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Bob Mann (459 KP) rated You Were Never Really Here (2018) in Movies
Sep 28, 2021
Joachim Phoenix delivers a standout performance in a violent tale of crusading.
Joachim Phoenix (“Her”) is a very intense actor, and fits perfectly here into the role of Joe. For he is a hired thug, available to do over anyone you think deserves dispatching or giving a good telling off. His weapon of choice for this task is a ball-point hammer, bought each time from a local hardware shop. He is a ghost, who drifts in and out of his jobs, face concealed by a hoodie and emanating an air of menace that automatically deflects enquiring eyes.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.
SMART Futures for a Flourishing World
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We know we have to change but the question is how. Many of us feel powerless to solve the looming...
RəX Regent (349 KP) rated Team America: World Police (2004) in Movies
Feb 19, 2019
AMERICA! F**K YEAH!
The theme’s lyrics sum up this movie as well as any could have. Made in the midst of the War On Terror in 2004, a satire was needed and who better to provide one than the satirical genius’ Trey Parker and Matt Stone, best known for South Park. On the surface, this looks like a straight forward bawdy adult puppet parody, taking the mickey out of Bruckheimer’s blockbusters, Thunderbirds and the reputation being acquired by the U.S. over the past 30 years but reaching boiling point over the last decade, certainly in a post 9/11 world.But that’s just the tip of the iceberg.
This is looking into every major aspect of the above, such as chauvinism, the political interference and undue, and sometimes dangerous influence of celebrities, summed up here with the Film Actor’s Guild (or F.A.G.) with a host of major film stars ripped off, notably upsetting Sean Penn.
The infamous puppet sex scene, which is nothing more than a poke, pardon the pun, at the puppetry employed in the film.But there’s so much more such as the excellent selection of bespoke songs, such as “Only A Woman” for the sex scene, “End Of An Act” as our hero leaves the group to wallow in self-pity to the song with features verse after verse nothing more than slagging off Michael Bay’s, Pearl Harbor and Ben Afleck! But for a film with criticises these blockbusters, it understands them too well to be truly nasty about them.
The entire film IS a well made Bruckheimer film, even recruiting one of his regular composers, Harry Gregson-Williams, to be in at the last-minute, to compose a great score, but why do this if they hated it so much? They don’t; they love these films and the affection for the genre is clear, making their digs enjoyable and not hurtful… There’s even a contradiction with the political tract as one hand this would seem to be an anti-American tome where Team America blow up every city and landmark imaginable in order to protect the world from the destruction of the Terrorists… Get it?
On the other, the song entitled “Freedom Isn’t Free” would seem to suggest that we should all do our part, even though this number ends with the line, “Freedom cost a buck o’five…” But then after all the political and social satire, and the spoofing of Hollywood’s gung-ho films, it’s just a fun film.When the terrorist’s come from Derka Derkastan, the tone is clear. This is like a pair of boys playing “War On Terror” with a collection of action figures.
They’re clearly laughing hysterically as they write, produce and direct this film like two teenagers, as they create the highly insensitive language of the terrorists, use elements from films such as Star Wars and James Bond, certainly as for Kim Jong-il, is nobody safe, well not after offending the North Korean leader, but in all fairness, this is really just Eric Cartman from South Park.But in the end, this is the perfect satire, with a blend of real world political and social commentary, great spoofing but when all’s said and done, this has a great sense if humour, though at times, somewhat bawdy. This is brilliant and one of, if not the best comedy of the past decade, and one of the greatest satires of all time. And, no, I don’t believe that I’m over stating that…
This is looking into every major aspect of the above, such as chauvinism, the political interference and undue, and sometimes dangerous influence of celebrities, summed up here with the Film Actor’s Guild (or F.A.G.) with a host of major film stars ripped off, notably upsetting Sean Penn.
The infamous puppet sex scene, which is nothing more than a poke, pardon the pun, at the puppetry employed in the film.But there’s so much more such as the excellent selection of bespoke songs, such as “Only A Woman” for the sex scene, “End Of An Act” as our hero leaves the group to wallow in self-pity to the song with features verse after verse nothing more than slagging off Michael Bay’s, Pearl Harbor and Ben Afleck! But for a film with criticises these blockbusters, it understands them too well to be truly nasty about them.
The entire film IS a well made Bruckheimer film, even recruiting one of his regular composers, Harry Gregson-Williams, to be in at the last-minute, to compose a great score, but why do this if they hated it so much? They don’t; they love these films and the affection for the genre is clear, making their digs enjoyable and not hurtful… There’s even a contradiction with the political tract as one hand this would seem to be an anti-American tome where Team America blow up every city and landmark imaginable in order to protect the world from the destruction of the Terrorists… Get it?
