Search
Search results
Movie Metropolis (309 KP) rated The Good Dinosaur (2015) in Movies
Jun 10, 2019
Is it as good as Inside Out?
2015 has been a great year for film. From long-awaited sequels to the conclusion of epic franchises, it’s been one of the best and most successful movie seasons in recent memory, and with Star Wars: the Force Awakens out in December, it can only finish on a high.
It also marks the first time that Pixar has released two films in the same year. Summer saw the release of instant-classic Inside Out and now animation fans get to enjoy another movie from the studio, The Good Dinosaur, but has Pixar bitten of more than it can chew?
The Good Dinosaur follows the story of a young Apatosaurus named Arlo, voiced beautifully by Raymond Ochoa, as he comes to terms with growing up in an ever-changing world where dinosaurs never met their well-documented fates.
He, alongside human child Spot suddenly find themselves embroiled in a dangerous journey after getting lost a long way from their homes.
If this all sounds a little formulaic to you, then that’s because it is. The Good Dinosaur has a plot more akin to Paramount animation, rather than the exceptional storytelling we have come to expect from Pixar. There’s nothing particularly special or unique about the plot and this is a real shame.
Thankfully, Pixar’s usual gut-punches are out in full force and The Good Dinosaur is among one of the emotional films in the studio’s roster. Personal tragedy is never an easy thing to convey in a movie meant to be enjoyed by the whole family, but here it is dealt with in a beautiful and tasteful manner.
Scenes in which Arlo and Spot share their circumstances with each other hit home hard and are deeply saddening to watch.
The cinematography too is absolutely exceptional. The breath-taking prehistoric landscapes are rendered in such stunning animation, they almost feel real. From raging white-water to beautiful sun-flooded forests, everything is a joy to behold and this is where The Good Dinosaur excels – a firefly swarm in particular is spectacular and propels the film into How to Train Your Dragon territory for sheer spectacle.
However, the entire film feels like a show reel, albeit a mesmerising one, for the talents at Pixar. Each shot of scenery is lingered on for a little too long and agoraphobic Arlo’s plight can sometimes take a backseat to this beauty.
Nevertheless, there are some wonderful characters here. A trio of T-Rex, who turn out to be cowboys – or should that be cowdinos, provide The Good Dinosaur with some of its more standout moments and it’s the lack of these sequences where the film is found wanting.
Overall, Pixar has created another excellent piece of animation with The Good Dinosaur. Though not quite at their ‘gold standard,’ the film is a wonder to behold and shows just how gorgeous animated features can be.
Unfortunately, the lack of an original story ensures it’ll prove second best to Inside Out in this year’s battle despite its deeper emotional resonance.
https://moviemetropolis.net/2015/11/29/is-it-as-good-as-inside-out-the-good-dinosaur-review/
It also marks the first time that Pixar has released two films in the same year. Summer saw the release of instant-classic Inside Out and now animation fans get to enjoy another movie from the studio, The Good Dinosaur, but has Pixar bitten of more than it can chew?
The Good Dinosaur follows the story of a young Apatosaurus named Arlo, voiced beautifully by Raymond Ochoa, as he comes to terms with growing up in an ever-changing world where dinosaurs never met their well-documented fates.
He, alongside human child Spot suddenly find themselves embroiled in a dangerous journey after getting lost a long way from their homes.
If this all sounds a little formulaic to you, then that’s because it is. The Good Dinosaur has a plot more akin to Paramount animation, rather than the exceptional storytelling we have come to expect from Pixar. There’s nothing particularly special or unique about the plot and this is a real shame.
Thankfully, Pixar’s usual gut-punches are out in full force and The Good Dinosaur is among one of the emotional films in the studio’s roster. Personal tragedy is never an easy thing to convey in a movie meant to be enjoyed by the whole family, but here it is dealt with in a beautiful and tasteful manner.
Scenes in which Arlo and Spot share their circumstances with each other hit home hard and are deeply saddening to watch.
The cinematography too is absolutely exceptional. The breath-taking prehistoric landscapes are rendered in such stunning animation, they almost feel real. From raging white-water to beautiful sun-flooded forests, everything is a joy to behold and this is where The Good Dinosaur excels – a firefly swarm in particular is spectacular and propels the film into How to Train Your Dragon territory for sheer spectacle.
However, the entire film feels like a show reel, albeit a mesmerising one, for the talents at Pixar. Each shot of scenery is lingered on for a little too long and agoraphobic Arlo’s plight can sometimes take a backseat to this beauty.
