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Jesters_folly (230 KP) rated Terrifier (2017) in Movies
Sep 9, 2019
When two women see a creepy clown in a pizza place they soon find themselves fighting for their livers in an abandoned building.
Terrifier could easily be mistaken for an 80’s or 90’s slasher movie as Art the Clown (never actually named in the film) cut’s, stabs, shoots and strangles his way through the rest of the cast using a variety of different weapons. Art the Clown seems to stand out in a genre that could almost be called over saturated, he speaks less than either Mike Myers or Jason Voorhees but carries out his kills with a comedic joy that almost matches Freddy Kruger, acting out his pleasure through mime which seems to intensify the silence he exudes.
The film seems to have a homemade feel about it, that’s not saying that it seems cheap but that the cast seem to get along well and that it could almost be something that was shot for fun by a group of friends in the same way the ‘Evil Dead’ or the original ‘Night of the Living Dead’ was. This is helped by a small cast and limited locations.
Being a slasher there is, of course; blood, violence, screaming and a bit of nudity but no sex, in fact the reason one character gets involved it to avoid being in the room with a couple who are getting amorous. Art dispatched his victims in a number of ways, most of which have been done before, after all there are only so many ways to stab or shoot someone, however, Art brings a joyfulness to his actions and, although I have already compared him to Freddy Kruger, Art seems to really see a funny side to what he is doing unlike Freddy who just enjoys the kill.
I have seen that there is a sequel slated for 2020 and given the being/end of Terrifier I think that is could be very interesting.
Terrifier could easily be mistaken for an 80’s or 90’s slasher movie as Art the Clown (never actually named in the film) cut’s, stabs, shoots and strangles his way through the rest of the cast using a variety of different weapons. Art the Clown seems to stand out in a genre that could almost be called over saturated, he speaks less than either Mike Myers or Jason Voorhees but carries out his kills with a comedic joy that almost matches Freddy Kruger, acting out his pleasure through mime which seems to intensify the silence he exudes.
The film seems to have a homemade feel about it, that’s not saying that it seems cheap but that the cast seem to get along well and that it could almost be something that was shot for fun by a group of friends in the same way the ‘Evil Dead’ or the original ‘Night of the Living Dead’ was. This is helped by a small cast and limited locations.
Being a slasher there is, of course; blood, violence, screaming and a bit of nudity but no sex, in fact the reason one character gets involved it to avoid being in the room with a couple who are getting amorous. Art dispatched his victims in a number of ways, most of which have been done before, after all there are only so many ways to stab or shoot someone, however, Art brings a joyfulness to his actions and, although I have already compared him to Freddy Kruger, Art seems to really see a funny side to what he is doing unlike Freddy who just enjoys the kill.
I have seen that there is a sequel slated for 2020 and given the being/end of Terrifier I think that is could be very interesting.
Bob Mann (459 KP) rated Don't Breathe (2016) in Movies
Sep 29, 2021
Here comes Little Kevin, all grown up and blinded.
“Don’t Breathe” had a concept that appealed to me. Three Detroit teens are systematically robbing houses of goods to pawn with the aim of getting Rocky (Jane “Evil Dead” Levy) out of the clutches of her deadbeat family to start a new life in California with her younger sister. Dylan Minnette plays the cautious and intellectual Alex, hiding his crush on Rocky particularly badly. Daniel Zovatto plays the fruit-loopy stoner ‘Money’ – the loose cannon of the trio and Rocky’s boyfriend.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.
Whatchareadin (174 KP) rated Reflected in You (Crossfire, #2) in Books
May 10, 2018
The story of Eva and Gideon continues. Now, this book didn't make me think of 50 Shades at all, thank goodness. Eva and Gideon are now going to therapy together and trying to work on their issues and the crazy relationship that they have.
Gideon is trying to understand why it is so hard for Eva to trust him and Eva just wants Gideon to let her in.
In this book, their relationship is such a roller coaster ride, I got motion sickness. So many things happen in this book, that just astounded me.
<spoiler>Eva meets up with an old flame, who still has a little sizzle left, he actually wrote a song about her. Cary, the roommate is attacked, but why, no one knows. Nathan, the evil step-brother that molested and raped her as a child is found dead, and Eva didn't even know he was keeping tabs on her. Gideon stops communicating with her after an amazing weekend away. Her parents come face to face with each other for the first time in years. Gideon finally tells Eva, what she wants to hear, in more ways than one.</spoiler>
I'm interested to know what is going to happen next for these too.
One great thing about this book compared to Bared To You, she doesn't use the C-word nearly as much!!!
Gideon is trying to understand why it is so hard for Eva to trust him and Eva just wants Gideon to let her in.
In this book, their relationship is such a roller coaster ride, I got motion sickness. So many things happen in this book, that just astounded me.
<spoiler>Eva meets up with an old flame, who still has a little sizzle left, he actually wrote a song about her. Cary, the roommate is attacked, but why, no one knows. Nathan, the evil step-brother that molested and raped her as a child is found dead, and Eva didn't even know he was keeping tabs on her. Gideon stops communicating with her after an amazing weekend away. Her parents come face to face with each other for the first time in years. Gideon finally tells Eva, what she wants to hear, in more ways than one.</spoiler>
I'm interested to know what is going to happen next for these too.
One great thing about this book compared to Bared To You, she doesn't use the C-word nearly as much!!!
