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David McK (3185 KP) rated Strange Case of Dr Jekyll and Mr Hyde and Other Tales in Books
Jan 30, 2019
One of the classics of English literature, this short story is also by the same author who wrote "Treasure Island" (amongst others).
What I found interesting, though, is in how Mr Hyde is described within: unlike the malformed gaint monstrosity that is familiar form TV and film, Hyde is actually described as younger than Jekyll and of a lesser stature, while still projecting an aura of evil.
What I found interesting, though, is in how Mr Hyde is described within: unlike the malformed gaint monstrosity that is familiar form TV and film, Hyde is actually described as younger than Jekyll and of a lesser stature, while still projecting an aura of evil.
I was sure I’d read Dubliners before - possibly during my English Literature A Level, but I couldn’t remember what the stories were about. They really give the reader a feel of what life must have been like at the turn of the last century in Ireland. They’re not all ‘pretty’ stories either. We see alcoholism (or at least heavy drinking that impacts life and family), poverty, suicide, missed opportunities and hard decisions. So, normal life for a lot of people.
I now wonder if I should go back and reread one of his novels?
Many thanks to The Pigeonhole for serialising this book.
I now wonder if I should go back and reread one of his novels?
Many thanks to The Pigeonhole for serialising this book.
ClareR (5561 KP) rated The Beauty of the Wolf in Books
Feb 21, 2019
A refreshingly different retelling
I rather liked this retelling of Beauty and the Beast. It's set in Elizabethan England, and there are some twists to the original story, which were both surprising and refreshing.
I really liked the language used: it was poetic with a good smattering of the more 'earthy' Elizabethan English (it's what we English are good at I think, isn't it!). I also liked the mix of fairytale, folklore and history. It just felt as though the author had done a bit of historical research with regards to life in London and as part of a theatrical group.
It was a good story that illustrated that what's on the inside is what really counts far more than appearances and that, I suppose, there is someone out there for everyone. Someone who will love you for yourself, regardless of what you look like - in fact, probably precisely because of what you look like.*
*This book actually caused me to check in my cynicism at the first page. And that's no bad thing in literature!
Many thanks to NetGalley and the publisher for my copy of this book.
I really liked the language used: it was poetic with a good smattering of the more 'earthy' Elizabethan English (it's what we English are good at I think, isn't it!). I also liked the mix of fairytale, folklore and history. It just felt as though the author had done a bit of historical research with regards to life in London and as part of a theatrical group.
It was a good story that illustrated that what's on the inside is what really counts far more than appearances and that, I suppose, there is someone out there for everyone. Someone who will love you for yourself, regardless of what you look like - in fact, probably precisely because of what you look like.*
*This book actually caused me to check in my cynicism at the first page. And that's no bad thing in literature!
Many thanks to NetGalley and the publisher for my copy of this book.
David McK (3185 KP) rated Just William (Just William #1) in Books
May 15, 2021
The first in Richmal Compton's classic 1920s comedy series, about a young child who causes chaos wherever he goes, all the time whilst thinking that he is helping.
Yes, it's very much a product of its time - complete with clear distinction between the Upper, Middle and Lower classes and, yes, this particular entry (the very first) is really more a collection of short(ish) stories rather than having an over-arching plot but, for all that - and once you get into the right frame of mind - there is a reason these are enduring stories!
(Oh, and if you want to see the impact William has had on English literature? Try Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch and tell me you don't spot the similarities ...)
Yes, it's very much a product of its time - complete with clear distinction between the Upper, Middle and Lower classes and, yes, this particular entry (the very first) is really more a collection of short(ish) stories rather than having an over-arching plot but, for all that - and once you get into the right frame of mind - there is a reason these are enduring stories!
(Oh, and if you want to see the impact William has had on English literature? Try Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch and tell me you don't spot the similarities ...)
Deborah (162 KP) rated The Madwoman Upstairs in Books
Dec 21, 2018
I thought this sounded a really interesting idea, modern day woman, descended from the Bronte family uncovers secrets from the history of her family. While I didn't dislike it, I didn't really love it either. For about the first half of the book I found it a bit of a struggle as I found the protagonist, Samantha Whipple, rather hard to like. I'm not even sure I liked her that much by the end of the book to be honest.
