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Debbiereadsbook (1110 KP) rated Hawk's Spell (The Swamp Witch #3) in Books
Feb 6, 2018
so frustrated!
ARGH!!!! Did you ever want to pull your hair out?? Scream and shout so bad at an author??
I was ENJOYING this one far more than the other two. I WAS enjoying it. I thought, okay, this is just going to be Hawk in the first and everyone else in the third.
And then!! We get Hawk's children having a say, in the first, with no warning who was speaking, we get the vampire having a say, in the first with no warning, and even the dead wife has a say, in the first WITH NO BLOODY WARNING!!
This book was shaping up to be the best of the three, but really, it's going to bear the brunt of my frustration! I fail to see how this issue wasn't picked up by other reviewers.
I've read some reviews, AFTER I finished, and it has some amazing 5 star ratings. But when an author drives me NUTS because they can't type a single name at the head of a chapter to let us know who is speaking?? I can't rate a book so highly. I actually read a couple of chapters, without realizing WHO was speaking, til the very end!
The children, The Balance fulfill their destiny here, going their separate ways and one becoming good, and the other evil. I fail to see how the all seeing Swamp Witch didn't know about Lynne cavern under her house. Because, you know, she is ALL SEEING, ALL KNOWING, it says so in the book!
I'm sorry, I really am, I just could not enjoy this as much as I wanted to. BUT I did finish it, and for THAT reason, and that reason ALONE....
3 stars
**same worded review will appear elsewhere**
I was ENJOYING this one far more than the other two. I WAS enjoying it. I thought, okay, this is just going to be Hawk in the first and everyone else in the third.
And then!! We get Hawk's children having a say, in the first, with no warning who was speaking, we get the vampire having a say, in the first with no warning, and even the dead wife has a say, in the first WITH NO BLOODY WARNING!!
This book was shaping up to be the best of the three, but really, it's going to bear the brunt of my frustration! I fail to see how this issue wasn't picked up by other reviewers.
I've read some reviews, AFTER I finished, and it has some amazing 5 star ratings. But when an author drives me NUTS because they can't type a single name at the head of a chapter to let us know who is speaking?? I can't rate a book so highly. I actually read a couple of chapters, without realizing WHO was speaking, til the very end!
The children, The Balance fulfill their destiny here, going their separate ways and one becoming good, and the other evil. I fail to see how the all seeing Swamp Witch didn't know about Lynne cavern under her house. Because, you know, she is ALL SEEING, ALL KNOWING, it says so in the book!
I'm sorry, I really am, I just could not enjoy this as much as I wanted to. BUT I did finish it, and for THAT reason, and that reason ALONE....
3 stars
**same worded review will appear elsewhere**
Lyndsey Gollogly (2893 KP) rated Cat and Mouse (Alex Cross, #4) in Books
Jul 22, 2019
Another brilliant Alex Cross
Contains spoilers, click to show
Alex Cross is back-and so is a raging and suicidal Gary Soneji. Out of prison and dying from the AIDS virus he contracted there, he will get revenge on Cross before he dies. In addition, we are introduced to a new pair of rivals whose paths cross that of Alex and Soneji. Thomas Augustine Pierce has been chasing his demon, Mr. Smith, since the savage murder of his fiancee. Mr. Smith is a unique monster, with actions toward his victims so insane-so unimaginable-that he is thought of as "not of the earth." Pierce, known in the business as St. Augustine because of his track record for catching killers and his invaluable status to the FBI and Interpol, may even be better than Cross.When things heat up and Alex is in a near-death coma following an attack in his own home, Pierce goes to Washington to help with the investigation. But just as he begins to piece together the mystery of how Gary Soneji could have mortally wounded Cross after he was believed to be dead, he is summoned to Paris with a postcard from Mr. Smith inviting him to a very special killing.The body count is high, the tension the highest, and the two killers on the loose are watching every move their pursuers make. Who is the cat, and who is the mouse? What and where is the final trap? And who survives?
This is a reread and one of my favourites from James Patterson. I love Alex Cross and the characters in these books. Patterson is such a brilliant writer.
I cheered as he finally got Soneji that evil SOB needed taking down! I do think Smith was quite easy to pick out from the start.
On to the next Alex Cross book .
Recommended

This is a reread and one of my favourites from James Patterson. I love Alex Cross and the characters in these books. Patterson is such a brilliant writer.
I cheered as he finally got Soneji that evil SOB needed taking down! I do think Smith was quite easy to pick out from the start.
On to the next Alex Cross book .
Recommended

Kristy H (1252 KP) rated Just One Look in Books
Dec 17, 2020
This is the tenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
When Grace Lawson picks up a set of photos from the store, she finds a strange photo in the envelope. It shows a group of four people she doesn't know. But one, she does: her husband, long before she knew him. When she shows him that evening, he leaves their home mysteriously. Soon a crazy series of events kicks off, and while Grace doesn't realize it, there are people who would do anything--even kill--to keep that photo from seeing the light of day.
