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Lee (2222 KP) rated Annabelle Comes Home (2019) in Movies
Jul 12, 2019
Enjoyable, not as good as Annabelle Creation
Annabelle Comes Home is the third standalone movie for the creepy looking doll since her introduction during the original Conjuring movie. It's also the seventh feature movie from the ever expanding 'Conjuring Universe', a series of movies that have seen wildly varying degrees of quality and success thus far. I tend to start my reviews for this series of movies by declaring my love for the first Conjuring, before wishing that the latest release I'm reviewing might actually match that. But so far the only other movie in the series to come anywhere close to doing that for me was the last Annabelle movie - Annabelle Creation. So, I had very high hopes for this next Annabelle installment.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
Gareth von Kallenbach (971 KP) rated A Haunting In Cawdor (2016) in Movies
Aug 6, 2019
The psychological thriller is another genre that seems to have taken a ‘back seat’ to the big budget action films, horror, and comedies in recent years. Or if there were any good psychological thrillers to hit the theater or the internet I either didn’t hear about them or they didn’t really make much of an impact. Personally when I think of that genre the first name to come to mind is Alfred Hitchcook. I’m sure if I sat down and thought about it, I could think of a movie that falls into that category I’ve seen since then but I don’t have that kind of time. What I do have time for is to tell you about a movie that is certainly a step in the right direction.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.
Piper (13 KP) rated Strangers: Prey at Night (2018) in Movies
Nov 27, 2019
Real-feeling Characters (2 more)
Escalating Tension
Some Excellent Scenes
Some Naff Shots (1 more)
Hammy Acting
Contains spoilers, click to show
I’ve heard a lot of trash about this movie, and only some of it is right. Don’t get me wrong - it has its downfalls. We’ll get to those. But it’s a genuinely fun horror movie and, considering the predictability of the slasher genre, it’s fairly terrifying: the suspense doesn’t let up from damn near the beginning. For full disclosure, I haven’t seen the original Strangers movie, and I’ve heard it’s a whole lot better than this 2018 sequel. But the fact that Prey at Night stands successfully alone as a movie means it doesn’t matter which order you watch them in - all I’d say is that it’s probably best not to pay much attention to the reviews on this one (as sefl-destructive as a comment like that might be). It’s impressive in its own right, and if this apparently-subpar sequel is anything to go by, the original must be worthwhile. I’ll let you know once I’ve actually seen it.
Now, onto the juicy stuff. There really isn’t a whole lot of bad to this movie, and what there is is fairly standard for modern horror movies. The plot is fairly predictable: people with knives hunt down people without (the good guys do have a single gun between them, and in a display that makes you genuinely shout at your television it never gets used); a dysfunctional American family gets torn completely apart; every single time you think the evil nasty villain man is dead, he stands up, just a little out of our good guy’s eyeline. It’s fairly repetitive - how much story can you get out of some knives and masks and a little bit of running? - and while it nicely strays from the standard twisty ending, there’s a hint of danger at the end that a) doesn’t make sense, b) doesn’t mean anything, and c) isn’t explored or explained so falls very short of what it’s trying to do. And that’s nearly all the bad out of the way, but I’d like to give an honourable mention to some very corny Raimi-esque camera zooms that, momentarily, take the viewer completely out of the film and just look terrible.
Having said that, most of the camerawork is good - shaky where it needs to be, dead straight when it works. There are some claustrophobic close-ups that leave you wondering just what the director’s hiding out of frame. And while watching a creepily-masked figure loom silently into frame can get a little less scary every time, it’s certainly well-shot. Despite the pitfalls, most of which are just so easy to slip into, the good parts to this movie mostly fall into the categories of character work and nice, understated gore. The bloody parts are suitably bloody, but they don’t become unrealistic. In fact, there are gory moments that seem meticulously well-crafted and you can almost feel the pain. The characters are annoying at times, they all have their own quirks and tightly-wound baggage, and there are places where their obviously set-up arcs just don’t get the resolution they need - hang on, why do I think this is a good film?
