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Alison Pink (7 KP) rated The Front Porch Prophet in Books
Jan 15, 2018
This book tells the story of two lifelong friends...1 a shift manager at a sawmill, the other a younger, cancer ridden bootlegger. The novel moves seamlessly between flashbacks of when A.J. & Eugene were young & the present day. The story deals with Eugene's slow decline into the late stages of pancreatic cancer & how A.J. comes to terms with his friend's eventual demise. It provides a heartbreaking look into what a caner patient deals with as well as what that person's family & friends deal with. It was sad, but at the same time there was plenty of humor dispersed throughout the tale to keep the reader from getting too depressed with Eugene's illness.
In the end, many long held secrets come to light. The end is bittersweet, but realistic.
In the end, many long held secrets come to light. The end is bittersweet, but realistic.
Allison Anders recommended My Man Godfrey (1957) in Movies (curated)
Kristin (149 KP) rated The Boon: Thoughts of a Schizophrenic in Remission in Books
Dec 7, 2018
Disclaimer: I was given an e-copy by the author in exchange for an honest review.
I'll start by saying I hold a Master's Degree in Forensic Psychology, so when I was approached to read and review this book, I jumped at it. Schizophrenia was one of the many different topics throughout my coursework, and I'm always eager to learn more about anything Psychology-related. I thought back on my different classes, and while we discussed all sorts of things about Schizophrenia (symptoms, effects on the individual and family/friends, therapeutic treatment, drug treatment, etc.), I don't recall having ever read an anecdotal account from someone with the illness, and I think it's just a fantastic idea.
While this book is very long, it's well worth the read if you're either like me and are interested in Psychology, or if you either have or know someone who has Schizophrenia (Sz for short). Reading this book gave me all sorts of personal insight into the illness that you just can't find in a textbook, and I'm sure it would greatly benefit anyone who is affected in their life by Sz in some way. I found the opening philosophies on God to be very interesting, as it was a new way of looking at the topic for me, and it really drew me in to see what all Eugene believed, had been through, is going through, etc. The various quotes from song lyrics, psychologists, other Sz memoirs, and numerous other sources really worked to convey just what Eugene was thinking and feeling, especially the ones pulled from his earlier writings.
As I said, I would definitely recommend this to anyone who has Sz in some form of their life: either themselves, a family member or friend, therapists, social workers, etc, as well as those who are studying or just interested in Psychology. First-hand accounts are few and far between, and I feel I learned more about Sz, its effects on the mind as well as the idea of "remission," from this book than I did throughout my coursework.
5 stars for its ability to suck you in and keep you reading and learning, no matter how long it is =)
I'll start by saying I hold a Master's Degree in Forensic Psychology, so when I was approached to read and review this book, I jumped at it. Schizophrenia was one of the many different topics throughout my coursework, and I'm always eager to learn more about anything Psychology-related. I thought back on my different classes, and while we discussed all sorts of things about Schizophrenia (symptoms, effects on the individual and family/friends, therapeutic treatment, drug treatment, etc.), I don't recall having ever read an anecdotal account from someone with the illness, and I think it's just a fantastic idea.
While this book is very long, it's well worth the read if you're either like me and are interested in Psychology, or if you either have or know someone who has Schizophrenia (Sz for short). Reading this book gave me all sorts of personal insight into the illness that you just can't find in a textbook, and I'm sure it would greatly benefit anyone who is affected in their life by Sz in some way. I found the opening philosophies on God to be very interesting, as it was a new way of looking at the topic for me, and it really drew me in to see what all Eugene believed, had been through, is going through, etc. The various quotes from song lyrics, psychologists, other Sz memoirs, and numerous other sources really worked to convey just what Eugene was thinking and feeling, especially the ones pulled from his earlier writings.
As I said, I would definitely recommend this to anyone who has Sz in some form of their life: either themselves, a family member or friend, therapists, social workers, etc, as well as those who are studying or just interested in Psychology. First-hand accounts are few and far between, and I feel I learned more about Sz, its effects on the mind as well as the idea of "remission," from this book than I did throughout my coursework.
5 stars for its ability to suck you in and keep you reading and learning, no matter how long it is =)
JT (287 KP) rated American Reunion (2012) in Movies
Mar 10, 2020
Alot of time has passed since 1999, and in that time there have been a long line of spin off American Pie films, if you don’t count the sequel and American Pie: The Wedding. Of those films only Jim’s Dad (Eugene Levy) has starred in every single one, so it was brilliant to see all the old gang back together again, and how we have missed them all.
The gang is back together – but was it worth it?
