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Ashley Valencia (5 KP) rated Christopher Robin (2018) in Movies
Mar 31, 2019
Surprisingly Good
I was very pleasantly surprised by this film. Disney's live action remakes have been pretty disappointing to me, in general. But this one was very well made. I think they did a great job incorporating the fantasy characters into the real life world of post war England.
Ewan McGregor plays a grown up Christopher Robin who most people will be able to relate to. He's trying to find balance between his work and home life and finds himself coming up short on both sides. He's stressed and has put aside childish things to focus on trying to be a competent adult.
Then he gets a visit from a few almost forgotten childhood friends and learns to loosen up a little and see things differently. It's a wonderfully told story and I was so glad that the original voice actor was brought back. It just wouldn't have been Winnie the Pooh without Jim Cummings.
Ewan McGregor plays a grown up Christopher Robin who most people will be able to relate to. He's trying to find balance between his work and home life and finds himself coming up short on both sides. He's stressed and has put aside childish things to focus on trying to be a competent adult.
Then he gets a visit from a few almost forgotten childhood friends and learns to loosen up a little and see things differently. It's a wonderfully told story and I was so glad that the original voice actor was brought back. It just wouldn't have been Winnie the Pooh without Jim Cummings.
Son of a Gun (2015)
6.0
Rate It
Movie
Locked up for a minor crime, 19 year old JR quickly learns the harsh realities of prison life....
David McK (3425 KP) rated Obi-Wan Kenobi in TV
Jun 24, 2022
"Hello there"
For many viewers at the time, Ewan McGregor's Obi-Wan Kenobi was the highlight of the prequel trilogy.
Back before the dark days. Back before the Mouse House.
(sorry, couldn't resist).
The last of those movies - Revenge of the Sith - was released way back in 2005, with McGregor distancing himself from the role for a good decade and a half or so afterwards due to the flack he received. Time, however, has been kind to the prequel trilogy (well, that and the dumpster-fire that was the sequel trilogy, with The Last Jedi in particular being hugely divisive (I don't particularly rate it myself)), with McGregor agreeing to reprise the role in this limited-series on Disney+.
A series which, I've heard, has had the highest viewing figures of any yet-released on that platform (although I've no idea if that claim is accurate or not).
But the big question is, of course, was it worth the wait?
Absolutely yes - this blows The Book of Boba-Fett out of the water completely; even managing to over-shadow The Mandalorian. Which is impressive when you consider that most of the main characters - Obi-Wan, Vader, Luke, Owen and Beru - all benefit from having plot armour; all appearing in the original trilogy ...
Yes, it's not perfect - Moses Ingram Reva, in particular annoys at first - and may be a bit slow in the first episode or two, but the finale plays off beautifully, tying in perfectly with A New Hope and even adding another layer to Obi-Wan's claim that "From a certain point of view ..."
Back before the dark days. Back before the Mouse House.
(sorry, couldn't resist).
The last of those movies - Revenge of the Sith - was released way back in 2005, with McGregor distancing himself from the role for a good decade and a half or so afterwards due to the flack he received. Time, however, has been kind to the prequel trilogy (well, that and the dumpster-fire that was the sequel trilogy, with The Last Jedi in particular being hugely divisive (I don't particularly rate it myself)), with McGregor agreeing to reprise the role in this limited-series on Disney+.
A series which, I've heard, has had the highest viewing figures of any yet-released on that platform (although I've no idea if that claim is accurate or not).
But the big question is, of course, was it worth the wait?
Absolutely yes - this blows The Book of Boba-Fett out of the water completely; even managing to over-shadow The Mandalorian. Which is impressive when you consider that most of the main characters - Obi-Wan, Vader, Luke, Owen and Beru - all benefit from having plot armour; all appearing in the original trilogy ...
Yes, it's not perfect - Moses Ingram Reva, in particular annoys at first - and may be a bit slow in the first episode or two, but the finale plays off beautifully, tying in perfectly with A New Hope and even adding another layer to Obi-Wan's claim that "From a certain point of view ..."