Here’s why. Because it’s real. People don’t always get resolution (okay, it isn’t always because one of the conflicting characters dies about five minutes into the experience, but we don’t always get closure, we don’t always get to fix relationships before it’s too late). The characters in this film are, despite everything, quite likeable once you get to know them, and there’s a truly heartbreaking moment fairly early on that can’t be shunned. The injuries these characters sustain throughout don’t just go away - they stick around, for the most part, slow them down, make them vulnerable. The setting is unassuming until you realise this family are literally the only characters in the film that aren’t dead (and quite beautifully mutilated) or wielding a knife/axe/pickup truck - and if you dare make the connection between a spooky trailer park and a certain Camp Crystal Lake, it makes sense. The slashers themselves are fairly unoriginal (I’m really trying not to stray into the negatives again) but they’re human. They can die. Their motives are revealed in a simple, nicely-put “Why not?” and it’s clear they don’t need a reason, this is just fun for them. The masks, obviously, add a little layer of creep, and there’s a swimming pool scene that really is quite beautifully done. Watching people get murdered to a corny, cheerful eighties soundtrack might get irritating, if it wasn’t established that that’s just a chilling preference of the primary slasher character. The popping-up-out-of-nowhere gimmick might get a little annoying if it wasn’t established that really, this is just that kind of movie. The fact that we never find out what Kenzie did to get her shipped off to boarding school, or who Tamara was (should I have seen the first movie? I’ll have to watch it soon or I just might be lambasted for my ignorance) didn't put us too out-of-place, because there are enough wonderful gore and inventive set-piece-driven slasher moments to remind you that, hang on, you don't really need to know. The tension builds, and it builds, and oh it keeps on building right until the end, and it’s the one thing about this film that's masterfully done.
At the end of the day, this isn’t a great movie. It’s certainly not perfect. But it’s good. It feels real, and it feels, in places, genuinely terrifying. It’s a fun watch and it hasn’t been ridiculously drawn-out like some recent films (I’m looking at you, Chapter Two) so it’s quick, it’s choppy, and there’s a half-decent scare every now and then. Will it scar you for life? Depends how you feel about Kim Wilde.
Now, onto the juicy stuff. There really isn’t a whole lot of bad to this movie, and what there is is fairly standard for modern horror movies. The plot is fairly predictable: people with knives hunt down people without (the good guys do have a single gun between them, and in a display that makes you genuinely shout at your television it never gets used); a dysfunctional American family gets torn completely apart; every single time you think the evil nasty villain man is dead, he stands up, just a little out of our good guy’s eyeline. It’s fairly repetitive - how much story can you get out of some knives and masks and a little bit of running? - and while it nicely strays from the standard twisty ending, there’s a hint of danger at the end that a) doesn’t make sense, b) doesn’t mean anything, and c) isn’t explored or explained so falls very short of what it’s trying to do. And that’s nearly all the bad out of the way, but I’d like to give an honourable mention to some very corny Raimi-esque camera zooms that, momentarily, take the viewer completely out of the film and just look terrible.
Having said that, most of the camerawork is good - shaky where it needs to be, dead straight when it works. There are some claustrophobic close-ups that leave you wondering just what the director’s hiding out of frame. And while watching a creepily-masked figure loom silently into frame can get a little less scary every time, it’s certainly well-shot. Despite the pitfalls, most of which are just so easy to slip into, the good parts to this movie mostly fall into the categories of character work and nice, understated gore. The bloody parts are suitably bloody, but they don’t become unrealistic. In fact, there are gory moments that seem meticulously well-crafted and you can almost feel the pain. The characters are annoying at times, they all have their own quirks and tightly-wound baggage, and there are places where their obviously set-up arcs just don’t get the resolution they need - hang on, why do I think this is a good film?
