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Gareth von Kallenbach (977 KP) rated Whiteout (2009) in Movies
Aug 9, 2019
For US Marshal Carrie Stetko (Kate Beckinsale), a remote posting in Antarctica was exactly what she needed to regroup after a harrowing assignment took an unexpected and devastating turn.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Emma @ The Movies (1786 KP) rated Last Christmas (2019) in Movies
Dec 8, 2019
I ummed and erred about how to start this review, should I burst into song? Should I be writing it while adorned with fairy lights? None of that is needed though, and I'll tell you why in a moment.
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Emma @ The Movies (1786 KP) rated The Addams Family (2019) in Movies
Dec 8, 2019
Can anyone ever say the name of this film without finger snapping?
When their home life is dislodged by pitchfork-wielding townsfolk the Addams pack up their car and hit the road for a new beginning. They come across a mansion on a hill, it's creepy and it's kooky, mysterious and spooky... it's perfect for the Addams family.
Years of idyllic isolation fly by but the outside world is closer than ever. Wednesday is intrigued by the perils that lay beyond their gates and the family can no longer ignore their neighbours in the valley, their very perky neighbours who live in their little cookie cuttered dream houses below.
What's not to love about the madness of the Addams family? You can pretty much guarantee entertainment, and that's what you get from this film.
There's a gripe... there's always a gripe... so let me get it out of the way first. It annoys me more because it's accurate to the source material so I should love that, but modern adaptations have ruined me! Gomez Addams, he's not what you see when you think Gomez. I have been brainwashed by films and it annoys me. He is a perfect representation of the original cartoons by Charles Addams, he's still suave, sophisticated and playful like we know him to be, but he's no Raul Julia or John Astin.
On a similar note, when I heard Oscar Isaac and Charlize Theron were playing Gomez and Morticia I was elated, imagine my disappointment to discover they were to be animated and not live action. You couldn't get better casting for a live action couple if you tried! Anyway, moving on.
The voice cast is littered with famous faces including Elsie Fisher of Eighth Grade fame and Bette Midler... BETTE MIDLER!! We've also got Allison Janney as out saccharine sweet villain, Janney has a knack for the villain roles and I wouldn't mind seeing more of them.
There's just one role I object to, and I found it to be an incredibly lazy decision on someone's part. Nick Kroll as Uncle Fester. While I understand the nice-but-dim style voice is perfect for Fester it has basically been recycled from Big Mouth's Coach Steve. There will be no real issues with this for the intended audience as Big Mouth comes in at a 15 compared to The Addams Family's more subtle PG, but as someone who's old enough to watch both, I was annoyed.
The artwork on this really does play a great homage to the cartoons and despite their age it works really well for a modern audience. The story also brings it nicely up to date with its reality TV slant and the perfect American dream town. There are lots of great touches throughout that amuse.
I understand that each new adaptation has to do its own thing, and I like how it brought an original story (of sorts) to us but I didn't feel like it took previous iterations of the characters into consideration... this is a daft thing to complain about too, I know that, but the Addams family are iconic. Wednesday has always been my spirit animal, but to see a rather lacklustre version here made me a little sad.
But, ultimately I still enjoyed my time watching it, I just don't think I'll be placing it higher up the ranking than any of the previous ghoulish outings.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/the-addams-family-movie-review.html
When their home life is dislodged by pitchfork-wielding townsfolk the Addams pack up their car and hit the road for a new beginning. They come across a mansion on a hill, it's creepy and it's kooky, mysterious and spooky... it's perfect for the Addams family.
Years of idyllic isolation fly by but the outside world is closer than ever. Wednesday is intrigued by the perils that lay beyond their gates and the family can no longer ignore their neighbours in the valley, their very perky neighbours who live in their little cookie cuttered dream houses below.
What's not to love about the madness of the Addams family? You can pretty much guarantee entertainment, and that's what you get from this film.
There's a gripe... there's always a gripe... so let me get it out of the way first. It annoys me more because it's accurate to the source material so I should love that, but modern adaptations have ruined me! Gomez Addams, he's not what you see when you think Gomez. I have been brainwashed by films and it annoys me. He is a perfect representation of the original cartoons by Charles Addams, he's still suave, sophisticated and playful like we know him to be, but he's no Raul Julia or John Astin.
On a similar note, when I heard Oscar Isaac and Charlize Theron were playing Gomez and Morticia I was elated, imagine my disappointment to discover they were to be animated and not live action. You couldn't get better casting for a live action couple if you tried! Anyway, moving on.
