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Daniel Boyd (1066 KP) rated Marvel's Daredevil - Season 2 in TV
Jul 21, 2017
Brilliant writing (1 more)
Fantastic performances
Down and Dirty Crimefighting
These shows are fantastic. The Netflix/Marvel TV universe that has been built off of the back of these shows is awesome. If you are a fan of the Marvel Max comic books, then these shows have been made for you. Marvel reintroduces Daredevil (and Punisher in Daredevil Season 2,) in epic fashion. This is a world where the events of the Avengers movies have taken place, but these are gritty, street level stories that tell tales of a more personal, visceral kind of battle. If you like your Marvel superheroes, but find the Avengers too tame, then wade right in. These heroes are foul mouthed, real people who happen to have some amazing abilities. Charlie Cox is a fantastic Matt Murdock and Krysten Ritter is a brilliant Jessica Jones, the supporting characters are also well implemented, such as Elektra, Stick, Foggy Nelson, Karen Paige, Night Nurse, Nuke, Luke Cage and Trish. The villains in each show are also some of the best the Marvel have had so far, Vincent D’Onofrio plays a tragic, but still scheming and suitably evil version of Kingpin, which gives the character a depth that hasn’t yet been explored. I really hope that they use the character in the solo Spiderman movie. David Tennant plays Killgrave or The Purple Man in Jessica Jones and he also kills it, you can tell he really had fun with the role too, which makes him even more entertaining whenever he is onscreen. Season 2 of Daredevil just recently finished up and during it we were introduced to the new Punisher, played by Jon Bernthal, who again gives us the chance to explore the character and his psyche to a level that we haven’t seen before. He is still the hardcore badass that you would expect, but his mentality in this universe goes deeper than that and that is something that is very cool to see. Overall I have loved every episode of these shows to date and as long as they carry on the tone and the overall production standard that they have set themselves so far, I can’t wait to see what else this universe has to offer. There is also exciting rumours stating that they could appear in the Avengers Infinity War films. I can’t wait to see all of this and I really feel that all of these characters show great potential. Keep doing what you are doing Marvel, because it is truly awesome. Doing these character’s origin stories in an R rated TV show setting was a great idea and the writing and performances on Netflix stand up to any show on HBO or AMC. If you haven’t seen the entirety of these shows yet, stop what you are doing and go marathon them right now, you will not regret it.
Phillip McSween (751 KP) rated Ben-Hur (1959) in Movies
Jun 10, 2019
Solid Conflict but Falls Just Short of a Classic For Me
Jewish hero Judah Ben-Hur rises up to challenge the Romans after they make him a slave.
Acting: 10
I understand that Charlton Heston’s performance as Ben-Hur is a point of contention with this movie, but I thought he delivered a strong performance. Was it perfect? Nope, but he gave me enough of a fiery presence to keep me entertained and to give me someone to root for. One thing I will not contend is that Stephen Boyd’s performance as Messala was the best in the movie. He’s an easy person to hate, but Boyd also helps you sympathize with the role as well. There’s a quiet fierceness about him that you loathe and respect at the same time.
Beginning: 5
Oh, that this was just about the Overture. It’s not. I understand full-well that a lot of classics had an Overture before the start of the movie. That wasn’t my problem. There were at least sixty minutes that could have been cut from this movie and twenty of them come from the beginning. By the time Judah and Messala converse for the first time, I was almost fully checked out. It took me a minute to get involved in the story again.
Characters: 10
Cinematography/Visuals: 10
You expect an epic like this to deliver on the visuals and Ben-Hur doesn’t disappoint. The movie takes you throughout a number of different setpieces, each of them just as beautiful as the last. From the Coliseum to the Valley of the Lepers, director William Wyler puts you right where you need to be. I was captivated by the magic of the visuals and, as a result, never bored.
Conflict: 9
It is hard to stretch conflict out over the course of almost four hours, but Ben-Hur really succeeds here. You know the Romans are bad news so you feel the trouble brewing when they start marching in Judah’s city. From there, through Judah’s captivity, to his return home, there is a consistent amount of action that drives and pushes the story forward. There are some slow parts but the chariot scene alone makes up for those parts. It is historically viewed as a classic scene and it doesn’t take long to see why. By the end of it, I was cheering harder than when I watched Rocky beat up the Russian.
