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Emma @ The Movies (1786 KP) rated Second Act (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Second Act is what I'm going to call a proper romcom, despite the fact that romance isn't actually that prominent in the story. Jennifer Lopez has the knack of this sort of film, she never seems to age either so I'm hoping that we can get a lot more of these on our screens over the next few years.
There's no doubt for me that Lopez is a master in this category of film, she probably has several of the top ten slots, so apart from saying that she was yet again a great leading lady I don't want to bombard you with all the reasons why. What I do want to do is talk about how some of the supporting actors nailed their roles.
Leah Remini as Maya's best friend Joan... yeeeeeees. I can totally identify with Joan, the performance that Remini gives is so entertaining. The swearing, the jeans button, just everything. She's the comic relief, and I know that sounds odd to say about someone in a comedy film but I just mean that you know you're going to get something great from her character.
Dave Foley gets the line of the movie though... "Coxswain my ass." His delivery is perfect and you can guarantee great return for him if you give him one liners like that.
Despite loving this romcom it is a little light on the rom. One of the only notes I made about the romance angle was the fact that I didn't really understand how that whole part of the film played out. I don't think it's really a spoiler to say that they're together, some stuff happens and then they break up... after all that's basically what you'd expect from a romcom. In this genre's world, woman make terrible choices, go out and do things for themselves and then realise what a terrible mistake they've made somewhere along the line. (I may be living in a romcom... I don't want to think about it.) Second Act sticks to that premise really well but I think that it's actually more to do with the rest of her life than the romance side which really just feels like it's there to be able to kick start the rest of the story.
If you love classics like Maid In Manhattan and When Harry Met Sally I honestly think you'll enjoy this, there's something very nostalgic about it that sets it apart from modern attempts at the genre.
(On a separate note, if anyone fancies some crazy dancing to Salt-N-Pepa's Push It please let me know.)
What you should do
This is perfect girls' night out fodder. It's a very enjoyable watch and something a little more light hearted in this bleak January schedule.
Movie thing you wish you could take home
The dress that Maya wears to her interview at F&C is incredible. One of those please!
"The only thing stopping you is you." - This is something I think we should probably all take home from this film
There's no doubt for me that Lopez is a master in this category of film, she probably has several of the top ten slots, so apart from saying that she was yet again a great leading lady I don't want to bombard you with all the reasons why. What I do want to do is talk about how some of the supporting actors nailed their roles.
Leah Remini as Maya's best friend Joan... yeeeeeees. I can totally identify with Joan, the performance that Remini gives is so entertaining. The swearing, the jeans button, just everything. She's the comic relief, and I know that sounds odd to say about someone in a comedy film but I just mean that you know you're going to get something great from her character.
Dave Foley gets the line of the movie though... "Coxswain my ass." His delivery is perfect and you can guarantee great return for him if you give him one liners like that.
Despite loving this romcom it is a little light on the rom. One of the only notes I made about the romance angle was the fact that I didn't really understand how that whole part of the film played out. I don't think it's really a spoiler to say that they're together, some stuff happens and then they break up... after all that's basically what you'd expect from a romcom. In this genre's world, woman make terrible choices, go out and do things for themselves and then realise what a terrible mistake they've made somewhere along the line. (I may be living in a romcom... I don't want to think about it.) Second Act sticks to that premise really well but I think that it's actually more to do with the rest of her life than the romance side which really just feels like it's there to be able to kick start the rest of the story.
If you love classics like Maid In Manhattan and When Harry Met Sally I honestly think you'll enjoy this, there's something very nostalgic about it that sets it apart from modern attempts at the genre.
(On a separate note, if anyone fancies some crazy dancing to Salt-N-Pepa's Push It please let me know.)
What you should do
This is perfect girls' night out fodder. It's a very enjoyable watch and something a little more light hearted in this bleak January schedule.
Movie thing you wish you could take home
The dress that Maya wears to her interview at F&C is incredible. One of those please!
