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LeftSideCut (3778 KP) rated Species (1995) in Movies
Sep 18, 2020
Ahh Species. A film I loved to watch when I was a young teen for...research purposes...
It's a bit rubbish really though isn't it? Watching it again now, it's pretty much a bunch of characters talking their way through a manhunt, strung together by regular moments of nudity.
It's suitably corny, boasts some terrible CGI (effects that may have been good back in the 90s, I honestly don't really remember) but in spite of all this, it's still pretty entertaining.
It's cast boasts the likes of Ben Kingsley, Alfred Molina, Marg Helgenberger, Forest Whitaker, Michael Madsen, even a young Michelle Williams...it's pretty stacked. Natasha Henstridge of course plays the creature, and gives the role a sense of empowerment rather than exploitation.
The rubber suit aesthetic of the alien is pretty awesome (in the parts where it's not haunting CGI) and it has a pretty decent music score.
I fully see why a lot of people consider Species to be trashy, but honestly, it's a fun slice of 90s (as fuck) sci-fi horror. Enjoy it for what it is and just pretend the sequels don't exist.
It's a bit rubbish really though isn't it? Watching it again now, it's pretty much a bunch of characters talking their way through a manhunt, strung together by regular moments of nudity.
It's suitably corny, boasts some terrible CGI (effects that may have been good back in the 90s, I honestly don't really remember) but in spite of all this, it's still pretty entertaining.
It's cast boasts the likes of Ben Kingsley, Alfred Molina, Marg Helgenberger, Forest Whitaker, Michael Madsen, even a young Michelle Williams...it's pretty stacked. Natasha Henstridge of course plays the creature, and gives the role a sense of empowerment rather than exploitation.
The rubber suit aesthetic of the alien is pretty awesome (in the parts where it's not haunting CGI) and it has a pretty decent music score.
I fully see why a lot of people consider Species to be trashy, but honestly, it's a fun slice of 90s (as fuck) sci-fi horror. Enjoy it for what it is and just pretend the sequels don't exist.
BackToTheMovies (56 KP) rated The Haunting of Sharon Tate (2019) in Movies
Jun 21, 2019
With it being 50 years since the tragic Manson murders in California we have a year of Manson movies. We have the independent film Charlie Says which explores Manson and his cult in sensitive detail before the tragic night. We have Tarantino’s Once Up A Time In Hollywood which has been given the go-ahead from Sharon Tate’s sister to be made. Then we have this. The Haunting of Sharon Tate. An overly exploitative piece that twists truths to create a narrative and completely trashes the legacy of the late actress.
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
Darren Fisher (2447 KP) rated 13 Dolls In Darkness (2017) in Movies
Jul 24, 2022
I have been an obsessive fan of horror films since I was a kid in the 70's. Brought up on Hammer and Universal monster films it wasn't long before I delved into pre-cert exploitation films and that is where my preference has been ever since.
Over the last 20 years I have felt that the horror genre hasn't really offered it's fans anything new (bar a few exceptions). Having been left despondent, disappointed and bored senseless by the over-saturation of remakes, reboots and just plain dull horror fare, it comes with great surprise that a black and white silent film from Australia would be the breath of fresh air that the horror genre desperately needs.
The plot of 13 Dolls is pretty straightforward. Marjorie receives a letter from her ailing mother to return home after a 13 year absence. On her return home Marjorie realises that things are not what they seem...
Written and directed by the talented Zeda Müller, this is a film that demands your attention from the start. With its eerie score and moody camerawork it sets a very atmospheric and claustrophobic feel to proceedings. It's a great take on the 'old dark house' horrors of a bygone era, Robert Wiene and Tod Brownings early work springs to mind... yet draws on influences from the likes of Dario Argento, Mario Bava's gothic horrors, giallo and slasher films (there are some nicely placed references for the sharp-eyed viewer). The fact that this is a silent film (I'll get to the score in a bit) actually works in its favour. Gone are the usual mundane dialogue pieces that fill out most horror films these days and the viewer is reintroduced to dialogue cards when required to move the story along. This also means that the actors are given room to act through expression and emotion and they all do a sterling job.
The masterstroke of 13 Dolls though is the excellent use of camerawork and soundtrack. The soundtrack is interspliced with sound effects (church bells, howling wind, dripping taps etc) and moody piano/tension building synths, all used to full sensory effect. The footage and score intertwine brilliantly together and I found some scenes genuinely eerie and creepy (a rare feeling for me whilst watching a new film these days).
Overall 13 Dolls is a mesmerising experience, interspersed with some cleverly executed gore scenes, and at a scant 75 minutes long, it motors along at a cracking pace.
