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Emerged (The Life of Anna #5)
9.0
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Book
Anna has escaped from Devin. Now she must learn what it is to live without a master. Yet Devin will...
Blaze and the Monster Machines - Racing Game
Education and Games
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Get ready to race along with Nick Jr.’s Blaze and the Monster Machines in this fun truck racing...
Blaze and the Monster Machines - Racing Game HD
Education and Games
App
Get ready to race along with Nick Jr.’s Blaze and the Monster Machines in this fun truck racing...
KittyMiku (138 KP) rated A Discovery of Witches in Books
May 23, 2019
A Discovery of Witches by Deborah Harkness is the first book in the All Souls Trilogy. It introduces a witch and her vampire lover and the fight they must endure to be together against all odds. As the first book of the series, it really draws you in and makes you really think about how things are perceived and creates the illusion that vampires, witches and daemons (daemons are demons in Harkness’s fantastical world) could be hiding amongst us without us ever knowing. The book is placed in modern times, but brings in tons of history as the main character; a witch named Diana, is a historian and often is immersed in one history topic or another. It is quite interesting to read about her approach to life and see how it changes when she meets a vampire who whisks her away, so to speak. As a reader, you are able to delve into a world where anything is possible and see how just similar things would be if this was truly our world.
A Discovery of Witches is a book about a witch names Diana has encountered a very old and lost manuscript that many others want. Upon being granted access to this book and denying the magic in her that calls her to investigate it with her powers, she returns it, only to find herself being threatened, stalked and in danger due to it only being obtained by her and returned to the library and back to its magical disappearance. The finding of this book however, helps he discover who she is and a new lover, who is a vampire. The odd couple experience a threat and a mystery that they wish to uncover. As well as, an old rule that they now must try to change, no matter the cost
I had really enjoyed reading the first book, and found its quick pace refreshing but also pleasing to read. Though there were many things left for me to wonder about. All the secrets the vampire had and his worries that will be revealed in the second book, I hope anyways, makes me want to just read all the books back to back. Though the book was 576 pages long, I was able to finish reading it in two days. I often didn’t want to tear myself out of the book to do my daily tasks. It’s definitely a page turned with how Harkness was able to describe everything in the book and flush out some character while leaving mystery on what is to come in the next book.
Harkness was able to draw in each of the five senses into her writing. I was able to smell, taste, and feel what was being describe it was easy to get lost and forget easily all that was around me. However, I did find that somethings where a bit odd and would never have paired up, like the smell of cinnamon and cloves. I will have to try to make the combination in my kitchen to see what that might smell like together as I am not one for the smell of cinnamon. I did find the characters to be extremely well put together and often found myself happy when they were happy, as well as sad when they were. I did quite enjoy that A Discovery of Witches has some things that were extremely accurate while still being fantastical. For example, in Wicca or Paganism rituals are done to do witch craft. Spells and such are handed down to members of the family for generations and the holidays match up to what is practiced today. However, the way magic is portrayed isn’t what really happens in our world, or so I know of, but if it was, I can see how Harkness describes it being how it is.
A Discovery of Witches is just an amazing piece of work that will draw you in and keep you wanting more. Though some words can come across odd, as they aren’t used in normal, everyday conversations, it really says a lot about Harkness’s writing style. She is intelligent and it shows in her work with how she describes things and often uses things from our past to put things in our present world in to perspective to pertain to her characters.
I loved how the book has made me think and do some research myself, on different topics, if only to see what was true and what was made up. For example, alchemy is what puts our character in a situation that seems harsh and completely uncalled for by some extremely bad characters. Not knowing much about alchemy, I had to look up just what the photos Diana might be looking at. The author described them so well, I would picture them in my mind and when I looked them up; I was amazed how much close to the actual images Harkness had described. Though, I am on a computer versus in a library with old manuscripts.