Genre: 7
Memorability: 9
Pace: 6
Plot: 8
Ben-Hur’s story is beautiful for the most part. Again, it definitely could have been cut quite a few times, but I still rather enjoyed the adventure. It makes you really feel like you are a part of something special. If only it hadn’t overstayed it’s welcome…
Resolution: 4
Overall: 78
I refuse to call a movie a classic because everyone else does. A classic is something you want to watch over and over. When it comes to Ben-Hur, once was absolutely enough.
Acting: 10
I understand that Charlton Heston’s performance as Ben-Hur is a point of contention with this movie, but I thought he delivered a strong performance. Was it perfect? Nope, but he gave me enough of a fiery presence to keep me entertained and to give me someone to root for. One thing I will not contend is that Stephen Boyd’s performance as Messala was the best in the movie. He’s an easy person to hate, but Boyd also helps you sympathize with the role as well. There’s a quiet fierceness about him that you loathe and respect at the same time.
Beginning: 5
Oh, that this was just about the Overture. It’s not. I understand full-well that a lot of classics had an Overture before the start of the movie. That wasn’t my problem. There were at least sixty minutes that could have been cut from this movie and twenty of them come from the beginning. By the time Judah and Messala converse for the first time, I was almost fully checked out. It took me a minute to get involved in the story again.
Characters: 10
Cinematography/Visuals: 10
You expect an epic like this to deliver on the visuals and Ben-Hur doesn’t disappoint. The movie takes you throughout a number of different setpieces, each of them just as beautiful as the last. From the Coliseum to the Valley of the Lepers, director William Wyler puts you right where you need to be. I was captivated by the magic of the visuals and, as a result, never bored.
Conflict: 9
It is hard to stretch conflict out over the course of almost four hours, but Ben-Hur really succeeds here. You know the Romans are bad news so you feel the trouble brewing when they start marching in Judah’s city. From there, through Judah’s captivity, to his return home, there is a consistent amount of action that drives and pushes the story forward. There are some slow parts but the chariot scene alone makes up for those parts. It is historically viewed as a classic scene and it doesn’t take long to see why. By the end of it, I was cheering harder than when I watched Rocky beat up the Russian.
Genre: 7
Memorability: 9
Pace: 6
Plot: 8
Ben-Hur’s story is beautiful for the most part. Again, it definitely could have been cut quite a few times, but I still rather enjoyed the adventure. It makes you really feel like you are a part of something special. If only it hadn’t overstayed it’s welcome…
Resolution: 4
Overall: 78
I refuse to call a movie a classic because everyone else does. A classic is something you want to watch over and over. When it comes to Ben-Hur, once was absolutely enough.
Movie Metropolis (309 KP) rated Atomic Blonde (2017) in Movies
Jun 10, 2019
Say hello to Mrs. John Wick
David Leitch is one of the most exciting film-makers of the current crop of directors working today. His brilliant John Wick reignited Keanu Reeves’ career in spectacular fashion and he’s worked behind-the-scenes on films like Captain America: Civil War and Jurassic World.
Just this year he signed on to direct Deadpool 2 after Tim Miller’s sudden departure. In the meantime, he’s treating us to another adults-only thriller, Atomic Blonde. But is this Charlize Theron-led vehicle as good as his previous work?
Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent willing to use all her skills to stay alive during impossible missions. With the Berlin Wall ready to crumble, she travels into the middle of the city to retrieve a dossier and take down an espionage ring. Once there, she teams up with an embedded station chief (James McAvoy) to navigate her way through the deadliest game of spies.
Charlize Theron is fast-becoming one of Hollywood’s most bankable stars after decent turns in Fast & Furious 8 and Mad Max: Fury Road. In Atomic Blonde this is no exception. She commands the screen in each and every frame, oozing class and showing the world she is a first-class action superstar.
The rest of the cast are also exquisite. James McAvoy can do no wrong this year after his out-of-this-world performance in Split, and his David Percival here is fleshed out, well-written and beautifully acted. Elsewhere, John Goodman and Toby Jones add even more prowess to proceedings.