"The only thing stopping you is you." - This is something I think we should probably all take home from this film
Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
Targeting Frankenstein: A Horror Icon
Targets- is a very suspenseful film that stars a old boris Karloff. His performance in this film is different. Usually he is type-cast in a horror movie. Targets is not the cast, its a more serious role for Karloff and I liked it alot. He is dramatic in Targets. It was Karloff's last appearance in a marjor american film, before he passed away in 1968.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
Charlie Cobra Reviews (1840 KP) rated Little Monsters (2019) in Movies
Jul 7, 2020 (Updated Oct 26, 2020)
A New Zombie Movie That Proves Zombie Films "Still Have Fresh Brains To Savor"
Contains spoilers, click to show
This movie was pretty good. I enjoyed it quite a bit and even though it had somethings that were predictable and cliché, it really was unique in its own way. It really had me invested in the main character Dave from the beginning because of his situation. After his break up his living on the couch at his sisters and getting in trouble for cussing and being a bad role model for his nephew. He gets in trouble for letting his nephew play violent video games and for taking him out late at night to use him as a prop when his plans to propose to his ex-g/f that goes horribly wrong. That scene was hilarious as his surprise proposal leads to him and his nephew catching his ex having sex with another man and the naked man beating him up. It's kind of slow moving plot wise with all this setup but you get invested in the characters and they mean more to you and you better understand their motivations. Dave winds up taking his nephew to school and when he sees his attractive teacher Miss Coraline played by Lupita Nyong'o he's more than happy to volunteer to chaperone on a field trip when another parent drops out. At the field trip on the farm is when your officially introduced to Josh Gad's character Teddy McGiggle who is filming his children's show there. Teddy winds up being nothing like he pretends to be and shows his true colors when the trouble starts up. The zombies from a U.S. testing facility break free and head straight to the farm attacking anyone and everyone they see. I thought they did a good job on the zombies and make-up/special effects since most scenes happen during the day. There wasn't as much action or blood as I wanted but there were always scenes that built the tension and made sure danger was always present. The character development from Dave was really good and made him one of my favorite characters but Miss Caroline was a real badass. She demonstrated that she would do anything to protect those kids and let Teddy McGiggle know that she would take care of him too if he didn't cooperate. As i mentioned some of it was predictable like there being a facility where there were zombies, and the zombies breaking out, the military not being able to do anything to contain it at first, and it spreading so quickly. But it was unique in bringing the kids into the situation and how Miss Coraline made it into a game so the kids wouldn't be scared, how she got them to focus on her so they didn't look at the zombies alot, and how the zombies started singing along towards the end. Like I said above pretty good movie, I give it 7/10 and my "Must See Seal Of Approval". If you haven't seen this movie you need to check it out.
Emma @ The Movies (1786 KP) rated Better Watch Out (2016) in Movies
Sep 25, 2019
A Christmas film... a horror film... also described as a comedy and a thriller on IMDb, although I find both of those a little inaccurate. If you asked me to sum up the genre I'd say "it's a Christmas horror..?" and then scrunch up my face in uncertain disgust.
It's difficult to sum this one up without exposing the end of the movie. I would like everyone to have the same confused experience watching this as I did.
I sat down at home to this DVD. I'd excitedly purchased this when I found out about it. With the tagline of "you might be home but you're not alone" you know exactly what you're getting. Or at least that's what you think. Everything promises to make this Home Alone for adults... Home Alone is for adults too of course. No one should deprive themselves of that Christmas wonder.
Not going to lie, when I saw Patrick Warburton pop up on screen it was like a Christmas miracle. I love him. He can do no wrong, and thankfully he didn't disappoint.
Olivia DeJonge made a great job of the role of Ashley. It felt like the serious sort of acting that the film needed to make it a horror film and not more of a comedy. Alongside Levi Miller as Luke we were given an interesting, if awkward on screen leading pair. Miller didn't quite hit the same notes for me as DeJonge did. I think that is more to do with the way the character is written than the acting, as he certainly puts everything into his scenes.
So... I sat down (I know, that was a way back now!) with my pad and pen waiting to jot some notes as I watched. I made a few scribblngs every now and then... until it happened... and you'll know it when it does. At that point I threw my pen across the room and told the film to f*** off.
The first part of the film had so much potential and I was really enjoying it but after "the moment" I just lost all interest in the way they'd taken it. I really wanted a more serious horror film than the unbelieveable thing that was given to us. What we were left with was cringeworthy and uncomfortable to watch, but I will give it credit for its Home Alone moments.
I really would like to know what you guys thought of the end of this film if you saw it.
Being that I was at home watching this on DVD that meant that I got some extras, well, extra. Singular. The fairly subtantial "making of" featurette was quite interesting and reveals just how hardcore DeJonge is when it came to this film.
What you should do
It's potentially drinking game material, but it definitely won't be making it into my Christmas movie rotation.
Movie thing you wish you could take home
Without a doubt I would like Patrick Warburton please. If he could be delivered to me in a Christmas tie, even better.
It's difficult to sum this one up without exposing the end of the movie. I would like everyone to have the same confused experience watching this as I did.
I sat down at home to this DVD. I'd excitedly purchased this when I found out about it. With the tagline of "you might be home but you're not alone" you know exactly what you're getting. Or at least that's what you think. Everything promises to make this Home Alone for adults... Home Alone is for adults too of course. No one should deprive themselves of that Christmas wonder.
Not going to lie, when I saw Patrick Warburton pop up on screen it was like a Christmas miracle. I love him. He can do no wrong, and thankfully he didn't disappoint.
Olivia DeJonge made a great job of the role of Ashley. It felt like the serious sort of acting that the film needed to make it a horror film and not more of a comedy. Alongside Levi Miller as Luke we were given an interesting, if awkward on screen leading pair. Miller didn't quite hit the same notes for me as DeJonge did. I think that is more to do with the way the character is written than the acting, as he certainly puts everything into his scenes.
So... I sat down (I know, that was a way back now!) with my pad and pen waiting to jot some notes as I watched. I made a few scribblngs every now and then... until it happened... and you'll know it when it does. At that point I threw my pen across the room and told the film to f*** off.
