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Advances in Cyber Security: Technology, Operations, and Experiences
D. Frank Hsu and Dorothy Marinucci
Book
As you read this, your computer is in jeopardy of being hacked and your identity being stolen. Read...
This is Why We Can't Have Nice Things: Mapping the Relationship Between Online Trolling and Mainstream Culture
Book
Internet trolls live to upset as many people as possible, using all the technical and psychological...
The Jungle
Upton Sinclair and Ronald Gottesman
6.3
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Book
One of the most powerful, provocative and enduring novels to expose social injustice ever published...
LeftSideCut (3776 KP) rated Revenge (2018) in Movies
Sep 20, 2020
I always feel a bit iffy about rape-revenge horror - it's a sub genre that at its best can be a satisfying and empowering thrill ride, and at it's worst, can come across as cheap exploitation. Revenge is luckily in the former camp.
Lead actress Matilda Lutz gives us a badass vengeance seeking protagonist for the ages, while the other three actors (it's a damn small cast) Kevin Janssens, Vincent Colombes, and Guillaume Bouchède effectively provide the the absolute bastards we all want to see die so badly.
The locations and wide shots in Revenge look stunning by the way. In between all the nasty bits(which we'll get to), it's just a stunning and vibrant film to look at, with a lot of the horror elements taking place in blazing sunshine.
As for the aforementioned nasty bits - holy shit, this film is violent. By the time the credits roll, everyone and everywhere is just covered in blood. The practical effects used are pretty great, and looks believable, even if the sheer amount of viscera is absurd at times.
It provides us with some grisly set pieces that linger on the brain, in particular, a scene where a character has to un-impale herself from a tree - it's genuinely quite harrowing.
Also, maybe give this a pass if you're squeamish about foot stuff. I don't know about you, but I always found the foot abuse in Die Hard rather uncomfortable, and this makes that look like a children's cartoon at times.
Overall, Revenge is just a smack to the face. A fairly slow build, but high octane when it gets rolling, with good performances, plenty of blood, and enough jarring sound and camera edits to make you uncomfortable. Worth a watch for horror fans, without a doubt.
Lead actress Matilda Lutz gives us a badass vengeance seeking protagonist for the ages, while the other three actors (it's a damn small cast) Kevin Janssens, Vincent Colombes, and Guillaume Bouchède effectively provide the the absolute bastards we all want to see die so badly.
The locations and wide shots in Revenge look stunning by the way. In between all the nasty bits(which we'll get to), it's just a stunning and vibrant film to look at, with a lot of the horror elements taking place in blazing sunshine.
As for the aforementioned nasty bits - holy shit, this film is violent. By the time the credits roll, everyone and everywhere is just covered in blood. The practical effects used are pretty great, and looks believable, even if the sheer amount of viscera is absurd at times.
It provides us with some grisly set pieces that linger on the brain, in particular, a scene where a character has to un-impale herself from a tree - it's genuinely quite harrowing.
Also, maybe give this a pass if you're squeamish about foot stuff. I don't know about you, but I always found the foot abuse in Die Hard rather uncomfortable, and this makes that look like a children's cartoon at times.
Overall, Revenge is just a smack to the face. A fairly slow build, but high octane when it gets rolling, with good performances, plenty of blood, and enough jarring sound and camera edits to make you uncomfortable. Worth a watch for horror fans, without a doubt.
JT (287 KP) rated Anna (2019) in Movies
Mar 10, 2020
Tell me if you’ve heard this one before? A young woman is pulled from a life of drugs and abuse and given a fresh start as a deadly assassin. Once on the inside, she uses her skill set and good looks to complete various assignments while falling for her handler. She then decides that her new life is not for her after all and wants out.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
King John: Treachery, Tyranny and the Road to Magna Carta
Book
The brilliantly compelling new biography of the treacherous and tyrannical King John, published to...
Linked Lexical Knowledge Bases: Foundations and Applications
Iryna Gurevych, Judith Eckle-Kohler and Michael Matuschek
Book
This book conveys the fundamentals of Linked Lexical Knowledge Bases (LLKB) and sheds light on their...
From Deptford to Antarctica
Book
Pete Wilkinson grew up in Deptford, south London, in the 50s. Somehow he got to grammar school and...
LoganCrews (2861 KP) rated If I Stay (2014) in Movies
Sep 21, 2020
Gross. My undying love for these disgustingly quirky YA slops renders me unable to rate this the easy one star it most definitely deserves - but make no mistake, this is the worst one since... maybe 𝘔𝘦 𝘉𝘦𝘧𝘰𝘳𝘦 𝘠𝘰𝘶? The type of movie that does everything wrong: sterile visually, stagnant structurally, humdrum narratively, and it doesn't help that Stacy Keach (so wonderful here) is the only one in the entire movie giving a good performance - watching the normally capable Moretz attempt to emote in this is downright hysterical, that supposedly emotional hallway screaming scene had me *cackling*. Also I'd be willing to put serious money down against anyone who can find a film with worse dialogue. "Guys play music for two reasons: to get laid, and because they got rage" is an actual piece of speech uttered in this. Much of the hilarious cringe (see: the aforementioned awful dialogue) and endearing oversentimentality I find a warm familiarity with in this genre is intact, but the sickening fetishization of death and child abuse (cardboard cutout love interest: "My parents were never there... everyone leaves me...", what the movie wants us to be like: "W O W … he's so deep and profound 😍😍") in this make it feel closer to some sick exploitation piece that also isn't good. Even if that weren't the case, this relationship and its characters are lifeless even before the death plot hits and the guy is a faceless asshole that the Moretz character is just expected to bend to the whim of - and his band is fucking *horrible*. Speaking of which, funny how cultured this thinks it is because it never shuts up about punk and classical music even though it doesn't have a precious clue about either. Should have been a slam dunk, don't know why they decided to play it so indifferently. Written by that outcast from your high school who growled at people and drew Harry Potter porn at lunch.