Nevertheless, there are some wonderful characters here. A trio of T-Rex, who turn out to be cowboys – or should that be cowdinos, provide The Good Dinosaur with some of its more standout moments and it’s the lack of these sequences where the film is found wanting.
Overall, Pixar has created another excellent piece of animation with The Good Dinosaur. Though not quite at their ‘gold standard,’ the film is a wonder to behold and shows just how gorgeous animated features can be.
Unfortunately, the lack of an original story ensures it’ll prove second best to Inside Out in this year’s battle despite its deeper emotional resonance.
https://moviemetropolis.net/2015/11/29/is-it-as-good-as-inside-out-the-good-dinosaur-review/
Sensitivemuse (246 KP) rated The Grim Company in Books
Aug 27, 2018
Great Start to the Series
Contains spoilers, click to show
***Spoilers ahead you’ve been warned***
It’s been a while since a good fantasy has come by my way and with anti heroes! It’s different and nice to see even though the world building and plot is typical fantasy but it’s written so well that it’s enjoyable and with some occasional funny parts you’re left with a memorable book and want to keep going in the series.
The world building is well done. Mages are dictators of their own cities and have the general populace under their thumb. Magic is pretty much only done by Magelords (not including the band of sorceresses that are mentioned). Dorminia is protected by Augmentors (elite units that have enhanced magical items) which is a fine idea. The mindhawks (birds that can read your mind to see if you’re thinking thoughts to overthrow the Magelord) is also a really neat concept that I liked.
The plot itself is intricate and it takes time to get fully immersed in it. Once you’re familiar with the world and setting it’s well worth the time invested and although it may be a bit hard to keep track of everyone at first, the action scenes are well written, the dialogue is real albeit vulgar at times (but it keeps it real), and the battle at the end is epic. Everything is somewhat interconnected and once the pieces all come together it makes for one great story.
The characters are a mixed bag and you have a variety to choose as a favorite. Cole seems to be the butt of many jokes despite his main role in the story. I found myself bursting out laughing at some moments that featured him - although I have to add, he’s not a very likable character. He’s naive, arrogant, and a bit of a dolt. But that’s what makes his role more interesting. Even I had to agree with Jerek when he said: “The boy’s a hero after all.”
My favorite would be Brodar and Jerek. Their background stories are interesting and they compliment each other. Brodar is the cool headed fighter who’s going on past his prime, whereas Jerek is the hot headed one that has a constant chip on his shoulder. They make a great duo and even while fighting together it makes for an exciting battle scene to read.
I sympathize with Barandas even though he was for the ‘bad guys’. He was loyal to a fault and was your model soldier. But he had a nice likable personality and although he was loyal to the Magelord you had to admire that in him. He’s good at his job and he was also trying to set things right. It made me sad on his demise. It was worth reading his one on one fight with Brodar.
There are so many questions to be answered! Lots of things were left hanging and I am looking forward to reading book two of this series. If you like a good fantasy with anti heroes with various flaws, some bits of dark humor, hefty battle scenes and blood coming from all over this is definitely for you.
It’s been a while since a good fantasy has come by my way and with anti heroes! It’s different and nice to see even though the world building and plot is typical fantasy but it’s written so well that it’s enjoyable and with some occasional funny parts you’re left with a memorable book and want to keep going in the series.
The world building is well done. Mages are dictators of their own cities and have the general populace under their thumb. Magic is pretty much only done by Magelords (not including the band of sorceresses that are mentioned). Dorminia is protected by Augmentors (elite units that have enhanced magical items) which is a fine idea. The mindhawks (birds that can read your mind to see if you’re thinking thoughts to overthrow the Magelord) is also a really neat concept that I liked.
The plot itself is intricate and it takes time to get fully immersed in it. Once you’re familiar with the world and setting it’s well worth the time invested and although it may be a bit hard to keep track of everyone at first, the action scenes are well written, the dialogue is real albeit vulgar at times (but it keeps it real), and the battle at the end is epic. Everything is somewhat interconnected and once the pieces all come together it makes for one great story.
The characters are a mixed bag and you have a variety to choose as a favorite. Cole seems to be the butt of many jokes despite his main role in the story. I found myself bursting out laughing at some moments that featured him - although I have to add, he’s not a very likable character. He’s naive, arrogant, and a bit of a dolt. But that’s what makes his role more interesting. Even I had to agree with Jerek when he said: “The boy’s a hero after all.”
