"And then I’d probably say, to round it out, probably The Texas Chainsaw Massacre. First time going to see that — I remember going to see that. Or Rocky Horror Picture Show, we can make those tied. Finally when I got some wheels and could drive out of town, I would drive for hours and days to go see a movie. I would go to great lengths to see movies. One time I rode my bicycle for seven hours just to see Night of the Living Dead. I did it in the rain, like, “I’m going to see this f—ing movie if it’s the last thing I do!"

"One of my all-time favorites is Apocalypse Now, because it shows the craziness of war, and you have the feeling that the shooting also was a big adventure. And this is what I like. What is lost, if you see war movies today — not like Pearl Harbor, that’s one of the worst movies of all time — but like Mel Gibson‘s Once We Were Warriors or Soldiers or whatever (2002’s We Were Soldiers), all that stuff, you feel it’s all fake. You feel they go in the evenings to their hotel rooms and it’s all good. But in Apocalypse Now, you feel like these guys were f—ed!"

"I also related to [Yojimbo] too because he’s a samurai who doesn’t really have to give a f— — forgive my French — but he doesn’t really care. He has [some of] the morals that I do in the sense that… Kurosawa is brilliant. He doesn’t really come out and let the audience know what Yojimbo’s doing. You almost wonder if he’s immoral because he’s killing all these folks and you’re not sure why until the end. At the end of the second act, you’ll see. You realize that both sides are evil, the whole town is evil. He wants to kind of annihilate all of them [laughing]."

"There’s this movie called Le Souffle. It was called Deep Breath. It’s a f—ing amazing movie. It’s about a teenage boy who is kind of expelled from school, and he has to live with his uncle, I think, in the French countryside. I remember watching it when I was maybe 18 or 19, and I just loved the performances in it so much, and I think it’s kind of like a kid who’s on the run from himself in a way. I think it’s kind of quite related to Good Time as well. It’s just incredibly, beautifully shot. Yeah, that’s one of them."

"Well, first off, I’ll say Beetlejuice because that is my number one movie of all time, period. I know it’s not like no f—in’ Orson Welles s—, but I swear to god, Beetlejuice was, to me, the greatest movie ever made. It’s amazing, and it’s so fun. It’s so fun and it ages well. You know, watching it as a kid was great, and as you get older you’re like, “Oh these were some dirty jokes in here.” I remember I loved it then, and then I got high and saw it, and I was like, “Oh my god! Dude, what the…” It was amazing."

"Anybody who has the audacity to say that Marilyn Monroe wasn’t a good actress needs to see that f***** movie. I want you to go inside and outside of a house, jumping in a box and going, “I’m in and I’m out. And I’m in and I’m out.” And you believe it, that this woman is standing there, working the little thing, the whole body jiggling, the entire place mesmerized. There were just so many moments, and it’s shot so beautifully, and I think it’s just a remarkable film. Clark Gable in a completely different way than we’ve ever seen him before. It’s remarkable."