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Emma @ The Movies (1786 KP) rated Vivarium (2020) in Movies
Mar 8, 2020
I like the idea of these weird and wonderful takes, when I saw the synopsis I knew it needed to make my LFF shortlist.
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Taut Lines: Extraordinary True Fishing Stories
Book
Since the earliest writings of civilization, people have been writing about fish and the pursuit of...
Medical Practice Variations: 2016
Ana Johnson and Therese A. Stukel
Book
This title deals with internationally documented variations in medical practice and health service...
Heather Cranmer (2721 KP) rated The Uninvited in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I saw that Liz Jensen had written a new book, I knew I wanted to read it. I loved her book The Rapture and was hoping The Uninvited would be just as good. However, I was disappointed with this book.
Hesketh is a man who has Asperger's Syndrome. He is sent by his company to investigate cases of whistle blowers and sabotage within companies. When Hesketh goes to investigate his first case in Taiwan, he gets more than he bargained for. The supposed whistle blower seems to be talking non-sense. The next day, the whistle blower commits suicide. Soon, this is happening all over the world. Not only that, but it children all over the world are attacking adults. What's going on? Will Hesketh be able to find the answer before it's too late?
The title of The Uninvited suits the book. Like most of my reviews, I don't want to go into too much detail as to why the title fits because I don't want to give away any spoilers.
I found this particular cover to be a bit plain for my liking. The cover didn't catch my attention. (It was the synopsis that did). This cover doesn't really give too much away about what the story is going to be about. To me, the cover just looks like some spoilt child hiding in her room trying to spy on what's going on which has nothing to do with the actual story of the book!!
The world building is very believable. I could actually imagine everything written in the book happening as the author was writing about it. I had no qualms about the world building. The author brings this dystopian world to life beautifully and scarily so!
Unfortunately, the pacing was horrible in this book. I had to force myself to read it and finish it which is a shame because I really wanted to love The Uninvited. The story just went on too slowly for my liking. A lot of the time, I was contemplating giving up on this book, but I've read a lot of books that get better towards the end. However, this wasn't the case with this book. It never got any better. It was a slow read throughout.
The dialogue, to me, confused me. It featured a lot of science jargon that I didn't understand. I found myself completely lost through most of this book. The ending, especially, left me the most confused. I didn't understand why or how. I just felt it was never fully explained which left me feeling rather annoyed.
The characters just felt too one dimensional. I couldn't relate to any of them, and I didn't care what happened to them. The character of Hesketh just came across really annoying. Yes, I understand he has Asperger's but so does my son, and he's no where as annoying as Hesketh. (And I'm not just saying that because he's my son). Throughout the book, Hesketh repeats things to himself three times, and he's constantly talking about his origami. I realise that he has his little quirks, but I felt as if Hesketh's origami was being shoved down my throat. If I had to pick a favourite character, it was be Professor Whybray. He just had that lovely old man quality and came across feeling grandfatherly.
All in all, I think the idea of this story is a great one, but it was just poorly executed. The pacing was too slow, the characters were too dull, and the dialogue was just too confusing. Like I said, I really wanted to enjoy this book as Liz Jenson has written some wonderful books before this one.
I really wouldn't recommend this book, but if you'd like to give it a try, I'd say ages 16+ would be the best ages to try to enjoy it.
I'd give The Uninvited by Liz Jensen a 1.5 out of 5.
(A special thanks to Netgalley and the publisher for giving me a free copy of this book in exchange for an honest and unbiased review).
When I saw that Liz Jensen had written a new book, I knew I wanted to read it. I loved her book The Rapture and was hoping The Uninvited would be just as good. However, I was disappointed with this book.
Hesketh is a man who has Asperger's Syndrome. He is sent by his company to investigate cases of whistle blowers and sabotage within companies. When Hesketh goes to investigate his first case in Taiwan, he gets more than he bargained for. The supposed whistle blower seems to be talking non-sense. The next day, the whistle blower commits suicide. Soon, this is happening all over the world. Not only that, but it children all over the world are attacking adults. What's going on? Will Hesketh be able to find the answer before it's too late?
The title of The Uninvited suits the book. Like most of my reviews, I don't want to go into too much detail as to why the title fits because I don't want to give away any spoilers.
I found this particular cover to be a bit plain for my liking. The cover didn't catch my attention. (It was the synopsis that did). This cover doesn't really give too much away about what the story is going to be about. To me, the cover just looks like some spoilt child hiding in her room trying to spy on what's going on which has nothing to do with the actual story of the book!!
The world building is very believable. I could actually imagine everything written in the book happening as the author was writing about it. I had no qualms about the world building. The author brings this dystopian world to life beautifully and scarily so!
Unfortunately, the pacing was horrible in this book. I had to force myself to read it and finish it which is a shame because I really wanted to love The Uninvited. The story just went on too slowly for my liking. A lot of the time, I was contemplating giving up on this book, but I've read a lot of books that get better towards the end. However, this wasn't the case with this book. It never got any better. It was a slow read throughout.
The dialogue, to me, confused me. It featured a lot of science jargon that I didn't understand. I found myself completely lost through most of this book. The ending, especially, left me the most confused. I didn't understand why or how. I just felt it was never fully explained which left me feeling rather annoyed.
The characters just felt too one dimensional. I couldn't relate to any of them, and I didn't care what happened to them. The character of Hesketh just came across really annoying. Yes, I understand he has Asperger's but so does my son, and he's no where as annoying as Hesketh. (And I'm not just saying that because he's my son). Throughout the book, Hesketh repeats things to himself three times, and he's constantly talking about his origami. I realise that he has his little quirks, but I felt as if Hesketh's origami was being shoved down my throat. If I had to pick a favourite character, it was be Professor Whybray. He just had that lovely old man quality and came across feeling grandfatherly.
All in all, I think the idea of this story is a great one, but it was just poorly executed. The pacing was too slow, the characters were too dull, and the dialogue was just too confusing. Like I said, I really wanted to enjoy this book as Liz Jenson has written some wonderful books before this one.
I really wouldn't recommend this book, but if you'd like to give it a try, I'd say ages 16+ would be the best ages to try to enjoy it.
I'd give The Uninvited by Liz Jensen a 1.5 out of 5.
(A special thanks to Netgalley and the publisher for giving me a free copy of this book in exchange for an honest and unbiased review).
WOW ENGLISH TV
9.0
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Toddlers, kindergarten and elementary school children – come and join Steve and Maggie in their...
Gareth von Kallenbach (980 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
Holly Johnson recommended Blade Runner Soundtrack by Vangelis in Music (curated)
Tanzania Safari Guide: With Kilimanjaro, Zanzibar and the Coast
Book
This new, thoroughly updated eighth edition remains the only practical guidebook to Tanzania to...
Chris Sawin (602 KP) rated Book of Blood (2008) in Movies
Jun 20, 2019
"The dead have highways. Highways that lead to intersections and intersections that spill into our world. And if you find yourself at one of those intersections, you should stop and you should listen because the dead have stories to tell."
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
Metroburbia: The Anatomy of Greater London
Book
London's suburbs are home to many thousands of people who travel into the centre every day to work,...