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Gareth von Kallenbach (980 KP) rated The Dark Knight (2008) in Movies
Aug 14, 2019
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
Gareth von Kallenbach (980 KP) rated Cloud Atlas (2012) in Movies
Aug 7, 2019
While I am not familiar with the novel, I was not excited to review the film adaptation of David Mitchell’s Cloud Atlas. Though the Screenplay was written and directed by the Wachowskis (The Matrix) and Tom Tykwer (Run Lola Run) I did not know exactly what I was getting into. The trailer shows it as an epic sci-fi film crossing the time and lives of several stories and how everything and everyone is connected. Needless to say my curiosity was piqued. But I was nervous because I knew it would take a grand effort to keep this epic and ambitious project from falling flat. And well, I can honestly say that I am not quite sure if the combined effort succeeded.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Molly J (Cover To Cover Cafe) (106 KP) rated Isaiah's Daughter (Prophets and Kings, #1) in Books
Feb 27, 2019
Hold on just one moment, please. *Reflects* Ahem. Okay. Now, I can review this book. This book. What can say about this poignant, stunning novel of epic proportions? I can tell you that this book will pull you in and twist you up inside, as you get to know Hephzibah, or Ishma as she's first known. The pages within this book come to life, the characters moving before you like you are really there, learning of Isaiah, Hephzibah,Yaira,Hezekiah and all the happenings of Jerusalem.
Seeing all that young Ishma went through, really tugged at my heart. Watching her grow with Hezekiah was an experience I won't soon forget. I felt all of Zibah's feelings, all her pain and love for the Father. I cried when Isaiah and his wife adopted Zibah, I cried when Hezekiah and Zibah fell in love, I cried when I reached the end of this amazing novel.
This book is a book of true love. Of sacrificial love. Of a love that will never end, both within family, even if it's not blood family, and the never ending love of our amazing Father above. This story is utterly heartbreaking, yet it's heart-reviving. It is rich in detail, it is throroughly researched, and it's stitched perfectly together like that of a beautiful handmade quilt.
Ms. Andrews has gone beyond 5 stars with this book. This book is so much more than just that. If you want a book that will carry you away to a land, and a time, that we've only read about in the Bible and imagined with our minds and hearts, then this is a book for you. If you want a book that steals your mind, and soul long after you've shut the book, then this is for you. If you want a book that will leave you contemplating all you've learned in Bible study, then please, look no further than the first book in a Biblical series that is sure to be a best seller.
*I received a complimentary copy of this book from publisher and was under no obligation to post a review, positive or negative.*
Seeing all that young Ishma went through, really tugged at my heart. Watching her grow with Hezekiah was an experience I won't soon forget. I felt all of Zibah's feelings, all her pain and love for the Father. I cried when Isaiah and his wife adopted Zibah, I cried when Hezekiah and Zibah fell in love, I cried when I reached the end of this amazing novel.
This book is a book of true love. Of sacrificial love. Of a love that will never end, both within family, even if it's not blood family, and the never ending love of our amazing Father above. This story is utterly heartbreaking, yet it's heart-reviving. It is rich in detail, it is throroughly researched, and it's stitched perfectly together like that of a beautiful handmade quilt.
Ms. Andrews has gone beyond 5 stars with this book. This book is so much more than just that. If you want a book that will carry you away to a land, and a time, that we've only read about in the Bible and imagined with our minds and hearts, then this is a book for you. If you want a book that steals your mind, and soul long after you've shut the book, then this is for you. If you want a book that will leave you contemplating all you've learned in Bible study, then please, look no further than the first book in a Biblical series that is sure to be a best seller.