Overall, I would rate this book 3 star out of 4 stars. That may seem harsh seeing as it is one of the best books I have read, and I read a ton, but I found that with all the secrets the characters keep from each other and the reader as a whole quite infuriating. I wanted more and find myself here not able to resist the urge of starting the next book. I do hope some things are clarified and revealed; otherwise I will end up being a very upset reader. Harkness’s writing does seem promising to reveal more as the story develops though. A Discovery of Witches is an extremely good book, even with its infuriating secrets, that I would recommend to anyone who loves the ideas of vampires, witches and demons existing in a world alongside us.
A Discovery of Witches is a book about a witch names Diana has encountered a very old and lost manuscript that many others want. Upon being granted access to this book and denying the magic in her that calls her to investigate it with her powers, she returns it, only to find herself being threatened, stalked and in danger due to it only being obtained by her and returned to the library and back to its magical disappearance. The finding of this book however, helps he discover who she is and a new lover, who is a vampire. The odd couple experience a threat and a mystery that they wish to uncover. As well as, an old rule that they now must try to change, no matter the cost
I had really enjoyed reading the first book, and found its quick pace refreshing but also pleasing to read. Though there were many things left for me to wonder about. All the secrets the vampire had and his worries that will be revealed in the second book, I hope anyways, makes me want to just read all the books back to back. Though the book was 576 pages long, I was able to finish reading it in two days. I often didn’t want to tear myself out of the book to do my daily tasks. It’s definitely a page turned with how Harkness was able to describe everything in the book and flush out some character while leaving mystery on what is to come in the next book.
Harkness was able to draw in each of the five senses into her writing. I was able to smell, taste, and feel what was being describe it was easy to get lost and forget easily all that was around me. However, I did find that somethings where a bit odd and would never have paired up, like the smell of cinnamon and cloves. I will have to try to make the combination in my kitchen to see what that might smell like together as I am not one for the smell of cinnamon. I did find the characters to be extremely well put together and often found myself happy when they were happy, as well as sad when they were. I did quite enjoy that A Discovery of Witches has some things that were extremely accurate while still being fantastical. For example, in Wicca or Paganism rituals are done to do witch craft. Spells and such are handed down to members of the family for generations and the holidays match up to what is practiced today. However, the way magic is portrayed isn’t what really happens in our world, or so I know of, but if it was, I can see how Harkness describes it being how it is.
A Discovery of Witches is just an amazing piece of work that will draw you in and keep you wanting more. Though some words can come across odd, as they aren’t used in normal, everyday conversations, it really says a lot about Harkness’s writing style. She is intelligent and it shows in her work with how she describes things and often uses things from our past to put things in our present world in to perspective to pertain to her characters.
I loved how the book has made me think and do some research myself, on different topics, if only to see what was true and what was made up. For example, alchemy is what puts our character in a situation that seems harsh and completely uncalled for by some extremely bad characters. Not knowing much about alchemy, I had to look up just what the photos Diana might be looking at. The author described them so well, I would picture them in my mind and when I looked them up; I was amazed how much close to the actual images Harkness had described. Though, I am on a computer versus in a library with old manuscripts.
Overall, I would rate this book 3 star out of 4 stars. That may seem harsh seeing as it is one of the best books I have read, and I read a ton, but I found that with all the secrets the characters keep from each other and the reader as a whole quite infuriating. I wanted more and find myself here not able to resist the urge of starting the next book. I do hope some things are clarified and revealed; otherwise I will end up being a very upset reader. Harkness’s writing does seem promising to reveal more as the story develops though. A Discovery of Witches is an extremely good book, even with its infuriating secrets, that I would recommend to anyone who loves the ideas of vampires, witches and demons existing in a world alongside us.
RəX Regent (349 KP) rated Network (1976) in Movies
Feb 19, 2019
“I’m mad as hell and I’m not gonna take it anymore!”
