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Lee (2222 KP) rated Missing Link (2019) in Movies
Jan 21, 2020
Despite being a huge fan of Coraline and Kubo and the Two Strings, I'd managed to miss out on Missing Link, the latest movie from stop-motion masters Laika, last year when it was originally shown in cinemas. Having recently won the Golden Globe for Best Animated Feature Film, and on the receiving end of a number of other nominations, including an Oscar nom for Best Animated Feature, I was very happy to discover (by chance!) that it had now made its way onto Netflix.
Missing Link is set in Victorian England and tells the story of Sir Lionel Frost (voiced by Hugh Jackman), an adventurer with a passion for exploration and the discovery of mythical creatures. When we first meet Sir Lionel, he is on a small boat with his assistant, hoping to obtain photographic evidence of the existence of the elusive Loch Ness monster. Such evidence would hopefully grant him membership to the exclusive "Society of Great Men", which is run by Lord Piggot-Dunceby (Stephen Fry). Unfortunately, despite Nessie making an appearance to Frost, things don't quite go according to plan and he returns home without any evidence. And in need of a new assistant!
Another shot at entry into the society comes in the form of a letter, which is addressed to Frost on his return home to London. The letter describes the legendary Sasquatch and tells of sightings in the Pacific Northwest so Frost immediately makes a deal with Piggot-Dunceby that will see him accepted should he return with proof that the Sasquatch is real. But Piggot-Dunceby has no such plans to admit Frost and enlists the services of an assassin (Timothy Olyphant) to follow and eliminate him before he gets chance to make it back to England.
When Frost eventually arrives in the forest, he not only discovers the Sasquatch, but also that the Sasquatch can talk and was in fact the one who sent the letter! Sir Lionel names him "Mr. Link" and learns that he just wanted his help in finding his relatives, the Yetis who live in the Himalayas. They join forces and set off, back across America, across the Ocean and across Europe, all the while trying to avoid and outwit the deadly assassin.
Missing Link is more vibrant, more detailed and exhibits a much smoother animation style than any of the previous movies from Laika. It is an outstanding achievement from everyone involved and I am always in awe whenever I see the behind the scenes making of videos from Laika. However, despite looking amazing and featuring some very funny moments from a talented and on-form voice cast, I found Missing Link to the be the weakest in terms of story when compared to Coraline and Kubo. It's certainly not a bad movie, it just didn't grab me at any point, and I didn't feel it was particularly memorable when I'd finished it either.
Missing Link is set in Victorian England and tells the story of Sir Lionel Frost (voiced by Hugh Jackman), an adventurer with a passion for exploration and the discovery of mythical creatures. When we first meet Sir Lionel, he is on a small boat with his assistant, hoping to obtain photographic evidence of the existence of the elusive Loch Ness monster. Such evidence would hopefully grant him membership to the exclusive "Society of Great Men", which is run by Lord Piggot-Dunceby (Stephen Fry). Unfortunately, despite Nessie making an appearance to Frost, things don't quite go according to plan and he returns home without any evidence. And in need of a new assistant!
Another shot at entry into the society comes in the form of a letter, which is addressed to Frost on his return home to London. The letter describes the legendary Sasquatch and tells of sightings in the Pacific Northwest so Frost immediately makes a deal with Piggot-Dunceby that will see him accepted should he return with proof that the Sasquatch is real. But Piggot-Dunceby has no such plans to admit Frost and enlists the services of an assassin (Timothy Olyphant) to follow and eliminate him before he gets chance to make it back to England.
When Frost eventually arrives in the forest, he not only discovers the Sasquatch, but also that the Sasquatch can talk and was in fact the one who sent the letter! Sir Lionel names him "Mr. Link" and learns that he just wanted his help in finding his relatives, the Yetis who live in the Himalayas. They join forces and set off, back across America, across the Ocean and across Europe, all the while trying to avoid and outwit the deadly assassin.
Missing Link is more vibrant, more detailed and exhibits a much smoother animation style than any of the previous movies from Laika. It is an outstanding achievement from everyone involved and I am always in awe whenever I see the behind the scenes making of videos from Laika. However, despite looking amazing and featuring some very funny moments from a talented and on-form voice cast, I found Missing Link to the be the weakest in terms of story when compared to Coraline and Kubo. It's certainly not a bad movie, it just didn't grab me at any point, and I didn't feel it was particularly memorable when I'd finished it either.
