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God of Broken Things
God of Broken Things
Cameron Johnston | 2019 | Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
Excellent conclusion to the duology
* I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review *


The second and final book in the short series (for once an author who is willing to restrict his series to two books rather than padding out to a trilogy with a low quality middle book!) continues Edrin Walker's fight for his life. Where in the first book the coward found himself accidentally returning to the city where he was banished from, and thrown into a conspiracy to destroy the city, here he is more of a willing participant.
The scarrabus (the mind-controlling parasite race) are rife in the city and Walker starts to uncover their plot. Events see him sent to hold off a fast approaching army, where he once again battles with mind-controlled mages and warriors.
The action is thick and fast in this book, and while there are some metaphysical sections, and some epic sections of exposition it keeps the reader engaged throughout.
Walker is a likeable, though thoroughly detestable selfish coward who sometimes ends up doing the right things, if not for the right reason. His magic power of mind-control is used more here than in the first book (where I felt it had been a little neglected for fear of being a Mary Sue), but not over-used and at times it wonderfully helps the story move along while his body can't allow him to be in the thick of the action.
There are twists and conflict galore in this brilliant gritty conclusion to a great story with some really strong, original characters.
  
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"Growing up I didn't have an older brother, so all my music was formed by my mother and father. The latter would play old Irish folk songs and outlaw music by Johnny Cash and the only thing my mother would play was heavy melancholy orchestral movements like Night On Bald Mountain. What my mother would make me do is sit on the floor and tell my father to tell a story while putting on this record. This was big for me. I was probably four years old at the time. It sounded eerie, spooky and epic. My dad would make up these ghost stories but what he was really doing was recreating these children's story soundtracks that I'd listened to! I was too young to understand what he was doing at the time, but he was just making his personalised version of The Little Prince or Tales of Witches, Ghosts And Goblins. So he'd be like [eerie voice]: ""The ghosts would move up the Catskill Mountains..."" and I'd just sit there freezing in fear of these ghost stories! It was like having a musical campfire in your living room. Also, this song featured on the film Fantasia, which was my whole life up until the age of ten. It stuck with me and it was embedded in there now you're mixing visuals. I wasn't into the Mickey Mouse aspect of it, but when you watch the eerie castle and spooky ghosts, this is just feeding a young boy's imagination and this is the world he's going to confront when he grows up. These were all the ingredients going into my soup."

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