…the lasting legacy of Peter Finch’s rants, which began with a breakdown and became the ratings winner in the 1970’s Network driven news media. This is of course, fiction but the commentary on the changing and more corporate driven American media industry of the the time is not without merit.
Smartly scripted, on the ball cynicism and yet harking back to the rose tinted nostalgia common with American media movies in whcih the industry was supposedly filled with Walter Cronkites,
the notion that American press was once beyond reproach is clearly a fallacy, in contrast, the notion that American news media was becoming so ratings driven that the news gave way to outlandish editorialism, is not.
Howard Beale (Finch) has an on air breakdown and whilst his best friend and producer, Max Schumacher (William Holden) tries to pull him from the air waves, allowing him to bow out with some dignity, the new wave of corporate management lead by CEO Frank Hackett (Robert Duval) and Holden’s replacement and eventual lover, Diana, (Faye Dunaway), have other ideas.
She sees an opportunity in the ratings spike gained by Beale’s rants which speak to the peoples growing frustrations and takes advantage, only driven by ratings.
Though the screenplay and performances are nothing less than brilliant, there are two core problems with this movie.
The first being that it is too long. The plot seems to be dragged out and repetitive as we approach the almost inevitable conclusion and the second is the level of preaching. But this is a symptom of the first, opening with a good argument, with old school journalism versus the TV generation and as the film goes on, the arguments need to escalate but since this was covered in the first half an hour, the points become laboured and over started.
The notion that the TV generation is shallow and amoral is put at odds with the middle aged newspaper reader, where time and decency are standard. This is a point which I refuse to accept since some of the 20th centuries most amoral acts where committed either before 1936, the birth of television and in the first couple of decades there after, by the very generation whcih is being held up as the moral standard here.
large_network_blu-ray_3The press has always had its paymasters, always had to sell newspapers and whilst the medium and methods may have changed, this does feel like sour grapes by the end. Criticising the characters motivations is one thing, but this film seems to imply that the modern world of television is making sociopaths of us all, dumbing us down and numbing our emotions to the point of accepting nothing but pure spectacle.
In many ways this is true but is also a very flawed argument and comes across as bunch old men crying into there Scotch in some dimly lit bar, in a way not too dissimilar to the print or broadcast media of today, hitting out at the blogging and twitter generation.
The ending was amusing though with the quote “This was the story of Howard Beale, the only known case of a man killed because of poor ratings”.
Very droll.
Smartly scripted, on the ball cynicism and yet harking back to the rose tinted nostalgia common with American media movies in whcih the industry was supposedly filled with Walter Cronkites,
the notion that American press was once beyond reproach is clearly a fallacy, in contrast, the notion that American news media was becoming so ratings driven that the news gave way to outlandish editorialism, is not.
Howard Beale (Finch) has an on air breakdown and whilst his best friend and producer, Max Schumacher (William Holden) tries to pull him from the air waves, allowing him to bow out with some dignity, the new wave of corporate management lead by CEO Frank Hackett (Robert Duval) and Holden’s replacement and eventual lover, Diana, (Faye Dunaway), have other ideas.
She sees an opportunity in the ratings spike gained by Beale’s rants which speak to the peoples growing frustrations and takes advantage, only driven by ratings.
Though the screenplay and performances are nothing less than brilliant, there are two core problems with this movie.
The first being that it is too long. The plot seems to be dragged out and repetitive as we approach the almost inevitable conclusion and the second is the level of preaching. But this is a symptom of the first, opening with a good argument, with old school journalism versus the TV generation and as the film goes on, the arguments need to escalate but since this was covered in the first half an hour, the points become laboured and over started.
The notion that the TV generation is shallow and amoral is put at odds with the middle aged newspaper reader, where time and decency are standard. This is a point which I refuse to accept since some of the 20th centuries most amoral acts where committed either before 1936, the birth of television and in the first couple of decades there after, by the very generation whcih is being held up as the moral standard here.
large_network_blu-ray_3The press has always had its paymasters, always had to sell newspapers and whilst the medium and methods may have changed, this does feel like sour grapes by the end. Criticising the characters motivations is one thing, but this film seems to imply that the modern world of television is making sociopaths of us all, dumbing us down and numbing our emotions to the point of accepting nothing but pure spectacle.