Here’s why. Because it’s real. People don’t always get resolution (okay, it isn’t always because one of the conflicting characters dies about five minutes into the experience, but we don’t always get closure, we don’t always get to fix relationships before it’s too late). The characters in this film are, despite everything, quite likeable once you get to know them, and there’s a truly heartbreaking moment fairly early on that can’t be shunned. The injuries these characters sustain throughout don’t just go away - they stick around, for the most part, slow them down, make them vulnerable. The setting is unassuming until you realise this family are literally the only characters in the film that aren’t dead (and quite beautifully mutilated) or wielding a knife/axe/pickup truck - and if you dare make the connection between a spooky trailer park and a certain Camp Crystal Lake, it makes sense. The slashers themselves are fairly unoriginal (I’m really trying not to stray into the negatives again) but they’re human. They can die. Their motives are revealed in a simple, nicely-put “Why not?” and it’s clear they don’t need a reason, this is just fun for them. The masks, obviously, add a little layer of creep, and there’s a swimming pool scene that really is quite beautifully done. Watching people get murdered to a corny, cheerful eighties soundtrack might get irritating, if it wasn’t established that that’s just a chilling preference of the primary slasher character. The popping-up-out-of-nowhere gimmick might get a little annoying if it wasn’t established that really, this is just that kind of movie. The fact that we never find out what Kenzie did to get her shipped off to boarding school, or who Tamara was (should I have seen the first movie? I’ll have to watch it soon or I just might be lambasted for my ignorance) didn't put us too out-of-place, because there are enough wonderful gore and inventive set-piece-driven slasher moments to remind you that, hang on, you don't really need to know. The tension builds, and it builds, and oh it keeps on building right until the end, and it’s the one thing about this film that's masterfully done.
At the end of the day, this isn’t a great movie. It’s certainly not perfect. But it’s good. It feels real, and it feels, in places, genuinely terrifying. It’s a fun watch and it hasn’t been ridiculously drawn-out like some recent films (I’m looking at you, Chapter Two) so it’s quick, it’s choppy, and there’s a half-decent scare every now and then. Will it scar you for life? Depends how you feel about Kim Wilde.
Kyera (8 KP) rated The Progeny (Descendants of the House of Bathory #1) in Books
Feb 1, 2018
What do you do when an ancestor's actions threaten your very existence? You disappear. Emily, or at least that's what her name is now, must begin a quiet, hidden, new life in Maine. It's one of those small towns with a couple of hundred residents, some shops/eating establishments, an unexplained interest to tourists and not much else. The sign must say Greenville, population: a handful of moose.
The beginning just reminds me of home, with the gorgeous trees, lake, the phrase "wicked cool" and Emily's Red Sox cap. The action quickly takes over the plot, as Emily must flee Maine with a man she doesn't know if she can trust.... from a guy who had been following her for years with one goal - to kill her. With her memories gone Emily, or Audra as she finds out, doesn't know who she can trust. Is Luka the one who wants her dead? Or did Rolan lie and he's the real threat?
The unique plot is intriguing and the mystery won't let you put the book down. Danger lurks around every corner and Audra must rediscover what she forced herself to forget, at all costs.
The characters are intriguing and develop over the course of the novel. The Progeny are secretive and with good reason, any knowledge they have of their brethren can be taken upon their deaths. Their minds put countless others at risk unless they keep themselves isolated. While her comrades are decently well described, they don't quite feel like fully realized people. We need to now more of their dreams and fears, history, relationships and motivation.
The "big-bads" are sort of a generic evil villain type that I wished was developed more. What turned him into a zealot? What <i>is</i> his history with Audra's mother? How did he rise in the Court? I know Audra lost her memories, so we're in the dark like her but it just makes the novel feel less realized than it could.
The one relationship that feels authentic is between Audra and Luka. Even though she's not initially sure she can trust him and questions herlself throughout the novel - she still can't imagine going through everything without him/ I'm glad to learn that it isn't one long-running deception. The end of the novel is still completely unexpected in regards to the two of them.