So, you have probably guessed that I liked this film a lot. I highly recommend checking it out, especially if you are looking for something different. It's a great film and I for one am looking forward to Zeda Müller & Co's next venture...!
Over the last 20 years I have felt that the horror genre hasn't really offered it's fans anything new (bar a few exceptions). Having been left despondent, disappointed and bored senseless by the over-saturation of remakes, reboots and just plain dull horror fare, it comes with great surprise that a black and white silent film from Australia would be the breath of fresh air that the horror genre desperately needs.
The plot of 13 Dolls is pretty straightforward. Marjorie receives a letter from her ailing mother to return home after a 13 year absence. On her return home Marjorie realises that things are not what they seem...
Written and directed by the talented Zeda Müller, this is a film that demands your attention from the start. With its eerie score and moody camerawork it sets a very atmospheric and claustrophobic feel to proceedings. It's a great take on the 'old dark house' horrors of a bygone era, Robert Wiene and Tod Brownings early work springs to mind... yet draws on influences from the likes of Dario Argento, Mario Bava's gothic horrors, giallo and slasher films (there are some nicely placed references for the sharp-eyed viewer). The fact that this is a silent film (I'll get to the score in a bit) actually works in its favour. Gone are the usual mundane dialogue pieces that fill out most horror films these days and the viewer is reintroduced to dialogue cards when required to move the story along. This also means that the actors are given room to act through expression and emotion and they all do a sterling job.
The masterstroke of 13 Dolls though is the excellent use of camerawork and soundtrack. The soundtrack is interspliced with sound effects (church bells, howling wind, dripping taps etc) and moody piano/tension building synths, all used to full sensory effect. The footage and score intertwine brilliantly together and I found some scenes genuinely eerie and creepy (a rare feeling for me whilst watching a new film these days).
Overall 13 Dolls is a mesmerising experience, interspersed with some cleverly executed gore scenes, and at a scant 75 minutes long, it motors along at a cracking pace.
So, you have probably guessed that I liked this film a lot. I highly recommend checking it out, especially if you are looking for something different. It's a great film and I for one am looking forward to Zeda Müller & Co's next venture...!
Rock 'n' Film: Cinema's Dance with Popular Music
Book
Rock 'N' Film presents a cultural history of films about US and British rock music during the period...
JT (287 KP) rated Anna (2019) in Movies
Mar 10, 2020
Tell me if you’ve heard this one before? A young woman is pulled from a life of drugs and abuse and given a fresh start as a deadly assassin. Once on the inside, she uses her skill set and good looks to complete various assignments while falling for her handler. She then decides that her new life is not for her after all and wants out.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
Scott Tostik (389 KP) rated Blood Sucking Freaks (1976) in Movies
Apr 26, 2020
Excellent kills (2 more)
A dwarf... A torturing foul mouthed hilarious dwarf
Exploitation at its finest
If Le Champion Likes it... What could be wrong with it
When sitting down to watch The Last Drive In with Joe Bob Briggs, you never know what you're going to get.
His weekly double feature show on Shudder can bring some surprises to my tv screen and for that I thank him.
This past week, he double featured Chopping Mall and Joel M Reed's classic torture fest Blood Sucking Freaks.
1976 was a weird time in horror. Classics such as The Texas Chainsaw Massacre set the bar pretty high in the early 70's. So directors had to push the bar to try and compete with the instant classic.
Reed decided to make this film in the spirit of Master Gore technician Herschell Gordon Lewis. There is plenty of blood and gore to go around. People have been known to leave during a screening of this slashic. I for one, am not one of them. When I watch a movie, no matter how shitty it is. I have already made a commitment to sit through the bullshit and hope it gets better.
Freaks is just that kind of flick. But it makes you view it, you just have to see what Ralphus(the torturing wonder dwarf excellently played by the late Louis DeJesus) will do next to these women Sardu( Seamus....something or another... Yeah yeah, bad reviewer) has caged up in his basement.
The blood flows, the body parts roll and, yes, there is plenty of boobs and butts if that's your thing too.
I rated it 8/10 for a few reasons that some may not understand. I am a Horror Fanatic. No matter the plot, hole filled and silly... The script, if there is one... And the acting, if you could call it that... I seem to find the good in all films.
The gore, violence and total insanity that stems from the screen to your damaged brain is what should make the movie good/bad. And this movie is full of some of the most disgusting imagery that these eyes have ever fell upon. From playing backgammon for fingers to a woman guillotining herself because she was being spanked...and she had the rope holding the blade in her mouth... Heart removal, stretching, quartering, severed limbs and pulled out teeth... This flick has it all
Shout out to the cop who looks like David Berkowitz... I actually did a double take because at first glance I was like WTF???