Samantha has had rather an odd upbringing, which would account for some of her strangeness. We see her early on arriving at a fictional Oxford college to study English Literature although she seems to hate practically all writers and seems incapable of constructing a reasonable critical argument! She is rather like a spoilt child, and as such I found her hard to like. I'm also pretty good at suspending my disbelief but it takes some stretch of the imagination to accept that someone like Samantha would have been able to gain a place on an English Literature course at an Oxford college! Or that she would be housed on the fifth floor of a tower with no windows in her room and apparently there is only a bathroom on the ground floor. Must have been a bit of an issue when she sprained her ankle, but this is glossed over.
Samantha's tutor is a young, handsome (naturally!) Englishman with the unlikely name of Dr James Timothy Orville III. For most of the book he is referred to simply as 'Orville'. If you are of my generation you might understand why this seemed a bit off-putting and why I've had 'I Wish I Could Fly....' in my head for the past few days!
In conclusion, it wasn't a bad book, the writing was OK (a few Americanisms slipping into the mouths of supposedly British characters....) but it just didn't work for me - there were too many things that were rather improbable and the protagonist was, at times, idiotic.
Samantha has had rather an odd upbringing, which would account for some of her strangeness. We see her early on arriving at a fictional Oxford college to study English Literature although she seems to hate practically all writers and seems incapable of constructing a reasonable critical argument! She is rather like a spoilt child, and as such I found her hard to like. I'm also pretty good at suspending my disbelief but it takes some stretch of the imagination to accept that someone like Samantha would have been able to gain a place on an English Literature course at an Oxford college! Or that she would be housed on the fifth floor of a tower with no windows in her room and apparently there is only a bathroom on the ground floor. Must have been a bit of an issue when she sprained her ankle, but this is glossed over.
Samantha's tutor is a young, handsome (naturally!) Englishman with the unlikely name of Dr James Timothy Orville III. For most of the book he is referred to simply as 'Orville'. If you are of my generation you might understand why this seemed a bit off-putting and why I've had 'I Wish I Could Fly....' in my head for the past few days!
In conclusion, it wasn't a bad book, the writing was OK (a few Americanisms slipping into the mouths of supposedly British characters....) but it just didn't work for me - there were too many things that were rather improbable and the protagonist was, at times, idiotic.
David McK (3185 KP) rated The Once and Future King (The Once and Future King #1-4) in Books
Jan 30, 2019
One of the classics of English literature, and so can be (at times) a heavy read. That's not to say that it isn't enjoyable: it is.
The novel follows the life of King Arthur and is split into four distinct 'books', from his early upbringing through to his ascension to the throne in "The Sword in the Stone" (the Disney version of which is surprisingly accurate), to the early days of his reign and his unknowingly incestuous relationship with half-sister in "The Queen of Air and Darkness", through the Arthur/Lancelot/Guinivere love triangle and the Quest for the Holy Grail in "The Ill Made Knight" and finally ending with the latter days of his reign and the war against Mordred in "The Candle in the Wind".
I have to say as well that as the stroy progresses, the novel also gets steadily more and more serious, actually starting out quite amusing before becoming darker and darker: as such, it's no surprise Disney only adopted the first part of the book for the silver screen!
The novel follows the life of King Arthur and is split into four distinct 'books', from his early upbringing through to his ascension to the throne in "The Sword in the Stone" (the Disney version of which is surprisingly accurate), to the early days of his reign and his unknowingly incestuous relationship with half-sister in "The Queen of Air and Darkness", through the Arthur/Lancelot/Guinivere love triangle and the Quest for the Holy Grail in "The Ill Made Knight" and finally ending with the latter days of his reign and the war against Mordred in "The Candle in the Wind".
I have to say as well that as the stroy progresses, the novel also gets steadily more and more serious, actually starting out quite amusing before becoming darker and darker: as such, it's no surprise Disney only adopted the first part of the book for the silver screen!
Hazel (1853 KP) rated Mirror, Shoulder, Signal in Books
Aug 7, 2017
Danish Literature
I received this book for free through Goodreads First Reads.
Shortlisted for The Man Booker International Prize 2017, Mirror, Shoulder, Signal is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
Mirror, Shoulder, Signal is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, Mirror, Shoulder, Signal is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Shortlisted for The Man Booker International Prize 2017, Mirror, Shoulder, Signal is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
Mirror, Shoulder, Signal is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, Mirror, Shoulder, Signal is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