*I received a complimentary copy of this book from publisher and was under no obligation to post a review, positive or negative.*
Neon's Nerd Nexus (360 KP) rated Avengers: Infinity War (2018) in Movies
May 14, 2019
To infinity and beyond
#avengersinfinitywar is an intense, fast, slick & fun ride that pulls its viewers along at such a thrilling pace that you rarely have time to breathe. Im #happy to report #infitywar is a solid, well made & a very entertaining #film (it is however by no means perfect but it does come out overall as one of the best films that marvel has produced). From the start you can instantly tell production is high here, costumes & makeup ooze detail as do sets, the score is #beautiful & extremely epic & cgi its stellar (minus a few scenes where it looked a bit soft). This is a film that clearly has had not only alot of money but a lot of love put into it. Fight scenes are weighty, fluid & pack a sometimes brutal punch to them & they come thick & fast but never out stay their welcome. Set pieces are #gorgeous too with great camera work ranging from tight claustrophobic combat to huge dizzying establishing shots giving the film great scale. Acting is great all round with #joshbrolin as #thanos being the standout here, hes constantly intimidating visually & vocally with so much unpredictability & power his presence alone instantly made me #anxious. Story wise it keeps it interesting & everyone's motives are clear but i do feel that with so many characters to juggle you loose that connection & emotional impact from time to time. Also its a darker film but peril is quite void here & at times I felt no one was really in that much danger of being fataly hurt. Themes of sacrificing the things you #love for a greater purpose & the effects/impact power can have in different hands were interesting but id need to watch it again to see what its deeper over all message was. Lastly the ending is so clever, perfect, beautifully done & shocking that it left most of my screening breathlessly glued to our seats. Comedy works well here too with most jokes hitting without being to cringe. Overall its a damn good time & watching it with a big excited audience reminded me of what going to the cinema is all about 'Escapism' & 'fun' & #avengers really does provide both. #comicon #superhero #marvel #disney #guardiansofthegalaxy #thor #hulk #captainamerica #spiderman #groot #ironman #marvelcomics #mcu
Joe Julians (221 KP) rated Titanic (1997) in Movies
Jan 30, 2018
A Masterclass of Cinema
At some point between 1997 and, say a few years ago, not liking Titanic became the "cool" thing to do. Despite it's almost overwhelming popularity when it was released, as the years have gone by, fewer will admit their love for this film and some people will actively slate it. Each to their own of course, everyone is entitled to like or dislike anything, but for me, I'll never understand how this can be viewed as anything other than a masterclass of cinema.
This is an epic, grandiose and utterly captivating thing to watch. The cast are perfect- every single one of them. I can't think of a single actor that puts a foot wrong throughout it's admittedly hefty run time. The script is wonderfully and meticulously researched and the set design is incredible. Every detail of the ship was looked at and recreated and whilst there are a few inaccuracies, the Titanic feels real again so many years after the real one went down.
I mentioned the run time and that's often one of the problems that is mentioned when people take issue with Titanic. It is long- perhaps too long. The modern-day sequences that bookend the film could maybe have done with some trimming down, but when I watch this, there's hardly any moment that I could single out as not needing to be there.
In many ways, Titanic is the perfect film. You get the love story dominating the first half, but if you aren't invested in that, the second gives you the sinking and nearly 21 years on, it's still breath taking to watch.
I haven't even mentioned the score yet- it's beautiful. This was James Horner's best work by far, so good in fact that I don't think the film would be anywhere near as memorable were it not for the amazing work he put in here. Celine Dion may be the first name people think of when the music from Titanic is mentioned, but it's certainly Horner that deserves every single bit of credit.
This is an epic, grandiose and utterly captivating thing to watch. The cast are perfect- every single one of them. I can't think of a single actor that puts a foot wrong throughout it's admittedly hefty run time. The script is wonderfully and meticulously researched and the set design is incredible. Every detail of the ship was looked at and recreated and whilst there are a few inaccuracies, the Titanic feels real again so many years after the real one went down.
I mentioned the run time and that's often one of the problems that is mentioned when people take issue with Titanic. It is long- perhaps too long. The modern-day sequences that bookend the film could maybe have done with some trimming down, but when I watch this, there's hardly any moment that I could single out as not needing to be there.
In many ways, Titanic is the perfect film. You get the love story dominating the first half, but if you aren't invested in that, the second gives you the sinking and nearly 21 years on, it's still breath taking to watch.
I haven't even mentioned the score yet- it's beautiful. This was James Horner's best work by far, so good in fact that I don't think the film would be anywhere near as memorable were it not for the amazing work he put in here. Celine Dion may be the first name people think of when the music from Titanic is mentioned, but it's certainly Horner that deserves every single bit of credit.
Merissa (13585 KP) rated Mercy (Forever #3) in Books
Oct 31, 2018
Mercy (Forever #3) by India R. Adams
Mercy is the third book in the Forever series, and it IS a series so I would definitely recommend starting with Serenity. Trust me, so much goes on inside these pages, you would be lost otherwise.
