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Gareth von Kallenbach (980 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Amy Christmas (171 KP) rated The Subtle Knife in Books
Jan 18, 2019 (Updated Jan 19, 2019)
Well paced (2 more)
Information is introduced quickly and effectively
Lyra having no idea how to function in our world
Lee scoresby (if you've read it you know why) (1 more)
A lack of Iorek Byrnison
Short so sweet and informative
Contains spoilers, click to show
For a conventional middle filler book this is beautiful, just as good as the first and possibly better?
It was extremely well paced for being only 15 chapters the shortest of all three books while still managing to introduce a myriad of new concepts and information without it being overwhelming for the reader.
At the start of the book we are introduced to will (AKA Roger 2.0 in my opinion) I loved will, his character and his back story. Will is a boy coming into his own being thrust into duties he doesn't want but duties he accepts and carries the burden of. We learn that will's father went missing on an exploration when he was a baby and it becomes clear that he didn't just die and no body was recovered, but something else.
Pullman beautifully builds on the religious background of Lyras world into the wider context of the universe with the introduction of angels and The Authority as he is primarily called.
Lyra's character doesn't unfortunately do much growing in this book as Will takes the focus, which I think was a good decision as it allows for each character to have their moment per sé.
But Lee scoresby, I loved Lee, our favourite drunken aeronaut, and we had to say farewell.
Going onto the third and final installment however, promises some more Iorek after his absence for all but one part of this book, more witches, angels and Mrs Coulter and her dreaded monkey.
I can't wait to see Will grow further as well as Lyra, nor can I wait for that crescendo that is a final battle.
It was extremely well paced for being only 15 chapters the shortest of all three books while still managing to introduce a myriad of new concepts and information without it being overwhelming for the reader.
At the start of the book we are introduced to will (AKA Roger 2.0 in my opinion) I loved will, his character and his back story. Will is a boy coming into his own being thrust into duties he doesn't want but duties he accepts and carries the burden of. We learn that will's father went missing on an exploration when he was a baby and it becomes clear that he didn't just die and no body was recovered, but something else.
Pullman beautifully builds on the religious background of Lyras world into the wider context of the universe with the introduction of angels and The Authority as he is primarily called.
Lyra's character doesn't unfortunately do much growing in this book as Will takes the focus, which I think was a good decision as it allows for each character to have their moment per sé.
But Lee scoresby, I loved Lee, our favourite drunken aeronaut, and we had to say farewell.
Going onto the third and final installment however, promises some more Iorek after his absence for all but one part of this book, more witches, angels and Mrs Coulter and her dreaded monkey.
I can't wait to see Will grow further as well as Lyra, nor can I wait for that crescendo that is a final battle.
Rob P (30 KP) rated Best Served Cold in Books
Jan 22, 2019
Morally taxing (2 more)
Satisfying story line
Exploration of side characters from the Abercrombie "First Law" universe
Brutal in places (although I'm fine with that) (1 more)
Not for the fainthearted
Best Served Cold
If you couldn't tell from the title, this is all about the revenge motif. If you've read Abercrombie, the savagery of the opening chapter (and plenty of others) should not bother you by this point, but having said that there were moments in this even I winced at.
This standalone novel takes place in Abercrombie's universe established in the "First Law" trilogy, and much like other offerings (The Heroes, Red Country) it's charms for me lie in the characters that play only a fleeting part in the previous books. Seeing where they are from and how they operate is so satisfying to me as a reader.
The very next facet of this read that made it so excellent for me, is theme of moral bankruptcy. At the start, Murcatto is a leader, betrayed and left so horribly injured that it sets a moral precedent. She sets out to kill the seven men who carried this out (one of which is a despot who looks to name himself King of Styria), and as they fall, one by one, more and more of the moral right she has is chipped away and spent, having to turn her hand to more and more depraved acts, associate with lower and lower people, and be part of more and more hideous scenarios in order to exact her justice.
If you've had the pleasure of reading the First Law trilogy, this is the book to start with next, it then leads brilliantly into the Heroes, and most recently Red Country.
Overall, a savage, visceral, compelling read.
- Rob
This standalone novel takes place in Abercrombie's universe established in the "First Law" trilogy, and much like other offerings (The Heroes, Red Country) it's charms for me lie in the characters that play only a fleeting part in the previous books. Seeing where they are from and how they operate is so satisfying to me as a reader.
The very next facet of this read that made it so excellent for me, is theme of moral bankruptcy. At the start, Murcatto is a leader, betrayed and left so horribly injured that it sets a moral precedent. She sets out to kill the seven men who carried this out (one of which is a despot who looks to name himself King of Styria), and as they fall, one by one, more and more of the moral right she has is chipped away and spent, having to turn her hand to more and more depraved acts, associate with lower and lower people, and be part of more and more hideous scenarios in order to exact her justice.
If you've had the pleasure of reading the First Law trilogy, this is the book to start with next, it then leads brilliantly into the Heroes, and most recently Red Country.
Overall, a savage, visceral, compelling read.
- Rob
LeftSideCut (3776 KP) rated the PlayStation 4 version of Layers of Fear in Video Games
Nov 19, 2019 (Updated Nov 19, 2019)
On the surface, Layers of Fear seems like a game that was designed purely for YouTubers to play and scream at, and I think that's a fair enough assumption based on the sheer amount of jumpscares throughout (some are cheap, some are effective).
But look a little deeper and you will be rewarded with more that you might expect.
You play as a Victorian era painter, trying to paint his magnum opus, unlocking more to your painting as you dive ever deeper into his fractured psyche.
It's one of those games that leaves a lot up to you to interpret, only finding more concrete plot pointers if you care enough to explore and find clues.
Visually, Layers of Fear is great. It captures the feeling of spiralling madness perfectly, with some decent graphics to go with it.
The constant presence of subtly morphing paintings scattered along the walls is suitably creepy, and creates a general feeling of unease as you navigate through dimly lit hallways.
The classic first person perspective adds to this unease as you constantly feel little to no control over what you're seeing, as the house shifts around you regularly.
The further you venture into the artists mind, the darker the narrative insinuations become, as the visions turn increasingly twisted.
Layers of Fear can be finished in a couple of hours, and isn't particularly challenging, but the addition of multiple endings will keep you coming back, just out of shear intrigue.
The jump scares feel a little excessive after a while but if you are a fan of the recent wave of first person horror exploration games (in the wake of P.T.) then Layers of Fear is worth seeking out.
But look a little deeper and you will be rewarded with more that you might expect.
You play as a Victorian era painter, trying to paint his magnum opus, unlocking more to your painting as you dive ever deeper into his fractured psyche.
It's one of those games that leaves a lot up to you to interpret, only finding more concrete plot pointers if you care enough to explore and find clues.
Visually, Layers of Fear is great. It captures the feeling of spiralling madness perfectly, with some decent graphics to go with it.
The constant presence of subtly morphing paintings scattered along the walls is suitably creepy, and creates a general feeling of unease as you navigate through dimly lit hallways.
The classic first person perspective adds to this unease as you constantly feel little to no control over what you're seeing, as the house shifts around you regularly.
The further you venture into the artists mind, the darker the narrative insinuations become, as the visions turn increasingly twisted.
Layers of Fear can be finished in a couple of hours, and isn't particularly challenging, but the addition of multiple endings will keep you coming back, just out of shear intrigue.
The jump scares feel a little excessive after a while but if you are a fan of the recent wave of first person horror exploration games (in the wake of P.T.) then Layers of Fear is worth seeking out.
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