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Emma @ The Movies (1786 KP) rated The Personal History of David Copperfield (2019) in Movies
Mar 2, 2020
More classic literature retold for the modern audience, this time with a very distinctive and chaotic style.
Young David Copperfield is sent off into the world by his step-father. Unaware of the real woes of the world he must keep his spirits up as his surroundings changes to a much harsher nature. As he grows he's still a creative and happy-go-lucky young man but has he found himself in the place he truly wants to be?
I had to keep reminding myself that the film we were watching was being told to us by David himself, the chaotic nature throughout would have been, in part, down to his natural chaotic energy. It did become overwhelming at times though and starting the film with so many transitions was quite off putting.
I don't remember the last time I saw a cast this diverse, and that's a great thing but the cynical side of me did briefly wonder if it was diversity for the sake of that bit of recognition. Ugh, I hate thinking that, and it's in no way a reflection on the cast as they're all excellent actors, but I didn't feel like some of the character dynamics worked together. That may also have something to do with the frantic nature of everything else going on though.
There's definite theatre in this, each scene feels like it takes place in a confined space, like that of a stage, until it opens up at the end to its infinite future and possibilities.
Everything in this period drama feels wrong for a traditional period drama. The cities would normally be drab and dank but everything has a surprisingly light and airy nature to it, a quirk of David's optimism maybe? Each location was stunning though and designed perfectly for its needs. The Micawber's home being accessible from almost every angle to allow for the tussles with the creditors, and Mr Dick's room as a reflection of the chaos in his head. There was much to marvel at but so little time to see it as it fought for attention with the constantly moving script.
Dev Patel feels like the perfect choice for the role of Copperfield, the excitement and optimism in it is not that far off his portrayal of Sonny Kapoor in The Best Exotic Marigold Hotel. He brought the energy needed to keep up with the pace and it made for an entertaining lead.
Was this just too much though? So much story crammed into just 2 hours of screen time. Too many great actors never really getting a chance to make an impact [a very similar feeling to the Knives Out's roster]. A pace that was akin to a 2 hour version of Clue's multiple endings. Too much, I was exhausted after seeing it.
Having only seen Iannucci's directing before in Death Of Stalin I'm unsure as to whether this pacing issue is something common to him, I genuinely don't remember that being quite this chaotic, but that alone was enough to put me off. The experience felt rushed and that's never how I want to feel when I watch a film.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-personal-history-of-david.html
Young David Copperfield is sent off into the world by his step-father. Unaware of the real woes of the world he must keep his spirits up as his surroundings changes to a much harsher nature. As he grows he's still a creative and happy-go-lucky young man but has he found himself in the place he truly wants to be?
I had to keep reminding myself that the film we were watching was being told to us by David himself, the chaotic nature throughout would have been, in part, down to his natural chaotic energy. It did become overwhelming at times though and starting the film with so many transitions was quite off putting.
I don't remember the last time I saw a cast this diverse, and that's a great thing but the cynical side of me did briefly wonder if it was diversity for the sake of that bit of recognition. Ugh, I hate thinking that, and it's in no way a reflection on the cast as they're all excellent actors, but I didn't feel like some of the character dynamics worked together. That may also have something to do with the frantic nature of everything else going on though.
There's definite theatre in this, each scene feels like it takes place in a confined space, like that of a stage, until it opens up at the end to its infinite future and possibilities.
Everything in this period drama feels wrong for a traditional period drama. The cities would normally be drab and dank but everything has a surprisingly light and airy nature to it, a quirk of David's optimism maybe? Each location was stunning though and designed perfectly for its needs. The Micawber's home being accessible from almost every angle to allow for the tussles with the creditors, and Mr Dick's room as a reflection of the chaos in his head. There was much to marvel at but so little time to see it as it fought for attention with the constantly moving script.
Dev Patel feels like the perfect choice for the role of Copperfield, the excitement and optimism in it is not that far off his portrayal of Sonny Kapoor in The Best Exotic Marigold Hotel. He brought the energy needed to keep up with the pace and it made for an entertaining lead.
Was this just too much though? So much story crammed into just 2 hours of screen time. Too many great actors never really getting a chance to make an impact [a very similar feeling to the Knives Out's roster]. A pace that was akin to a 2 hour version of Clue's multiple endings. Too much, I was exhausted after seeing it.