Claudia and Piotrek are so close but he feels like such a mystery. We get to experience some of Claudia's emotions, like her confusion and hurt at being left or her anger about Ivan's death. Piotrek just seems flat in comparison. He's very protective of Claudia and painted a picture once. For all we know, he could have been an artist and it was just one of his many works. Its just as likely that it was the one and only time he attempted to be creative. I wish Piotrek was more develop as I"m very interested to learn more about him.
Audra travels to a number of foreign locations and they are described well enough that you can imagine them beautifully. They may not be the most glamorous villas or rich cities but you want to learn more about them nonetheless.
The book ends with a lot of revelations and so many more questions. Traitors are unmasked. Confessed or accused killers may not have been the murderers after all. Lovers are in peril. And time is running out. I know I can't wait to read the next book and find out what happens.
The beginning just reminds me of home, with the gorgeous trees, lake, the phrase "wicked cool" and Emily's Red Sox cap. The action quickly takes over the plot, as Emily must flee Maine with a man she doesn't know if she can trust.... from a guy who had been following her for years with one goal - to kill her. With her memories gone Emily, or Audra as she finds out, doesn't know who she can trust. Is Luka the one who wants her dead? Or did Rolan lie and he's the real threat?
The unique plot is intriguing and the mystery won't let you put the book down. Danger lurks around every corner and Audra must rediscover what she forced herself to forget, at all costs.
The characters are intriguing and develop over the course of the novel. The Progeny are secretive and with good reason, any knowledge they have of their brethren can be taken upon their deaths. Their minds put countless others at risk unless they keep themselves isolated. While her comrades are decently well described, they don't quite feel like fully realized people. We need to now more of their dreams and fears, history, relationships and motivation.
The "big-bads" are sort of a generic evil villain type that I wished was developed more. What turned him into a zealot? What <i>is</i> his history with Audra's mother? How did he rise in the Court? I know Audra lost her memories, so we're in the dark like her but it just makes the novel feel less realized than it could.
The one relationship that feels authentic is between Audra and Luka. Even though she's not initially sure she can trust him and questions herlself throughout the novel - she still can't imagine going through everything without him/ I'm glad to learn that it isn't one long-running deception. The end of the novel is still completely unexpected in regards to the two of them.
Claudia and Piotrek are so close but he feels like such a mystery. We get to experience some of Claudia's emotions, like her confusion and hurt at being left or her anger about Ivan's death. Piotrek just seems flat in comparison. He's very protective of Claudia and painted a picture once. For all we know, he could have been an artist and it was just one of his many works. Its just as likely that it was the one and only time he attempted to be creative. I wish Piotrek was more develop as I"m very interested to learn more about him.
Audra travels to a number of foreign locations and they are described well enough that you can imagine them beautifully. They may not be the most glamorous villas or rich cities but you want to learn more about them nonetheless.
The book ends with a lot of revelations and so many more questions. Traitors are unmasked. Confessed or accused killers may not have been the murderers after all. Lovers are in peril. And time is running out. I know I can't wait to read the next book and find out what happens.
Gareth von Kallenbach (971 KP) rated Scott Pilgrim vs. the World (2010) in Movies
Aug 8, 2019
Scott Pilgrim, played by Michael Cera, is a young man whose life is going nowhere fast. At 23, he describes himself as in between jobs and spends his free time playing bass in a struggling band. But Scott does have a girlfriend named Knives Chau (Ellen Wong), never mind that she is still in high school and things are about as chaste as they can get. Undaunted, Scott keeps plugging away despite the supportive taunts of his gay roomie Wallace (Kieran Culkin), and the members of his band.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Phil Leader (619 KP) rated Aware (The Corporeal Pull #2) in Books
Nov 8, 2019
Aware is the second book in the Corporeal Pull series. It concerns Terra, an entity known as a guide who looks after a number of charges in the mortal world. In the first book she realises that one of these, Liam, is her soul mate and despite it being against everything that is taught, travels from the Tweens, where the entities live, to Earth to be with him. Here she discovers that not all is as it appears from the Tweens and that evil entities known as the Scourge are corrupting souls and taking over bodies in an attempt to get to the Tweens.