Also a shout out to AEW Wrestler and all time wrestling G.O.A.T. Chris Jericho who, like me, is a huge fan of exploitation and gore films. And his own review of this film on his podcast, Talk is Jericho.
I recommend this film if you have a few hours to kill. I highly recommend you get Shudder... Its cheap 5.99 a month in Canada and its full of some great horror films and documentaries. But it's also the only place you can find THE LAST DRIVE-IN with Joe Bob Briggs... Friday nights at 9p.m. EST for the next 6-8 weeks.
Enjoy this film, horror fans. Because you will never see anything else like it....
His weekly double feature show on Shudder can bring some surprises to my tv screen and for that I thank him.
This past week, he double featured Chopping Mall and Joel M Reed's classic torture fest Blood Sucking Freaks.
1976 was a weird time in horror. Classics such as The Texas Chainsaw Massacre set the bar pretty high in the early 70's. So directors had to push the bar to try and compete with the instant classic.
Reed decided to make this film in the spirit of Master Gore technician Herschell Gordon Lewis. There is plenty of blood and gore to go around. People have been known to leave during a screening of this slashic. I for one, am not one of them. When I watch a movie, no matter how shitty it is. I have already made a commitment to sit through the bullshit and hope it gets better.
Freaks is just that kind of flick. But it makes you view it, you just have to see what Ralphus(the torturing wonder dwarf excellently played by the late Louis DeJesus) will do next to these women Sardu( Seamus....something or another... Yeah yeah, bad reviewer) has caged up in his basement.
The blood flows, the body parts roll and, yes, there is plenty of boobs and butts if that's your thing too.
I rated it 8/10 for a few reasons that some may not understand. I am a Horror Fanatic. No matter the plot, hole filled and silly... The script, if there is one... And the acting, if you could call it that... I seem to find the good in all films.
The gore, violence and total insanity that stems from the screen to your damaged brain is what should make the movie good/bad. And this movie is full of some of the most disgusting imagery that these eyes have ever fell upon. From playing backgammon for fingers to a woman guillotining herself because she was being spanked...and she had the rope holding the blade in her mouth... Heart removal, stretching, quartering, severed limbs and pulled out teeth... This flick has it all
Shout out to the cop who looks like David Berkowitz... I actually did a double take because at first glance I was like WTF???
Also a shout out to AEW Wrestler and all time wrestling G.O.A.T. Chris Jericho who, like me, is a huge fan of exploitation and gore films. And his own review of this film on his podcast, Talk is Jericho.
I recommend this film if you have a few hours to kill. I highly recommend you get Shudder... Its cheap 5.99 a month in Canada and its full of some great horror films and documentaries. But it's also the only place you can find THE LAST DRIVE-IN with Joe Bob Briggs... Friday nights at 9p.m. EST for the next 6-8 weeks.
Enjoy this film, horror fans. Because you will never see anything else like it....
Anand Wilder recommended Bugsy Malone Soundtrack by Paul Williams in Music (curated)
LoganCrews (2861 KP) rated Who Killed Captain Alex? (2010) in Movies
Sep 21, 2020
"𝘌𝘹𝘱𝘦𝘤𝘵 𝘵𝘩𝘦 𝘶𝘯𝘦𝘹𝘱𝘦𝘤𝘵𝘢𝘣𝘭𝘦."
Not so much a so-bad-it's-good flick - since at its core, taking consideration into what it had to work with - this is actually a pretty (unironically) great adventure. Seldom has a poster so accurately captured the essence of a film before I mean just *look* at that beast lol. Of course it's got abundant clenched, cocked fistfuls of kitsch, sure - but the base script is sound, and I find it tantamount to insult that much lesser works like 𝘉𝘦𝘢𝘴𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘰𝘶𝘵𝘩𝘦𝘳𝘯 𝘞𝘪𝘭𝘥 get lauded for their (nevertheless still lovely) performances from non-actors while the straight-up spectacular work the entirety of the cast gives here is written off as being undeserving of such an appropriate distinction. The action is, as you've heard, mesmerizingly batshit (and surprisingly well shot + edited + performed) and I'm impressed with how endlessly quotable this is - I cannot understate how much this is some God-tier dialogue (peppered with a comically bizarre Emcee track for the ages). One of the top-dog Z-movie exploitation flicks you'll find - very great work, let alone for a first timer given the conditions. It's graciously free on YouTube so there's no excuse not to give this and the director's other (also dope) works the attention they deserve.