Add to this some stunning cinematography and you’ve got a recipe for success. Atomic Blonde relishes the era in which it is presented with a magnificent soundtrack and beautiful direction. Leitch makes the film feel very much alive, with brutally realistic action shot without needless shaky cam or over-the-top scoring.
Unfortunately, the story is less successful. If Theron is the living, beating heart of Atomic Blonde, the script nearly strangles her. It is nearly impossible to truly understand what is happening on screen as the plot throws more twists and turns at the audience than Spaghetti Junction. Ordinarily, this would be great, but here it’s distracting and nonsensical.
Nevertheless, this is a vastly entertaining film, very much in the same vein of John Wick. In fact, it’d be fantastic if we could see these two characters brought together in a crossover of epic proportions.
Overall, David Leitch hasn’t quite recaptured the success of his first feature film but has managed to craft a highly stylised and quick-moving thriller that feels very real and utilises its exceptional cast incredibly well, with Charlize Theron being an absolute delight. It’s just unfortunate the plot is a bit of a damp squib.
https://moviemetropolis.net/2017/08/10/atomic-blonde-review-say-hello-to-mrs-john-wick/
Just this year he signed on to direct Deadpool 2 after Tim Miller’s sudden departure. In the meantime, he’s treating us to another adults-only thriller, Atomic Blonde. But is this Charlize Theron-led vehicle as good as his previous work?
Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent willing to use all her skills to stay alive during impossible missions. With the Berlin Wall ready to crumble, she travels into the middle of the city to retrieve a dossier and take down an espionage ring. Once there, she teams up with an embedded station chief (James McAvoy) to navigate her way through the deadliest game of spies.
Charlize Theron is fast-becoming one of Hollywood’s most bankable stars after decent turns in Fast & Furious 8 and Mad Max: Fury Road. In Atomic Blonde this is no exception. She commands the screen in each and every frame, oozing class and showing the world she is a first-class action superstar.
The rest of the cast are also exquisite. James McAvoy can do no wrong this year after his out-of-this-world performance in Split, and his David Percival here is fleshed out, well-written and beautifully acted. Elsewhere, John Goodman and Toby Jones add even more prowess to proceedings.
Add to this some stunning cinematography and you’ve got a recipe for success. Atomic Blonde relishes the era in which it is presented with a magnificent soundtrack and beautiful direction. Leitch makes the film feel very much alive, with brutally realistic action shot without needless shaky cam or over-the-top scoring.
Unfortunately, the story is less successful. If Theron is the living, beating heart of Atomic Blonde, the script nearly strangles her. It is nearly impossible to truly understand what is happening on screen as the plot throws more twists and turns at the audience than Spaghetti Junction. Ordinarily, this would be great, but here it’s distracting and nonsensical.
Nevertheless, this is a vastly entertaining film, very much in the same vein of John Wick. In fact, it’d be fantastic if we could see these two characters brought together in a crossover of epic proportions.
Overall, David Leitch hasn’t quite recaptured the success of his first feature film but has managed to craft a highly stylised and quick-moving thriller that feels very real and utilises its exceptional cast incredibly well, with Charlize Theron being an absolute delight. It’s just unfortunate the plot is a bit of a damp squib.
https://moviemetropolis.net/2017/08/10/atomic-blonde-review-say-hello-to-mrs-john-wick/
Ross (3284 KP) rated Good Omens in Books
Jun 12, 2019
Fun, charming romp towards the end of the world
Good Omens is a strange one. If you're a fan of Pratchett's Discworld, I can see you not being overly keen on this book (while his trademark humour is there and his funny Billy Connolly-esque tangents are in the footnotes, there is less of the fantastic about it). And likewise Gaiman fans might be missing his usual gothic flair and be somewhat alarmed at the amount of silliness in the book.
This is probably what put me off reading this until now. I seem to recall trying to read it about 20 years ago, but for some reason I gave up inside a couple of pages. That was 17 year old me as a Pratchett fan, and I must have opted for the 20+ Discworld books I still had yet to read instead, and had no idea who Neil Gaiman was.
