"Poet Diane Di Prima wrote this book for the money in 1968 but is is still an unabashed portait of Beat and queer life in the 1950's to the late 60's. It is an erotic travelogue of NY in the 60's and shines a special light on the New York Underground when being queer, feminist and an artist was still a way to be oppositional to the dominant culture."

"For me it is one of the most brilliant Mafia movies. Moreover it's the incarnation of the mythical erotic-romantic-tragic relationship between men and women. Beginning with love and ending with death. Isn't it the best description of this endless men-and-women love-hate system? And it's one of the best films about family as well. The protecting nest as miserable, dark shelter from an even darker existence of solitude."

"An erotic, mature political love story inspired by Pavel’s parents and the Cold War era they endured. I was enthralled throughout, by the sexuality, performances and lush cinematography. For me, it was a welcome return to Fellini’s “8 ½” and “La Dolce Vita.” And Joanna Kulig’s transformation from a manipulative teenage girl making love in the field to a plump, fallen performer with mascara running down her face at the end was breathtaking."

"Buñuel films have had a huge influence on me, this one perhaps most of all. There was a time when I carried the book of the script around, opening it at random to absorb its perverse, funny tone and stare at the old black-and-white stills. Catherine Deneuve acts like she’s sleepwalking, but her character, Séverine, is wonderfully cool and disdainful as she gives free rein to her erotic fantasies, in dreams and in life."