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Murder from Scratch
8.8
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Restaurateur Sally Solari’s cousin Evelyn may be blind, but she can see all too clearly that her...
Ross (3284 KP) rated Altered Carbon in Books
Jun 28, 2018
Hated it
The world in which this story takes place is very intriguing - nobody ever really dies; everyone is put "on stack" when they die, i.e. their digitised brain is stored electronically, and they can have it put back into a new "sleeve", i.e. a body, when their family pay for it. The details of this were pretty scant originally, but emerged over the first 100 pages or so (though sadly piecemeal in glib, throw-away comments where the detail was taken for granted). The ideas filled me with hope - all prisons were digital (people held on stack in created scenarios), travel across large distances was electronic (if you could afford to have a sleeve waiting for you) etc.
Sadly, none of this was explored very well. There was a very clichéd, basic detective story overlaid on to this world. A billionaire claims he was murdered, but the authorities ruled his death as a suicide. This on the surface (someone being a witness for their own murder!) filled me with excitement for what lay ahead. However this quickly ebbed away as the story changed into a detective (Takeshi Kovacs - one of the most bland, one dimensional characters ever created) wandering around Earth, where he has never been, and annoying drug dealers and pimps.
There then follows a great deal of nonsense sex scenes, utterly drivel narrative (Morgan seems to think he has to take a whole page to describe each new location and has some very obscure turns of phrase - I actually speed-read the last 150 pages out of pure frustration with how long and boring the experience was - everything is contained in the dialogue so I recommend just reading that and skimming any action scenes), sci-fi jargon which means nothing to the reader, and very little plot development. In fact, pretty much the whole plot is outlined, by the perpetrator, in one chapter near the end - the "detective" didn't solve the case, he just worked out someone was involved and they filled in the details for him. Utterly clumsy storytelling.
Some people might enjoy taking a long time to read this, the futuristic setting, the overly-described settings, trying to work out what the sci-fi mumbo jumbo means. I am not one of those people. The world-building was there, but was under-used. The plot was basic and only really relevant in the first and last 50 pages. The characters were all forgettable, one-dimensional and clichéd (so much so that I frequently had to search back to find out who the person referred to was and why I should care).
That Takeshi Kovacs survived and went on to star in two follow-up books was a depressing revelation for me.
Sadly, none of this was explored very well. There was a very clichéd, basic detective story overlaid on to this world. A billionaire claims he was murdered, but the authorities ruled his death as a suicide. This on the surface (someone being a witness for their own murder!) filled me with excitement for what lay ahead. However this quickly ebbed away as the story changed into a detective (Takeshi Kovacs - one of the most bland, one dimensional characters ever created) wandering around Earth, where he has never been, and annoying drug dealers and pimps.
There then follows a great deal of nonsense sex scenes, utterly drivel narrative (Morgan seems to think he has to take a whole page to describe each new location and has some very obscure turns of phrase - I actually speed-read the last 150 pages out of pure frustration with how long and boring the experience was - everything is contained in the dialogue so I recommend just reading that and skimming any action scenes), sci-fi jargon which means nothing to the reader, and very little plot development. In fact, pretty much the whole plot is outlined, by the perpetrator, in one chapter near the end - the "detective" didn't solve the case, he just worked out someone was involved and they filled in the details for him. Utterly clumsy storytelling.
Some people might enjoy taking a long time to read this, the futuristic setting, the overly-described settings, trying to work out what the sci-fi mumbo jumbo means. I am not one of those people. The world-building was there, but was under-used. The plot was basic and only really relevant in the first and last 50 pages. The characters were all forgettable, one-dimensional and clichéd (so much so that I frequently had to search back to find out who the person referred to was and why I should care).
That Takeshi Kovacs survived and went on to star in two follow-up books was a depressing revelation for me.
Doctor Who: TARDIS (Official)
Entertainment and Photo & Video
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Turn your iDevice into the Doctor's TARDIS, and travel through space and time! Or see the TARDIS in...
Becs (244 KP) rated Beasts of the Frozen Sun in Books
Sep 22, 2019
The plot - so bloody action-packed that leaves you exhausted at times (3 more)
The Villain - makes you want to fall in love with him but then he does something terrible and you want to dismiss him
The enemies to lovers - the MC's are everything
The writing - Jill Criswell does an amazing job with descriptive text and lyrical writing. I was enthralled throughout.
This book is so underrated and it deserves all the hype!
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: war, violence, blood, gore, talk of sexual assault, child abuse, emotional abuse, animal violence, animal sacrifice, death of an animal, anger issues, arsony, death, murder, talk of drowning, absent parent, death of a parent, disowning, forced marriage, death of a sibling, manipulation, mind control, slavery, starvation, torture, trauma
REVIEW: First off, I want to say to not let all of those trigger warnings deter you from reading this breathtaking novel. Beasts of the Frozen Sun was extremely well-written and I will keep screaming this from the rooftops for as long as I am alive of how amazing this novel is.