Sadly, that makes me your common or garden bandwagon-jumper as I have only now read this for the first time with the TV series on my to-be-watched list.
I cannot say why I never returned to the book. I love Pratchett, had the honour of meeting him at signings a few times in the 90s, and he got me into Robert Rankin, Douglas Adams, Tom Holt and Tom Sharpe. This book is so in line with the flavour of the books I have enjoyed most in my life that it beggars belief I never gave it another thought.
I am so glad I eventually did, and did so before watching the TV series.
While there are epic expectations of the quality of the book, from the hype and cult status, I always read with an open mind.
The story underlying the book is a Fawlty Towers-esque attempt at the end of days, where one bumbling fool's error in the early stages completely changes the plans for the end of the human race.
I won't go into the plot in detail, and will only say that the read is a thoroughly enjoyable ride. It isn't laugh-out-loud funny, it is smirk-I-know-what-you-mean funny. This may not appeal to non-British readers as much as it is written with a very British sense of humour. It is very silly quite a lot of the time, but there is a good, deep story in there if you take a moment to think about it.
My only criticism would be that there was a little too much silliness and while enjoyable this may have distracted from the book at times. But you know you'll get that with Pratchett, he takes his little tangents and he adds in nonsense dialogues for sheer entertainment value - he very much sees that not every word has to be vital to the overall story, you can have a little fun along the way.
Now, to get into the TV series ....
This is probably what put me off reading this until now. I seem to recall trying to read it about 20 years ago, but for some reason I gave up inside a couple of pages. That was 17 year old me as a Pratchett fan, and I must have opted for the 20+ Discworld books I still had yet to read instead, and had no idea who Neil Gaiman was.
Sadly, that makes me your common or garden bandwagon-jumper as I have only now read this for the first time with the TV series on my to-be-watched list.
I cannot say why I never returned to the book. I love Pratchett, had the honour of meeting him at signings a few times in the 90s, and he got me into Robert Rankin, Douglas Adams, Tom Holt and Tom Sharpe. This book is so in line with the flavour of the books I have enjoyed most in my life that it beggars belief I never gave it another thought.
I am so glad I eventually did, and did so before watching the TV series.
While there are epic expectations of the quality of the book, from the hype and cult status, I always read with an open mind.
The story underlying the book is a Fawlty Towers-esque attempt at the end of days, where one bumbling fool's error in the early stages completely changes the plans for the end of the human race.
I won't go into the plot in detail, and will only say that the read is a thoroughly enjoyable ride. It isn't laugh-out-loud funny, it is smirk-I-know-what-you-mean funny. This may not appeal to non-British readers as much as it is written with a very British sense of humour. It is very silly quite a lot of the time, but there is a good, deep story in there if you take a moment to think about it.
My only criticism would be that there was a little too much silliness and while enjoyable this may have distracted from the book at times. But you know you'll get that with Pratchett, he takes his little tangents and he adds in nonsense dialogues for sheer entertainment value - he very much sees that not every word has to be vital to the overall story, you can have a little fun along the way.
Now, to get into the TV series ....
Ross (3284 KP) rated The Tower of Living and Dying in Books
Aug 14, 2018
The Empire (of Dust) Strikes Back
*** I received an advance copy of this book from NetGalley in exchange for an honest review. This is that review ***
The follow-up to the epic Court of Broken Knives seamlessly the story.
This time the focus of the action stays in the same place for large chunks of the book (7 parts I think), rather than chapters jumping around from one to another. This allowed a slightly greater focus on the plot than in the first book, but the difficulty with that is keeping the momentum on both parallel stories. This wasn't an issue here, as the narrative flows so smoothly that even when the PoV is a character you care less about, the writing is still a joy to read.
Most of the action follows "King" Marith's plight to rule over all of Irlast's kingdoms, using all the evil creatures and tricks he has to hand, regardless of the cost in human lives. Here the story is told by splitting between Tobias, Landra, Marith and Thalia's points of view, so you get a real feel for what is going on and the impacts of events.