Not so much a so-bad-it's-good flick - since at its core, taking consideration into what it had to work with - this is actually a pretty (unironically) great adventure. Seldom has a poster so accurately captured the essence of a film before I mean just *look* at that beast lol. Of course it's got abundant clenched, cocked fistfuls of kitsch, sure - but the base script is sound, and I find it tantamount to insult that much lesser works like 𝘉𝘦𝘢𝘴𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘰𝘶𝘵𝘩𝘦𝘳𝘯 𝘞𝘪𝘭𝘥 get lauded for their (nevertheless still lovely) performances from non-actors while the straight-up spectacular work the entirety of the cast gives here is written off as being undeserving of such an appropriate distinction. The action is, as you've heard, mesmerizingly batshit (and surprisingly well shot + edited + performed) and I'm impressed with how endlessly quotable this is - I cannot understate how much this is some God-tier dialogue (peppered with a comically bizarre Emcee track for the ages). One of the top-dog Z-movie exploitation flicks you'll find - very great work, let alone for a first timer given the conditions. It's graciously free on YouTube so there's no excuse not to give this and the director's other (also dope) works the attention they deserve.
LoganCrews (2861 KP) rated Planet Terror (2007) in Movies
Sep 20, 2020 (Updated Sep 20, 2020)
*Examining mutilated corpse*
"𝘓𝘰𝘰𝘬𝘴 𝘭𝘪𝘬𝘦 𝘢 𝘯𝘰-𝘣𝘳𝘢𝘪𝘯𝘦𝘳"
"𝘞𝘩𝘢𝘵 𝘥𝘰𝘦𝘴 𝘵𝘩𝘢𝘵 𝘮𝘦𝘢𝘯?"
"𝘕𝘰 𝘣𝘳𝘢𝘪𝘯."
A nasty, gushing open wound of a movie - real gnarly dirtbag exploitation on display and easily one of the dopest film heroines ever put on screen. The American military as a grotesque, deformed monster of its former self - shambling around causing havoc in its wake, using its past achievements to justify its new warped existence. Also cool lady has machine gun for leg. Plants its sickness firmly into the ground before the zombies even start showing up, and then we get those reliably exemplary Nicotero effects - and they sure aren't afraid to use them. Dear God almighty is there a *lot* of blood, pus, rotting flesh, and guts in this and it all looks top-notch. Even by this genre's standards this leans hard into depraved splatfest mode. The last thirty minutes are seriously some of the best that cinema has ever created - and every Tarantino scene is the sort of masterclass revolting slime that makes you feel physically sick. The type of movie Rodriguez was born to direct - orgasmically evocative of the 𝘐 𝘚𝘱𝘪𝘵 𝘰𝘯 𝘠𝘰𝘶𝘳 𝘎𝘳𝘢𝘷𝘦 era of gorecore films while also totally remaining its own thing with a formidable vigor and sense of self. Prestige filth.
"𝘓𝘰𝘰𝘬𝘴 𝘭𝘪𝘬𝘦 𝘢 𝘯𝘰-𝘣𝘳𝘢𝘪𝘯𝘦𝘳"
"𝘞𝘩𝘢𝘵 𝘥𝘰𝘦𝘴 𝘵𝘩𝘢𝘵 𝘮𝘦𝘢𝘯?"
"𝘕𝘰 𝘣𝘳𝘢𝘪𝘯."
A nasty, gushing open wound of a movie - real gnarly dirtbag exploitation on display and easily one of the dopest film heroines ever put on screen. The American military as a grotesque, deformed monster of its former self - shambling around causing havoc in its wake, using its past achievements to justify its new warped existence. Also cool lady has machine gun for leg. Plants its sickness firmly into the ground before the zombies even start showing up, and then we get those reliably exemplary Nicotero effects - and they sure aren't afraid to use them. Dear God almighty is there a *lot* of blood, pus, rotting flesh, and guts in this and it all looks top-notch. Even by this genre's standards this leans hard into depraved splatfest mode. The last thirty minutes are seriously some of the best that cinema has ever created - and every Tarantino scene is the sort of masterclass revolting slime that makes you feel physically sick. The type of movie Rodriguez was born to direct - orgasmically evocative of the 𝘐 𝘚𝘱𝘪𝘵 𝘰𝘯 𝘠𝘰𝘶𝘳 𝘎𝘳𝘢𝘷𝘦 era of gorecore films while also totally remaining its own thing with a formidable vigor and sense of self. Prestige filth.
Torture Porn in the Wake of 9/11: Horror, Exploitation, and the Cinema of Sensation
Book
Saw, Hostel, The Devil's Rejects: this wave of horror movies has been classed under the disparaging...