked into a world you never knew you needed to be a part of. There’s something I find so sweet and innocent about a child’s unconditional love. Especially when it’s shared with another kid who needs it so much. The bond that forms is her lifeline in so many ways. Tessa’s story is not one of unicorns and rainbows but she finds her escape in books, a prince she doesn’t feel she deserves, and a castle built of dreams. It’s dark, gritty, and doesn’t feel anything but real. She goes through so much in her young life, it changes her. The weight of what she feels as her fault sits heavy on her shoulders. There’s not much that can hurt a person as much as their own guilt slowly eating away at them. When all you see in the mirror is the villain and you lash out at anyone who tries to get close what hope is left.
This is the first book of a series.
This is the first book of a series.
Merissa (11961 KP) rated The Verderer (Pitch & Sickle #2) in Books
Sep 26, 2022
THE VERDERER is the second book in Pitch & Sickle series and follows on from book one, which you will absolutely have to read to understand what's going on here.
As with the first book, this has a slow and meandering pace, giving the reader time to learn about both Silas and Pitch, as they themselves learn about each other and just what is expected from them.
There are still big parts of the story that aren't yet explained, leaving me definitely wanting more. Silas is still standing strong with his loyalty. He still has a lot to learn and is still naïve about the new world he inhabits. Pitch is still cantankerous and full of innuendoes. I really wish he would dial it back a bit!
Towards the end of the book, there is a lot of action that has been building throughout. And when I say action, I mean fight scenes. There is still nothing between Pitch and Silas apart from a near-kiss.
A great follow-up to book one and I can't wait for book 3! Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
As with the first book, this has a slow and meandering pace, giving the reader time to learn about both Silas and Pitch, as they themselves learn about each other and just what is expected from them.
There are still big parts of the story that aren't yet explained, leaving me definitely wanting more. Silas is still standing strong with his loyalty. He still has a lot to learn and is still naïve about the new world he inhabits. Pitch is still cantankerous and full of innuendoes. I really wish he would dial it back a bit!
Towards the end of the book, there is a lot of action that has been building throughout. And when I say action, I mean fight scenes. There is still nothing between Pitch and Silas apart from a near-kiss.
A great follow-up to book one and I can't wait for book 3! Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Taut Lines: Extraordinary True Fishing Stories
Book
Since the earliest writings of civilization, people have been writing about fish and the pursuit of...
Emma @ The Movies (1786 KP) rated Vivarium (2020) in Movies
Mar 8, 2020
I like the idea of these weird and wonderful takes, when I saw the synopsis I knew it needed to make my LFF shortlist.
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Medical Practice Variations: 2016
Ana Johnson and Therese A. Stukel
Book
This title deals with internationally documented variations in medical practice and health service...
Full Moon Calendar (MoonCal)
Weather and Productivity
App
Add moon phases to your Calendar, right where they belong. Full moon, new moon, first and last...
Twisting My Melon
Book
Shaun Ryder has lived a life of glorious highs and desolate lows. As lead singer of the "Happy...