The voice cast is littered with famous faces including Elsie Fisher of Eighth Grade fame and Bette Midler... BETTE MIDLER!! We've also got Allison Janney as out saccharine sweet villain, Janney has a knack for the villain roles and I wouldn't mind seeing more of them.
There's just one role I object to, and I found it to be an incredibly lazy decision on someone's part. Nick Kroll as Uncle Fester. While I understand the nice-but-dim style voice is perfect for Fester it has basically been recycled from Big Mouth's Coach Steve. There will be no real issues with this for the intended audience as Big Mouth comes in at a 15 compared to The Addams Family's more subtle PG, but as someone who's old enough to watch both, I was annoyed.
The artwork on this really does play a great homage to the cartoons and despite their age it works really well for a modern audience. The story also brings it nicely up to date with its reality TV slant and the perfect American dream town. There are lots of great touches throughout that amuse.
I understand that each new adaptation has to do its own thing, and I like how it brought an original story (of sorts) to us but I didn't feel like it took previous iterations of the characters into consideration... this is a daft thing to complain about too, I know that, but the Addams family are iconic. Wednesday has always been my spirit animal, but to see a rather lacklustre version here made me a little sad.
But, ultimately I still enjoyed my time watching it, I just don't think I'll be placing it higher up the ranking than any of the previous ghoulish outings.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/the-addams-family-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated #murdertrending in Books
Jan 23, 2020
<b><i>I received this book for free from in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><strong>I don't know if this is something related to psychology, but <em>#Murdertrending</em> is both creepy and engrossing at the same time.</strong></h2>
I found myself reading this quicker than I normally would have (if we're not counting the days I procrastinated), and while I should have turned away from this book in horror instantly, I didn't. Maybe that says something about me or human nature in general. 🙈
<h3><em>#Murdertrending</em> gives off <em>Hunger Games</em> vibes</h3>
We have Dee Guerrera, a girl who is supposedly guilty of murdering her stepsister and is sent to Alcatraz 2.0, a prison for those who are convicted of murdering someone. <strong>The entire prison is full of killers, and they never know when they'll be the next person whose murder will be publicized for all to see.</strong> It's <em>Hunger Games</em> without fighting amongst the inmates, or rather capital punishment for the entertainment of millions of people.
(And Death Row Breakfast Club, which is a fitting name for Dee and her friends.)
<h3>I can't tell if I'm disappointed in the last few scenes.</h3>
<em>#Murdertrending</em> gave off that video game vibe sometimes - Press X and get a reagent! - as Dee found herself facing off against the government-sanctioned killers who are in charge of killing the inmates one by one. Fortunately for Dee and the reader's cruel enjoyment, she still has some obstacles in her way.
<h3>To be honest, this felt tied to current politics in the US</h3>
Maybe this is me being very critical and overthinking, but McNeil's latest book felt really relevant to what is currently going on today (added on with the social media snippets). Only this one is more fictionalized and brutal with a lot more death and blood. And heads rolling, among other disturbing things.
<h3><em>#Murdertrending</em> is very plot-driven</h3>
If you're looking for character development, there won't be much of it. McNeil's latest novel is plot-driven to the core, fast-paced and action-packed.
<h3>That ending though...</h3>
I did NOT see that coming - I mean, I <em>should</em> have, but I didn't. McNeil kept me distracted from what was really going on in the story - there is so much going on that I didn't focus on being a step ahead and putting it all together before the story came together on its own.
<h3>This smells of a sequel?!?!?!</h3>
I have no clue if this is true or not (sounds like it is according to various sources and Google searches), but I am all for a sequel if it happens since I am immensely curious about what happens to the characters who survive the first novel. (Do I sound like a horrible person now?)
<h2><em><strong>#Murdertrending</strong></em><strong> is deliciously dark and twisted - it's very plot-driven and action-packed that will keep you turning the pages despite how gross it may make you feel.</strong></h2>
<a href="http://bookwyrmingthoughts.com/murdertrending-by-gretchen-mcneil/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>I don't know if this is something related to psychology, but <em>#Murdertrending</em> is both creepy and engrossing at the same time.</strong></h2>
I found myself reading this quicker than I normally would have (if we're not counting the days I procrastinated), and while I should have turned away from this book in horror instantly, I didn't. Maybe that says something about me or human nature in general. 🙈
<h3><em>#Murdertrending</em> gives off <em>Hunger Games</em> vibes</h3>
We have Dee Guerrera, a girl who is supposedly guilty of murdering her stepsister and is sent to Alcatraz 2.0, a prison for those who are convicted of murdering someone. <strong>The entire prison is full of killers, and they never know when they'll be the next person whose murder will be publicized for all to see.</strong> It's <em>Hunger Games</em> without fighting amongst the inmates, or rather capital punishment for the entertainment of millions of people.