Grown up and with adult lives, they head back to where it all began for a high school reunion which of course involves a whole heap of laughter, and there is plenty of that.
Jim and Michelle are now married with a small child and stuck in a rut of a no sex marriage, Oz now a hot shot sports reporter has trouble controlling his high maintenance girlfriend. Kevin is seemingly happy as a house husband and Finch is still very much the enigma of the group, and then of course there’s Stifler, probably the only character not to have changed at all.
There are some outrageous moments, right from the opening scene, even giving a hint of what is going to happen would suck any laughter out of you so for that I am not going to reveal too much. Let’s just say it is once again Jim who pretty much steals the show.
The group start to look at themselves and realise that they are very much all grown up with things never able to be the same again, as Jim harshly points out to Stifler in one scene.
There is through all the hilarity some touching moments, in particularly featuring Jim’s Dad who is getting over the passing of his wife and takes some advice from Jim himself to get back onto the dating horse. This of course results in some more outlandish behaviour at another Stifler party.
The American Pie franchise is very much an icon of teenage angst, at least for those films that matter to us. I doubt anyone would have sat through any of the American Pie Presents films.
American Reunion manages to get the whole cast back together, even if they are only on screen for a brief few minutes its like seeing an old friend once again. It’s almost as if we can resonate with every character and are pleased that their lives have turned out or are going to turn out for the better.
The film climaxes with a killer piece of revenge courtesy of Stifler, one which in the back of our minds we knew was coming and involves a well cast cameo.
It might not be everyone’s chosen comedy of 2012, but its sure as hell going to be up there!
The gang is back together – but was it worth it?
Grown up and with adult lives, they head back to where it all began for a high school reunion which of course involves a whole heap of laughter, and there is plenty of that.
Jim and Michelle are now married with a small child and stuck in a rut of a no sex marriage, Oz now a hot shot sports reporter has trouble controlling his high maintenance girlfriend. Kevin is seemingly happy as a house husband and Finch is still very much the enigma of the group, and then of course there’s Stifler, probably the only character not to have changed at all.
There are some outrageous moments, right from the opening scene, even giving a hint of what is going to happen would suck any laughter out of you so for that I am not going to reveal too much. Let’s just say it is once again Jim who pretty much steals the show.
The group start to look at themselves and realise that they are very much all grown up with things never able to be the same again, as Jim harshly points out to Stifler in one scene.
There is through all the hilarity some touching moments, in particularly featuring Jim’s Dad who is getting over the passing of his wife and takes some advice from Jim himself to get back onto the dating horse. This of course results in some more outlandish behaviour at another Stifler party.
The American Pie franchise is very much an icon of teenage angst, at least for those films that matter to us. I doubt anyone would have sat through any of the American Pie Presents films.
American Reunion manages to get the whole cast back together, even if they are only on screen for a brief few minutes its like seeing an old friend once again. It’s almost as if we can resonate with every character and are pleased that their lives have turned out or are going to turn out for the better.
The film climaxes with a killer piece of revenge courtesy of Stifler, one which in the back of our minds we knew was coming and involves a well cast cameo.
It might not be everyone’s chosen comedy of 2012, but its sure as hell going to be up there!
Kirk Bage (1775 KP) rated Schitt's Creek in TV
Jan 22, 2021
This show was a little off my radar until it went ahead and won 9 Emmys earlier this year. I made a point of adding it to my watchlist, but remained largely unconvinced that it was going to be for me. Not based on anything solid, I just had a feeling.
One season in and I have to admit I find it very easy to watch (often in the background to doing something else) but am still a little on the fence. I can go an entire episode without raising a smile, but there have also been several moments that have had me rolling off my chair. My new instinct about it is that I am gonna need a lot more than the first season under my belt before I develop a true relationship with it. Maybe that was also the thinking of the Emmys, who mostly ignored it for 5 years and then threw everything at in retrospect once they realised it was ending and how fond they had become of it.
Eugene Levy and Maureen O’Hara, as the disfunctuonal parents of two grown up brats forced to slum it in a bumsville town once the family business goes bust, demonstrate terrific comic understanding and timing after years of practice in cringe comedy movies such as Best In Show. The fly on the wall style is not quite The Office, or Parks and Rec, but closest to Arrested Development – which I also struggled with at first, until the joke sunk in.
O’Hara especially, always teetering on the edge of wasted is a joy to watch; just naturally amusing and worth this kind of attention after a long and distinguished career. The kids also have their moments, the pan-sexual man-child David, played by Dan Levy, and the shallow vacuum that is Alexis, played by Annie Murphy, are deliberately annoying at first, but do become strangely endearing over time, a sign of great writing. Levy snr. is more the straight guy in the main, wallowing in pathos and his own ineffectual weaknesses as a father and husband, but also has some great moments here and there.