The rest of the book stays in Sorlost, the capital of the Empire, still reeling from the assassination attempt and with political intrigue aplenty. These were my less favourite parts of the book but were still enjoyable, compelling and vital. Again, the PoV is split between characters in these sections, giving more of a feel of the general populace than was present in the first book.
Again Smith Spark's lyrical narrative takes centre stage here, but at no point does it detract from the story and somehow acts to accentuate the grittiness of the action unfolding and adds so much emotion.
For me, this book took the grimdark quotient up several notches from the first instalment, as chapter after chapter sees bad things done by utter shit-bags, and they get away with it.
Characters develop aplenty here, Thalia starts to wake up to the reality of what she has married into and while torn about doing the right thing, seems resigned to her fate. Marith becomes the anti-Rand al'Thor as he tries to do everything himself and explores his powers, but he has a great time doing it. Finally we see great powerful war leaders celebrating the successful campaign by getting absolutely shit-faced and high and spewing everywhere (rather than sulky debriefs and mourning the loss of life). Tobias, so clever, cunning and powerful in the first book, here takes a back seat and almost becomes comic relief - his attempts to end Marith's tyrannical reign just go so badly. And everything is starting to go wrong for Orhan, the Lord of Sorlost, who looked to have manoeuvred himself into real power in the city.
A real page-turner and frankly an awesome story told exceptionally well.
The follow-up to the epic Court of Broken Knives seamlessly the story.
This time the focus of the action stays in the same place for large chunks of the book (7 parts I think), rather than chapters jumping around from one to another. This allowed a slightly greater focus on the plot than in the first book, but the difficulty with that is keeping the momentum on both parallel stories. This wasn't an issue here, as the narrative flows so smoothly that even when the PoV is a character you care less about, the writing is still a joy to read.
Most of the action follows "King" Marith's plight to rule over all of Irlast's kingdoms, using all the evil creatures and tricks he has to hand, regardless of the cost in human lives. Here the story is told by splitting between Tobias, Landra, Marith and Thalia's points of view, so you get a real feel for what is going on and the impacts of events.
The rest of the book stays in Sorlost, the capital of the Empire, still reeling from the assassination attempt and with political intrigue aplenty. These were my less favourite parts of the book but were still enjoyable, compelling and vital. Again, the PoV is split between characters in these sections, giving more of a feel of the general populace than was present in the first book.
Again Smith Spark's lyrical narrative takes centre stage here, but at no point does it detract from the story and somehow acts to accentuate the grittiness of the action unfolding and adds so much emotion.
For me, this book took the grimdark quotient up several notches from the first instalment, as chapter after chapter sees bad things done by utter shit-bags, and they get away with it.
Characters develop aplenty here, Thalia starts to wake up to the reality of what she has married into and while torn about doing the right thing, seems resigned to her fate. Marith becomes the anti-Rand al'Thor as he tries to do everything himself and explores his powers, but he has a great time doing it. Finally we see great powerful war leaders celebrating the successful campaign by getting absolutely shit-faced and high and spewing everywhere (rather than sulky debriefs and mourning the loss of life). Tobias, so clever, cunning and powerful in the first book, here takes a back seat and almost becomes comic relief - his attempts to end Marith's tyrannical reign just go so badly. And everything is starting to go wrong for Orhan, the Lord of Sorlost, who looked to have manoeuvred himself into real power in the city.
A real page-turner and frankly an awesome story told exceptionally well.
Gareth von Kallenbach (980 KP) rated Hot Pursuit (2015) in Movies
Jun 19, 2019
Combining various formulas is nothing new in Hollywood and the new film “Hot Pursuit”, tries very hard to be successful at doing so but has mixed results. The film stars Reese Witherspoon as Cooper, a police office in San Antonio who is trying to grow into the shoes her late father left behind. The fact that he was not only a great cop, but that Cooper is fairly small in stature has caused her to overcompensate through the years. So much so that she has had an epic blunder named after her and is relegated to the evidence room of her station. Cooper is a by the book cop whose social skills are very lacking as is proven by a recent dating disaster. Cooper is given the chance to redeem herself by travelling to escort the wife of a money launderer to court so they can both testify against a notorious drug lord.