(And Death Row Breakfast Club, which is a fitting name for Dee and her friends.)
<h3>I can't tell if I'm disappointed in the last few scenes.</h3>
<em>#Murdertrending</em> gave off that video game vibe sometimes - Press X and get a reagent! - as Dee found herself facing off against the government-sanctioned killers who are in charge of killing the inmates one by one. Fortunately for Dee and the reader's cruel enjoyment, she still has some obstacles in her way.
<h3>To be honest, this felt tied to current politics in the US</h3>
Maybe this is me being very critical and overthinking, but McNeil's latest book felt really relevant to what is currently going on today (added on with the social media snippets). Only this one is more fictionalized and brutal with a lot more death and blood. And heads rolling, among other disturbing things.
<h3><em>#Murdertrending</em> is very plot-driven</h3>
If you're looking for character development, there won't be much of it. McNeil's latest novel is plot-driven to the core, fast-paced and action-packed.
<h3>That ending though...</h3>
I did NOT see that coming - I mean, I <em>should</em> have, but I didn't. McNeil kept me distracted from what was really going on in the story - there is so much going on that I didn't focus on being a step ahead and putting it all together before the story came together on its own.
<h3>This smells of a sequel?!?!?!</h3>
I have no clue if this is true or not (sounds like it is according to various sources and Google searches), but I am all for a sequel if it happens since I am immensely curious about what happens to the characters who survive the first novel. (Do I sound like a horrible person now?)
<h2><em><strong>#Murdertrending</strong></em><strong> is deliciously dark and twisted - it's very plot-driven and action-packed that will keep you turning the pages despite how gross it may make you feel.</strong></h2>
<a href="http://bookwyrmingthoughts.com/murdertrending-by-gretchen-mcneil/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Phillip McSween (751 KP) rated Ultraviolet (2006) in Movies
Jan 23, 2020
Begins Like it Ends: Terribly
A powerful woman fights to save a kid who was meant to die. I actually went to see Ultraviolet In theaters when it first came out with one of my closest friends. Sixteen minutes into the movie, he walked out to the screen next door to watch Dave Chappelle’s Block Party. Yes, it is that bad and, honestly, I’m surprised he even lasted that long. What’s my excuse? I don’t know, I’m guess I’m a glutton for bad-movie punishment. I paid the dime so I was forcing myself to do the time.
Acting: 0
Beginning: 3
No, it doesn’t take sixteen minutes to decide this movie is horrible. It’s really more like ten. The beginning sets the movie up in no particularly clever way. It explains the laughable Blood Wars and tries to get you to care about the main character. I’m currently watching it right now and the nose plugs alone are killing me. You’ll understand that reference if you decide to take the awful journey that is this movie.
Characters: 5
Cinematography/Visuals: 2
During the making of this, someone actually presented the idea, “So how cool would it be if the main character could change outfits on the spots like three times in every scene?” The worst part is, someone actually agreed with that dunderhead. The outfits are only a smidge of what makes the cinematics so bad. The special effects are a nightmare which bog down the actions scenes. The world itself is so cardboard that you feel like a backdrop will fall down at any moment. I really don’t know what the angle was here.
Conflict: 3
Every single bodyguard in this world should be fired. I really don’t think the main character gets touched the entire movie as she tears through people left and right. My annoyance level was through the roof with the weak action sequences from start to finish. They were focused too much on making things look cool than they were having actual scenes with meat.
Entertainment Value: 3
After you get done cringing at how bad this movie is, you will finally settle in. You might just have a laugh or two at how utterly ridiculous and stupid this movie is. That, to me, is worthy of a 3.
Memorability: 4
Pace: 3
At one point during the movie, when they had a chance to dive full into more action, they decide instead to have a sequence where the main character and the boy she is protecting stop to play at a playground. This should tell you all you need to know about how slow this movie moves. The fact that you really don’t understand what’s happening the entire movie only serves to make things even worse. Nightmare.
Plot: 5
I am being very generous. I will admit I do have a soft spot in my heart for sci-fi as I feel there are a lot of moving parts with character building and world creation. With Ultraviolet, it’s not just bad sci-fi, it’s bad PERIOD.