Awix (3310 KP) rated Halloween (2018) in Movies
Nov 2, 2018 (Updated Nov 2, 2018)
Tenth Halloween sequel is the eleventh film in the Halloween series and the third to actually be called Halloween; I'm sure there must have been a less confusing way of organising this but clearly no-one could be bothered to find it. Anyway: this film disregards all the previous sequels, allowing them to bring Jamie Lee Curtis back from the dead (again) and ignore all that stuff about occult curses and long-lost siblings in attempt to take the film back to the core notion of an unstoppable force of pure evil with a big knife and a William Shatner mask.
And it works rather well, although the decision to essentially turn Laurie Strode into Sarah Connor from Terminator 2 inevitably shifts the tone of the film somewhat. Many pleasingly tense sequences, and some clever and respectful call-backs to the original film. The ongoing characters are effectively presented although most of the new ones don't make much of an impression. In the end this feels much more like a reverent act of homage than the kind of horror film we usually get in 2018; whether this is a good thing or not is probably a matter of personal taste. I imagine this will keep most people quite happy until the next sequel or reboot comes along.
And it works rather well, although the decision to essentially turn Laurie Strode into Sarah Connor from Terminator 2 inevitably shifts the tone of the film somewhat. Many pleasingly tense sequences, and some clever and respectful call-backs to the original film. The ongoing characters are effectively presented although most of the new ones don't make much of an impression. In the end this feels much more like a reverent act of homage than the kind of horror film we usually get in 2018; whether this is a good thing or not is probably a matter of personal taste. I imagine this will keep most people quite happy until the next sequel or reboot comes along.
Forensics: The Anatomy of Crime
9.5
Rate It
Book
The dead talk. To the right listener, they tell us all about themselves: where they came from, how...
Forensics Crime Information Biography CSI
Lyndsey Gollogly (2893 KP) rated Pretty Dead (Elise Sandburg #3) in Books
Aug 2, 2021
118 of 250
Kindle
Pretty Dead ( Elise Sandburg book 3)
By Anne Frasier
Once read a review will be written via Smashbomb and link posted in comments
A serial killer stalks the streets of Savannah...
Homicide detective Elise Sandburg and her partner, profiler David Gould, are all too familiar with the terrible costs of chasing evil. Despite their wounded psyches, the detectives delve into the deranged killer’s twisted mind, determined to unravel the clues in the taunts he leaves behind.
A city gripped by fear...
When his daughter becomes the killer’s next victim, a grief-stricken mayor comes down hard on the police, demanding that they catch the psychopath—now. Feeling the pressure, department officials enlist the aid of both Elise’s estranged father and an FBI profiler who has unresolved business with David.
A cunning and elusive madman...
In a heart-pounding race to stop the next homicide, the detectives uncover their own role in the madman’s deadly game. Will they outsmart the killer before another horrific murder takes place in their beautiful city? Or have Elise and David finally met their match?
I thought it was fab! I love this duo and Anne’s writing style. I did have the murderer pegged from the beginning but even so it was such an entertaining read. Can’t believe there are only 4 books in this series so only 1 more to go.
Kindle
Pretty Dead ( Elise Sandburg book 3)
By Anne Frasier
Once read a review will be written via Smashbomb and link posted in comments
A serial killer stalks the streets of Savannah...
Homicide detective Elise Sandburg and her partner, profiler David Gould, are all too familiar with the terrible costs of chasing evil. Despite their wounded psyches, the detectives delve into the deranged killer’s twisted mind, determined to unravel the clues in the taunts he leaves behind.
A city gripped by fear...
When his daughter becomes the killer’s next victim, a grief-stricken mayor comes down hard on the police, demanding that they catch the psychopath—now. Feeling the pressure, department officials enlist the aid of both Elise’s estranged father and an FBI profiler who has unresolved business with David.
A cunning and elusive madman...
In a heart-pounding race to stop the next homicide, the detectives uncover their own role in the madman’s deadly game. Will they outsmart the killer before another horrific murder takes place in their beautiful city? Or have Elise and David finally met their match?
I thought it was fab! I love this duo and Anne’s writing style. I did have the murderer pegged from the beginning but even so it was such an entertaining read. Can’t believe there are only 4 books in this series so only 1 more to go.
Life Of Wolf 2014
Games
App
It was an encounter of destiny. I was a wandering wolf. It was until the day when I came across...
The Hollow Gods (The Chaos Cycle Duology #1)
Book
Isolated in the forests of Western Canada, Black Hollow is a town with a dark secret. For centuries,...
Dark Fantasy Magical Realism New Adult
Gareth von Kallenbach (980 KP) rated The Kid Who Would Be King (2019) in Movies
Jul 2, 2019
Alex Elliott (Louis Ashbourne Serkis), is a 12 year old boy that isn’t afraid to stand up to bullies and defend his friends. As noble as his deeds are, he ends up becoming the school bullies Lance (Tom Taylor) and Kaye’s (Rhianna Dorris) target. They chase him to an abandoned construction site where he falls off a ledge and encounters the notorious sword in the stone. As many are aware of King Arthur’s sword in the stone story, the person that pulls the sword from the stone shall become King of England. To his and his best friend Bedders’s (Dean Chaumoo) surprise, Alex draws the sword (aka Excalibur) from the stone and moments later Merlin appears (Angus Imrie) and warns Alex and Bedders of the danger that lies ahead. Morgana (Rebecca Ferguson), King Arthur’s half-sister, and her army of fire burning dead soldiers are on a mission to get Excalibur and take over Earth. Merlin encourages Alex, Bedders and the two bullies, they must put their differences aside to beat Morgana and save the world.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.