"As a school girl this book had an enormous impact on me. It’s not just one of the great works of English fiction, but many describe how it morphs its meaning to suit all seasons of the reader’s life. I read it as a schoolgirl, and the story of the evolving emotions and thoughts of a young girl who reaches womanhood and falls in love with an older man evokes a great romantic love. But on the other hand, the story of his wife, hidden away — descending into madness — caused me frissons of deep fear at the mental illness which was very much the unspoken unknown then, and in my own childhood. At the end of the day it’s an important work for all boys and girls to read, because of its highly developed, complicated and wonderful female heroine."

"Because I’m half Spanish, I want to add a Spanish film, which I think is a film from the ’70s which is called Raise Ravens — I think was the English title. Cria Cuervos, with Geraldine Chaplin. It’s a film by Carlos Saura, a famous Spanish filmmaker. This is a very peculiar film because it’s a ghost story. It’s a young girl [played by Ana Torrent who is fantasizing. You are in the head of a girl the whole time, and it deals with child visions. Nightmares. It’s a very spooky film, but it also reflects very well Spain at the time and of mysteries within families, and mysteries that go on from one generation to the other. It’s a fascinating film that many people don’t know about. That’s why I want to point that one out as well."

"Charles Laughton plays an English butler whose British lord loses him in a poker game to a cowboy from Red Gap, Washington. Ruggles is the butler, a manservant, and he’s forced to move to America, and this cowboy doesn’t [Heaton goes into cowboy twang] feel comfortable having a manservant because it’s ‘Merica and every man is his own man and we have freedom. He tries to help Ruggles become a free man and Ruggles’ family’s whole tradition was being menservants to people. He finds it very hard to embrace American freedom. It has really funny, terrific, and moving performances, and not very many people watch it — or have even seen it or heard of it. I make my boys watch it every Thanksgiving. I’m like, “Boys, it’s that tiiiime!” and they’re like, “Noooooooo, not Ruggles.” but I think they’ll come to appreciate it."

"In 1941, the year of Citizen Kane, a far greater first film coauthored by its director appeared: The Maltese Falcon. From this great beginning, John Huston went on to forge a consistent and unmistakable identity toward life and film that he maintained throughout his long, varied, and productive career. After Laurence Olivier, Albert Finney has been the greatest English actor to work in films, and Under the Volcano is his greatest role. Like all the great characters in Huston’s best films who are ironic, never sentimental, humorous, and usually very unpleasant, Albert Finney, never offscreen, is playing someone totally inebriated from beginning to end. It reminds me of another favorite, Richard III, where another great actor, in this case playing a serial murderer, pulls out all the stops, brings it all off, and brings the viewer over to his side."

"I played British and Irish folk in an early band I had. We only performed one show and Rostam [Batmanglij, Vampire Weekend multi-instrumentalist] was also in the group, so this was the roots of Vampire Weekend. We covered 'Matty Groves' from this album. It's a traditional song about adultery, anger and sex, and I thought it was cool that they could take ancient-sounding stories and make them relevant. It's an important lesson – if you want to reinvent the wheel, maybe pop music isn't for you. As much as it's about being progressive, it's also rooted in a certain respect for the form. Which might seem paradoxical, but that's what pop music is – it combines very old ideas with very new sounds. Fairport are an example of that, taking very old songs in the English language and reinventing them."