This was my first Harlan Coben read--I have a bunch of Coben books I've collected sitting on my shelves, so it seemed like a great choice for my challenge. This was the supreme page turner. I had no idea where this book was going most of the time! It's filled with twists and turns, and it kept me guessing! There are a few real "coincidences," but they didn't diminish my enjoyment of the story at all. This was one of those plain 'ol good mysteries. I hadn't realized it was set in the mid-1990s (the development of film should have been a dead giveaway, ha), but it stood the test of time. There are creepy bad guys who fight the good guys. Sometimes you just need a tale of good versus evil with lots of twists to take your mind off of things.
Overall, an enjoyable and puzzling read. 3.5 stars. I'll definitely need to read more of the Coben books on my shelves.
When Grace Lawson picks up a set of photos from the store, she finds a strange photo in the envelope. It shows a group of four people she doesn't know. But one, she does: her husband, long before she knew him. When she shows him that evening, he leaves their home mysteriously. Soon a crazy series of events kicks off, and while Grace doesn't realize it, there are people who would do anything--even kill--to keep that photo from seeing the light of day.
This was my first Harlan Coben read--I have a bunch of Coben books I've collected sitting on my shelves, so it seemed like a great choice for my challenge. This was the supreme page turner. I had no idea where this book was going most of the time! It's filled with twists and turns, and it kept me guessing! There are a few real "coincidences," but they didn't diminish my enjoyment of the story at all. This was one of those plain 'ol good mysteries. I hadn't realized it was set in the mid-1990s (the development of film should have been a dead giveaway, ha), but it stood the test of time. There are creepy bad guys who fight the good guys. Sometimes you just need a tale of good versus evil with lots of twists to take your mind off of things.
Overall, an enjoyable and puzzling read. 3.5 stars. I'll definitely need to read more of the Coben books on my shelves.
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TacoDave (3547 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 7, 2022
Technically well-made (1 more)
Acting
What a disappointment.
Contains spoilers, click to show
Spoilers below!!!
I'll say this: Sam Raimi used to be one of my favorite directors, but with this movie he has officially turned me off the Marvel universe. It is nonsense.
Example A: dreams are actually real events happening in alternate universes, so if you dream about showing up naked to work, a version of you really did that.
Example B: reading the book of evil allows a witch or sorcerer to "dream walk" and inhabit the body of an alternate version of themselves. It never explains how this works, but apparently you can "aim" your dream-self because Doctor Strange is able to intentionally dream walk into a dead body and use it. He can't move between universes, but somehow he can do this.
Example C: the city of Kamar-Taj is destroyed and everyone killed except for Wong and Strange. Yet in the last scene the city is full of warriors practicing. Where did they come from?
Example D: Cool cameos! Mr. Fantastic! Professor X! But they all die. Every single one.
Example E: Wanda's whole motivation is to go to a different universe to be with her kids. But why not go to a universe where Vision is still alive? Wouldn't that be her goal? NEVER EXPLAINED.
It doesn't stop there, but that's a good sampling of how nonsensical the plot is. Nothing is explained, nothing make sense, and rules are made up out of whole cloth. Doctor Strange as a zombie? Sure. How? We don't know.
I'll never watch this again and might not watch future Marvel movies, especially considering you have to watch WandaVision on Disney+ to fully understand this movie.
I'll say this: Sam Raimi used to be one of my favorite directors, but with this movie he has officially turned me off the Marvel universe. It is nonsense.
Example A: dreams are actually real events happening in alternate universes, so if you dream about showing up naked to work, a version of you really did that.
Example B: reading the book of evil allows a witch or sorcerer to "dream walk" and inhabit the body of an alternate version of themselves. It never explains how this works, but apparently you can "aim" your dream-self because Doctor Strange is able to intentionally dream walk into a dead body and use it. He can't move between universes, but somehow he can do this.
Example C: the city of Kamar-Taj is destroyed and everyone killed except for Wong and Strange. Yet in the last scene the city is full of warriors practicing. Where did they come from?
Example D: Cool cameos! Mr. Fantastic! Professor X! But they all die. Every single one.
Example E: Wanda's whole motivation is to go to a different universe to be with her kids. But why not go to a universe where Vision is still alive? Wouldn't that be her goal? NEVER EXPLAINED.
It doesn't stop there, but that's a good sampling of how nonsensical the plot is. Nothing is explained, nothing make sense, and rules are made up out of whole cloth. Doctor Strange as a zombie? Sure. How? We don't know.
I'll never watch this again and might not watch future Marvel movies, especially considering you have to watch WandaVision on Disney+ to fully understand this movie.
Gareth von Kallenbach (971 KP) rated The Last House on the Left (2009) in Movies
Aug 14, 2019
In 1972, horror icon Wes Craven made a name for himself by writing and directing a film called “The Last House on the Left.” The film was very controversial and helped launch a new genre of terror and suspense films that pushed the limits of the times. The film was notorious for its content which included rape, torture, humiliation, and violence and contains to this day some of the most disturbing images ever captured on film. In this age of remakes, prequels, and sequels, Wes Craven has stepped aside to produce a new version of his classic and this remake is sure to be as controversial and disturbing as the original was.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
Goddess in the Stacks (553 KP) rated The Priory of the Orange Tree in Books
May 3, 2019
AMAZING epic fantasy.