Resolution: 4
Overall: 32
I will leave you with this: Sitting through this movie will make you a dumber person. That is all.
Acting: 0
Beginning: 3
No, it doesn’t take sixteen minutes to decide this movie is horrible. It’s really more like ten. The beginning sets the movie up in no particularly clever way. It explains the laughable Blood Wars and tries to get you to care about the main character. I’m currently watching it right now and the nose plugs alone are killing me. You’ll understand that reference if you decide to take the awful journey that is this movie.
Characters: 5
Cinematography/Visuals: 2
During the making of this, someone actually presented the idea, “So how cool would it be if the main character could change outfits on the spots like three times in every scene?” The worst part is, someone actually agreed with that dunderhead. The outfits are only a smidge of what makes the cinematics so bad. The special effects are a nightmare which bog down the actions scenes. The world itself is so cardboard that you feel like a backdrop will fall down at any moment. I really don’t know what the angle was here.
Conflict: 3
Every single bodyguard in this world should be fired. I really don’t think the main character gets touched the entire movie as she tears through people left and right. My annoyance level was through the roof with the weak action sequences from start to finish. They were focused too much on making things look cool than they were having actual scenes with meat.
Entertainment Value: 3
After you get done cringing at how bad this movie is, you will finally settle in. You might just have a laugh or two at how utterly ridiculous and stupid this movie is. That, to me, is worthy of a 3.
Memorability: 4
Pace: 3
At one point during the movie, when they had a chance to dive full into more action, they decide instead to have a sequence where the main character and the boy she is protecting stop to play at a playground. This should tell you all you need to know about how slow this movie moves. The fact that you really don’t understand what’s happening the entire movie only serves to make things even worse. Nightmare.
Plot: 5
I am being very generous. I will admit I do have a soft spot in my heart for sci-fi as I feel there are a lot of moving parts with character building and world creation. With Ultraviolet, it’s not just bad sci-fi, it’s bad PERIOD.
Resolution: 4
Overall: 32
I will leave you with this: Sitting through this movie will make you a dumber person. That is all.
Phillip McSween (751 KP) rated The Lost World: Jurassic Park (1997) in Movies
Feb 5, 2020
Ian Malcolm Should Have Left Them On the Island
Thoughts before watching The Lost World: Jurassic Park as a twelve-year-old in 1997: “Oh man, I can’t wait to check out all this dino action! Raptors for life!” Thoughts before watching The Lost World: Jurassic Park as a thirty-five-year-old in 2019: “Why the hell are they going back to the island? These people clearly have a death wish!” Yes, the sequel to one of the greatest movies ever made sees a return to the dinosaur madness as a special team led by Jeff Goldblum’s Ian Malcolm goes on a mission for Jurassic Park’s creator John Hammond (Richard Attenborough).
Acting: 10
Jeff Goldblum has a way of captivating any screen he’s on. He has charm, wit, and an erratic nature that’s absolutely hilarious. He has a strong cast backing him up with guys like Vince Vaughn and Julianne Moore helping to run the show.
Beginning: 10
Strong start as we see there are still idiots out there that don’t know how to stay away from these islands. The movie is immediately entertaining while also letting you know it’s going to be a different kind of movie than the first. Definitely piqued my interest.
Characters: 6
One of my biggest issues with the entire movie. I’m honestly surprised I didn’t score it lower. For the most part, I hated these characters outside of Ian Malcolm. I almost wish he had left the rest of them to stew on the island by themselves. Julianne Moore’s character Sarah Harding was obnoxious and pretty annoying. Then again, I can say that for a lot of the characters including Malcolm’s daughter Kelly Curtis (Vanessa Lee Chester). At times, it really made it hard for me to enjoy the movie.
Cinematography/Visuals: 9
The dino special effects were taken to new heights in this one. I particularly love the extra work they put into the velociraptors showing off their incredible jumping ability and rogue-like stealth. I also appreciated the multitude of dinos you get in this one as well from the stegosaurus down to the tiny compies. I can’t remember their names, but my particular favorite dino was the one with the bone head. His hard skull could crash through just about anything. I enjoyed watching it wreak havoc on a number of doors and people.
What bothered me just a bit was the choice of a darker color tone throughout the movie. It was almost as if they were trying to purposefully differentiate from the first by doing this. It takes some getting used to, but ultimately didn’t kill the movie for me.
