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Onearmedcookie (6 KP) rated the PlayStation 4 version of Assassin's Creed: Origins in Video Games
Feb 10, 2018
Assassin's Creed is back... With a bang!
So for the last few months I have been spending quite a lot of my free time exploring ancient Egypt. Getting to grips with the latest installment in the Assassin’s Creed series. A series that has had me hooked with its historical references since the beginning. Admittedly the first got rather repetitive and I found myself wishing Ubisoft had taken things into a different direction.
Yet since the second game appeared, and introduced us to the charming Ezio, I have been hooked. The latest installment – entitled Origins has seen Ubisoft go back to the drawing board redesigning some of the games mechanics. Hoping to breathe new life into the series, whilst spinning another tale in history. I have to confess for the most part it has proved to be rather successful.
I have rather enjoyed this series, playing through all of the different historical places. The last in the series though, Syndicate was superb. Instantly my favourite so far so for me Origins – had a lot to live up to! I was worried initially when, Ubisoft had decided to delay the next instalment for a year whilst they looked at redesigning elements that for me had previously worked fine.
With this in mind, I loaded the game into my trusty PS4 and began my journey! Origins takes place in ancient Egypt just as Cleopatra is fighting for the throne. The game centres around a Medjay named Bayek and his wife Aya who find themselves thrust into the fight for Egypt between Cleopatra and the new Pharaoh – her brother - Ptolemy XIII. This is the birthplace of the assasins guild and the beginning of their fight against the knights of the templar!
The story is captivating, well thought out and the characters soon jump from the screen making you want to push forward to see what happens to them. In fact the characters are some of the best in the series, they have been developed well with real character development making them seem even more real. You can’t help but feel immersed in this new word as you discover more of Egypt. I also want to point out how well the characters are voiced, the voice acting in Origins is top notch. Fuelled with emotion and true grit, this only opens them up more. Making the game feel deeper than any before in the series. This is tory telling at its best.
I mentioned that Ubisoft went back to the drawing board on this one, changing some of the formula that we’ve all become used to. This is a bigger world to explore than any before it, Egypt is epic in scale and lovingly recreated. The world is brimming with life and it certainly feels like a more open world adventure than the previous instalments in the series. You can backtrack revisiting other areas or totally bypass them – the choice is yours.
There also seems to be a bigger range of side quests, helping you level up the character – unlocking handy upgrades as you go. Crafting is even present albeit in a simpler format than in most RPG’s. Similar to the Farcry series you can now hunt the wildlife in the area to help craft better equipment.
One of the biggest changes for me though, was the Eagle vision! Gone is the yellow vision highlighting heat signatures in red, with targets in gold allowing you to see through walls. Now you get to fly a real Eagle above you in the sky – tracking enemies and other areas of interest. It adds a whole new dimension to the game, casing an enemies camp from the sky – tracking their movements from up above really adds to the feel of the game. As you level up you can also have the Eagle attack and distract enemies allowing you to sneak past areas unseen. I love this idea and could quite happily fly Sensu around the environment for hours on end.
Combat has also been overhauled. Alas, for me this is probably the weakest part of the game. You can now block with your shield by pressing the L1 shoulder button. Heavy and medium attacks are found on the R1 & R2 buttons. For ranged attacks you press L2 to equip your bow! Sounds okay, but in practice I have found this new layout a trifle irritating. Imagine three guards are rushing you, you hit one and then go to block a blow with your shield – darn it you accidently hit L2 instead and suddenly you have your bow in your hand, getting cut up by two other guards! Frustrating isn’t the word. Especially when you get to some of the higher level guards with better AI.
Other than the combat though this is a solid game, with a very in depth strong story and well developed characters. If you got a little bored with the series, then this is the game to get you back in. It’s bold, with a beautifully crafted world to explore. Assassin’s Creed is back and it’s about time!
