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I Was Anastasia
9.5
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In an enthralling new feat of historical suspense, Ariel Lawhon unravels the extraordinary twists...
Anastasia Romanov Russian Revolution insane historical fiction Anna Anderson
The Chocolate Lady (94 KP) rated Lilac Girls in Books
Oct 5, 2020
This novel is very nicely written, with interesting characters. In particular, the protagonist Caroline is beautifully formed, with a life that is fascinating for those who know little about how Americans tried to help those who became unwitting refugees in the US after Hitler invaded their homelands. However, we must remember that Holocaust novels are a dime a dozen. This is why I was hoping that this novel would be different, particularly since the blurb for this book talks about Christine and her helping two survivors of the women's camp Ravensbruck. Unfortunately, the detailed information about the two other women in this story, and their introduction to Ravensbruck was, in my opinion, too much back-story. Although retelling the grim and gory ways that the Nazis treated their prisoners is a necessary evil, I somehow felt that this book included these scenes only to evoke pity for these characters. I don't want to pity characters, I want to have empathy for them, to care about them, and the author let me down with this.
In addition - and I hope this doesn't sound racist or snobbish - as a Jew, I have a hard time with Holocaust novels that seem to outwardly ignore how the Nazis treated the Jews, and only focuses on the other "undesirables." I realize that the Nazis didn't only kill Jews, but they were their primary target, and to avoid that altogether was disingenuous, to say the least. However, I was glad that this book didn't focus on any overtly Christian themes, even though I believe that there is a market for Holocaust stories within the Christian Fiction genre (see my review of the novel The Butterfly and the Violin by Kristy Cambron here http://drchazan.blogspot.com/2014/07/beauty-out-of-ugliness.html for more on my feelings about this).
Furthermore, the only Jewish reference I found in this novel was a passing reference to visiting the Ghetto and a remembrance of eating a Hanukkah delicacy. Unfortunately, the author didn't do her research properly, and the character said she remembered eating a type of doughnut that the Jewish bakers made for the holiday. Those doughnuts - known as "sufganiot" were never part of any Eastern European Hanukkah celebration at that time. In fact, sufganiot that are popular among Jews today, come from the Jews of North Africa and Arab countries. The word, sufganiot, comes from the Arabic and Hebrew words that mean sponge. While Jews in Poland did make something similar, their popularity as a particularly Hanukkah delicacy among Easter European Jews only coincided after Ashkenazi and Mizrahi Jews came together in Israel (i.e., post-1948). All of this is why I cannot give this book a rating of more than two and a half stars out of five, but I'm certain that it will find a much more sympathetic audience among non-Jewish readers.
In addition - and I hope this doesn't sound racist or snobbish - as a Jew, I have a hard time with Holocaust novels that seem to outwardly ignore how the Nazis treated the Jews, and only focuses on the other "undesirables." I realize that the Nazis didn't only kill Jews, but they were their primary target, and to avoid that altogether was disingenuous, to say the least. However, I was glad that this book didn't focus on any overtly Christian themes, even though I believe that there is a market for Holocaust stories within the Christian Fiction genre (see my review of the novel The Butterfly and the Violin by Kristy Cambron here http://drchazan.blogspot.com/2014/07/beauty-out-of-ugliness.html for more on my feelings about this).
Furthermore, the only Jewish reference I found in this novel was a passing reference to visiting the Ghetto and a remembrance of eating a Hanukkah delicacy. Unfortunately, the author didn't do her research properly, and the character said she remembered eating a type of doughnut that the Jewish bakers made for the holiday. Those doughnuts - known as "sufganiot" were never part of any Eastern European Hanukkah celebration at that time. In fact, sufganiot that are popular among Jews today, come from the Jews of North Africa and Arab countries. The word, sufganiot, comes from the Arabic and Hebrew words that mean sponge. While Jews in Poland did make something similar, their popularity as a particularly Hanukkah delicacy among Easter European Jews only coincided after Ashkenazi and Mizrahi Jews came together in Israel (i.e., post-1948). All of this is why I cannot give this book a rating of more than two and a half stars out of five, but I'm certain that it will find a much more sympathetic audience among non-Jewish readers.