Conflict: 10
Entertainment Value: 10
Memorability: 4
Pace: 8
Plot: 4
What a stupid story. Who in their right mind after hearing all the craziness that went down at the original park would ever go back to face off against these dinos? Rescue mission my ass, not this guy! Had they followed the book, I feel it would have been a lot more believable.
Resolution: 9
Overall: 77
Let’s be honest, no way this movie was going to match the first in any way. Jurassic Park set an amazing standard that is just hard to follow. However, I will say that, while not perfect, The Lost World: Jurassic Park does have its moments that make it a decent enough watch.
Acting: 10
Jeff Goldblum has a way of captivating any screen he’s on. He has charm, wit, and an erratic nature that’s absolutely hilarious. He has a strong cast backing him up with guys like Vince Vaughn and Julianne Moore helping to run the show.
Beginning: 10
Strong start as we see there are still idiots out there that don’t know how to stay away from these islands. The movie is immediately entertaining while also letting you know it’s going to be a different kind of movie than the first. Definitely piqued my interest.
Characters: 6
One of my biggest issues with the entire movie. I’m honestly surprised I didn’t score it lower. For the most part, I hated these characters outside of Ian Malcolm. I almost wish he had left the rest of them to stew on the island by themselves. Julianne Moore’s character Sarah Harding was obnoxious and pretty annoying. Then again, I can say that for a lot of the characters including Malcolm’s daughter Kelly Curtis (Vanessa Lee Chester). At times, it really made it hard for me to enjoy the movie.
Cinematography/Visuals: 9
The dino special effects were taken to new heights in this one. I particularly love the extra work they put into the velociraptors showing off their incredible jumping ability and rogue-like stealth. I also appreciated the multitude of dinos you get in this one as well from the stegosaurus down to the tiny compies. I can’t remember their names, but my particular favorite dino was the one with the bone head. His hard skull could crash through just about anything. I enjoyed watching it wreak havoc on a number of doors and people.
What bothered me just a bit was the choice of a darker color tone throughout the movie. It was almost as if they were trying to purposefully differentiate from the first by doing this. It takes some getting used to, but ultimately didn’t kill the movie for me.
Conflict: 10
Entertainment Value: 10
Memorability: 4
Pace: 8
Plot: 4
What a stupid story. Who in their right mind after hearing all the craziness that went down at the original park would ever go back to face off against these dinos? Rescue mission my ass, not this guy! Had they followed the book, I feel it would have been a lot more believable.
Resolution: 9
Overall: 77
Let’s be honest, no way this movie was going to match the first in any way. Jurassic Park set an amazing standard that is just hard to follow. However, I will say that, while not perfect, The Lost World: Jurassic Park does have its moments that make it a decent enough watch.
Emma @ The Movies (1786 KP) rated Jumanji: The Next Level (2019) in Movies
Jan 9, 2020
Time for more fun in Jumanji? You didn't even need to show me a trailer, I was in.
Life has moved on for everyone since they escaped Jumanji, but Spencer isn't having the same great life that the others are. When he doesn't turn up to their mini-reunion, Martha, Bethany and Fridge head over to his house to check on him. It doesn't seem like he's in but Grandpa Eddie invites them in, nothing seems untoward, that is until they hear the drums that lead them to the basement and the reconstructed remains of the destroyed games console.
I enjoyed the twist of these tales. We went from board game to video game and successfully gave the whole thing a modern update and as the title suggests we go to the next level of the game to freshen up the similar storyline to the last instalment. It felt like a really good way to progress the series but going forward it may cause some issues which I'll mention more later.
This is firmly in the "if it ain't broke don't fix it" camp, Welcome To The Jungle was great fun and so hopes were high for this, it didn't disappoint. Our in-game character actors get to flex their muscles in new ways and it managed to keet the body-swapping element entertaining without feeling like we'd already "been there, done that".
The new characters had me a little worried, DeVito and Glover are great but I wasn't sure how they would translate into Johnson and Hart, and I find Awkwakina to be very Marmite, so when I saw her in a clip I was on the fence. All was well though. Johnson and Hart interacted just right as Eddie and Milo and Awkwafina made a great job of her switched up role. Jack Black brought me the most joy though as he got to take on Fridge's persona.
Jumanji: The Next Level has some fun little touches here and there but my favourite has to be the Bond girl exit, you'll know it when you see it but I don't want to spoil it for you if you haven't seen the film. So much of this film was entertaining and even when I wasn't laughing I was smiling.
The only real drawback was that I worked out fairly early on what was going to happen, it didn't take away from the film though and I thought it ended up giving us an excellent storyline to play out. And damn it if I didn't cry.