Yet since the second game appeared, and introduced us to the charming Ezio, I have been hooked. The latest installment – entitled Origins has seen Ubisoft go back to the drawing board redesigning some of the games mechanics. Hoping to breathe new life into the series, whilst spinning another tale in history. I have to confess for the most part it has proved to be rather successful.
I have rather enjoyed this series, playing through all of the different historical places. The last in the series though, Syndicate was superb. Instantly my favourite so far so for me Origins – had a lot to live up to! I was worried initially when, Ubisoft had decided to delay the next instalment for a year whilst they looked at redesigning elements that for me had previously worked fine.
With this in mind, I loaded the game into my trusty PS4 and began my journey! Origins takes place in ancient Egypt just as Cleopatra is fighting for the throne. The game centres around a Medjay named Bayek and his wife Aya who find themselves thrust into the fight for Egypt between Cleopatra and the new Pharaoh – her brother - Ptolemy XIII. This is the birthplace of the assasins guild and the beginning of their fight against the knights of the templar!
The story is captivating, well thought out and the characters soon jump from the screen making you want to push forward to see what happens to them. In fact the characters are some of the best in the series, they have been developed well with real character development making them seem even more real. You can’t help but feel immersed in this new word as you discover more of Egypt. I also want to point out how well the characters are voiced, the voice acting in Origins is top notch. Fuelled with emotion and true grit, this only opens them up more. Making the game feel deeper than any before in the series. This is tory telling at its best.
I mentioned that Ubisoft went back to the drawing board on this one, changing some of the formula that we’ve all become used to. This is a bigger world to explore than any before it, Egypt is epic in scale and lovingly recreated. The world is brimming with life and it certainly feels like a more open world adventure than the previous instalments in the series. You can backtrack revisiting other areas or totally bypass them – the choice is yours.
There also seems to be a bigger range of side quests, helping you level up the character – unlocking handy upgrades as you go. Crafting is even present albeit in a simpler format than in most RPG’s. Similar to the Farcry series you can now hunt the wildlife in the area to help craft better equipment.
One of the biggest changes for me though, was the Eagle vision! Gone is the yellow vision highlighting heat signatures in red, with targets in gold allowing you to see through walls. Now you get to fly a real Eagle above you in the sky – tracking enemies and other areas of interest. It adds a whole new dimension to the game, casing an enemies camp from the sky – tracking their movements from up above really adds to the feel of the game. As you level up you can also have the Eagle attack and distract enemies allowing you to sneak past areas unseen. I love this idea and could quite happily fly Sensu around the environment for hours on end.
Combat has also been overhauled. Alas, for me this is probably the weakest part of the game. You can now block with your shield by pressing the L1 shoulder button. Heavy and medium attacks are found on the R1 & R2 buttons. For ranged attacks you press L2 to equip your bow! Sounds okay, but in practice I have found this new layout a trifle irritating. Imagine three guards are rushing you, you hit one and then go to block a blow with your shield – darn it you accidently hit L2 instead and suddenly you have your bow in your hand, getting cut up by two other guards! Frustrating isn’t the word. Especially when you get to some of the higher level guards with better AI.
Other than the combat though this is a solid game, with a very in depth strong story and well developed characters. If you got a little bored with the series, then this is the game to get you back in. It’s bold, with a beautifully crafted world to explore. Assassin’s Creed is back and it’s about time!
Bob Mann (459 KP) rated Misbehaviour (2020) in Movies
Sep 28, 2021
A film guide on how to sit on the fence.
It’s only 50 years ago, but the timeframe of Misbehaviour feels like a very different world. Although only 9 years old in 1970, I remember sitting around the tele with my family to enjoy the regular Eric and Julia Morley ‘cattle market’ of girls parading in national dress and swimsuits. We were not alone. At its peak in the 70’s over 18 million Britons watched the show (not surprising bearing in mind there were only three channels to choose from in 1970… no streaming… no video players… not even smartphones to distract you!)
The background.