Having only seen Iannucci's directing before in Death Of Stalin I'm unsure as to whether this pacing issue is something common to him, I genuinely don't remember that being quite this chaotic, but that alone was enough to put me off. The experience felt rushed and that's never how I want to feel when I watch a film.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-personal-history-of-david.html
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BankofMarquis (1832 KP) rated Renfield (2023) in Movies
Apr 22, 2023
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Billie Wichkan (118 KP) rated The Burning House in Books
May 22, 2019
It was a victimless crime...
Estate Agent Clara is struggling to make a sale. With her abusive ex-husband on the brink of finding where she's hiding, she needs to make a commission soon or lose her chance to escape.
Boleskine House on the shores of Loch Ness has remained unsold for years, and Clara is sure that an 'innocent' fire will force the price down. But the perfect crime soon turns into the perfect nightmare: there was a witness, a stranger in the village, and he's not going to let Clara get away with it that easily...
This is a very creepy read indeed, which features old secrets, black magic and also a story line which deals with domestic violence, and stalking, set very much in the real world. This combination of crimes we can understand, and empathize with, alongside the supernatural, works very well.
I didn't realize until the end that he had taken the story of the real Boleskin House and weaved the story around it. Boleskin sounds an absolutely fascinating place, owned by Alistair Crowley and Jimmy Page and reputedly incredibly haunted and the site of some odd rituals and occurrences. Spring explains in a footnote that a mysterious fire did really happen, do unfortunately you can't exactly visit the real place.
It is hard to write too much about this novel, without giving away the plot and I have no wish to do that.
This was a tense and chilling read that was!! From the start you are thrown into quite a chain of shocking events and the consequences of these are felt throughout the book, and leads to some very dark places for some of the characters!
Great plot that will grip you and not let you go at all. The characters were well written and some are very unsavory and that adds to the dark story line. The action never seems to let up and I found myself holding my breath in anticipation.
Definitely a superb psychological thriller with a twist and I thought it was brilliant.
Highly recommend reading!!!
My thanks go to the Publisher and Netgalley for the chance to read this book.
Estate Agent Clara is struggling to make a sale. With her abusive ex-husband on the brink of finding where she's hiding, she needs to make a commission soon or lose her chance to escape.
Boleskine House on the shores of Loch Ness has remained unsold for years, and Clara is sure that an 'innocent' fire will force the price down. But the perfect crime soon turns into the perfect nightmare: there was a witness, a stranger in the village, and he's not going to let Clara get away with it that easily...
This is a very creepy read indeed, which features old secrets, black magic and also a story line which deals with domestic violence, and stalking, set very much in the real world. This combination of crimes we can understand, and empathize with, alongside the supernatural, works very well.
I didn't realize until the end that he had taken the story of the real Boleskin House and weaved the story around it. Boleskin sounds an absolutely fascinating place, owned by Alistair Crowley and Jimmy Page and reputedly incredibly haunted and the site of some odd rituals and occurrences. Spring explains in a footnote that a mysterious fire did really happen, do unfortunately you can't exactly visit the real place.
It is hard to write too much about this novel, without giving away the plot and I have no wish to do that.
This was a tense and chilling read that was!! From the start you are thrown into quite a chain of shocking events and the consequences of these are felt throughout the book, and leads to some very dark places for some of the characters!
Great plot that will grip you and not let you go at all. The characters were well written and some are very unsavory and that adds to the dark story line. The action never seems to let up and I found myself holding my breath in anticipation.
Definitely a superb psychological thriller with a twist and I thought it was brilliant.
Highly recommend reading!!!
My thanks go to the Publisher and Netgalley for the chance to read this book.
Gareth von Kallenbach (977 KP) rated Suffragette (2015) in Movies
Jun 19, 2019
I have read reviews before, that use the words “riveting” and “captivating” and “compelling”…. And usually I sort of just roll my eyes and hope that the movie is as good as the review says, because “usually” I find that the movie doesn’t actually match those words.
Suffragette, on the other hand, is all that, and more.
The movie has Meryl Streep in it, but she doesn’t have very much screen time. As much as I like Meryl Streep, this movie does just fine, all on its own, even with Streep only having a presence on its fringes.
