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Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).

Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
  
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Sue (5 KP) rated The Coroner in Books

Aug 13, 2018  
TC
The Coroner
10
10.0 (1 Ratings)
Book Rating
Emily Hartford seems to be doing well for herself with a promising surgical career in Chicago and having been recently engaged to a third-year surgical resident. Her world is turned upside down when she receives a call telling her that her estranged medical examiner father has suffered a major heart attack and she must come home.

Upon arrival at her hometown of Freeport, which she fled over 12 years ago after the mysterious death of her mother, Emily is pulled into an investigation. With her ME father unable to assist, Sheriff Nick Larson (Em’s old high school flame) asks her help in finding out if the sudden unexplained death of a Senator’s teen daughter was an accident or murder.

This book is engaging with several different stories going on at once. The first story is the mystery of the Senator’s daughter who was an equestrian, good student, and all around loved individual. How and why was she killed? The second story is about the relationship between Emily and her father. They once were so close, but with the mysterious accident her mother suffered leaving her dead, daughter and father have a rocky relationship. The third story is of Emily and trying to find out what she really wants in life.

The is a true mystery-suspense drama with a very surprising ending.
  
This book (or rather, books) is definitely for those who enjoy sci-fi settings but don't want to be bogged down with complicated technobable. Also a plus if you like horses and the equestrian world, since that ends up being a sizable part of the story...something I hadn't anticipated at all, but my elementary and middle school, horse loving-self enjoyed a lot.

It's certainly different from the many, many Star Trek books I've read, or Leviathan Wakes, but I quite easily got invested in the story and its well-written characters. A very big plus was the blatant feminism; not only was the ratio of gender in main characters majority women, but most all the ladies were extraordinary and clever, even saving the guys sometimes, and used the stereotypical look on women to get things done. Also a little lgbtq+ representation, though I wish there was more, but what was there was done tastefully and not made to stick out.

I will say, if you aren't ready to commit to 1041 pages, find the books individually and read them at your own pace; I'm a pretty fast reader, but I'm quite busy this semester so it took me a month to do.

My only wish is that this space faring society had other lifeforms, not just humans being everywhere, but that's only a minor complaint. I definitely intend to check out Elizabeth Moon's other works soon.
  
War Horse (2011)
War Horse (2011)
2011 | Drama, History, War
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.

The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.

As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.

Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.

Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.

A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.

The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.

All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.