Beasts of the Frozen Sun is loaded with badassery and brutally epic scenes. Also, that cover is one of the most beautiful covers I’ve ever seen. There was complexity to the world-building, relatable characters that you just can’t help but fall in love with, brutal wars and men as monstrous as some of the men in the world today. This fantasy novel was defiantly on the darker side, but it D E L I V E R E D ! And it delivered an immersive read that drowned you in the world until the very end.
Beasts of the Frozen Sun follows Lira, the heroine who is gifted from the gods and goddess’. This gift, the ability to read a person’s soul by just touching their chest, was used by others – mainly Lira’s father and uncle. But then a golden-haired giant washes ashore and Lira decides to help him heal. She hides him away and the two of them grow close, forming a bond that is forbidden by both of their clans. But then, the Dragon comes into the story and Lira is left fighting for her life, Reyker’s soul, and her people’s freedom.
Things I loved about Beasts of the Frozen Sun:
1. The main character being a badass heroine who gets angry when her sword is taken from her.
2. The love interest being a tough “bad boy” on the outside, but deep down he’s a big ole softie.
3. Gods/Goddess’ that walk the Earth with humans (even sometimes messing with them)
4. Magical powers that were once used for evil but now are used for good.
5. The whole ‘pretend to be sick so we can get close’ ordeal.
“Looking into his eyes was like gazing at the ocean – swirling shades of deep cobalt and steel gray. Fathomless. Familiar.”
When each of the characters were introduced, I was amazed at how spectacular, unique, and so very strong each of them were! Lira and Reyker’s bond was intense and absolutely addictive. They are literally EVERYTHING. The two are star-crossed lovers but also enemies to lovers and I NEED MORE OF THEM.
The world is out to keep them apart but the two are magnets. And nothing can keep them apart for very long, not even the world no matter how hard it tries too. Reyker is the beast. He was saved from drowning by Lira, who helped him heal by hiding him away. She teaches him her language and she stands by his side. Even when the rest of the world has chewed him up and spit him back out.
Lira battles with being used and caged. She hates feeling like “property” by her father and uncle. She also refuses to believe that Reyker isn’t worth saving. She is one badass heroine and I strive to be her. Smash these two together and you get one powerful couple!
I also want to take a moment to say that Quinlan has my heart and I need to see more of him in book 2 please dear author! I will pay you in my tears and heart if I have too.
“If I die in a cage tomorrow, or I die in a cage in ten years – what is the difference? A cage is not a life.”
The world-building in Beasts of the Frozen Sun was… OMG seriously some of the best I’ve ever read. With history, there is always brutality and this novel does include that. Death, torture, the treatment of woman were all horrible and at times a bit hard to read but Jill Criswell has such raw talent at describing things that she does an amazing job writing those style of scenes. And with this being a story set back in history, those themes are inevitable. But each theme included, made Beasts of the Frozen Sun seem more and more realistic with each passing page.
The plot of this novel is everything!! Wars to villages raids to snuggles between Lira and Reyker. There was never a boring moment within Beasts of the Frozen Sun. It was packed with so much intensity that at times, it left you a bit exhausted. The plot was also dark and brutal but it fit with the story. This was a bloody amazing action-packed novel of magic and redemption, high stakes and brutal fights, powerful woman and monstrous men.
I am on my first ever book hangover. That ending… Jill Criswell is a cruel woman to leave me hanging in the way she did. But OHMAGAWD, I CAN NOT WAIT for book two of this series. Please, if you only ever pick up one book that I recommend, please please please pick this amazing novel up!
“When that dark womb of stillness engulfed him, he embraced it with a flood of relief. Reyker welcomed whatever torments waited him on the other side of this world, knowing it was nothing less than he deserved.”
TRIGGER WARNINGS: war, violence, blood, gore, talk of sexual assault, child abuse, emotional abuse, animal violence, animal sacrifice, death of an animal, anger issues, arsony, death, murder, talk of drowning, absent parent, death of a parent, disowning, forced marriage, death of a sibling, manipulation, mind control, slavery, starvation, torture, trauma
REVIEW: First off, I want to say to not let all of those trigger warnings deter you from reading this breathtaking novel. Beasts of the Frozen Sun was extremely well-written and I will keep screaming this from the rooftops for as long as I am alive of how amazing this novel is.