When Cooper first meets her assignment Daniella (Sofia Vergera), they do not mix at all. Daniella is annoyed by Cooper’s by the book attitude and Cooper sees her task as nothing more than escorting a gold digging criminal to Dallas. When things go very wrong, the two end up framed and on the run with only each other for company and support. Naturally the duo begin to thaw to one another and there are a few good laughs along the way as they race to clear their names and stay ahead of the dangerous people chasing after them. The film has some fun moments, but the formula of the film can become a bit familiar.
We have seen this played out in numerous road trip and buddy cop segments so many times before that there is very little in the way of drama or surprise moments with the script. Witherspoon does well with her role and does take it away from being overly one dimensional but the jokes run a bit thin after a while. Vergera is good in small doses for me as she is very much the Charo of this generation. I am still wondering if she has been typecast in these shrill roles or if she is simply playing herself, but the over the top performance and her voice works better for me in smaller doses in Modern Family than it does over a full length feature. That being said, the two work well with one another and their scene with Jim Gaffigan is one of the funnier moments of the film. The pacing of the film is brisk, as Director Anne Fletcher has made a film that moves nicely and does not overstay its welcome. The biggest issue is a feeling that we have seen this all many times before and often in better movies, so despite the best efforts of those involved, this is one that never really gels the way that you would want a film to.
http://sknr.net/2015/05/08/hot-pursuit/
When Cooper first meets her assignment Daniella (Sofia Vergera), they do not mix at all. Daniella is annoyed by Cooper’s by the book attitude and Cooper sees her task as nothing more than escorting a gold digging criminal to Dallas. When things go very wrong, the two end up framed and on the run with only each other for company and support. Naturally the duo begin to thaw to one another and there are a few good laughs along the way as they race to clear their names and stay ahead of the dangerous people chasing after them. The film has some fun moments, but the formula of the film can become a bit familiar.
We have seen this played out in numerous road trip and buddy cop segments so many times before that there is very little in the way of drama or surprise moments with the script. Witherspoon does well with her role and does take it away from being overly one dimensional but the jokes run a bit thin after a while. Vergera is good in small doses for me as she is very much the Charo of this generation. I am still wondering if she has been typecast in these shrill roles or if she is simply playing herself, but the over the top performance and her voice works better for me in smaller doses in Modern Family than it does over a full length feature. That being said, the two work well with one another and their scene with Jim Gaffigan is one of the funnier moments of the film. The pacing of the film is brisk, as Director Anne Fletcher has made a film that moves nicely and does not overstay its welcome. The biggest issue is a feeling that we have seen this all many times before and often in better movies, so despite the best efforts of those involved, this is one that never really gels the way that you would want a film to.
http://sknr.net/2015/05/08/hot-pursuit/
Darren (1599 KP) rated 2012 (2009) in Movies
Jun 20, 2019
Based on Mayan superstition this is the end of the world, now how do man survive this?
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
Natacha (374 KP) rated The Beauty of Darkness (The Remnant Chronicles #3) in Books
Jul 9, 2019 (Updated Jul 13, 2019)
Contains spoilers, click to show
That was one of the hardest books I had to rate and review. The reason is that the adult part of me had very specific expectations while my young teenager self was reminding me that this is a YA book. More details.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.
Sophia (Bookwyrming Thoughts) (530 KP) rated Paranormalcy (Paranormalcy #1) in Books
Jan 23, 2020
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2012/12/review-paranormalcy-by-kiersten-white.html">Bookwyrming Thoughts</a>.
I'll be honest here: I just adore Evie's personality. And her habit of "bleep" when swearing which she picked up from her watery friend, Lish (such a sad ending for her. Dx *tears up again*). I'll probably face it. I kinda got the bleep habit as well after reading it, LOL. Not that I swear much myself. I kinda use it for fun sometimes when it's appropriate (Read: Really Fun Word to Use When Right).
Did it make a lasting impression? Well...
In the majority of cases, yep, it certainly did. In the meaning of "Will-I-read-it-again-and-again-so-I-can-visit-again" type of thing, it would be an eh... I guess we'll have to see. There's this great perk about the Paranormal genre, but I thought in Paranormalcy's case, it wasn't a lot as I expected it, but overall, it was pretty good.