At this point I can’t honestly say if I will continue to the end, I’m just not that attached to it to face 5 more seasons for sure, but I may dip in from time to time. I do think it is worth a bigger audience than it already has stateside, I’m just not convinced a British / European audience really need it at this point in time, and if it has a time it is probably now or never, as its reference points are very of the moment, 2015-2020, before 2020 became something else entirely.
One season in and I have to admit I find it very easy to watch (often in the background to doing something else) but am still a little on the fence. I can go an entire episode without raising a smile, but there have also been several moments that have had me rolling off my chair. My new instinct about it is that I am gonna need a lot more than the first season under my belt before I develop a true relationship with it. Maybe that was also the thinking of the Emmys, who mostly ignored it for 5 years and then threw everything at in retrospect once they realised it was ending and how fond they had become of it.
Eugene Levy and Maureen O’Hara, as the disfunctuonal parents of two grown up brats forced to slum it in a bumsville town once the family business goes bust, demonstrate terrific comic understanding and timing after years of practice in cringe comedy movies such as Best In Show. The fly on the wall style is not quite The Office, or Parks and Rec, but closest to Arrested Development – which I also struggled with at first, until the joke sunk in.
O’Hara especially, always teetering on the edge of wasted is a joy to watch; just naturally amusing and worth this kind of attention after a long and distinguished career. The kids also have their moments, the pan-sexual man-child David, played by Dan Levy, and the shallow vacuum that is Alexis, played by Annie Murphy, are deliberately annoying at first, but do become strangely endearing over time, a sign of great writing. Levy snr. is more the straight guy in the main, wallowing in pathos and his own ineffectual weaknesses as a father and husband, but also has some great moments here and there.
At this point I can’t honestly say if I will continue to the end, I’m just not that attached to it to face 5 more seasons for sure, but I may dip in from time to time. I do think it is worth a bigger audience than it already has stateside, I’m just not convinced a British / European audience really need it at this point in time, and if it has a time it is probably now or never, as its reference points are very of the moment, 2015-2020, before 2020 became something else entirely.
Bob Mann (459 KP) rated Wonder Woman (2017) in Movies
Sep 29, 2021
“What first attracted you Dr Mann to the movie with the scantily-clad Amazonians?”
Amazonians deliver! And how. The much anticipated new Wonder Woman movie is with us, and for once the film lives up to the wall-to-wall marketing hype.
With a heavy dose of mythology, Diana is growing up as the cossetted daughter of Hippolyta (Connie Nielsen, “Gladiator”), the Queen of the Amazons, on the hidden paradise island of Themyscira. Trained up as a warrior by Hippolyta’s sister, General Antiope (Robin Wright of “House of Cards”), Diana is clearly something special. Her ego is reinforced by the knowledge that she was made of clay with life breathed into her by the God Zeus. It’s enough to turn a girl’s head!
It’s 1917 and the man-free paradise is shaken up when an American spy by the name of Steve Trevor (Chris Pine, “Star Trek: Beyond“) crash-lands in the waters off Themyscira. (And yes… you didn’t mishear me… this film genuinely features a hero with both the names “Steve” and ‘Trevor”). Prince Eric – no, sorry, wrong film – is saved and awakened on the beach by Diana as the others arrive. “Thank God!”, say the Amazonians. “At last, someone to process the 200 year backlog of washing and ironing”!
But Steve (an “above average specimen”, LOL) is not long for paradise as he needs to return to the war with the results of his spy-work: a chemistry book stolen from the gorgeously deformed Dr Maru (Elena Anaya), gas-developer for the evil General Ludendorff (Danny Huston). Seeing Ludendorff to be her God-like nemesis Ares, Diana returns with Steve to the WW1 battlefields with the intent of killing the God of War and so ending the ‘war to end all wars’.
Much ‘fish out of water’ fun is had with Diana meeting civilised London society, although perhaps this section of the film doesn’t quite live up to its full potential: having ice cream for the first time, without any sign of surprise, all she can come up with is an amusing but rather lame “You must be very proud”.
But where the film really accelerates into awesomeness is when Diana reaches ‘The Front’. She emerges from the trenches like some shimmering vision of hotness, to set male and lesbian hearts a flutter. Its the most memorable trench-exit since the finale of “Black Adder 4”, and the subsequent scenes of Diana single-handedly facing the German guns is for me one of the most compelling and enjoyable scenes in any recent DC or Marvel movie.