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I have no explanation for why young adult story anthologies are SO. GOOD. But they are. This particular one revolves around queer teens in historical times. That's about the only commonality; the genres vary from normal fiction to fantasy to magical realism. There are gay, lesbian, transgender, and asexual teens represented. I am a little annoyed that there don't seem to be any bisexual teens in the anthology; it could be argued that at least one if not more are bi simply because they had opposite-sex relationships before the same-sex romance in the story, but that's also common before realizing your sexuality/coming out. No one is explicitly bisexual in this book. There were also two transmen but no transwomen.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
ClareR (5911 KP) rated Tipping The Velvet in Books
Jan 19, 2018 (Updated Jan 19, 2018)
Sexual awakening in Victorian England
It has taken me a long time to get round to reading this - 20 years in fact. This is the 20th Anniversary edition, and it's still as relevant now as it has always been (and will continue to be relevant, I should think!). This is the story of Nancy Astley and her rise to fame in the music halls in the late 1800's as Nan King, along with her partner on stage and secretly in life too. The novel follows her sexual awakening as a lesbian. Nancy wants to live her life true to herself but Kitty, her partner, does not. Kitty is ashamed and they end up parting under very upsetting circumstances. nan runs away from her stage life , and her life takes a very different turn. She goes through a few different stages in her life - all very remarkable (hey, this is fiction after all!), before she reaches her happy ending. She is uncompromising throughout.
This was so well written, all from Nancy's point of view, which gave the advantage of an insight into her emotions and feelings about all of the things that happened to her. This isn't a book for the faint-hearted. There is a fair amount of sexually descriptive language, but if you like this kind of book (a sexual awakening and a strong independent woman), you'll really enjoy this. Many thanks to Netgalley and Virago for the chance to read this (at last!!)
This was so well written, all from Nancy's point of view, which gave the advantage of an insight into her emotions and feelings about all of the things that happened to her. This isn't a book for the faint-hearted. There is a fair amount of sexually descriptive language, but if you like this kind of book (a sexual awakening and a strong independent woman), you'll really enjoy this. Many thanks to Netgalley and Virago for the chance to read this (at last!!)
Kelly Jo (4 KP) rated That Part Was True in Books
Feb 16, 2018
SPOILER ALERT!!
That Part was True is the story of two middle aged divorcees, Eve and Jack. Eve is a single mother from England, who is unemployed. Jack is a single writer from New York. In fact, the thing that connects them is that Jack is one if Eve's favorite writers. They begin communicating through a string of letters, and short emails, when she writes him in regards to one of his books. Readers then learn through the two sides of the story that Jack struggles with being a bachelor and writing a new book, while Eve struggles with anxiety and the impending wedding of her only daughter, Izzy, and the arrival of her uninvolved ex-husband, Simon, and his family. During their hard times, they find one common bond that helps them get through life - food. The book continues to take readers on a journey through both their communication and their personal lives.
I loved some parts of this book, while I disliked others. I loved the development of the characters and discovering the ins and outs of the personal lives, especially Eve's anxiety disorder, something that hits close to home. I didn't like that Eve and Jack didn't end up meeting in the end like I had expected. Though I knew from the beginning that this wasn't a run-of-the-mill love story, I hoped for a little more with their friendship. I would have liked to have seen more closure.
That Part was True is the story of two middle aged divorcees, Eve and Jack. Eve is a single mother from England, who is unemployed. Jack is a single writer from New York. In fact, the thing that connects them is that Jack is one if Eve's favorite writers. They begin communicating through a string of letters, and short emails, when she writes him in regards to one of his books. Readers then learn through the two sides of the story that Jack struggles with being a bachelor and writing a new book, while Eve struggles with anxiety and the impending wedding of her only daughter, Izzy, and the arrival of her uninvolved ex-husband, Simon, and his family. During their hard times, they find one common bond that helps them get through life - food. The book continues to take readers on a journey through both their communication and their personal lives.
