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Chopin and His World
Jonathan D. Bellman and Halina Goldberg
Book
A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin...
The British Amp Invasion: How Marshall, Hiwatt, Vox, and More Changed the Sound of Music
Book
The seminal British amps of the late 50s onward were always distinct from their American...
TL
The Life and Times of Moses Jacob Ezekiel: American Sculptor, Arcadian Knight
Book
The Life and Times of Moses Jacob Ezekiel: American Sculptor, Arcadian Knight tells the remarkable...
TY
True Yankees: The South Seas and the Discovery of American Identity
Book
With American independence came the freedom to sail anywhere in the world under a new flag. During...
Perfect/Imperfect: Embracing Natural Design in Bali
Book
The home designs of Alejandra Cicneros mark a significant departure from the tropical 'Bali' style...
Kristy H (1252 KP) rated The Expatriates in Books
Feb 13, 2018
Lee's latest novel intricately details the lives of three American women living in the expatriate community in Hong Kong. Margaret, who moved to Hong Kong with her husband and three children, is dealing with a horrible loss and how it has affected her entire being. Hilary, wealthy and married, is adrift in life - struggling to have a baby and floundering in her marriage. And Mercy, the youngest, is a Korean American trying to recover from her own recent horrors and figure out where she belongs. Their lives and stories are linked in small and large ways, as they each traverse the difficulties of life and the consequences of their actions.
It sounds trite - the linked stories of three women, but the book is nearly magical. The chapters are compelling and amazing: you truly feel as if you are there, with the characters, getting completely caught up in their lives and stories. It's one of those books where not a lot happens, yet in some ways, everything happens, and it's mesmerizing somehow. Lee has a unique voice for each character and they each become clearer and defined as the book goes on; they are so themselves that you can't ever imagine not knowing them, or how they would react to a given situation. Much of what happens is sad- in fact, there were times where I felt like my heart was physically hurting reading - but there is much redemption in the book as well. I truly found parts of it to be beautiful.
The ending, which I felt like could have been too easy, or conversely, easily ruined, felt perfect somehow. My only complaint with this book? That it ended. After I finished it, I found myself standing at the sink later that evening, washing some dishes, and thinking, "oh at least I get to read my book later tonight" and then feeling nothing but profound disappointment that the book was over, and I was done being a part of these characters' lives. Lovely, poignant book - highly recommend.
I must note that I received an ARC of this book from Netgalley (thanks!), though I wasn't approved until after it was published. The good news for you is that this novel is available now (as of 1/12/16) in all the various publication forms. You can check out a review of this book and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
It sounds trite - the linked stories of three women, but the book is nearly magical. The chapters are compelling and amazing: you truly feel as if you are there, with the characters, getting completely caught up in their lives and stories. It's one of those books where not a lot happens, yet in some ways, everything happens, and it's mesmerizing somehow. Lee has a unique voice for each character and they each become clearer and defined as the book goes on; they are so themselves that you can't ever imagine not knowing them, or how they would react to a given situation. Much of what happens is sad- in fact, there were times where I felt like my heart was physically hurting reading - but there is much redemption in the book as well. I truly found parts of it to be beautiful.
The ending, which I felt like could have been too easy, or conversely, easily ruined, felt perfect somehow. My only complaint with this book? That it ended. After I finished it, I found myself standing at the sink later that evening, washing some dishes, and thinking, "oh at least I get to read my book later tonight" and then feeling nothing but profound disappointment that the book was over, and I was done being a part of these characters' lives. Lovely, poignant book - highly recommend.
I must note that I received an ARC of this book from Netgalley (thanks!), though I wasn't approved until after it was published. The good news for you is that this novel is available now (as of 1/12/16) in all the various publication forms. You can check out a review of this book and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Haiti Glass
Book
Winner of the 2015 PEN Oakland Josephine Miles Literary Award In her debut collection of verse and...
DaveySmithy (107 KP) rated Casablanca (1942) in Movies
Dec 3, 2024
A Timeless Classic: Casablanca - A 10/10 Masterpiece
Few films manage to withstand the test of time quite like Casablanca. Released in 1942, this cinematic gem not only defines its era but also transcends it, continuing to captivate audiences decades later. Directed by Michael Curtiz and featuring unforgettable performances by Humphrey Bogart and Ingrid Bergman, Casablanca is a rare film that combines stellar storytelling, iconic performances, and a profound emotional core into an unparalleled movie experience.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.