Holding all this together is the ex-Israeli army-trainer Gal Gadot in the title role. And man oh man, what a Gal! Statuesque, athletic but also sweet, charming and emotionally fragile she completely owns this role from beginning to end. Gadot made a memorable entry in the otherwise poor “Batman v Superman: Dawn of Justice” (#marthagate #neverforget #neverforgive) but nothing prepares you for just how great she is in this outing. In fact, I’ll go as far as saying that this film, although having a UK 12 certificate, is a film of immense danger to heterosexual teenagers of any age (#humor):
All boys will be cast into a lifetime of misery, never able to find a woman that can possibly live up to the impossibly perfect vision of Diana Prince, tearing up the German army with fists and whip!;
All girls WILL BECOME LESBIANS AFTER WATCHING THIS FILM!
Parents: you have been warned! 🙂
Chris Pine – the thinking women’s Chris Pratt – once again proves himself as a talented actor who manages to successfully morph to inhabit the role he plays. Much as he did in the excellent “Hell or High Water“, not once did I equate him to be James Tiberius Kirk after the first 5 minutes.
Effective in supporting roles are David Thewlis (“Harry Potter”) as a ‘helpful’ army bod and an almost unrecognisable Lucy Davis (“The Office”) as Etta, Steve’s comedic secretary. Steve’s rather unlikely sidekicks of Sameer (Said Taghmaoui, “American Hustle“), Charlie (Ewen Bremner, “Trainspotting”) and ‘The Chief’ (Eugene Brave Rock “The Revenant“) all rather fade into the woodwork by comparison.
I saw the film in 3D (“careful now… you could take an eye out with those things”) and very good it was too. Aside from some rather unnecessary Amazonian arrows, its never feels overdone, and elements of it were extremely effective.
Another star of the show is the superb Wonder Woman theme by Hans Zimmer, here rolled out by the film’s composer Rupert Gregson-Williams (“Hacksaw Ridge“). Unfortunately, the rest of the soundtrack is not particularly memorable.
The film shifts into more traditional yawn-worthy ‘superhero finale’ mode in the last twenty minutes, which is a bit of a shame. It’s also really curious that for such a sexually charged film there is an almost complete absence of ‘lurrve’ on show. The one love scene coquettishly fades to a view of the outside window. Was this to protect the film’s family friendly rating (probably) or that the director didn’t want to show her heroine in a remotely submissive position (possibly)? More frustratingly, the morning after there is no mention of it at all! (“Move along, nothing to see here”). I at least wanted some sort of recognition that a human/God liaison had taken place: Steve grimacing a bit when he sits down; or Diana on the blower to Themyscira saying “Yes, you were right Mum. 5 minutes in, and it just snapped clean off!”
I know my friend David Moody (of markanddave vblog fame, and a big DC/Marvel fan) was generally disappointed with the film. Conversely, Amy Andrews from the ever-excellent Oh That Film Blog loved it. I’m with Amy on this one, and greatly enjoyed it as a well-constructed action rollercoaster. The nearly two and a half hours sped by. By the way (and I took one for the team here) there is no “monkey” at the end of the film’s credit to hang on for.
Patty Jenkins (“Monster”) directs and knows the audience she is aiming to please. One can only imagine the empowering impact this film will have on young girls, crossing their wrists to ‘THAT’ music and, in their imagination, casting terrorists into the hell that they should be consigned to. In this week of yet more Isis atrocity in London, Wonder Woman is a role-model we could all stand and salute: “I believe in love” too.
With a heavy dose of mythology, Diana is growing up as the cossetted daughter of Hippolyta (Connie Nielsen, “Gladiator”), the Queen of the Amazons, on the hidden paradise island of Themyscira. Trained up as a warrior by Hippolyta’s sister, General Antiope (Robin Wright of “House of Cards”), Diana is clearly something special. Her ego is reinforced by the knowledge that she was made of clay with life breathed into her by the God Zeus. It’s enough to turn a girl’s head!
It’s 1917 and the man-free paradise is shaken up when an American spy by the name of Steve Trevor (Chris Pine, “Star Trek: Beyond“) crash-lands in the waters off Themyscira. (And yes… you didn’t mishear me… this film genuinely features a hero with both the names “Steve” and ‘Trevor”). Prince Eric – no, sorry, wrong film – is saved and awakened on the beach by Diana as the others arrive. “Thank God!”, say the Amazonians. “At last, someone to process the 200 year backlog of washing and ironing”!