I have not seen any other movies with the actress starring in the film, Carey Mulligan, but based on her performance in this movie, I would definitely be willing to see another.
Suffragette centers around the fight of women in London to be allowed the right to vote. Even trying to write this review, remembering the movie and trying to pull the words out, I get chills and tear up.
It was emotional, and angry, and incredibly sad. Brave and wild, sneaky and smart. Cruel and dangerous.
All of that, in one movie. I spent the last half, crying my eyes out. Quite literally, sobbing in the theatre, trying to not be obvious. The struggles those women faced, were REAL. They sacrificed their ability to work, their families, and their very LIVES to the cause of being treated equally to men, and having equal rights to vote, and equal pay as well.
Suffragette is a movie that everyone should see.
Men, women, children old enough to understand the implications of a struggle that spanned many years, and even today isn’t fully finished. The list at the end, of the countries in the world and when women got the right to vote, and the countries where women are STILL NOT ALLOWED to vote, was breathtaking…. And utterly heartbreaking.
Suffragette shows us how far we have come, and how very far we have yet to go, worldwide.
http://sknr.net/2015/11/06/suffragette/
Suffragette, on the other hand, is all that, and more.
The movie has Meryl Streep in it, but she doesn’t have very much screen time. As much as I like Meryl Streep, this movie does just fine, all on its own, even with Streep only having a presence on its fringes.
I have not seen any other movies with the actress starring in the film, Carey Mulligan, but based on her performance in this movie, I would definitely be willing to see another.
Suffragette centers around the fight of women in London to be allowed the right to vote. Even trying to write this review, remembering the movie and trying to pull the words out, I get chills and tear up.
It was emotional, and angry, and incredibly sad. Brave and wild, sneaky and smart. Cruel and dangerous.
All of that, in one movie. I spent the last half, crying my eyes out. Quite literally, sobbing in the theatre, trying to not be obvious. The struggles those women faced, were REAL. They sacrificed their ability to work, their families, and their very LIVES to the cause of being treated equally to men, and having equal rights to vote, and equal pay as well.
Suffragette is a movie that everyone should see.
Men, women, children old enough to understand the implications of a struggle that spanned many years, and even today isn’t fully finished. The list at the end, of the countries in the world and when women got the right to vote, and the countries where women are STILL NOT ALLOWED to vote, was breathtaking…. And utterly heartbreaking.
Suffragette shows us how far we have come, and how very far we have yet to go, worldwide.
http://sknr.net/2015/11/06/suffragette/
Jessica - Where the Book Ends (15 KP) rated Ready Player One in Books
Jan 30, 2019
Honestly, I’m not really sure where to start with this review. I guess I need to preface by saying that I wanted to like this book. I mean REALLY wanted to like it. I love video games, I love the 80’s and the idea of living almost exclusively in virtual reality sounds like an amazing combination for a story. Unfortunately, it didn’t work for me… at all. I totally respect that there is a HUGE following for this book, and I am sooooooooooooo glad that so many people loved this book. I think that’s great. I really wanted to like it.
The author’s writing style was the biggest problem for me. The book started off strong for the first couple of chapters, but then became a huge info-dump for about 6 chapters. Then it would get interesting again, and then another mega epic info-dump was upon us, until about the last 6-8 chapters. It was great that the author wanted to give detail to world build and help you become part of the book/game, but at times it was just too much for me.
I also found that the author did a poor job of explaining what life was like outside of the major cities, it was almost as if we were supposed to just know that it was a wasteland. The author also was not consistent with their acronyms (GSS, PVP, MMO, etc). He would use the acronym and provide no explanation, and then the next page he would spell it out with the acronym, and then the page after that it would be spelled out with no acronym… It was all over the place.
The other glaring issue for me was the fact that Wade was fighting the sixers and their huge corporation but then was trying to find the egg and in the end became the head of a super-mega-corporation. It didn’t jive for me at all.
The author’s writing style was the biggest problem for me. The book started off strong for the first couple of chapters, but then became a huge info-dump for about 6 chapters. Then it would get interesting again, and then another mega epic info-dump was upon us, until about the last 6-8 chapters. It was great that the author wanted to give detail to world build and help you become part of the book/game, but at times it was just too much for me.