“Misbehaviour” tells the story of this eventful 1970 Miss World competition. It was eventful for a number of reasons: the Women’s Lib movement was rising in popularity, and the event was disrupted a flour-bombing group of women in the audience; the compere Bob Hope did an appallingly misjudged and mysoginistic routine that died a death; and, after significant pressure against the apartheid regime in South Africa, the country surprised the world by sending two entrants to the show – one white (Miss South Africa) and one black (Miss Africa South).
The movie charts the events leading up to that night and some of the fallout that resulted from it.
A strong ensemble cast.
“Misbehaviour” has a great cast.
Leading the women are posh-girl Sally Alexander (Keira Knightley) and punk-girl Jo Robinson (Jessie Buckley). I’m normally a big fan of both of these ladies. But here I never felt either of them connected particularly well with their characters. In particular, Buckley (although delivering as a similar maverick in “Wild Rose“) always felt a bit forced and out of place here.
On the event organisation side is Rhys Ifans, almost unrecognisable as Eric Morley, and Keeley Hawes as Julia Morley. Ifans gets the mannerisms of the impresario spot-on (as illustrated by some real-life footage shown at the end of the film). Also splendid is funny-man Miles Jupp as their “fixer” Clive.
Less successful for me was Greg Kinnear as Bob Hope. Hope clearly has such an unusual moon-shaped face that it’s difficult to find anyone to cast as a lookalike.
Just who is exploiting who here?
There’s no question in my mind that the event, in retrospect, is obscenely inappropriate – even though, bizarrely, it still runs to this day. But my biggest problem with the movie is that it never seems to pin its colours to any particular mast. It clearly illustrates the inappropriateness of Hope’s off-colour jokes and the instruction from host Michael Aspel (Charlie Anson), asking the swimsuit models to “show their rear view” to the audience, is gobsmackingly crass.
However, the script then takes a sympathetic view to the candidates from Grenada, South Africa, etc. who are clearly ‘using their bodies’ to get a leg-up to fame and fortune back in their home countries. (Final scenes showing the woman today, clearly affluent and happy, doesn’t help with that!)
As such, the movie sits magnificently on the fence and never reaches a ‘verdict’.
The racial sub-story.
Equally problematic is the really fascinating racial sub-story: this was an event, held in a UK that was racially far less tolerant than it is today, where no black person had EVER won. Indeed, a win was in most peoples’ eyes unthinkable. This was a time when “black lives didn’t matter”. Here we have Miss Grenada (an excellent Gugu Mbatha-Raw) and the utterly captivating Miss Africa South (a debut performance by Loreece Harrison) threatening to turn the tables . There was surely potential to get a lot more value out of this aspect of the story, but it is generally un-mined.
Perhaps a problem here is that there is so much story potential around this one historical event that there is just too much to fit comfortably into one screenplay. The writers Rebecca Frayn and Gaby Chiappe end up just giving a few bursts on the liquidizer and getting a slightly grey mush.
Nostalgia – it’s not what it used to be.
All this is not to say the movie was a write off. It’s a perfectly pleasant watch and for those (like me) of a certain age, the throwback fashions, vehicles and attitudes deliver a burst of nostalgia for the flawed but rose-coloured days of my first decade on the planet.
But it all feels like a bit of a missed opportunity to properly tackle either one of the two key issues highlighted in the script. As a female-led project (the director is Philippa Lowthorpe) I really wanted this to be good. But I’m afraid for me it’s all a bit “meh”.
If asked “would you like to watch that again?”… I would probably, politely, show my rear view and decline.
The background.
“Misbehaviour” tells the story of this eventful 1970 Miss World competition. It was eventful for a number of reasons: the Women’s Lib movement was rising in popularity, and the event was disrupted a flour-bombing group of women in the audience; the compere Bob Hope did an appallingly misjudged and mysoginistic routine that died a death; and, after significant pressure against the apartheid regime in South Africa, the country surprised the world by sending two entrants to the show – one white (Miss South Africa) and one black (Miss Africa South).