In this second book Terra continues her fight on Earth against the Scourge, intending to find and confront their master. She also sends a message to the Tweens for help. But as everyone from her former existence believes she is dead (as doctrine states that guides cannot travel to Earth) will the message be believed? Will she be able to protect Liam from the Scourge?
I'd not read the first book for the series so it took a while to get to grips with what was going on as the first scene is a battle between Terra and the Scourge over Liam. But it is soon clear what is going on.
Terra makes a good protagonist; she is determined but at the same time has a lot of doubts and is reluctant to put others in danger despite the disadvantage this often puts her at. Her feelings for Liam are both a strength, giving her a will to carry on the fight almost single handed, and a weakness as she tries to protect him.
The plot moves at a rapid pace, as the book goes on alternating between events on Earth and those in the Tweens where the blissful and rather blinkered existence for the guides and other entities is not willing to accept the reality of the Scourge. As the story progresses there is real sense of Terra's desperation at facing the Scourge alone. The inertia at reacting in the Tweens is well worked out and really helps to build the tension, and it was good to see that what were supposed to be omniscient and powerful beings could be as prejudiced and indecisive as us mortals.
For my taste I felt Terra went over a lot of the same ground in her thoughts again, and although this was in keeping with her character as a reader I already recognised the points being made and didn't need to read them again. But this is minor in the scheme of things.
The writing is good and fluid and the ideas here, although not new, are used in interesting ways. I suspect that the framework of the story doesn't bear too close an examination but this is about being along for the ride with Terra, not an actual representation of what may exist on the other side of mortality.
Overall I enjoyed reading this immensely. Would I recommend this to others looking for something a bit different? Yes, definitely. Would I buy the next book? I would definitely like to find out what happens to Terra and Liam and how the Scourge is defeated.
In this second book Terra continues her fight on Earth against the Scourge, intending to find and confront their master. She also sends a message to the Tweens for help. But as everyone from her former existence believes she is dead (as doctrine states that guides cannot travel to Earth) will the message be believed? Will she be able to protect Liam from the Scourge?
I'd not read the first book for the series so it took a while to get to grips with what was going on as the first scene is a battle between Terra and the Scourge over Liam. But it is soon clear what is going on.
Terra makes a good protagonist; she is determined but at the same time has a lot of doubts and is reluctant to put others in danger despite the disadvantage this often puts her at. Her feelings for Liam are both a strength, giving her a will to carry on the fight almost single handed, and a weakness as she tries to protect him.
The plot moves at a rapid pace, as the book goes on alternating between events on Earth and those in the Tweens where the blissful and rather blinkered existence for the guides and other entities is not willing to accept the reality of the Scourge. As the story progresses there is real sense of Terra's desperation at facing the Scourge alone. The inertia at reacting in the Tweens is well worked out and really helps to build the tension, and it was good to see that what were supposed to be omniscient and powerful beings could be as prejudiced and indecisive as us mortals.
For my taste I felt Terra went over a lot of the same ground in her thoughts again, and although this was in keeping with her character as a reader I already recognised the points being made and didn't need to read them again. But this is minor in the scheme of things.
The writing is good and fluid and the ideas here, although not new, are used in interesting ways. I suspect that the framework of the story doesn't bear too close an examination but this is about being along for the ride with Terra, not an actual representation of what may exist on the other side of mortality.
Overall I enjoyed reading this immensely. Would I recommend this to others looking for something a bit different? Yes, definitely. Would I buy the next book? I would definitely like to find out what happens to Terra and Liam and how the Scourge is defeated.
Sophia (Bookwyrming Thoughts) (530 KP) rated Marie Antoinette, Serial Killer in Books
Jan 23, 2020
I only picked up <i>Marie Antoinette, Serial Killer</i> for two reasons: 1) Marie Antoinette is a serial killer. I <i>had</i> to see it. 2) I'm in need of a book that's less of a romance. Oh, and I need a break from all of the books out there that do before I blow a gasket. Really, it's for everyone's benefit.