I loved some parts of this book, while I disliked others. I loved the development of the characters and discovering the ins and outs of the personal lives, especially Eve's anxiety disorder, something that hits close to home. I didn't like that Eve and Jack didn't end up meeting in the end like I had expected. Though I knew from the beginning that this wasn't a run-of-the-mill love story, I hoped for a little more with their friendship. I would have liked to have seen more closure.
Deborah (162 KP) rated The Reckless Bride (Black Cobra Quartet #4) in Books
Dec 21, 2018
This is the fourth and final book in Laurens' Black Cobra Quartet - it was one where I was desperate to find out how it was all going to end and at the same time didn't want it to be over.
There have been some errors in the books that could have been picked up - most obviously in this the herione is refered to as Lucy in the blurb and so as I started reading I did wonder who this Loretta person was! Also in the last book I think Linsdale should have been Linslade - only because I live near there! Be that as it may, I'm not the sort to let a few little things like that spoil my enjoyment of a cracking good story!
The scope of this quartet has been much wider that your usual book of this genre as the four couriers have travelled back from India to England, and to some extent we have followed them in their travels. In trying to fend off cultists and other attackers, we've also had rather more of a swashbuckling adventure than is perhaps the norm - but I loved every minute of it!
There is a twist in the tale of this Black Cobra. It's so clever and so simple I could have kicked myself for not seeing it coming!
If you're new to Laurens you really need to start with the Cynsters and The Bastion club books before this - but I guarantee you won't regret it!
There have been some errors in the books that could have been picked up - most obviously in this the herione is refered to as Lucy in the blurb and so as I started reading I did wonder who this Loretta person was! Also in the last book I think Linsdale should have been Linslade - only because I live near there! Be that as it may, I'm not the sort to let a few little things like that spoil my enjoyment of a cracking good story!
The scope of this quartet has been much wider that your usual book of this genre as the four couriers have travelled back from India to England, and to some extent we have followed them in their travels. In trying to fend off cultists and other attackers, we've also had rather more of a swashbuckling adventure than is perhaps the norm - but I loved every minute of it!
There is a twist in the tale of this Black Cobra. It's so clever and so simple I could have kicked myself for not seeing it coming!
If you're new to Laurens you really need to start with the Cynsters and The Bastion club books before this - but I guarantee you won't regret it!
Kristy H (1252 KP) rated The Giver of Stars in Books
Nov 7, 2019
This was such a great read—I was completely caught up in the story, set in 1930s Kentucky. It tells of a group of women who agree to set up a traveling library—where the books are delivered via horseback—per the direction of Eleanor Roosevelt and the WPA.
What a vivid and mesmerizing tale. We are introduced to Alice, who comes from England to Kentucky after her marriage. But her union isn’t all she imagined, and she finds herself feeling trapped and alone—until she joins the library. They are led by Margery, who refuses to fit the mold of the typical Kentucky woman, much to the ire of some townspeople, including Alice’s father-in-law, who runs the local mine.
The plot is dramatic, riveting, and, honestly, stressful at times (I was so invested). I loved the idea of a tale that mixes the power of books and reading with the power of women and the fear so many had of both. You’d like to think a lot has changed since the ‘30s, but this felt rather timely sometimes... The book also speaks eloquently to the racial divide, classism, and more. I found many parts to be so touching and others very powerful. This is a book that speaks to you on a variety of levels.
Overall, this is a beautiful book, with a strong and moving message. Definitely recommend! 4+ stars.
What a vivid and mesmerizing tale. We are introduced to Alice, who comes from England to Kentucky after her marriage. But her union isn’t all she imagined, and she finds herself feeling trapped and alone—until she joins the library. They are led by Margery, who refuses to fit the mold of the typical Kentucky woman, much to the ire of some townspeople, including Alice’s father-in-law, who runs the local mine.
The plot is dramatic, riveting, and, honestly, stressful at times (I was so invested). I loved the idea of a tale that mixes the power of books and reading with the power of women and the fear so many had of both. You’d like to think a lot has changed since the ‘30s, but this felt rather timely sometimes... The book also speaks eloquently to the racial divide, classism, and more. I found many parts to be so touching and others very powerful. This is a book that speaks to you on a variety of levels.
Overall, this is a beautiful book, with a strong and moving message. Definitely recommend! 4+ stars.