Everything comes together really well, the effects were never overly obvious, the sets and costumes were great, and it all gives you a solid, fun film. It's here for entertainment and it delivers.
Where does it go from here? We're left with a solid lay up for a third (fourth depending on how you look at it) film. On the one hand I like what that set up is doing, but on the other, it could be leading us to a dead end. I don't know what the plans were for these films as a series but I don't think that the quality could persist for much longer. Hopefully we won't have to see it overplayed.
I'm hoping to get a rewatch of this in at the weekend, having not already done so, I would say I didn't like it as much as the first outing... but it was still a great adventure.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jumanji-next-level-movie-review.html
Life has moved on for everyone since they escaped Jumanji, but Spencer isn't having the same great life that the others are. When he doesn't turn up to their mini-reunion, Martha, Bethany and Fridge head over to his house to check on him. It doesn't seem like he's in but Grandpa Eddie invites them in, nothing seems untoward, that is until they hear the drums that lead them to the basement and the reconstructed remains of the destroyed games console.
I enjoyed the twist of these tales. We went from board game to video game and successfully gave the whole thing a modern update and as the title suggests we go to the next level of the game to freshen up the similar storyline to the last instalment. It felt like a really good way to progress the series but going forward it may cause some issues which I'll mention more later.
This is firmly in the "if it ain't broke don't fix it" camp, Welcome To The Jungle was great fun and so hopes were high for this, it didn't disappoint. Our in-game character actors get to flex their muscles in new ways and it managed to keet the body-swapping element entertaining without feeling like we'd already "been there, done that".
The new characters had me a little worried, DeVito and Glover are great but I wasn't sure how they would translate into Johnson and Hart, and I find Awkwakina to be very Marmite, so when I saw her in a clip I was on the fence. All was well though. Johnson and Hart interacted just right as Eddie and Milo and Awkwafina made a great job of her switched up role. Jack Black brought me the most joy though as he got to take on Fridge's persona.
Jumanji: The Next Level has some fun little touches here and there but my favourite has to be the Bond girl exit, you'll know it when you see it but I don't want to spoil it for you if you haven't seen the film. So much of this film was entertaining and even when I wasn't laughing I was smiling.
The only real drawback was that I worked out fairly early on what was going to happen, it didn't take away from the film though and I thought it ended up giving us an excellent storyline to play out. And damn it if I didn't cry.
Everything comes together really well, the effects were never overly obvious, the sets and costumes were great, and it all gives you a solid, fun film. It's here for entertainment and it delivers.
Where does it go from here? We're left with a solid lay up for a third (fourth depending on how you look at it) film. On the one hand I like what that set up is doing, but on the other, it could be leading us to a dead end. I don't know what the plans were for these films as a series but I don't think that the quality could persist for much longer. Hopefully we won't have to see it overplayed.
I'm hoping to get a rewatch of this in at the weekend, having not already done so, I would say I didn't like it as much as the first outing... but it was still a great adventure.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jumanji-next-level-movie-review.html
Phillip McSween (751 KP) rated Knives Out (2019) in Movies
Mar 6, 2020
Consistent Blast
In the Whodunit drama, detective Benoit Blanc (Daniel Craig) has to uncover who killed famous author Harlan Thrombey (Christopher Plummer).
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Phillip McSween (751 KP) rated Toy Story 4 (2019) in Movies
Jul 29, 2019
About Life and Letting Go...
In yet another crazy adventure, Toy Story 4 sees Woody and the gang protecting Forky, Bonnie’s new toy she created from a spork in Kindergarten class.
Acting: 10
I mentioned this in my review of Toy Story 3, but it bears repeating: the ability to bring back the same cast from one movie to the next guarantees stellar voice-acting performances. Tom Hanks and Tim Allen have perfected their roles as Woody and Buzz and their performances take you out of the realm of thinking these are mere toys, but actual sentient beings. Beyond these two and the rest of the traditional gang you have rib-splitting performances from Keegan-Michael Key and Jordan Peele as Bunny and Ducky along with more hilarity from Keanu Reeves playing Duke Caboom, a stunt toy. Their ability to make their characters as endearing as they are funny makes the viewing experience that much more enjoyable.
Beginning: 10
Characters: 10
To expand on the above, it’s not just about the characters but how they develop as the story progresses. These are animated movies meant for kids yet these characters manage to grow as they would in a typical (great) movie. Characters like Woody are faced with difficult choices they have to make and I found myself wondering if they would have made those same choice two or three movies ago.
