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Interview with the Vampire (1994)
Interview with the Vampire (1994)
1994 | Fantasy, Horror
How can a movie that does practically everything wrong still be so thoroughly enchanting? A fundamentally baffling, scalding hot trainwreck of epic proportions that hasn't held up to the passage of time really at all - a miscalculated weirdo relic of pop culture history. I think a lot of this film's appeal has to do with the fact that it's complete lightning in a bottle - for better or for worse we will never see another movie like this again: mopey, homoerotic rococo vampires stumble around through a flounderingly-paced pre-π˜›π˜Έπ˜ͺ𝘭π˜ͺ𝘨𝘩𝘡 template for lectures on moral dilemmas and a gallery of some of the most lush period visuals of the 90s (from the sweltering plantations of the 1700s south to the decadence of gothic European high-life, it's all orgasmically displayed). Also this is maybe the best use of "Sympathy For The Devil" in a film, even if it is an inferior cover. The fact that Brad Pitt wanted to die the entire time while filming for this woefully underconstructed character actually makes it the only thing that works with it, considering his only defining feature is... that he wants to die. A totally birdbrained brothel of jagged writing and wicked scenery-chewing from a glorious cast (you know you're in for a treat when Christian Slater gives the most restrained performance lol), actually pretty great even though it disembowels a lot of the original text's depth. Full-tilt camp.
  
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Kirk Bage (1775 KP) rated Schindler's List (1993) in Movies

Jan 18, 2021 (Updated Feb 25, 2021)  
Schindler's List (1993)
Schindler's List (1993)
1993 | Biography, Drama, History
The fourth in my series of films you would recommend to an alien to explain humanity dovetails nicely with my Hall of Fame inductee this week. It is Steven Spielberg’s seminal anti war epic Shindler’s List (1993).

This one speaks for itself in many ways. As an exploration of evil and the men behind the atrocities committed during the late 30s and early 40s by Nazi Germany it is indispensable. The role played by Ralph Fiennes is especially brave and resonant in reminding us of how ego and power can corrupt beyond the point of anything recognisably human. But it is in the moments of resilience, defiance and sacrifice by the survivors that we fully appreciate the depths of the human spirit. A career defining performance by both Liam Neeson and Sir Ben Kingsley makes this a breathtaking and heartbreaking spectacle in every brutally emotional scene.

I will never forget seeing this in the cinema on its initial release and experiencing the absolute silence as the credits rolled and everyone left the screen and into the night with their thoughts and reflections, simply stunned by its impact. It demonstrates the very best and the very worst of human action and inaction in one perfect movie. Never an easy watch under any circumstances, but one worth dissecting and appreciating for all its genius – the directing, acting, cinematography, music, editing, everything is as near perfect as a film can be.
  
Star Wars: Episode VI – Return of the Jedi (1983)
Star Wars: Episode VI – Return of the Jedi (1983)
1983 | Fantasy, Sci-Fi
A great but flawed entry into a groundbreaking trilogy
Return of the Jedi is a good enough closing episode of the original Star Wars trilogy.

A lot of the great things about the previous two films are carried over - the awesome settings and location, the unbeatable John Williams score, and the epic sci-fi vision that started in 1977.

By this point, everyone is familiar with all of the characters. Luke, Leia, and Han all return, and aren't really in any need of any further character development at this point. Not necessarily a bad thing as ROTJ can concentrate on rounding off the story.

The most divisive element of this entry amongst Star Wars fans are of course the Ewoks. Their inclusion is certainly a hammier direction for the series. Some people loved it, some absolutely hated it, and how big of a part they play during the films climax.
I personally am indifferent. I don't hate the Ewoks, but they're partly what makes ROTJ inferior to the first two. Still, not a scratch on what's to come *cough* Jar Jar *cough*.

We're still treated to some iconic moments - Jabba the Hutt and the Rancor pit. Vader and Luke finally squaring off. The speeder bike chase.
This shows just how much Star Wars still delivers three films in.

All in all, ROTJ is still an integral part of one of the most beloved film franchises of all time, and will always be important to me!
  
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