The movie charts the events leading up to that night and some of the fallout that resulted from it.
A strong ensemble cast.
“Misbehaviour” has a great cast.
Leading the women are posh-girl Sally Alexander (Keira Knightley) and punk-girl Jo Robinson (Jessie Buckley). I’m normally a big fan of both of these ladies. But here I never felt either of them connected particularly well with their characters. In particular, Buckley (although delivering as a similar maverick in “Wild Rose“) always felt a bit forced and out of place here.
On the event organisation side is Rhys Ifans, almost unrecognisable as Eric Morley, and Keeley Hawes as Julia Morley. Ifans gets the mannerisms of the impresario spot-on (as illustrated by some real-life footage shown at the end of the film). Also splendid is funny-man Miles Jupp as their “fixer” Clive.
Less successful for me was Greg Kinnear as Bob Hope. Hope clearly has such an unusual moon-shaped face that it’s difficult to find anyone to cast as a lookalike.
Just who is exploiting who here?
There’s no question in my mind that the event, in retrospect, is obscenely inappropriate – even though, bizarrely, it still runs to this day. But my biggest problem with the movie is that it never seems to pin its colours to any particular mast. It clearly illustrates the inappropriateness of Hope’s off-colour jokes and the instruction from host Michael Aspel (Charlie Anson), asking the swimsuit models to “show their rear view” to the audience, is gobsmackingly crass.
However, the script then takes a sympathetic view to the candidates from Grenada, South Africa, etc. who are clearly ‘using their bodies’ to get a leg-up to fame and fortune back in their home countries. (Final scenes showing the woman today, clearly affluent and happy, doesn’t help with that!)
As such, the movie sits magnificently on the fence and never reaches a ‘verdict’.
The racial sub-story.
Equally problematic is the really fascinating racial sub-story: this was an event, held in a UK that was racially far less tolerant than it is today, where no black person had EVER won. Indeed, a win was in most peoples’ eyes unthinkable. This was a time when “black lives didn’t matter”. Here we have Miss Grenada (an excellent Gugu Mbatha-Raw) and the utterly captivating Miss Africa South (a debut performance by Loreece Harrison) threatening to turn the tables . There was surely potential to get a lot more value out of this aspect of the story, but it is generally un-mined.
Perhaps a problem here is that there is so much story potential around this one historical event that there is just too much to fit comfortably into one screenplay. The writers Rebecca Frayn and Gaby Chiappe end up just giving a few bursts on the liquidizer and getting a slightly grey mush.
Nostalgia – it’s not what it used to be.
All this is not to say the movie was a write off. It’s a perfectly pleasant watch and for those (like me) of a certain age, the throwback fashions, vehicles and attitudes deliver a burst of nostalgia for the flawed but rose-coloured days of my first decade on the planet.
But it all feels like a bit of a missed opportunity to properly tackle either one of the two key issues highlighted in the script. As a female-led project (the director is Philippa Lowthorpe) I really wanted this to be good. But I’m afraid for me it’s all a bit “meh”.
If asked “would you like to watch that again?”… I would probably, politely, show my rear view and decline.
Non-Duality Questions, Non-Duality Answers: Exploring Spirituality and Existence in the Modern World
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A Guide to Writing for Human Service Professionals
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Heather Cranmer (2721 KP) rated Nightmare City in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb to Nightmare City by Andrew Klavan, I knew it was a book I had to read! While it wasn't a fantastic read, it was still decent enough.
I think the title of this book suits it quite well. What the main character is in is a city made from his nightmares!
At first I wasn't sure if I liked the cover, but it's kind of grown on me. Now I do like it. I like how we see the monsters coming out of the fog. Definitely creepy!
I thought the world building was done really well. It has a super creepy and sinister feel about it. In fact, the world felt so real at times, it was like I was Tom.