On another note, I appreciate that the movies have grown since the first in the way of their villains. It’s always refreshing when villains aren’t just innately bad and they have a backstory of some sort. Gabby Gabby, the babydoll with a broken voicebox, is no exception here.
Cinematography/Visuals: 10
Conflict: 10
Like its predecessors, Toy Story 4 is meant to take you on an adventure and it doesn’t disappoint. Continuing from a similar motif of the third movie, the gang is involved in a heist that includes great stakes. From the planning to the execution of it all, it’s nonstop great fun.
Entertainment Value: 10
Some of the most fun I’ve had in the theater in 2019. This movie has everything you want. There’s action, laughter, and yes maybe a tear or two. This movie doesn’t disappoint in the slightest.
Memorability: 8
From the beautiful visuals (seriously, it’s not even fair at this point) to a number of hilarious and touching moments, this one is absolutely one to remember. In a message that spoke to me directly, it’s all about being willing to let go and start new chapters of your life, getting out of your comfort zone and starting fresh. I dig it.
Pace: 10
For the most part, things are smooth sailing here as this film very rarely gets boring. There is a minor blip where I felt like they could have sped things along a little quicker, but big emphasis on “minor”. I was invested the whole way.
Plot: 10
Yet another great story that’s believable and doesn’t harbor any major holes. Seriously, how do they keep doing this? How do they keep creating brand new experiences that are vastly different from the last? Beyond impressed.
Resolution: 10
Overall: 98
This series truly answers the question: How long should a movie series go before you call it quits? The answer: As long as you have a good story, tell it! What was once one of the greatest trilogies of all time is now one of the greatest quadrilogies of all time. Toy Story 4 is a masterpiece.
Acting: 10
I mentioned this in my review of Toy Story 3, but it bears repeating: the ability to bring back the same cast from one movie to the next guarantees stellar voice-acting performances. Tom Hanks and Tim Allen have perfected their roles as Woody and Buzz and their performances take you out of the realm of thinking these are mere toys, but actual sentient beings. Beyond these two and the rest of the traditional gang you have rib-splitting performances from Keegan-Michael Key and Jordan Peele as Bunny and Ducky along with more hilarity from Keanu Reeves playing Duke Caboom, a stunt toy. Their ability to make their characters as endearing as they are funny makes the viewing experience that much more enjoyable.
Beginning: 10
Characters: 10
To expand on the above, it’s not just about the characters but how they develop as the story progresses. These are animated movies meant for kids yet these characters manage to grow as they would in a typical (great) movie. Characters like Woody are faced with difficult choices they have to make and I found myself wondering if they would have made those same choice two or three movies ago.
On another note, I appreciate that the movies have grown since the first in the way of their villains. It’s always refreshing when villains aren’t just innately bad and they have a backstory of some sort. Gabby Gabby, the babydoll with a broken voicebox, is no exception here.
Cinematography/Visuals: 10
Conflict: 10
Like its predecessors, Toy Story 4 is meant to take you on an adventure and it doesn’t disappoint. Continuing from a similar motif of the third movie, the gang is involved in a heist that includes great stakes. From the planning to the execution of it all, it’s nonstop great fun.
Entertainment Value: 10
Some of the most fun I’ve had in the theater in 2019. This movie has everything you want. There’s action, laughter, and yes maybe a tear or two. This movie doesn’t disappoint in the slightest.
Memorability: 8
From the beautiful visuals (seriously, it’s not even fair at this point) to a number of hilarious and touching moments, this one is absolutely one to remember. In a message that spoke to me directly, it’s all about being willing to let go and start new chapters of your life, getting out of your comfort zone and starting fresh. I dig it.
Pace: 10
For the most part, things are smooth sailing here as this film very rarely gets boring. There is a minor blip where I felt like they could have sped things along a little quicker, but big emphasis on “minor”. I was invested the whole way.
Plot: 10
Yet another great story that’s believable and doesn’t harbor any major holes. Seriously, how do they keep doing this? How do they keep creating brand new experiences that are vastly different from the last? Beyond impressed.
Resolution: 10
Overall: 98
This series truly answers the question: How long should a movie series go before you call it quits? The answer: As long as you have a good story, tell it! What was once one of the greatest trilogies of all time is now one of the greatest quadrilogies of all time. Toy Story 4 is a masterpiece.