But Steve (an “above average specimen”, LOL) is not long for paradise as he needs to return to the war with the results of his spy-work: a chemistry book stolen from the gorgeously deformed Dr Maru (Elena Anaya), gas-developer for the evil General Ludendorff (Danny Huston). Seeing Ludendorff to be her God-like nemesis Ares, Diana returns with Steve to the WW1 battlefields with the intent of killing the God of War and so ending the ‘war to end all wars’.
Much ‘fish out of water’ fun is had with Diana meeting civilised London society, although perhaps this section of the film doesn’t quite live up to its full potential: having ice cream for the first time, without any sign of surprise, all she can come up with is an amusing but rather lame “You must be very proud”.
But where the film really accelerates into awesomeness is when Diana reaches ‘The Front’. She emerges from the trenches like some shimmering vision of hotness, to set male and lesbian hearts a flutter. Its the most memorable trench-exit since the finale of “Black Adder 4”, and the subsequent scenes of Diana single-handedly facing the German guns is for me one of the most compelling and enjoyable scenes in any recent DC or Marvel movie.
Holding all this together is the ex-Israeli army-trainer Gal Gadot in the title role. And man oh man, what a Gal! Statuesque, athletic but also sweet, charming and emotionally fragile she completely owns this role from beginning to end. Gadot made a memorable entry in the otherwise poor “Batman v Superman: Dawn of Justice” (#marthagate #neverforget #neverforgive) but nothing prepares you for just how great she is in this outing. In fact, I’ll go as far as saying that this film, although having a UK 12 certificate, is a film of immense danger to heterosexual teenagers of any age (#humor):
All boys will be cast into a lifetime of misery, never able to find a woman that can possibly live up to the impossibly perfect vision of Diana Prince, tearing up the German army with fists and whip!;
All girls WILL BECOME LESBIANS AFTER WATCHING THIS FILM!
Parents: you have been warned! 🙂
Chris Pine – the thinking women’s Chris Pratt – once again proves himself as a talented actor who manages to successfully morph to inhabit the role he plays. Much as he did in the excellent “Hell or High Water“, not once did I equate him to be James Tiberius Kirk after the first 5 minutes.
Effective in supporting roles are David Thewlis (“Harry Potter”) as a ‘helpful’ army bod and an almost unrecognisable Lucy Davis (“The Office”) as Etta, Steve’s comedic secretary. Steve’s rather unlikely sidekicks of Sameer (Said Taghmaoui, “American Hustle“), Charlie (Ewen Bremner, “Trainspotting”) and ‘The Chief’ (Eugene Brave Rock “The Revenant“) all rather fade into the woodwork by comparison.
I saw the film in 3D (“careful now… you could take an eye out with those things”) and very good it was too. Aside from some rather unnecessary Amazonian arrows, its never feels overdone, and elements of it were extremely effective.
Another star of the show is the superb Wonder Woman theme by Hans Zimmer, here rolled out by the film’s composer Rupert Gregson-Williams (“Hacksaw Ridge“). Unfortunately, the rest of the soundtrack is not particularly memorable.
The film shifts into more traditional yawn-worthy ‘superhero finale’ mode in the last twenty minutes, which is a bit of a shame. It’s also really curious that for such a sexually charged film there is an almost complete absence of ‘lurrve’ on show. The one love scene coquettishly fades to a view of the outside window. Was this to protect the film’s family friendly rating (probably) or that the director didn’t want to show her heroine in a remotely submissive position (possibly)? More frustratingly, the morning after there is no mention of it at all! (“Move along, nothing to see here”). I at least wanted some sort of recognition that a human/God liaison had taken place: Steve grimacing a bit when he sits down; or Diana on the blower to Themyscira saying “Yes, you were right Mum. 5 minutes in, and it just snapped clean off!”
I know my friend David Moody (of markanddave vblog fame, and a big DC/Marvel fan) was generally disappointed with the film. Conversely, Amy Andrews from the ever-excellent Oh That Film Blog loved it. I’m with Amy on this one, and greatly enjoyed it as a well-constructed action rollercoaster. The nearly two and a half hours sped by. By the way (and I took one for the team here) there is no “monkey” at the end of the film’s credit to hang on for.
Patty Jenkins (“Monster”) directs and knows the audience she is aiming to please. One can only imagine the empowering impact this film will have on young girls, crossing their wrists to ‘THAT’ music and, in their imagination, casting terrorists into the hell that they should be consigned to. In this week of yet more Isis atrocity in London, Wonder Woman is a role-model we could all stand and salute: “I believe in love” too.