The title is really catchy and makes you think a bit on what it really means. Though I don't really see how it's related in a way to the story. Maybe it'll come to me later. I hope. (That's right. I still haven't figured it out, XD) Same for the cover in a way. Although... I guess I can. The story is related to Evie after all. I'm assuming the girl on the cover is Evie. No guarantees of being right. I'm just guessing. (And guessing is never wrong. Is it? O_O)
How about the others then? I can't really detect the villains though. There seems to be a few, of which I shall not name for the sake of spoilers. Plus, they're not that scary. I was thinking some creep that would try and steal your soul to live like the villain from Silver Phoenix (read it BEFORE Bookwyrming Thoughts was born, so no review anywhere.) And I despise Reth. Can't you see Evie wants no business with you whatsoever? Dx I guess faeries aren't always smart as mentioned probably in the book already.
But oy, what makes me give it an epic rating of 4.25? Okay, not a 4.25 then. A 4. Not dealing with graphics again... even though I enjoy doing it at times. :) What really makes me give it a high rating and not a "in-the-middle-due-to-a-bit-of-lack-of-action-because-I'm-also-drawn-to-action-and-adventure-books-mixed-in-with-other-genres" type of rating is White's writing style. I just love it. It's light-hearted, kind of care-free, humorous, and cute mixed with awesome-ness and totally fun voice.
Will I read the next book? Yep. Just please keep up the awesomous style. I just adore it (Read: LOVEEE it!). :3
I'll be honest here: I just adore Evie's personality. And her habit of "bleep" when swearing which she picked up from her watery friend, Lish (such a sad ending for her. Dx *tears up again*). I'll probably face it. I kinda got the bleep habit as well after reading it, LOL. Not that I swear much myself. I kinda use it for fun sometimes when it's appropriate (Read: Really Fun Word to Use When Right).
Did it make a lasting impression? Well...
In the majority of cases, yep, it certainly did. In the meaning of "Will-I-read-it-again-and-again-so-I-can-visit-again" type of thing, it would be an eh... I guess we'll have to see. There's this great perk about the Paranormal genre, but I thought in Paranormalcy's case, it wasn't a lot as I expected it, but overall, it was pretty good.
The title is really catchy and makes you think a bit on what it really means. Though I don't really see how it's related in a way to the story. Maybe it'll come to me later. I hope. (That's right. I still haven't figured it out, XD) Same for the cover in a way. Although... I guess I can. The story is related to Evie after all. I'm assuming the girl on the cover is Evie. No guarantees of being right. I'm just guessing. (And guessing is never wrong. Is it? O_O)
How about the others then? I can't really detect the villains though. There seems to be a few, of which I shall not name for the sake of spoilers. Plus, they're not that scary. I was thinking some creep that would try and steal your soul to live like the villain from Silver Phoenix (read it BEFORE Bookwyrming Thoughts was born, so no review anywhere.) And I despise Reth. Can't you see Evie wants no business with you whatsoever? Dx I guess faeries aren't always smart as mentioned probably in the book already.
But oy, what makes me give it an epic rating of 4.25? Okay, not a 4.25 then. A 4. Not dealing with graphics again... even though I enjoy doing it at times. :) What really makes me give it a high rating and not a "in-the-middle-due-to-a-bit-of-lack-of-action-because-I'm-also-drawn-to-action-and-adventure-books-mixed-in-with-other-genres" type of rating is White's writing style. I just love it. It's light-hearted, kind of care-free, humorous, and cute mixed with awesome-ness and totally fun voice.
Will I read the next book? Yep. Just please keep up the awesomous style. I just adore it (Read: LOVEEE it!). :3
LeftSideCut (3776 KP) rated Power Rangers (2017) in Movies
Jan 31, 2020
Contains spoilers, click to show
About 85% of this reboot of the popular 90s show Power Rangers is quite a broody and charming enough story about a group of five (mostly outcast) teenagers finding a bond and friendship after discovering that they've be given superpowers. This is spliced with the odd training montage of them all learning how to harness their new found powers.