My favorite would be Brodar and Jerek. Their background stories are interesting and they compliment each other. Brodar is the cool headed fighter who’s going on past his prime, whereas Jerek is the hot headed one that has a constant chip on his shoulder. They make a great duo and even while fighting together it makes for an exciting battle scene to read.
I sympathize with Barandas even though he was for the ‘bad guys’. He was loyal to a fault and was your model soldier. But he had a nice likable personality and although he was loyal to the Magelord you had to admire that in him. He’s good at his job and he was also trying to set things right. It made me sad on his demise. It was worth reading his one on one fight with Brodar.
There are so many questions to be answered! Lots of things were left hanging and I am looking forward to reading book two of this series. If you like a good fantasy with anti heroes with various flaws, some bits of dark humor, hefty battle scenes and blood coming from all over this is definitely for you.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Call of Duty: Black Ops III in Video Games
Jun 19, 2019
The latest in the incredibly popular Call of Duty Series has arrived and Call of Duty: Black Ops 3 is a nice mix of old and new that goes a long way to combating those who say that each game is basically the same thing with new maps.
Set in a future where combat technology is now imbedded into soldiers, allowing them to hack systems, control machines, and release all manner of electronic warfare, Black Ops 3 is a very ambitious entry into the series. The game also has a great feature that allows players to customize their appearance, weapons, and special features in the campaign instead of just relegating that feature to the multiplayer portion.
As if that was not enough, the game also allows up to four human players to play through the campaign as one unit, which is great for those with new players in the Call of Duty universe in tow.
The campaign is a mixed bag as at times the story is convoluted and the virtual reality based campaigns towards the end become frustrating as well as at times overly difficult.
Graphically the game shines and it is clear that the artists spent considerable love and effort on the game. Just walking around the ready room before missions alone lets one see the incredible level of detail in the game. The levels are pretty impressive as well from secret laboratories in Singapore to high rise locales in Egypt; the future is truly captivating and terrifying as envisioned by Treyarch.
The campaign despite the issues I had with it is not really the selling point of the series, as the multiplayer is where the game truly shines. With multiple formats of online play available as well as numerous maps and the ability to once again customize your weapon loadouts and killstreak rewards, comes a new class system. This allows players to play as a unique character with a special weapon or ability that becomes available to them after a certain amount of time.
While lots of fun, the old Call of Duty imbalances are there which become highly annoying. For instance, you unload a magazine into the chest of an oncoming enemy point blank. You hear the hits taking place, and while being hit, they can stop, draw a bow, and shoot you dead, all the while taking a barrage of machine gun fire. This sort of thing becomes highly frustrating as does the never ending barrage of hackers with their aim bots and other annoyances.
The Zombie mode of the game is a true classic With Jeff Goldblum and other Hollywood stars providing their voices and likenesses to a retro-locale where players can battle the undead.
In all, the game is a nice step forward as if the story of the campaign matched the customization it would really be something epic. But fans of the series know what to expect and Black Ops 3 gives them what they love about the series as well as some new features to push the series forward.
http://sknr.net/2015/11/21/call-of-duty-black-ops-3/
Set in a future where combat technology is now imbedded into soldiers, allowing them to hack systems, control machines, and release all manner of electronic warfare, Black Ops 3 is a very ambitious entry into the series. The game also has a great feature that allows players to customize their appearance, weapons, and special features in the campaign instead of just relegating that feature to the multiplayer portion.
As if that was not enough, the game also allows up to four human players to play through the campaign as one unit, which is great for those with new players in the Call of Duty universe in tow.
The campaign is a mixed bag as at times the story is convoluted and the virtual reality based campaigns towards the end become frustrating as well as at times overly difficult.
Graphically the game shines and it is clear that the artists spent considerable love and effort on the game. Just walking around the ready room before missions alone lets one see the incredible level of detail in the game. The levels are pretty impressive as well from secret laboratories in Singapore to high rise locales in Egypt; the future is truly captivating and terrifying as envisioned by Treyarch.
The campaign despite the issues I had with it is not really the selling point of the series, as the multiplayer is where the game truly shines. With multiple formats of online play available as well as numerous maps and the ability to once again customize your weapon loadouts and killstreak rewards, comes a new class system. This allows players to play as a unique character with a special weapon or ability that becomes available to them after a certain amount of time.