I also found that the author did a poor job of explaining what life was like outside of the major cities, it was almost as if we were supposed to just know that it was a wasteland. The author also was not consistent with their acronyms (GSS, PVP, MMO, etc). He would use the acronym and provide no explanation, and then the next page he would spell it out with the acronym, and then the page after that it would be spelled out with no acronym… It was all over the place.
The other glaring issue for me was the fact that Wade was fighting the sixers and their huge corporation but then was trying to find the egg and in the end became the head of a super-mega-corporation. It didn’t jive for me at all.
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5 / 5 - Touch Arcade - "Easily one of the best racing games on mobile" 9 / 10 - Pocket Gamer - "You...
Heather Cranmer (2721 KP) rated The Treatment (The Program, #2) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I loved The Program by Suzanne Young, so I had to get The Treatment as soon as it was released to find out what happened to James and Sloane. While I didn't love The Treatment as much as The Program, this was still a good read.
I like the title. It's a good fit for what the books about, and it fits with the first boo in the series.
I like the cover. I like how, to me, it kind of portrays James and Sloane on the run. I had the hardback copy of this book, so when I took off the dust jacket, it had the pill cover which is the treatment.
The world building was done fantastically! I could see each of the scenes in my mind clearly. This time, the setting of the book takes James and Sloane all over the United States.
The pacing was a bit slow for about the first two-thirds of the book, and I was really disappointed. However, I kept reading because I desperately wanted to like this book. Luckily, I was rewarded when the last section of the book picked up pace, and I couldn't wait to see what would happen next.
The plot is good. Sloane and James are on the run from the Program after rekindling their romance from before the Program. They meet other rebels who are on the run, and they all try to stay one step ahead of the Program. Sloane is still wondering if she should take the Treatment, which would restore all of her memories, that Realm gave her. The only thing I didn't like about the plot is that it was too mushy when it came to the romance. The first book in the series wasn't as bad as this. Plus, it seemed in this book that James and Sloane were having sex at the end of almost every chapter!
I thought the characters were written really well even if James and Sloane were humping like rabbits all the time! Sloane is still a very strong female character, and in this book, we're introduced to Dallas who is also a very strong female character. Dallas does have some vulnerability though, and I found it very interesting to learn what she was like before the Program. We're also introduced to Cas in this book. Cas was like the comic relief in this book. He would always try to defuse the situation. Realm is back in this book, and I don't really like him. He's not written poorly, but he just grates on my nerves the way he's always trying to make Sloane second guess her love for James. James is very hot-headed in this book. I still do like him as a character, and I can understand why he got angry.
I enjoyed the dialogue especially when Dallas or Cas where involved in the scene. The dialogue felt very natural and fitting for a young adult book. There is some swearing in this book as well as violence. There are some sexual scenes in this book although they aren't graphic.
Overall, The Treatment (The Program #2) by Suzanne Young starts off being slow but picks up during the last third of the book. The characters are still written very well, and the world building is fantastic.
I'd recommend this book to those aged 16+ who enjoyed The Program and want to know more about Sloane and James.
I loved The Program by Suzanne Young, so I had to get The Treatment as soon as it was released to find out what happened to James and Sloane. While I didn't love The Treatment as much as The Program, this was still a good read.
I like the title. It's a good fit for what the books about, and it fits with the first boo in the series.
I like the cover. I like how, to me, it kind of portrays James and Sloane on the run. I had the hardback copy of this book, so when I took off the dust jacket, it had the pill cover which is the treatment.
The world building was done fantastically! I could see each of the scenes in my mind clearly. This time, the setting of the book takes James and Sloane all over the United States.
The pacing was a bit slow for about the first two-thirds of the book, and I was really disappointed. However, I kept reading because I desperately wanted to like this book. Luckily, I was rewarded when the last section of the book picked up pace, and I couldn't wait to see what would happen next.
The plot is good. Sloane and James are on the run from the Program after rekindling their romance from before the Program. They meet other rebels who are on the run, and they all try to stay one step ahead of the Program. Sloane is still wondering if she should take the Treatment, which would restore all of her memories, that Realm gave her. The only thing I didn't like about the plot is that it was too mushy when it came to the romance. The first book in the series wasn't as bad as this. Plus, it seemed in this book that James and Sloane were having sex at the end of almost every chapter!