Beasts of the Frozen Sun is loaded with badassery and brutally epic scenes. Also, that cover is one of the most beautiful covers I’ve ever seen. There was complexity to the world-building, relatable characters that you just can’t help but fall in love with, brutal wars and men as monstrous as some of the men in the world today. This fantasy novel was defiantly on the darker side, but it D E L I V E R E D ! And it delivered an immersive read that drowned you in the world until the very end.
Beasts of the Frozen Sun follows Lira, the heroine who is gifted from the gods and goddess’. This gift, the ability to read a person’s soul by just touching their chest, was used by others – mainly Lira’s father and uncle. But then a golden-haired giant washes ashore and Lira decides to help him heal. She hides him away and the two of them grow close, forming a bond that is forbidden by both of their clans. But then, the Dragon comes into the story and Lira is left fighting for her life, Reyker’s soul, and her people’s freedom.
Things I loved about Beasts of the Frozen Sun:
1. The main character being a badass heroine who gets angry when her sword is taken from her.
2. The love interest being a tough “bad boy” on the outside, but deep down he’s a big ole softie.
3. Gods/Goddess’ that walk the Earth with humans (even sometimes messing with them)
4. Magical powers that were once used for evil but now are used for good.
5. The whole ‘pretend to be sick so we can get close’ ordeal.
“Looking into his eyes was like gazing at the ocean – swirling shades of deep cobalt and steel gray. Fathomless. Familiar.”
When each of the characters were introduced, I was amazed at how spectacular, unique, and so very strong each of them were! Lira and Reyker’s bond was intense and absolutely addictive. They are literally EVERYTHING. The two are star-crossed lovers but also enemies to lovers and I NEED MORE OF THEM.
The world is out to keep them apart but the two are magnets. And nothing can keep them apart for very long, not even the world no matter how hard it tries too. Reyker is the beast. He was saved from drowning by Lira, who helped him heal by hiding him away. She teaches him her language and she stands by his side. Even when the rest of the world has chewed him up and spit him back out.
Lira battles with being used and caged. She hates feeling like “property” by her father and uncle. She also refuses to believe that Reyker isn’t worth saving. She is one badass heroine and I strive to be her. Smash these two together and you get one powerful couple!
I also want to take a moment to say that Quinlan has my heart and I need to see more of him in book 2 please dear author! I will pay you in my tears and heart if I have too.
“If I die in a cage tomorrow, or I die in a cage in ten years – what is the difference? A cage is not a life.”
The world-building in Beasts of the Frozen Sun was… OMG seriously some of the best I’ve ever read. With history, there is always brutality and this novel does include that. Death, torture, the treatment of woman were all horrible and at times a bit hard to read but Jill Criswell has such raw talent at describing things that she does an amazing job writing those style of scenes. And with this being a story set back in history, those themes are inevitable. But each theme included, made Beasts of the Frozen Sun seem more and more realistic with each passing page.
The plot of this novel is everything!! Wars to villages raids to snuggles between Lira and Reyker. There was never a boring moment within Beasts of the Frozen Sun. It was packed with so much intensity that at times, it left you a bit exhausted. The plot was also dark and brutal but it fit with the story. This was a bloody amazing action-packed novel of magic and redemption, high stakes and brutal fights, powerful woman and monstrous men.
I am on my first ever book hangover. That ending… Jill Criswell is a cruel woman to leave me hanging in the way she did. But OHMAGAWD, I CAN NOT WAIT for book two of this series. Please, if you only ever pick up one book that I recommend, please please please pick this amazing novel up!
“When that dark womb of stillness engulfed him, he embraced it with a flood of relief. Reyker welcomed whatever torments waited him on the other side of this world, knowing it was nothing less than he deserved.”
Blood Brothers: The Fatal Friendship Between Muhammad Ali and Malcolm X
Randy Roberts and Johnny Smith
Book
In 1962, boxing writers and fans considered Cassius Clay an obnoxious self-promoter, and few...
Kyera (8 KP) rated They Both Die At The End in Books
Jan 31, 2018
They Both Die at the End. That tells you exactly what is going to happen in the book, yet you hope the entire time that it won't be true. This book made me so happy and sad. The journey was hopeful despite the dark theme and you really connect with the characters. This was my first Adam Silvera novel and I am definitely interested in reading more of his books now.
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
156Reviews (7 KP) rated Emma (2020) in Movies
May 1, 2020
Have you ever been at a dinner party that has gone on little too long? You were greeted warmly, settled quickly and comfortably, it's been fun, the company has been in fine form, spinning anecdotes that have entertained. But towards the end, you've all run out of things to say, no one quite knows if it's time to leave or not and it's all got a bit awkward.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
King of Avalon: Dragon Warfare
Games and Social Networking
7.0
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Make friends and battle enemies across the globe, your dragon and throne await! Get your armor on,...