The Dark Side of the Enlightenment: Wizards, Alchemists, and Spiritual Seekers in the Age of Reason
Book
In The Dark Side of the Enlightenment, John V. Fleming shows how the impulses of the European...
I have found the series to be lots of fun. It features a spunky heroine who is at home in all the great cities in Europe, is great at her job, and takes the more than occasional murder in stride.
The thing I find most intriguing and also most inviting about this series is the fact that the murder takes place so late in the story that you almost forget that this is supposed to be a murder mystery. Instead, you get to meet all the characters, learn their secrets and affiliations, begin to develop feelings for them. It is very Agatha Christie like and very cool. The great characters added to the brilliant descriptions of European cities, tour stops, and culture makes the reader feel like they are taking part in the tour and gives them a personal stake in discovering whodunnit.
Death of Leprechaun is no exception. Lana has secured a spot on her current tour for dear friends of hers and she is really looking forward to touring Dublin. Unbeknownst to her, almost every member of the tour has a connection to a corrupt reporter who ends up dead. Everyone he has written about or even for has a motive to want him dead, but only Lana’s tour group had access to the murder weapon.
Beyond the search for the murderer, I have to admit my favorite part of this book is when Dottie and later Lana hang a lantern on the fact that guests in Lana’s tours always seem to turn up dead. Though I will give kudos for the switch up here in that the tour group is still suspect, but the victim, is an outsider.
Readers who enjoy travel fiction, epic character development, and clever mysteries will enjoy this series.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
The thing I find most intriguing and also most inviting about this series is the fact that the murder takes place so late in the story that you almost forget that this is supposed to be a murder mystery. Instead, you get to meet all the characters, learn their secrets and affiliations, begin to develop feelings for them. It is very Agatha Christie like and very cool. The great characters added to the brilliant descriptions of European cities, tour stops, and culture makes the reader feel like they are taking part in the tour and gives them a personal stake in discovering whodunnit.
Death of Leprechaun is no exception. Lana has secured a spot on her current tour for dear friends of hers and she is really looking forward to touring Dublin. Unbeknownst to her, almost every member of the tour has a connection to a corrupt reporter who ends up dead. Everyone he has written about or even for has a motive to want him dead, but only Lana’s tour group had access to the murder weapon.
Beyond the search for the murderer, I have to admit my favorite part of this book is when Dottie and later Lana hang a lantern on the fact that guests in Lana’s tours always seem to turn up dead. Though I will give kudos for the switch up here in that the tour group is still suspect, but the victim, is an outsider.
Readers who enjoy travel fiction, epic character development, and clever mysteries will enjoy this series.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
Young John McGahern: Becoming a Novelist
Book
John McGahern was the most admired Irish novelist of the past fifty years. His accessible fiction...
Narcoland: The Mexican Drug Lords and Their Godfathers
Roberto Saviano and Anabel Hernandez
Book
Narcoland describes a disastrous 'war on drugs' that has led to more than 80,000 deaths in half a...
Sudden Death
4.0
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"Splendid" --New York Times "Mind-bending." --Wall Street Journal "Brilliantly original. The best...
fantasy fiction
Connor Sheffield (293 KP) rated Vikings - Season 1 in TV
May 15, 2017
Historically Accurate in terms of culture (2 more)
Doesn't hold back on the gore and grim nature of Vikings
Great Character development
A Historically accurate fantasy series
Vikings was a show that I didn't begin watching until it was already 3 seasons in. However it is a show that I instantly fell in love with because it was very different from any show like it.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Heather Cranmer (2721 KP) created a post
Nov 3, 2021
Hazel (1853 KP) rated The Ice-Cream Makers in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.