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Divergent in Books
Jan 23, 2020
<p class="separator" style="clear: both;">Imagine having to choose only 5 factions when you're sixteen with the knowledge that you might even have to leave your family. Then there's initiation which you have to pass or you're practically homeless (in this case, factionless). I know for one thing that I'll be having a LOT of trouble choosing a faction if our world as we know it were divided into factions.
<p class="separator" style="clear: both;">My 2 cents on that? I'm not exactly selfless. And I have to look in the mirror, at least once a day, otherwise how else would I know if there's a ladybug in my hair? Dx Not that there is one. So Abnegation is out for me. I don't tell the truth ALL the time, even if I tend to burst out my honest opinion, therefore, I'm not Candor either. I would most certainly not jump off a train. Breaking a leg is painful. Falling to my death for fun and knowing that is worse. With that thought, I'm not Dauntless. I'm friendly most of the time, but not all the time. And I'm uncomfortable when it comes to hugs. *hides* I guess I'm cut out for Amity as well. I'm probably in Erudite though, drowning (in a good way) books and seeking knowledge. Maybe I'm not. I'm not that nerdy, even if I like hiding in books. I'm probably factionless though.
<p class="separator" style="clear: both;">I'm talking too much when I should probably go straight to the point. Whoops. I'm just curious about how the factions were formatted and how it's gonna work because like Four/Tobias says, "I want to be brave, and selfless, and smart, and kind, and honest."
Since I've been babbling randomly about my curiosity on the 5 factions, I should head back to the right trail then. And that is, actually reviewing and not writing away freely (more like typing) about something else (though related). I think that Divergent is quite similar to Harry Potter and The Hunger Games, but different and amazing in it's very own way that makes it just as unique as any other great books out there (whether or not I read them. Sparkly Vampires and Jacob Chihuahua included). :)
I really enjoy the main character Tris, though on some actions I'll disagree on. Why kill Will? He's kinda awesome, you know... he did stick with Tris when she was bullied by the others. (though I see why she had to. If Tris was dead, there would be a different main character instead. And that bounces more curiosity) Dx Christina's gonna murder you later o_o (Hey, if that's even true later, don't tell me because I'm just predicting! I'm not exactly cool with spoilers... lol. o_o) Eric is just plain mean (he was a bit aggressive in training though... too aggressive) and as evil as Jeanine (sorry if I spelled her name wrong). Nuff said. And I have a feeling they'll be causing more trouble in the future, whatever it might be.
Curiosity included or not, I fully enjoyed the plot the author has placed into the series and can't wait to read the next book when I get the chance. :)
<a href="https://bookwyrmingthoughts.com/review-divergent-by-veronica-roth/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<p class="separator" style="clear: both;">My 2 cents on that? I'm not exactly selfless. And I have to look in the mirror, at least once a day, otherwise how else would I know if there's a ladybug in my hair? Dx Not that there is one. So Abnegation is out for me. I don't tell the truth ALL the time, even if I tend to burst out my honest opinion, therefore, I'm not Candor either. I would most certainly not jump off a train. Breaking a leg is painful. Falling to my death for fun and knowing that is worse. With that thought, I'm not Dauntless. I'm friendly most of the time, but not all the time. And I'm uncomfortable when it comes to hugs. *hides* I guess I'm cut out for Amity as well. I'm probably in Erudite though, drowning (in a good way) books and seeking knowledge. Maybe I'm not. I'm not that nerdy, even if I like hiding in books. I'm probably factionless though.
<p class="separator" style="clear: both;">I'm talking too much when I should probably go straight to the point. Whoops. I'm just curious about how the factions were formatted and how it's gonna work because like Four/Tobias says, "I want to be brave, and selfless, and smart, and kind, and honest."