Phillip McSween (751 KP) rated The Lady Vanishes (1938) in Movies
Aug 5, 2019
A Film That Never Quite Steadies Itself
When a woman disappears after a train ride, iris Henderson (Margaret Lockwood), who was on the same train, is trying to prove that the woman was even there to begin with and get to the bottom of what’s going on. I always root for the classics (50’s or earlier) because of my immense respect for film and also wanting to recommend some hidden gems. Unfortunately this one fell a bit short for me and here’s why…
Acting: 10
I thought the performances were quite on par for the course. Lockwood delivers her lines with a sincerity and truth that almost manages to keep me engaged. I wish her character was more interesting, but that’s not her fault. She had a job and she did that job in stellar fashion along with some of the other main actors/actresses that came along for this ride.
Beginning: 10
Characters: 2
These characters were about as interesting as canned chicken noodle soup, not the kind you get from PF Chang’s. No, these are Great Value characters all day and they bored me to tears. I wanted someone, ANYONE, to make me care and I just couldn’t bring myself to latch on to any of them. You know what I always say and it bears repeating: When you have weak characters, you’re not even giving your story a fighting chance. Good characters are like the tires on a fine car. The car means nothing if it doesn’t have a means in which to be transported.
Cinematography/Visuals: 7
Conflict: 6
I never really felt like much was happening. There are flashes, sure, but I just couldn’t get a grasp on the stakes for some reason. I waited, believe me I did, but I left the viewing wanting much more than what I got.
Entertainment Value: 7
Memorability: 10
I know this is going to seem ass-backwards from everything I’ve written up to this point, but I scored this category so high because of the attempt at an original story. No, it wasn’t perfect. Yes, the execution could have been much better. However, I do feel like this is a film that needs to be respected within its time.
Pace: 5
Things never really steadied for me as I found myself continuously looking at the clock. While it picks up slightly towards its conclusion, it never really gains the steam that I was looking for. For me, there was just too much of too much, meaning it kept veering off into different directions before properly getting to the end of one road.
Plot: 5
Resolution: 10
As I mentioned, things definitely pick up steam at the end until you get to a thrilling conclusion. When it was all said and done, I found myself asking, “Why the hell couldn’t the rest of the movie be like this?” It was almost like there was a different director for the last fifteen minutes of the movie. Definitely ties a nice bow on things.
Overall: 68
As of this review, The Lady Vanishes has a 98% on Rotten Tomatoes with an 88% Audience Score. I plan to watch this movie again because it missed me the first time. Maybe the second time around I’ll pick up on the magic I seem to be missing.
Acting: 10
I thought the performances were quite on par for the course. Lockwood delivers her lines with a sincerity and truth that almost manages to keep me engaged. I wish her character was more interesting, but that’s not her fault. She had a job and she did that job in stellar fashion along with some of the other main actors/actresses that came along for this ride.
Beginning: 10
Characters: 2
These characters were about as interesting as canned chicken noodle soup, not the kind you get from PF Chang’s. No, these are Great Value characters all day and they bored me to tears. I wanted someone, ANYONE, to make me care and I just couldn’t bring myself to latch on to any of them. You know what I always say and it bears repeating: When you have weak characters, you’re not even giving your story a fighting chance. Good characters are like the tires on a fine car. The car means nothing if it doesn’t have a means in which to be transported.
Cinematography/Visuals: 7
Conflict: 6
I never really felt like much was happening. There are flashes, sure, but I just couldn’t get a grasp on the stakes for some reason. I waited, believe me I did, but I left the viewing wanting much more than what I got.
Entertainment Value: 7
Memorability: 10
I know this is going to seem ass-backwards from everything I’ve written up to this point, but I scored this category so high because of the attempt at an original story. No, it wasn’t perfect. Yes, the execution could have been much better. However, I do feel like this is a film that needs to be respected within its time.
Pace: 5
Things never really steadied for me as I found myself continuously looking at the clock. While it picks up slightly towards its conclusion, it never really gains the steam that I was looking for. For me, there was just too much of too much, meaning it kept veering off into different directions before properly getting to the end of one road.
Plot: 5
Resolution: 10
As I mentioned, things definitely pick up steam at the end until you get to a thrilling conclusion. When it was all said and done, I found myself asking, “Why the hell couldn’t the rest of the movie be like this?” It was almost like there was a different director for the last fifteen minutes of the movie. Definitely ties a nice bow on things.
Overall: 68
As of this review, The Lady Vanishes has a 98% on Rotten Tomatoes with an 88% Audience Score. I plan to watch this movie again because it missed me the first time. Maybe the second time around I’ll pick up on the magic I seem to be missing.