Awix (3310 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 7, 2020 (Updated Feb 7, 2020)
Garish and frantic comic book movie basically does your head in for nearly two hours. Never mind doing a Batman movie without Batman, now they've done a Joker movie without the Joker: annoying homicidal pole-dancer Harley Quinn breaks up with he of the green hair and gets mixed up in a hunt for a diamond-shaped McGuffin involving various other obscure and mostly female Batman characters. Full of movement and some not bad action choreography, but the plot is a disjointed mess and it's hard to escape the impression that the producers are treating you like an idiot.
Robbie's performance is basically just irritating; not sure whether this is entirely intentional or not. Ewan McGregor is definitely just bad, but the script is to blame anyway: when the writers appear to believe it's cool and funny to break someone's legs on a whim, it's hard to take them seriously when they try to take the high ground on any moral issue, as they also do. Amoral, superficial, and sadistically violent in places; generally quite dim-witted and depressing. Undoes all the good work of recent movies in detoxifying the DC brand: come back Zach Snyder, all is forgiven.
Robbie's performance is basically just irritating; not sure whether this is entirely intentional or not. Ewan McGregor is definitely just bad, but the script is to blame anyway: when the writers appear to believe it's cool and funny to break someone's legs on a whim, it's hard to take them seriously when they try to take the high ground on any moral issue, as they also do. Amoral, superficial, and sadistically violent in places; generally quite dim-witted and depressing. Undoes all the good work of recent movies in detoxifying the DC brand: come back Zach Snyder, all is forgiven.
Erika (17788 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 9, 2020
First, this film is better than Suicide Squad (I rated that film a 2); it wasn't a hard bar to pass though.
A more apt title for the film would be Harley Quinn and the Birds of Prey. I'm definitely a fan of Birds of Prey, and not really a Harley Quinn fan. I find Harley Quinn kind of annoying, and the storytelling structure was headache inducing at times.
The positives: The fight choreography, that was basically it's saving grace. Ewan McGregor didn't have a lot of story to work with, it was all on the surface. I did think it was hilarious when he joined the dance number for 'Diamonds are a Girl's Best Friend', that just made me want to go and watch Moulin Rouge again. He also reused his general American accent from Men Who Stare at Goats, which marks the second movie I thought about watching while I was in this film.
The overall plot was basic and it was very predictable. What made this film even worse was that I did a double-feature and saw Ford v Ferrari afterwards, and there's simply no comparison.
A more apt title for the film would be Harley Quinn and the Birds of Prey. I'm definitely a fan of Birds of Prey, and not really a Harley Quinn fan. I find Harley Quinn kind of annoying, and the storytelling structure was headache inducing at times.
The positives: The fight choreography, that was basically it's saving grace. Ewan McGregor didn't have a lot of story to work with, it was all on the surface. I did think it was hilarious when he joined the dance number for 'Diamonds are a Girl's Best Friend', that just made me want to go and watch Moulin Rouge again. He also reused his general American accent from Men Who Stare at Goats, which marks the second movie I thought about watching while I was in this film.
The overall plot was basic and it was very predictable. What made this film even worse was that I did a double-feature and saw Ford v Ferrari afterwards, and there's simply no comparison.
Long Way Back
A.A. Publishing and Charley Boorman
Book
On February 16 2016, motorcycle adventurer Charley Boorman suffered a major road traffic accident in...
Kevin Wilson (179 KP) rated The Impossible (2012) in Movies
Aug 12, 2018
A true story (3 more)
Amazing cast, incredible performances
Fantastic writing
Great effects
Wow, such a powerful, intense movie!
Wow this is 1 of the most intense and powerful movies I've seen in such a long time.
I love disaster movies and the fact this is actually a true story adds so much to it. You can feel a lot more emotion throughout knowing this actually happened to someone and the characters are a real family that this actually happened to.