Since I've been babbling randomly about my curiosity on the 5 factions, I should head back to the right trail then. And that is, actually reviewing and not writing away freely (more like typing) about something else (though related). I think that Divergent is quite similar to Harry Potter and The Hunger Games, but different and amazing in it's very own way that makes it just as unique as any other great books out there (whether or not I read them. Sparkly Vampires and Jacob Chihuahua included). :)
I really enjoy the main character Tris, though on some actions I'll disagree on. Why kill Will? He's kinda awesome, you know... he did stick with Tris when she was bullied by the others. (though I see why she had to. If Tris was dead, there would be a different main character instead. And that bounces more curiosity) Dx Christina's gonna murder you later o_o (Hey, if that's even true later, don't tell me because I'm just predicting! I'm not exactly cool with spoilers... lol. o_o) Eric is just plain mean (he was a bit aggressive in training though... too aggressive) and as evil as Jeanine (sorry if I spelled her name wrong). Nuff said. And I have a feeling they'll be causing more trouble in the future, whatever it might be.
Curiosity included or not, I fully enjoyed the plot the author has placed into the series and can't wait to read the next book when I get the chance. :)
<a href="https://bookwyrmingthoughts.com/review-divergent-by-veronica-roth/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Ever After (The Faded Trilogy, Book 3) in Books
Jan 23, 2020
One thing I was excited for in Ever After was the final battle between The Chosen Ones and The Forces. Ever After is the sequel to Faded and See No Evil, and is the final book in Chloe Miles' Faded Trilogy. An entire year passes between books 2 and 3.
I have a new book boyfriend. It's Ryan Landon, who we actually get to meet briefly in book 2. He plays a pretty major role in book 3, and is FULL of puns. Unfortunately, it's so sad with what happens to him in the end (how could you? O_o), but I do like how <spoiler>gives Hunter and Savannah a chance for a happy ending.</spoiler>
Throughout Ever After, we get a deeper view on Gwen as a character and how she came to be what she is instead of what we, as readers, know her to currently be. Not only that, but we also get flashbacks regarding Rose's and Oliver's demise as well, which gives them a greater depth as characters. In my opinion, this is more like a book of confessions in a way.
But the final battle between Gwen and Savannah was oh so VERY disappointing. Here's a breakdown of what goes on in that particular part of the book, and I make warning that there may or may not be spoilers lingering about:
1. Party! Everyone's happy and dancing and happy dancing! That goes on for a big part of that scene.
2. Cake time! Savannah makes a wish and blows out candles. Oh, and Gwen enters, pulling off her facade as a Blondie and has Momma Fraser as hostage. Everyone else? OMG!!! I have the perfect comic scene for this. I, as in, this reviewer. Not everyone else.
Here's what goes on afterward: they talk. And talk. And talk. And talk. Throwing threats around, and basically trying to negotiate Momma Fraser safely out. Really, the only thing interesting out of the ENTIRE scuffle was Hunter. He does something that he hasn't done before. But I call it a scuffle because the "battle" lasted for what? 30 seconds tops? Basically a ball of glowy appears in both Gwen's and Savannah's hands, and it grows brighter. And brighter. And brighter. And then they let go at the same time, there's a blinding flash, and a furious roar of NOOOOOOOOOOOOOOOO!!! Then it's over. <i><b>At approximately 67% of the Kindle edition.</i></b>
<img src="http://4.bp.blogspot.com/-dDmenRrorS8/U7tBs38qCiI/AAAAAAAADk0/w3mTLSXlQXk/s1600/I+can't+-+Stitch.gif"; border="0">
You guys have no clue how much I was so disappointed. I was expecting something absolutely spectacular, spellbinding, unforgettable battle finale. But I get something... unsurprising. I'm all, "She's dead? FABULOUS!" *swishes away in party dress* I've seen better final battles.
<img src="http://4.bp.blogspot.com/-vNtPY-9X_d4/U7tBtg7O_WI/AAAAAAAADlA/o664aLvTcPo/s1600/Not+Good+Enough.gif"; border="0" height="180" width="320">
Now, the rest of the book didn't do too much disappointing, but Ever After seems like a very lighthearted read. It's a very happy, cheerful read very much like flying on cloud nine.