While lots of fun, the old Call of Duty imbalances are there which become highly annoying. For instance, you unload a magazine into the chest of an oncoming enemy point blank. You hear the hits taking place, and while being hit, they can stop, draw a bow, and shoot you dead, all the while taking a barrage of machine gun fire. This sort of thing becomes highly frustrating as does the never ending barrage of hackers with their aim bots and other annoyances.
The Zombie mode of the game is a true classic With Jeff Goldblum and other Hollywood stars providing their voices and likenesses to a retro-locale where players can battle the undead.
In all, the game is a nice step forward as if the story of the campaign matched the customization it would really be something epic. But fans of the series know what to expect and Black Ops 3 gives them what they love about the series as well as some new features to push the series forward.
http://sknr.net/2015/11/21/call-of-duty-black-ops-3/
The Thief (The Queen's Thief #1)
5.8
Rate It
Book
Discover the world of the Queen's Thief New York Times-bestselling author Megan Whalen Turner's...
Emma @ The Movies (1786 KP) rated In the Heights (2021) in Movies
Jul 18, 2021
I love me some musical action, so I'm not sure how I never knew this existed. Not to worry though, I was quickly reeducated.
Usnavi is saving up everything he can as he plans a future back in the Dominican Republic. Living at the centre of his neighbourhood, we join his story and the dramas of the community.
In The Heights dives into the stories in the hot spot of the community as a heatwave bears down on them. Families, friendships and business dealings, all come out of the woodwork as they try to cope with the heat... and it does all of that with some and dance thrown on top.
I know that Lin-Manuel Miranda is all the rage these days, but I don't enjoy the talky-singing that's a bit of a trademark. Here though, the jazzy beats and hip-swaying tunes really helped. Had I not been restricted by the fact I was in public and it's generally frowned upon to do it in the cinema, I would have been dancing. With that restriction though, it was dropped to toe-tapping and shimmying in my seat.
There's a lot of talent in the cast, though not all the singing was music to my ears. With so many cast members I'm not going to go into the individual performances because, while a handful of characters are bigger in the story, it's very much an ensemble piece. Together they have great chemistry, and those relationships shine because of it.
Choreography during the numbers is fantastic, and the use of space in and out of those moments worked well with the confined spaces. There's one scene in particular that was very inventive and (even though it gave me a vertigo wobble) it helped to make the song stand out from the others... though there's probably something in every song that I could pick out for the same reason.
Design of... everything... is great in In The Heights. There's not really a point where your eyes aren't darting about looking at the sets or following the performers. If there aren't awards in this film's future then I'd be surprised, it would have to be something epic that beat this.
I didn't have that previous connection with the theatre production, and I think that would definitely have helped matters. In the theatre setting the long runtime never feels like it's actually that long, you have the intermission and scenes are broken up by the nature of it being a live performance. 2 hours and 23 minutes isn't really that long in that context, and these days it's not even particularly long for a film. But as a film, I did feel its length. I'm also one of those people that goes to theatre productions and likes to see what peripheral characters are doing, and that's not something you can easily do in a film. I may listen to the soundtrack at some point, but I don't think I'm in any rush to rewatch In The Height even considering all the things I enjoyed about it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/in-heights-movie-review.html
Usnavi is saving up everything he can as he plans a future back in the Dominican Republic. Living at the centre of his neighbourhood, we join his story and the dramas of the community.
In The Heights dives into the stories in the hot spot of the community as a heatwave bears down on them. Families, friendships and business dealings, all come out of the woodwork as they try to cope with the heat... and it does all of that with some and dance thrown on top.
I know that Lin-Manuel Miranda is all the rage these days, but I don't enjoy the talky-singing that's a bit of a trademark. Here though, the jazzy beats and hip-swaying tunes really helped. Had I not been restricted by the fact I was in public and it's generally frowned upon to do it in the cinema, I would have been dancing. With that restriction though, it was dropped to toe-tapping and shimmying in my seat.
There's a lot of talent in the cast, though not all the singing was music to my ears. With so many cast members I'm not going to go into the individual performances because, while a handful of characters are bigger in the story, it's very much an ensemble piece. Together they have great chemistry, and those relationships shine because of it.
Choreography during the numbers is fantastic, and the use of space in and out of those moments worked well with the confined spaces. There's one scene in particular that was very inventive and (even though it gave me a vertigo wobble) it helped to make the song stand out from the others... though there's probably something in every song that I could pick out for the same reason.