It pretty straightforward, and thanks the main cast, it's fairly enjoyable.
Lead by Jason (Stranger Things' Dacre Montgomery), the five friends are probably the main positive about the film.
As the movie draws on, we are teased with just enough Power Rangers material to keep the intrigue afloat - the presence of Zordon (Bryan Cranston), Alpha 5 (Bill Hader) and Rita Repulsa (Elizabeth Banks), glimpses of the Zords and so on, but the narrative never strays too far from this core theme of strength through friendship.
That is until the final act of course...
I'll admit that I felt a swelling of excitement when the Power Rangers finally appeared in full armour, kicking the shit out of faceless CGI henchman, but it's at this point that director Dean Israelite goes FULL POWER RANGERS. We even get the classic theme tune as the Rangers charge towards Goldar (eye burning CGI, but kind of cool) and Rita in their Zords (also kind of cool) but here in lies the main problem with the film as a whole.
The nostalgia is laid on so thick that it feels like a completely different film. With the first 3/4 being somewhat grounded in realism (sort of), with serious themes and relatable human characters, the final act of flat out Power Rangers absurdity doesn't quite gel. I have no problem with either approach, but I feel like maybe the writers should have picked one and stuck with it.
The well developed teenagers that we've spent and hour and half with at this point are suddenly wise cracking and quipping like there's no tomorrow. The big climatic battle looks ok, but it has that really overplayed Kanye West song obnoxiously blasting throughout (which just gave me *shudder* Suicide Squad vibes), and after being built up to be a genuinely threatening villain, Rita is easily dispatched by a big CGI bitchslap into CGI space, by the big CGI hand of the big CGI Megazord (still kind of cool).
It's just a little meh.
I have fond memories of Power Rangers from my childhood, and I realise that this modern retelling is also aimed at a younger audience, and in that respect I'm sure it's very entertaining, and I give credit to the writers for touching upon more adult issues, but overall, I wish it had been better. Power Rangers is silly, but it does genuinely have scope to be an epic franchise.
Final note - the running Krispy Kreme joke got old very quickly 🖕
It pretty straightforward, and thanks the main cast, it's fairly enjoyable.
Lead by Jason (Stranger Things' Dacre Montgomery), the five friends are probably the main positive about the film.
As the movie draws on, we are teased with just enough Power Rangers material to keep the intrigue afloat - the presence of Zordon (Bryan Cranston), Alpha 5 (Bill Hader) and Rita Repulsa (Elizabeth Banks), glimpses of the Zords and so on, but the narrative never strays too far from this core theme of strength through friendship.
That is until the final act of course...
I'll admit that I felt a swelling of excitement when the Power Rangers finally appeared in full armour, kicking the shit out of faceless CGI henchman, but it's at this point that director Dean Israelite goes FULL POWER RANGERS. We even get the classic theme tune as the Rangers charge towards Goldar (eye burning CGI, but kind of cool) and Rita in their Zords (also kind of cool) but here in lies the main problem with the film as a whole.
The nostalgia is laid on so thick that it feels like a completely different film. With the first 3/4 being somewhat grounded in realism (sort of), with serious themes and relatable human characters, the final act of flat out Power Rangers absurdity doesn't quite gel. I have no problem with either approach, but I feel like maybe the writers should have picked one and stuck with it.
The well developed teenagers that we've spent and hour and half with at this point are suddenly wise cracking and quipping like there's no tomorrow. The big climatic battle looks ok, but it has that really overplayed Kanye West song obnoxiously blasting throughout (which just gave me *shudder* Suicide Squad vibes), and after being built up to be a genuinely threatening villain, Rita is easily dispatched by a big CGI bitchslap into CGI space, by the big CGI hand of the big CGI Megazord (still kind of cool).
It's just a little meh.
I have fond memories of Power Rangers from my childhood, and I realise that this modern retelling is also aimed at a younger audience, and in that respect I'm sure it's very entertaining, and I give credit to the writers for touching upon more adult issues, but overall, I wish it had been better. Power Rangers is silly, but it does genuinely have scope to be an epic franchise.
Final note - the running Krispy Kreme joke got old very quickly 🖕