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The Traitor Baru Cormorant (The Masquerade #1)
8.0
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Book
The Traitor Baru Cormorant is an epic geopolitical fantasy about one woman's mission to tear down an...
Forge of Darkness
Book
Now is the time to tell the story of an ancient realm, a tragic tale that sets the stage for all the...
The Unwritten, Vol. 1: Tommy Taylor and the Bogus Identity
Book
Tom Taylor's life was screwed from go. His father created the Tommy Taylor fantasy series,...
Star Wars: Armada
8.8
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Tabletop Game
Rebel and Imperial fleets fight for the fate of the galaxy in Star Wars: Armada, the two-player...
ClareR (5603 KP) rated She Who Became The Sun in Books
Jun 13, 2023
She Who Became the Sun is a book that I could really immerse myself in. It took its time over laying the foundations of what will continue to be, I’m sure, an epic story. This is a re-imagining of the life and rise of Zhu Yuanzhang - the peasant rebel who expelled the Mongols, unified China and became the founding Emperor of the Ming dynasty. So, no small story then!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
Bloodlust (The Rise Of Iliri #1)
5.0
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Book
"Bloodlust, and the Rise of the Iliri series as a whole, will blow you mind, break your heart, and...
Young adult Vampire Vampyre Ilirri Young adult Teen
Squids Wild West
Games and Entertainment
App
SQUIDS Wild West has a unique mix of action strategy and RPG: build your team of heroes for...
Merissa (11805 KP) rated In Pain and Blood (Spellster #1) in Books
Jun 15, 2018
In Pain and Blood (Spellster #1) by Aldrea Alien
In Pain and Blood is the first book in the Spellster series, and has all the hallmarks of everything I enjoy - epic fantasy, m/m, romance, action, and adventure. Dylan has spent his life in 'the Tower' learning how to be a spellster. Magic comes easily to him, but his guardian keeps on telling him to stay safe in the tower, and not to make waves. However, one event shoves him to the forefront, and he sees more of life than he expected. Trying to make his way back to the Tower, he becomes part of a ragtag group and sees life in a completely different way.
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
RəX Regent (349 KP) rated Chitty Chitty Bang Bang (1968) in Movies
Mar 7, 2019
Contains spoilers, click to show
This was the first time that I've seen this children's classic since I was a child, and I suppose that I'd hoped that it would live up to its reputation. In all fairness though, I din't like it that much when I was a child, if I'm honest and my children, though some DO like it, others seemed to have mixed feelings. At best, it's likable but never lovable and at worst, it just isn't liked at all.
So, as an adult I watched this loose adaptation of James Bond's, Ian Flemming's novel, with every good intention, but in the end was left disappointed. Firstly, at 2 hours and 20 minutes long, it feels like an epic, and a completely unnecessary one at that. Its intermission is turned into a Batfink or Adam West's Batman styled cliffhanger rather than a thematic or narrative break that it traditionally should have been, even going so far as to recap the action in the second act!
The songs weren't great either, generally bordering on tedium rather than holding my interest. The story seems to be a little off kilter too, with a seemingly fatal crash destroying the eponymous car before its eventual restoration by Dick van Dyke. This was the culmination of a five-minute title sequence showcasing the early Grand Prix's of 1907 and '08 which for a family film seemed to drag somewhat.
But after an hour of songs and character development, we finally take off in the flying car to the fantasy land of Vulgaria, only for the whole experience to be a fantastical story told by Van Dyke's, Caractacus Potts! All in all, this was a strange film, but not in an entertaining way like Willy Wonka's Chocolate Factory, the connection being Roald Dahl's involvement with the screenplay, but in a rather boring way, with events just seeing to happen without any really cause or need. One hour of story, then another one of fantasy. How many other films can boast this kind narrative twist and get away with it. It just seemed to be indulgent and plodding.
It would defiantly have been improved if the car was actually magical and did actually take them on this adventure rather than suggesting that it is perfectly okay to sing and dance around the real world but it's a stretch too far to have a flying car! It should have been a fantasy through and through rather than six of one and half a dozen of the other.