Now then, where do I start? First of all, this is a long book. So whatever you do, make sure you have stocked up on supplies. That includes a box of kleenex, enough chocolate to last you a week, plenty of drinks, and let your family know you will be indisposed for the foreseeable future, until you've finished reading. Because once you start reading, you will be lost. I promise you that. The first chapter had me crying! That is how quickly I was sucked back into Serenity's world and the situations she was dealing with. Some pleasant, some not so pleasant, some downright horrible.
As this is a long book, you can be sure of plenty of things going on. There is never a dull moment, but whether it is happiness or sorrow you are feeling, your emotions will never be far away. There is danger and suspense, building up to an epic climax that will blow you away. There is a twist here that I never saw coming. I sort of hope this is the end to one part of it, but knowing how Ms. Adams' works takes me to places as yet undiscovered, I guess I will have to wait and see what comes next. Whatever it is I can imagine, will only be a whole load better!
With no editing or grammatical errors to disrupt my reading, I was completely engrossed with this story. This book defies genres and situations. It is hard to put into words, so you will just have to read it for yourself. One thing I can promise is that you won't regret it.
Such a good book, a fantastic series, and highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now then, where do I start? First of all, this is a long book. So whatever you do, make sure you have stocked up on supplies. That includes a box of kleenex, enough chocolate to last you a week, plenty of drinks, and let your family know you will be indisposed for the foreseeable future, until you've finished reading. Because once you start reading, you will be lost. I promise you that. The first chapter had me crying! That is how quickly I was sucked back into Serenity's world and the situations she was dealing with. Some pleasant, some not so pleasant, some downright horrible.
As this is a long book, you can be sure of plenty of things going on. There is never a dull moment, but whether it is happiness or sorrow you are feeling, your emotions will never be far away. There is danger and suspense, building up to an epic climax that will blow you away. There is a twist here that I never saw coming. I sort of hope this is the end to one part of it, but knowing how Ms. Adams' works takes me to places as yet undiscovered, I guess I will have to wait and see what comes next. Whatever it is I can imagine, will only be a whole load better!
With no editing or grammatical errors to disrupt my reading, I was completely engrossed with this story. This book defies genres and situations. It is hard to put into words, so you will just have to read it for yourself. One thing I can promise is that you won't regret it.
Such a good book, a fantastic series, and highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LilyLovesIndie (123 KP) rated The Guardians (The MORE Trilogy, #2) in Books
Nov 5, 2018
I have to be honest when I say I abso-freaking-lutely LOVE this author, her style, and her books. SheÕs just absolutely amazing, and I really, really cannot sing her praises highly enough. That said, IÕd best give some justification for my gushiness ;)
Firstly, there is an amazing transition from the first book, with the drama and tension carrying over perfectly and just, well, seamlessly if IÕm honest. I read a lot of series (theyÕre like good shoes, you find a good one and you just keep going with it) and this is most definitely one of the best I have seen for a long while. This is all linked in with an absolutely incredible plot line. The twists and turns are immense, well developed and truly amazing from start to finish. The perspectives of the different characters are always completely crystal clear, showing a very good grasp of the craft.
Characterisation, as with in the first story, is incredibly well written and just, quite frankly amazing. They are all so enigmatic and developed slowly to make sure you really do invest and get to know them. It was great to see more of Tiernan and Emma is such a dark horse! I shanÕt say more so as not to spoil it, but she is most definitely a good addition to the character lists! Caleb and Ava are, as always, a delight to read and are perfect for each other, even if outside events are trying to meddle in that. Throw in the brilliant intrigue and mystery surrounding Ava and you have exceedingly compelling reading.
To conclude, I can do nothing more than repeat my words from my first review Ð EPIC, PHENOMENAL, AMAZING (capitals most necessary!) and I loved it. I devoured this book, reading in every available minute (even lulls in conversation in the staff room) and I cannot recommend it highly enough. I honestly could not wait to read the final installment and I was truly gripped by the book from start to finish.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Firstly, there is an amazing transition from the first book, with the drama and tension carrying over perfectly and just, well, seamlessly if IÕm honest. I read a lot of series (theyÕre like good shoes, you find a good one and you just keep going with it) and this is most definitely one of the best I have seen for a long while. This is all linked in with an absolutely incredible plot line. The twists and turns are immense, well developed and truly amazing from start to finish. The perspectives of the different characters are always completely crystal clear, showing a very good grasp of the craft.