The first part of the film had so much potential and I was really enjoying it but after "the moment" I just lost all interest in the way they'd taken it. I really wanted a more serious horror film than the unbelieveable thing that was given to us. What we were left with was cringeworthy and uncomfortable to watch, but I will give it credit for its Home Alone moments.
I really would like to know what you guys thought of the end of this film if you saw it.
Being that I was at home watching this on DVD that meant that I got some extras, well, extra. Singular. The fairly subtantial "making of" featurette was quite interesting and reveals just how hardcore DeJonge is when it came to this film.
What you should do
It's potentially drinking game material, but it definitely won't be making it into my Christmas movie rotation.
Movie thing you wish you could take home
Without a doubt I would like Patrick Warburton please. If he could be delivered to me in a Christmas tie, even better.
BankofMarquis (1832 KP) rated Shazam! (2019) in Movies
Sep 1, 2019
Entertaining Enough
In the battle of DC vs Marvel in the Cinematic world, the prevailing theory is that DC is "righting the ship" with back-to-back decent films - AQUAMAN and SHAZAM. And...after viewing both of these films, I will agree that they are moving the ship in the correct direction, but they have a long, long way to go before they can say they have "righted" this ship.
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated A Means to an End in Books
Sep 13, 2019
Cold Case Detective Lauren Riley is back on the job after being stabbed in the line of duty. She and her partner, Shane Reese, find themselves investigating a body dumped in the woods in the exact same site as a victim from one of Lauren's previous cases. She quickly recognizes the tie to David Spencer, a clever kid whom Lauren helped get off on a murder charge while she was working as a Private Investigator. Once he was acquitted, Lauren realized he was a cold-blooded psychopath, and she's been haunted by it (and him) ever since. Lauren is put on a Task Force investigating the killing--and the unsolved murders of two cops--but she quickly realizes she may be the only one who can stop David, for once and for all.
I really like the character of Lauren Riley--she's a tough yet vulnerable cop who knows her stuff, and I've been following her since the beginning of this series. This book tied up some things, but left others hanging, and I have to admit, I hope there is a book four out there? I also have to say, to prove my devotion to Lauren, my ARC copy had issues with the "f"s in the book (e.g. Sheriff = Sheri; office = offce; files = les, etc.) and none of the text messages were in there, and I still read it, because I needed to know what was happening to Lauren. A final copy will be fine--just pointing out how much I care about these characters!
We have a small cast here, but do get some new blood, mainly in the form of the task force gents. Two, of course, suspect Lauren for the cop killings that happened in the second novel, but one, Jack Nolan, seems to be a good guy. Poor Lauren, she can't catch a break. I would mention that this book will make more sense if you've read the first two. Redmond explains things, but the backstory is easier to comprehend (and those first two books are good). Still, don't let that scare you away from this one.
These cases are personal for Lauren, and I found some of this book stressful, as I care about her and Reese, and I was worried about them both! If you're less invested, you may not be as concerned. No matter what, it's an interesting book--we think we know our suspect (David), but we're never quite sure, and there's a lot of angst and intrigue in trying to track him down. I always enjoy how the city of Buffalo is almost another character in these books, and it's very clear that Redmond knows her police procedures.
"She'd been waging a one-person war against him, and she was losing. She had to take this further before anyone else got hurt."
Overall, I definitely recommend this one, especially if you've read the earlier books, enjoy a good police procedural, or are on the hunt for a strong female protagonist. Redmond's stories are always interesting and sure to suck you in. 4 stars.
I really like the character of Lauren Riley--she's a tough yet vulnerable cop who knows her stuff, and I've been following her since the beginning of this series. This book tied up some things, but left others hanging, and I have to admit, I hope there is a book four out there? I also have to say, to prove my devotion to Lauren, my ARC copy had issues with the "f"s in the book (e.g. Sheriff = Sheri; office = offce; files = les, etc.) and none of the text messages were in there, and I still read it, because I needed to know what was happening to Lauren. A final copy will be fine--just pointing out how much I care about these characters!
We have a small cast here, but do get some new blood, mainly in the form of the task force gents. Two, of course, suspect Lauren for the cop killings that happened in the second novel, but one, Jack Nolan, seems to be a good guy. Poor Lauren, she can't catch a break. I would mention that this book will make more sense if you've read the first two. Redmond explains things, but the backstory is easier to comprehend (and those first two books are good). Still, don't let that scare you away from this one.
These cases are personal for Lauren, and I found some of this book stressful, as I care about her and Reese, and I was worried about them both! If you're less invested, you may not be as concerned. No matter what, it's an interesting book--we think we know our suspect (David), but we're never quite sure, and there's a lot of angst and intrigue in trying to track him down. I always enjoy how the city of Buffalo is almost another character in these books, and it's very clear that Redmond knows her police procedures.
"She'd been waging a one-person war against him, and she was losing. She had to take this further before anyone else got hurt."
Overall, I definitely recommend this one, especially if you've read the earlier books, enjoy a good police procedural, or are on the hunt for a strong female protagonist. Redmond's stories are always interesting and sure to suck you in. 4 stars.
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