The pacing does let the book down somewhat, I felt. For the first three quarters of the book, I felt that the pacing was a bit slow. In fact, there were times when I would just skim paragraphs as I became bored. However, the pacing did pick up in the last quarter of the book, of which I was thankful. From there until the end, I couldn't put the book down!
I thought the whole idea for the plot was interesting. It's not an original idea, but Klavan put his own spin on it making it a bit different. I'd go into more detail, but I don't want to give any spoilers away. Oh, and as for the mystery part of the book, I would've never guessed who the culprit was! There's no cliff hangers, so I believe this book may just be a stand alone.
I thought all the characters were written superbly! Though most of the book, the only character featured is Tom. Tom seemed to me like a typical 17 year old male. He likes cars and girls, but he also quests for the truth which puts his life in jeopardy. I liked how down to Earth Tom was and how he couldn't be intimidated when it came to letting the truth be known. Even though she isn't featured very much, I did like the character of Lisa. I liked how friendly she was, and I felt like she was just a very warm person. There's also the character of Marie, Tom's crush, which I liked to begin with, but I'm not going to say anything due to spoilers.
The dialogue flowed very well, as did the character interactions. Nothing felt disjointed or awkward at all. There's no swearing in this book and only mild violence.
Overall, Nightmare City is a decent read. The pacing does let it down a bit, but I think most people would like the book.
I'd recommend this book to those aged 14+ who are fans of horror or those who want to be a bit creeped out.
I'd give Nightmare City by Andrew Klavan a 3.5 out of 5.
(I received a hardback copy of this book for free from booksneeze.com in exchange for a a fair and honest review).
When I read the blurb to Nightmare City by Andrew Klavan, I knew it was a book I had to read! While it wasn't a fantastic read, it was still decent enough.
I think the title of this book suits it quite well. What the main character is in is a city made from his nightmares!
At first I wasn't sure if I liked the cover, but it's kind of grown on me. Now I do like it. I like how we see the monsters coming out of the fog. Definitely creepy!
I thought the world building was done really well. It has a super creepy and sinister feel about it. In fact, the world felt so real at times, it was like I was Tom.
The pacing does let the book down somewhat, I felt. For the first three quarters of the book, I felt that the pacing was a bit slow. In fact, there were times when I would just skim paragraphs as I became bored. However, the pacing did pick up in the last quarter of the book, of which I was thankful. From there until the end, I couldn't put the book down!
I thought the whole idea for the plot was interesting. It's not an original idea, but Klavan put his own spin on it making it a bit different. I'd go into more detail, but I don't want to give any spoilers away. Oh, and as for the mystery part of the book, I would've never guessed who the culprit was! There's no cliff hangers, so I believe this book may just be a stand alone.
I thought all the characters were written superbly! Though most of the book, the only character featured is Tom. Tom seemed to me like a typical 17 year old male. He likes cars and girls, but he also quests for the truth which puts his life in jeopardy. I liked how down to Earth Tom was and how he couldn't be intimidated when it came to letting the truth be known. Even though she isn't featured very much, I did like the character of Lisa. I liked how friendly she was, and I felt like she was just a very warm person. There's also the character of Marie, Tom's crush, which I liked to begin with, but I'm not going to say anything due to spoilers.
The dialogue flowed very well, as did the character interactions. Nothing felt disjointed or awkward at all. There's no swearing in this book and only mild violence.
Overall, Nightmare City is a decent read. The pacing does let it down a bit, but I think most people would like the book.
I'd recommend this book to those aged 14+ who are fans of horror or those who want to be a bit creeped out.
I'd give Nightmare City by Andrew Klavan a 3.5 out of 5.
(I received a hardback copy of this book for free from booksneeze.com in exchange for a a fair and honest review).
Paint Sparkles Draw
Education and Games
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~~~ Top selling education app! Over 11,000,000 downloads around the world! ~~~ ~~~ No.1 Kids...