Design of... everything... is great in In The Heights. There's not really a point where your eyes aren't darting about looking at the sets or following the performers. If there aren't awards in this film's future then I'd be surprised, it would have to be something epic that beat this.
I didn't have that previous connection with the theatre production, and I think that would definitely have helped matters. In the theatre setting the long runtime never feels like it's actually that long, you have the intermission and scenes are broken up by the nature of it being a live performance. 2 hours and 23 minutes isn't really that long in that context, and these days it's not even particularly long for a film. But as a film, I did feel its length. I'm also one of those people that goes to theatre productions and likes to see what peripheral characters are doing, and that's not something you can easily do in a film. I may listen to the soundtrack at some point, but I don't think I'm in any rush to rewatch In The Height even considering all the things I enjoyed about it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/in-heights-movie-review.html
Ross (3284 KP) rated The Siege of Abythos in Books
Nov 7, 2017
Poetry battle (2 more)
Poetry battle
Poetry battle
The third instalment in the Chronicles of the Black Gate series is the biggest yet, in terms of page count. The story follows the same PoV characters as previous books but their adventures are now covering so much more of the world and the storyline is becoming quite entangled.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.
Acanthea Grimscythe (300 KP) rated The Waking Land (The Waking Land, #1) in Books
May 16, 2018
Looking for a delightful, magical read? Callie Bates’s The Waking Land may sate your hunger. With several strong, female leads (like Rhia Knoll), the practice of forbidden arts, war, and just a taste of romance, this book easily lands as one of my most enjoyable reads so far this year.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
Neon's Nerd Nexus (360 KP) created a post
May 28, 2019
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Mike Wilder (20 KP) rated 2012 (2009) in Movies
May 30, 2018
As a disaster movie it doesn't get much better than this.
Contains spoilers, click to show
Roland Emmerich has done it again. He seems to get a kick out of bringing out humanities worst fears and putting them on screen in all its glory. After destroying a large part of the world in Independence Day: ID4, and trashing New York with Godzilla, he decides to go the rest of the way and change the face of the earth forever and in the process kill off most of humanity. What is the enemy this time? Aliens? Nope done that. Monsters? Nope also done that. Bad weather? Once again done that. What is left? I know lets have the sun spit out solar flares that heat up the earth's core and destabilize the planet! Whatever his problem with humanity is, it translates well on to film. This is an epic disaster movie. No part of the world is safe and there is no magic quick fix here.
The film itself is simple, massive destruction minimal plot. But in this case it really works. With amazing effects and a great cast that includes John Cusack, Thandie Newton, Oliver Platt, Danny Glover and the story is played out well and the acting is good. It is not too over the top except the stand out performance from the great Woody Harrelson. He is your go to guy when you are looking for crazy, and once again he pulls off the crazy guy effortlessly.
I really enjoyed this film and I think it has been given an unfairly hard time by critics and movie goers alike. I don't understand what people expected from this film. It is a disaster film not The Shawshank Redemption! I expected disaster and destruction and it exceeded my expectations. I didn't expect award winning performances by the actors (many of who are award nominees and winners), and I didn't expect a plot more complicated than oh s**t, we are going to die what can we do? Many viewers and critics must have forgotten the other films by Roland Emmerich when viewing this or they were comparing it to other films that were released at the same time. However I judge a film on its own merit and not comparing it to films that are in a different category. As a disaster movie it doesn't get much better than this.
The film itself is simple, massive destruction minimal plot. But in this case it really works. With amazing effects and a great cast that includes John Cusack, Thandie Newton, Oliver Platt, Danny Glover and the story is played out well and the acting is good. It is not too over the top except the stand out performance from the great Woody Harrelson. He is your go to guy when you are looking for crazy, and once again he pulls off the crazy guy effortlessly.
I really enjoyed this film and I think it has been given an unfairly hard time by critics and movie goers alike. I don't understand what people expected from this film. It is a disaster film not The Shawshank Redemption! I expected disaster and destruction and it exceeded my expectations. I didn't expect award winning performances by the actors (many of who are award nominees and winners), and I didn't expect a plot more complicated than oh s**t, we are going to die what can we do? Many viewers and critics must have forgotten the other films by Roland Emmerich when viewing this or they were comparing it to other films that were released at the same time. However I judge a film on its own merit and not comparing it to films that are in a different category. As a disaster movie it doesn't get much better than this.