Characterisation, as with in the first story, is incredibly well written and just, quite frankly amazing. They are all so enigmatic and developed slowly to make sure you really do invest and get to know them. It was great to see more of Tiernan and Emma is such a dark horse! I shanÕt say more so as not to spoil it, but she is most definitely a good addition to the character lists! Caleb and Ava are, as always, a delight to read and are perfect for each other, even if outside events are trying to meddle in that. Throw in the brilliant intrigue and mystery surrounding Ava and you have exceedingly compelling reading.
To conclude, I can do nothing more than repeat my words from my first review Ð EPIC, PHENOMENAL, AMAZING (capitals most necessary!) and I loved it. I devoured this book, reading in every available minute (even lulls in conversation in the staff room) and I cannot recommend it highly enough. I honestly could not wait to read the final installment and I was truly gripped by the book from start to finish.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Andy K (10823 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 3, 2019
Monsters good. Humans bad.
I just read a lot of reviews on Smashbomb for this and would have to agree with most that I enjoyed the monsters in all their various shapes and sizes, especially if you have been a fan seeing the familiar ones you have known and loved.
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
Leigh J (71 KP) rated The Lost Boys (1987) in Movies
Nov 8, 2019
Best Movie Ever
Contains spoilers, click to show
Michael and Sam are Brothers who are moving, with their Mom Lucy, to Santa Carla following a Divorce. Santa Carla just happens to be the murder capital of the world. When they get to Santa Carla, they are met with an eccentric Grandpa and, shock horror!, no TV! Faced with the absolute atrocity that is no MTV, they decide to explore the nightlife of their new town and upon doing this, meet the beautiful and mysterious Star. Michael is instantly besotted and chases after her, leaving Sam at a local Comic Shop... and at the mercy of an intense duo called the Frog Brothers, who give Sam a comic called "Vampires Everywhere" and allude to the fact that he might want to read it to survive which Sam laughs off.
Upon chasing Star, Michael quickly finds out that she is part of a Gang of enigmatic young guys, their leader being the antagonistic David. Desperate to get closer to Star and gain some new friends, Michael goes along to their lair and is coaxed into drinking some "Wine" by the young men. Soon enough, Michael begins changing and finding out more about who David, Star and the gang really are... and who he really is now. Sam is also noticing changes in Michael, and suspects that Lucy's new flame, Max, is also involved with what is happening to Michael. But, after a terrifying reveal and a body count happening at a Bonfire, are Sam and Michael too late to save themselves? Does Max really have a tie to these mysterious Boys? Could they all hold the key as to why Santa Carla is the murder capital of the world?
I remember watching The Lost Boys as a kid and falling head over heels in love with everything about it; the way it looks, the music, The Lost Boys themselves (who became my style icons from then on!), the epic story... everything! It's such a great Movie, mixing Horror and Comedy perfectly and throwing in the most chaotic and horrific Vampire reveal I've ever seen (favourite scene, of course!). It's quite simply a joy to watch... I'm on my 500th watch already! LOVE it!
Upon chasing Star, Michael quickly finds out that she is part of a Gang of enigmatic young guys, their leader being the antagonistic David. Desperate to get closer to Star and gain some new friends, Michael goes along to their lair and is coaxed into drinking some "Wine" by the young men. Soon enough, Michael begins changing and finding out more about who David, Star and the gang really are... and who he really is now. Sam is also noticing changes in Michael, and suspects that Lucy's new flame, Max, is also involved with what is happening to Michael. But, after a terrifying reveal and a body count happening at a Bonfire, are Sam and Michael too late to save themselves? Does Max really have a tie to these mysterious Boys? Could they all hold the key as to why Santa Carla is the murder capital of the world?
I remember watching The Lost Boys as a kid and falling head over heels in love with everything about it; the way it looks, the music, The Lost Boys themselves (who became my style icons from then on!), the epic story... everything! It's such a great Movie, mixing Horror and Comedy perfectly and throwing in the most chaotic and horrific Vampire reveal I've ever seen (favourite scene, of course!). It's quite simply a joy to watch... I'm on my 500th watch already! LOVE it!
Matthew Krueger (10051 KP) rated the Xbox One version of DOOM in Video Games
Mar 20, 2020
Kick Some Ass 2016 Style
Doom 2016- yes i called it this because when you talk about it to people, sometimes their like "which one". So i call this one "Doom 2016". So lets talk about it.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.