Holy COW, you guys. I keep saying “I haven’t read much epic fantasy lately” and “I don’t have time to read such long books/series” but I made an exception for Priory, and I’m SO glad I did. Just WOW.
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
Darren (1599 KP) rated A Dark Song (2016) in Movies
Jun 20, 2019
Story: A Dark Song starts as Sophia Howard (Walker) rents a remote house in the countryside, she hires occultist Joseph Solomon (Oram) to perform a yearlong ritual so Sophia can communicate with her late son, one more time.
With the rules set, the ritual begins leaving the two to need to be prepared for anything good or evil that they would summon from the other side.
Thoughts on A Dark Song
Characters – Sophia is the lady that wants to communicate with dead child, she has turned to an occultist to help her, she will go through as many different rituals to achieve her desired outcome. Joseph Solomon is the occultist that reluctant agrees to help Sophia with her ritual, he has plenty of experience and even when he knows she is lying he will help her.
Performances – Steve Oram and Catherine Walker are the main two stars of this movie, their performances need to be strong for this movie to work. They both give us captivating performance where you are wondering where the characters will be going next.
Story – The story dives into the idea of how far would you go to communicate with a dead loved one, would you turn to the occult knowing it wouldn’t be the best idea because of what else you could summon, or would you let the police punish the people responsible, these are the main questions being asked in this movie. When we follow the ritual side of the film doesn’t give us a full scale of the time the two are performing them, but then again the story doesn’t focus on the rituals that much, rather focusing on what would be the correct decision made by the Sophia.
Horror – The horror involved in this movie is mostly about what could happen with rituals are performed, we only get a moment of actual horror late in the film.
Settings – The settings keep the two in one house for up to a year which gives the characters the much-needed isolation for the rituals to happen.
Special Effects – The effects used in the film are save the few moments that need them and seem to be great practical use of them too.
Scene of the Movie – Cross the line.
That Moment That Annoyed Me – While you are left waiting for something to happen, not much does happen.
Final Thoughts – This is a horror that focuses more in the drama of what could happen and following to people that need to focus on letting the past lay over trying to scare us.
Overall: A horror that lacks the scares.
https://moviesreview101.com/2018/10/18/a-dark-song-2016/gnree/
With the rules set, the ritual begins leaving the two to need to be prepared for anything good or evil that they would summon from the other side.
Thoughts on A Dark Song
Characters – Sophia is the lady that wants to communicate with dead child, she has turned to an occultist to help her, she will go through as many different rituals to achieve her desired outcome. Joseph Solomon is the occultist that reluctant agrees to help Sophia with her ritual, he has plenty of experience and even when he knows she is lying he will help her.
Performances – Steve Oram and Catherine Walker are the main two stars of this movie, their performances need to be strong for this movie to work. They both give us captivating performance where you are wondering where the characters will be going next.
Story – The story dives into the idea of how far would you go to communicate with a dead loved one, would you turn to the occult knowing it wouldn’t be the best idea because of what else you could summon, or would you let the police punish the people responsible, these are the main questions being asked in this movie. When we follow the ritual side of the film doesn’t give us a full scale of the time the two are performing them, but then again the story doesn’t focus on the rituals that much, rather focusing on what would be the correct decision made by the Sophia.
Horror – The horror involved in this movie is mostly about what could happen with rituals are performed, we only get a moment of actual horror late in the film.
Settings – The settings keep the two in one house for up to a year which gives the characters the much-needed isolation for the rituals to happen.
Special Effects – The effects used in the film are save the few moments that need them and seem to be great practical use of them too.
Scene of the Movie – Cross the line.
That Moment That Annoyed Me – While you are left waiting for something to happen, not much does happen.
Final Thoughts – This is a horror that focuses more in the drama of what could happen and following to people that need to focus on letting the past lay over trying to scare us.
Overall: A horror that lacks the scares.
https://moviesreview101.com/2018/10/18/a-dark-song-2016/gnree/
Jesters_folly (230 KP) rated Mandy (2018) in Movies
Sep 25, 2019
Contains spoilers, click to show
Red Miller (Nicholas Cage) is sent on a rampaging quest for vengeance when an evil cult abducts and kill his partner, Mandy Bloom.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.
Darren (1599 KP) rated Leprechaun Returns (2019) in Movies
Oct 31, 2019
Characters – Lila is the daughter or Tory (from the original) she is moving back to the same house in the vents of the original to be part of a college sorority, she is clearly the outsider of the group desperate to make new friends after a lifetime of looking after her mother. She learns to start believing what her mother did and proves to be resourceful throughout the film. Katie is the slutty of the friends, Rose is the one trying to make a change and Meredith is the drunk one, while they are meant to be portrayed as smart, they are painfully generic and dumb throughout. The Leprechaun has returned looking for his gold and this time he isn’t going to be a friendly, trying to get his power back. He uses rhymes to try and scare the characters and new powers to make object move to kill.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.