I thought the characters were written really well even if James and Sloane were humping like rabbits all the time! Sloane is still a very strong female character, and in this book, we're introduced to Dallas who is also a very strong female character. Dallas does have some vulnerability though, and I found it very interesting to learn what she was like before the Program. We're also introduced to Cas in this book. Cas was like the comic relief in this book. He would always try to defuse the situation. Realm is back in this book, and I don't really like him. He's not written poorly, but he just grates on my nerves the way he's always trying to make Sloane second guess her love for James. James is very hot-headed in this book. I still do like him as a character, and I can understand why he got angry.
I enjoyed the dialogue especially when Dallas or Cas where involved in the scene. The dialogue felt very natural and fitting for a young adult book. There is some swearing in this book as well as violence. There are some sexual scenes in this book although they aren't graphic.
Overall, The Treatment (The Program #2) by Suzanne Young starts off being slow but picks up during the last third of the book. The characters are still written very well, and the world building is fantastic.
I'd recommend this book to those aged 16+ who enjoyed The Program and want to know more about Sloane and James.
Kristy H (1252 KP) rated Cross Her Heart in Books
Mar 11, 2019
Intruiging thriller though it didn't "wow" me
Lisa lives a quiet life with her teenage daughter, Ava. She keeps a close-hold on her, which chafes on Ava, who is ready for independence from her mother. But Lisa has a good reason. She has a secret past: one she's never shared with Ava or even her best friend and co-worker, Marilyn. All that changes when Ava rescues a young boy from drowning at a local fair. Her picture and Lisa's are splashed across the news and papers, threatening the world Lisa has so carefully constructed. As things begin to fall apart, each of the three women must begin to confront the many secrets they have been keeping.
I wasn't sure what to expect with this book. I seem to be one of the few people left on the planet who hasn't read Pinborough's Behind Her Eyes. However, all the hype about that one probably raised my expectations for this novel. I will admit, I found it to be oddly captivating. It's told from the points of view of Lisa, Ava, and Marilyn and oscillates between the present and the past. As a result the story unfurls slowly, releasing details in increments. It certainly adds to the tension and suspense of the book.
It's clear that all three women have their own secrets, but figuring out what they are is pretty fascinating. The book definitely kept me guessing until the end. Just when I thought I had something figured out, it threw me another curveball. I didn't particularly love Lisa or Ava--Ava more because I felt like I didn't get to know her that well, but I really liked Marilyn. Pinborough is very good at capturing the voices of her characters--each was unique and easy to picture.
In the end, I found the plot for this one to be interesting, and it kept me reading. Still, it's something that I can't really explain, except to say that nothing about this book "wowed" me. I liked it, but didn't love it. There's no real reason that I can put my finger on, just a feeling. Still, this is a very intriguing psychological thriller. It's twisty, with interesting characters. I still need to get to BEHIND HER EYES.
Thank you to William Morrow for my copy!
I wasn't sure what to expect with this book. I seem to be one of the few people left on the planet who hasn't read Pinborough's Behind Her Eyes. However, all the hype about that one probably raised my expectations for this novel. I will admit, I found it to be oddly captivating. It's told from the points of view of Lisa, Ava, and Marilyn and oscillates between the present and the past. As a result the story unfurls slowly, releasing details in increments. It certainly adds to the tension and suspense of the book.
It's clear that all three women have their own secrets, but figuring out what they are is pretty fascinating. The book definitely kept me guessing until the end. Just when I thought I had something figured out, it threw me another curveball. I didn't particularly love Lisa or Ava--Ava more because I felt like I didn't get to know her that well, but I really liked Marilyn. Pinborough is very good at capturing the voices of her characters--each was unique and easy to picture.
In the end, I found the plot for this one to be interesting, and it kept me reading. Still, it's something that I can't really explain, except to say that nothing about this book "wowed" me. I liked it, but didn't love it. There's no real reason that I can put my finger on, just a feeling. Still, this is a very intriguing psychological thriller. It's twisty, with interesting characters. I still need to get to BEHIND HER EYES.
Thank you to William Morrow for my copy!