Nicole Hadley (380 KP) rated Buying Samir (India's Street Kids #2) in Books
Jun 18, 2018
Buying Samir by Kimberly Rae is about a young girl, Jasmina, who has been rescued from the streets of India. Jasmina had been exploited by child traffickers, and now is on the road to learning how to trust again. Jasmina is given a safe place to live with loving adults, yet she desires to find her family that she betrays those who would look after her. She sets out to rescue Samir, her brother, but she tries to do it on her own.
This book describes the dangerous side of the streets throughout the story. Through Jasmina's story, we learn more ways that people are lured in and human trafficked in India. Parts of the story were exciting, but Jasmina was more passive than usual while she figured out what was going on with the "modelling" business. I'd expected this to be more about Samir's story, but it's not. It's Jasmina coming to terms with how human trafficking has destroyed her family.
By the end of the story we are left with the beautiful outcome of Jasmina accepting Jesus Christ as her Savior. We see how His love can turn her tragedies into a story of healing and triumph. Samir, on the other hand, has sadly chosen to embrace his hatred and anger. It has turned him into becoming the very people he hated. Life is like that. We face trials, and who we turn to...God or Satan/the lost world...will decide whether our story is triumphant or tragic.
I give this book 4/5 stars.
I received this book from BJU Press via Netgalley in exchange for a honest review.
This book describes the dangerous side of the streets throughout the story. Through Jasmina's story, we learn more ways that people are lured in and human trafficked in India. Parts of the story were exciting, but Jasmina was more passive than usual while she figured out what was going on with the "modelling" business. I'd expected this to be more about Samir's story, but it's not. It's Jasmina coming to terms with how human trafficking has destroyed her family.
By the end of the story we are left with the beautiful outcome of Jasmina accepting Jesus Christ as her Savior. We see how His love can turn her tragedies into a story of healing and triumph. Samir, on the other hand, has sadly chosen to embrace his hatred and anger. It has turned him into becoming the very people he hated. Life is like that. We face trials, and who we turn to...God or Satan/the lost world...will decide whether our story is triumphant or tragic.
I give this book 4/5 stars.
I received this book from BJU Press via Netgalley in exchange for a honest review.
Erika (17789 KP) rated ESPN in Apps
Apr 18, 2021
I have ESPN+ because of the bundle I purchased from Disney+ that included ESPN and Hulu. Initially, I thought I would not watch ESPN+ at all, but it's the service I watch the most due to it having a plethora of European Football games on every weekend.
The app is a POS. It is so absolutely terrible. It's slow, it's counter-intuitive, and overall, just a boondoggled mess. There need to be more options such as filtering out the sports you don't want to watch, i.e. MLB, and any US college sports. Seriously, I watch the Masters over those boring af sports. There also needs to be an option to set alerts when there are games you want to watch, because I missed the live Hibernian game this morning because they buried it at the end of the list behind college basketball games that wouldn't be on for another 5 hours.
Another annoyance concerning this app is organization. It knows I have an ESPN+ subscription, and not the actual channels. Why show me games that I want to watch, only for them to be blocked because I don't buy the channels??? Don't tempt me with FIFA World Cup Qualifiers that I want to watch, then I find out they're not available??
The good thing is that they seem to be attempting to improve it, but it's still unbearable some days.
The app is a POS. It is so absolutely terrible. It's slow, it's counter-intuitive, and overall, just a boondoggled mess. There need to be more options such as filtering out the sports you don't want to watch, i.e. MLB, and any US college sports. Seriously, I watch the Masters over those boring af sports. There also needs to be an option to set alerts when there are games you want to watch, because I missed the live Hibernian game this morning because they buried it at the end of the list behind college basketball games that wouldn't be on for another 5 hours.
Another annoyance concerning this app is organization. It knows I have an ESPN+ subscription, and not the actual channels. Why show me games that I want to watch, only for them to be blocked because I don't buy the channels??? Don't tempt me with FIFA World Cup Qualifiers that I want to watch, then I find out they're not available??
The good thing is that they seem to be attempting to improve it, but it's still unbearable some days.