Ultimately, Overrated in my opinion and since the view of FOUR children, boys and girls ranging from 7 – 15, is that it's watchable rather than fully enjoyable, I suspect that this film is being viewed through rose tinted glasses.
So, as an adult I watched this loose adaptation of James Bond's, Ian Flemming's novel, with every good intention, but in the end was left disappointed. Firstly, at 2 hours and 20 minutes long, it feels like an epic, and a completely unnecessary one at that. Its intermission is turned into a Batfink or Adam West's Batman styled cliffhanger rather than a thematic or narrative break that it traditionally should have been, even going so far as to recap the action in the second act!
The songs weren't great either, generally bordering on tedium rather than holding my interest. The story seems to be a little off kilter too, with a seemingly fatal crash destroying the eponymous car before its eventual restoration by Dick van Dyke. This was the culmination of a five-minute title sequence showcasing the early Grand Prix's of 1907 and '08 which for a family film seemed to drag somewhat.
But after an hour of songs and character development, we finally take off in the flying car to the fantasy land of Vulgaria, only for the whole experience to be a fantastical story told by Van Dyke's, Caractacus Potts! All in all, this was a strange film, but not in an entertaining way like Willy Wonka's Chocolate Factory, the connection being Roald Dahl's involvement with the screenplay, but in a rather boring way, with events just seeing to happen without any really cause or need. One hour of story, then another one of fantasy. How many other films can boast this kind narrative twist and get away with it. It just seemed to be indulgent and plodding.
It would defiantly have been improved if the car was actually magical and did actually take them on this adventure rather than suggesting that it is perfectly okay to sing and dance around the real world but it's a stretch too far to have a flying car! It should have been a fantasy through and through rather than six of one and half a dozen of the other.
Ultimately, Overrated in my opinion and since the view of FOUR children, boys and girls ranging from 7 – 15, is that it's watchable rather than fully enjoyable, I suspect that this film is being viewed through rose tinted glasses.
David Gemmell is/was one of my favourite authors.
However, he passed away in 2006 while finishing the final novel in his <i>Troy</i> trilogy (<i>Fall of Kings</i>), which was then finished by his second wife Stella.
<i>The City</i> is her first fully solo outing. Following recent trends, this definitely weighs in on the 'epic' side of the fantasy scales: think 'A Game of Thrones', where one novel is the size of three what I would term 'normal' reads. Indeed, the novel itself is split into various sections: personally I feel that it could have been split into two or maybe three separate books rather than under the one cover.
<i>The City</i> of the title (which is never actually named) is ancient and bloated, locked in an endless war with its enemies. Built over centuries, it reminded me somewhat of a passage in one of Pratchett's Discworld books (I forget which, and referring to Ankh-Morpork), something along the lines of:
'the main thing Ankh-Morpork is built on is Ankh-Morpork'.
That could be a pretty fair description of The City as well!
I also found some sections to be slow-moving, and while I never lost interest in the story, it also never really grabbed me, seeming to lack that certain something to turns a good story into a great story.
Would I read more by Stella Gemmell? At the moment, I'm undecided.
However, he passed away in 2006 while finishing the final novel in his <i>Troy</i> trilogy (<i>Fall of Kings</i>), which was then finished by his second wife Stella.
<i>The City</i> is her first fully solo outing. Following recent trends, this definitely weighs in on the 'epic' side of the fantasy scales: think 'A Game of Thrones', where one novel is the size of three what I would term 'normal' reads. Indeed, the novel itself is split into various sections: personally I feel that it could have been split into two or maybe three separate books rather than under the one cover.
<i>The City</i> of the title (which is never actually named) is ancient and bloated, locked in an endless war with its enemies. Built over centuries, it reminded me somewhat of a passage in one of Pratchett's Discworld books (I forget which, and referring to Ankh-Morpork), something along the lines of:
'the main thing Ankh-Morpork is built on is Ankh-Morpork'.
That could be a pretty fair description of The City as well!
I also found some sections to be slow-moving, and while I never lost interest in the story, it also never really grabbed me, seeming to lack that certain something to turns a good story into a great story.
Would I read more by Stella Gemmell? At the moment, I'm undecided.