In many ways this is true but is also a very flawed argument and comes across as bunch old men crying into there Scotch in some dimly lit bar, in a way not too dissimilar to the print or broadcast media of today, hitting out at the blogging and twitter generation.
The ending was amusing though with the quote “This was the story of Howard Beale, the only known case of a man killed because of poor ratings”.
Very droll.
Phillip McSween (751 KP) rated Little (2019) in Movies
May 17, 2019
Just a Few Tweaks and I Would Have Loved it
When April’s (Issa Rae) boss gets turned into a child by a curse, April has to hold down the fort at work while trying to figure out a way to reverse the curse. It’s not a great movie that will leave a long impression, but I can definitely say that I liked it a whole lot more than I expected to.
Acting: 10
Beginning: 7
The movie begins with the audience getting a view into the lives of April and her boss Jordan Sanders (Regina Hall). It’s a little formulaic as you can tell it’s solely for the purpose of introducing the characters, but still manages to be enough to jumpstart the movie. It was enough to get me laughing and looking forward for more.
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Genre: 5
Memorability: 7
Pace: 8
While not the end of the world, I think the movie suffered from being longer than it needed to be. The pacing was scattered at times and could have been managed by tightening the story. The comedic moments were enough for the most to part to mask the pacing shortcomings.
Plot: 7
Twists? Turns? You won’t find any of that here. The story is as linear as they come. Still, the ride you are taken on just happens to be a fun one so it’s pretty forgivable. Just don’t expect to say, “Didn’t see that coming” at any point.
Resolution: 10
Overall: 76
You could do worse this year than checking out Little. Some won’t like it while others, like myself, will take its entertainment value for what it is. Had the story been a little more inventive, I might be singing a different tune.
Acting: 10
Beginning: 7
The movie begins with the audience getting a view into the lives of April and her boss Jordan Sanders (Regina Hall). It’s a little formulaic as you can tell it’s solely for the purpose of introducing the characters, but still manages to be enough to jumpstart the movie. It was enough to get me laughing and looking forward for more.
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Genre: 5
Memorability: 7
Pace: 8
While not the end of the world, I think the movie suffered from being longer than it needed to be. The pacing was scattered at times and could have been managed by tightening the story. The comedic moments were enough for the most to part to mask the pacing shortcomings.
Plot: 7
Twists? Turns? You won’t find any of that here. The story is as linear as they come. Still, the ride you are taken on just happens to be a fun one so it’s pretty forgivable. Just don’t expect to say, “Didn’t see that coming” at any point.
Resolution: 10
Overall: 76
You could do worse this year than checking out Little. Some won’t like it while others, like myself, will take its entertainment value for what it is. Had the story been a little more inventive, I might be singing a different tune.
Ivan Lendl- The Man Who Made Murray
Book
When Andy Murray broke the news in March 2014 that he was parting company with Ivan Lendl it caused...
CoinKeeper: spending tracker, money and finance
Finance and Productivity
App
CoinKeeper – is one the most popular personal finance managers with: * 180 000 active users * 10...
RəX Regent (349 KP) rated Warcraft (2016) in Movies
Feb 19, 2019
To begin, I am not really up on the plot of the game in which this movie is based, though I do understand that this is a prequel and that the tone is reasonably accurate to the that of the long enduring PC game.
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
Gareth von Kallenbach (980 KP) rated Kick-Ass (2010) in Movies
Aug 8, 2019
Kick-Ass starts out as a clever action movie with good humor interspersed throughout the first half, but by the second half the jokes trail off as the movie takes a blacker turn toward a mindless and confusing tale of morality.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.