I even have a song it's called Happy.
--------------------
Review copy provided by the author for review
original rating: 3.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-ever-after-by-chloe-miles.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
I have a new book boyfriend. It's Ryan Landon, who we actually get to meet briefly in book 2. He plays a pretty major role in book 3, and is FULL of puns. Unfortunately, it's so sad with what happens to him in the end (how could you? O_o), but I do like how <spoiler>gives Hunter and Savannah a chance for a happy ending.</spoiler>
Throughout Ever After, we get a deeper view on Gwen as a character and how she came to be what she is instead of what we, as readers, know her to currently be. Not only that, but we also get flashbacks regarding Rose's and Oliver's demise as well, which gives them a greater depth as characters. In my opinion, this is more like a book of confessions in a way.
But the final battle between Gwen and Savannah was oh so VERY disappointing. Here's a breakdown of what goes on in that particular part of the book, and I make warning that there may or may not be spoilers lingering about:
1. Party! Everyone's happy and dancing and happy dancing! That goes on for a big part of that scene.
2. Cake time! Savannah makes a wish and blows out candles. Oh, and Gwen enters, pulling off her facade as a Blondie and has Momma Fraser as hostage. Everyone else? OMG!!! I have the perfect comic scene for this. I, as in, this reviewer. Not everyone else.
Here's what goes on afterward: they talk. And talk. And talk. And talk. Throwing threats around, and basically trying to negotiate Momma Fraser safely out. Really, the only thing interesting out of the ENTIRE scuffle was Hunter. He does something that he hasn't done before. But I call it a scuffle because the "battle" lasted for what? 30 seconds tops? Basically a ball of glowy appears in both Gwen's and Savannah's hands, and it grows brighter. And brighter. And brighter. And then they let go at the same time, there's a blinding flash, and a furious roar of NOOOOOOOOOOOOOOOO!!! Then it's over. <i><b>At approximately 67% of the Kindle edition.</i></b>
<img src="http://4.bp.blogspot.com/-dDmenRrorS8/U7tBs38qCiI/AAAAAAAADk0/w3mTLSXlQXk/s1600/I+can't+-+Stitch.gif"; border="0">
You guys have no clue how much I was so disappointed. I was expecting something absolutely spectacular, spellbinding, unforgettable battle finale. But I get something... unsurprising. I'm all, "She's dead? FABULOUS!" *swishes away in party dress* I've seen better final battles.
<img src="http://4.bp.blogspot.com/-vNtPY-9X_d4/U7tBtg7O_WI/AAAAAAAADlA/o664aLvTcPo/s1600/Not+Good+Enough.gif"; border="0" height="180" width="320">
Now, the rest of the book didn't do too much disappointing, but Ever After seems like a very lighthearted read. It's a very happy, cheerful read very much like flying on cloud nine.
I even have a song it's called Happy.
--------------------
Review copy provided by the author for review
original rating: 3.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-ever-after-by-chloe-miles.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Kristy H (1252 KP) rated Shatter the Night in Books
Mar 19, 2020
Cedar Valley Detective Gemma Monroe takes a break from trick-or-treating on Halloween night with her young daughter Grace and fiance Brody to visit a family friend, former Cedar Valley Judge Caleb Montgomery. Caleb tells Gemma that he's been receiving haunting anonymous threats on his life. As Gemma, Brody, and Grace return to the Halloween festivities, they hear a gigantic explosion. Gemma quickly learns it was Caleb's Mercedes. The well-respected judge is dead. This kicks off a twisted and grueling case for Gemma and her partner, Detective Finn Nowlin, leading them down the dark past of Cedar Valley. There are ties to former serial killer and the more Gemma and Finn dig, the more disturbing things they find. Even worse, it appears as if Caleb's killer might not be finished.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.