This is also thanks to such an incredible cast with amazing writing and acting. There is not 1 actor that is not phenomenal. Naomi Watts, Ewan McGregor and a young Tom Holland are all fantastic. Their chemistry is natural and believable and give so much intensity and emotion to all their performances.
The effects are fantastic. The tsunami and the injuries all look great and real. Has a great score and it all makes you think and wonder what it must have been like for the people actually involved.
Absolutely fantastic and can definitely recommend. I paid £1 for the blu ray and it's 1 I will not get rid of and will watch again. If you get chance, watch it.
I love disaster movies and the fact this is actually a true story adds so much to it. You can feel a lot more emotion throughout knowing this actually happened to someone and the characters are a real family that this actually happened to.
This is also thanks to such an incredible cast with amazing writing and acting. There is not 1 actor that is not phenomenal. Naomi Watts, Ewan McGregor and a young Tom Holland are all fantastic. Their chemistry is natural and believable and give so much intensity and emotion to all their performances.
The effects are fantastic. The tsunami and the injuries all look great and real. Has a great score and it all makes you think and wonder what it must have been like for the people actually involved.
Absolutely fantastic and can definitely recommend. I paid £1 for the blu ray and it's 1 I will not get rid of and will watch again. If you get chance, watch it.
Quit Smoking NOW: Stop Smoking with Max Kirsten
Medical and Health & Fitness
App
MEDICAL NEWS TODAY - 'Best app for quitting smoking 2017' VOTED '#1 Stop Smoking App' in The Sunday...
Movie Metropolis (309 KP) rated Christopher Robin (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Future Classic
The characters of Pooh, Eeyore, Piglet and Tigger are synonymous with the childhood of millions of adults across the globe. A.A. Milne’s classic creatures are etched into the memories of many, passed down through generations with tatty old story books and stuffed animals.
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Matthew Krueger (10051 KP) rated The Possession (2012) in Movies
Dec 4, 2019 (Updated Dec 4, 2019)
Whats In The Box???
The Possession- came out in 2012 is anethor very good horror movie that hardly no one talks about and knows about. It came in 2012, and i forgot that this movie came out in 2012 cause 2012 was a big year for movies and was directed by Ole Bornedal, who you may say? Well he directed Nightwatch a danish thriller film in 1994 than he remade it in 1997 and started Ewan McGregor, Patricia Arquette, Josh Brolin and Nick Nolte. It was written by Bornedal and Steven Soderbergh. And i will review that movie at somepoint. Cause the movie is really underreated and a good horror movie. And well thats pretty much it, that he directed. So whats this film about than...
The Plot: When their youngest daughter, Em (Natasha Calis), becomes strangely obsessed with an antique wooden box bought from a yard sale, parents Clyde (Jeffrey Dean Morgan) and Stephanie (Kyra Sedgwick) see little cause for alarm. However, Em becomes increasingly unstable, leading the couple to fear the presence of a malevolent force. To their horror, Clyde and Stephanie learn that the box contains a dybbuk, a dislocated spirit that inhabits -- and ultimately devours -- a human host.
This is a really good movie, its scary, thrilling, horrorfying, spooky, creepy and overall a underrated horror jem. Plus you have Jeffrey Dean Morgan in it and thats a plus.
Like i said this movie is really good and a must watch.
The Plot: When their youngest daughter, Em (Natasha Calis), becomes strangely obsessed with an antique wooden box bought from a yard sale, parents Clyde (Jeffrey Dean Morgan) and Stephanie (Kyra Sedgwick) see little cause for alarm. However, Em becomes increasingly unstable, leading the couple to fear the presence of a malevolent force. To their horror, Clyde and Stephanie learn that the box contains a dybbuk, a dislocated spirit that inhabits -- and ultimately devours -- a human host.
This is a really good movie, its scary, thrilling, horrorfying, spooky, creepy and overall a underrated horror jem. Plus you have Jeffrey Dean Morgan in it and thats a plus.
Like i said this movie is really good and a must watch.