On the other, the song entitled “Freedom Isn’t Free” would seem to suggest that we should all do our part, even though this number ends with the line, “Freedom cost a buck o’five…” But then after all the political and social satire, and the spoofing of Hollywood’s gung-ho films, it’s just a fun film.When the terrorist’s come from Derka Derkastan, the tone is clear. This is like a pair of boys playing “War On Terror” with a collection of action figures.
They’re clearly laughing hysterically as they write, produce and direct this film like two teenagers, as they create the highly insensitive language of the terrorists, use elements from films such as Star Wars and James Bond, certainly as for Kim Jong-il, is nobody safe, well not after offending the North Korean leader, but in all fairness, this is really just Eric Cartman from South Park.But in the end, this is the perfect satire, with a blend of real world political and social commentary, great spoofing but when all’s said and done, this has a great sense if humour, though at times, somewhat bawdy. This is brilliant and one of, if not the best comedy of the past decade, and one of the greatest satires of all time. And, no, I don’t believe that I’m over stating that…
Movie Metropolis (309 KP) rated The Fate of the Furious (2017) in Movies
Jun 11, 2019
Spectacularly Dumb
With box office takings of over $1.5billion, it was obvious that Universal Pictures would never let Furious 7 be the end of a multi-billion dollar franchise, no matter what many fans truly wanted.
The previous instalment was also, surprisingly, warmly received by critics who were impressed with how sensitively the naturally bombastic series handled the death of lead star Paul Walker. Two years on, the crew are back with Fast and Furious 8; does it do enough to keep the franchise on a high?
Now that Dom (Vin Diesel) and Letty (Michelle Rodriguez) are on their honeymoon, Brian and Mia have retired from the game, and the rest of the crew have been exonerated, the plucky team of globetrotters has found a normal life of sorts. But when a mysterious woman (Charlize Theron) seduces Dom back into a world of crime that he can’t seem to escape from, the rest of the gang will face things that will test them like never before.
Newcomer to the franchise, director F. Gary Gray (Law Abiding Citizen, The Italian Job) manages to craft what is perhaps the most ridiculous entry in the series to date, plagued with tonal imbalances and plot holes so big you could fit the QE2 into them with ease. But you know what? It’s probably the most fun you’ll have in the cinema all year.
The cast are all reunited, barring Paul Walker’s Brian and those publicised rifts between Vin Diesel and Dwayne Johnson are nowhere to be seen as everyone on screen appears to be having the time of their lives. New recruit Charlize Theron adds a level of class to proceedings as steely supervillain, Cipher. She’s a cracking addition to the series and her acting prowess oozes from every pore, despite the often clunky dialogue.
Of course, successful predecessors command bigger budgets for their follow-ups and Furious 8 is no exception. $250million was spent on creating this film and it shows. It’s a feast for the eyes with explosions, shiny cars, stunning locations and breath-taking special effects. The result is frankly exceptional. From Cuba to NYC and from Berlin to Russia (actually filmed in Iceland), the vistas are nicely filmed and beautifully executed.
The action sequences are also choreographed very well, but from a franchise built on these foundations, I’d expect nothing less. In particular, a street chase through New York City is edge of your seat stuff as literally hundreds of vehicles worm their way through its congested streets.
Negatives? Well, the story is awkward despite some decent twists, the aforementioned plot holes cause a few headaches for a series that prides itself on continuity and some of the comedic elements are poorly placed, but in this eighth outing, much of that can be forgiven. After all, what other franchise could survive eight films and still prove as exciting as its first?
Overall, Fast and Furious 8 is unashamedly ridiculous but who cares? With exceptional special effects and a great new adversary in Charlize Theron, the series once again manages to surpass expectation. Each film tries its best to outdo its predecessor and before long, we’ll no doubt be heading to Mars with the gang. I’m up for that. Are you?
https://moviemetropolis.net/2017/04/13/spectacularly-dumb-fast-furious-8-review/
The previous instalment was also, surprisingly, warmly received by critics who were impressed with how sensitively the naturally bombastic series handled the death of lead star Paul Walker. Two years on, the crew are back with Fast and Furious 8; does it do enough to keep the franchise on a high?
Now that Dom (Vin Diesel) and Letty (Michelle Rodriguez) are on their honeymoon, Brian and Mia have retired from the game, and the rest of the crew have been exonerated, the plucky team of globetrotters has found a normal life of sorts. But when a mysterious woman (Charlize Theron) seduces Dom back into a world of crime that he can’t seem to escape from, the rest of the gang will face things that will test them like never before.
Newcomer to the franchise, director F. Gary Gray (Law Abiding Citizen, The Italian Job) manages to craft what is perhaps the most ridiculous entry in the series to date, plagued with tonal imbalances and plot holes so big you could fit the QE2 into them with ease. But you know what? It’s probably the most fun you’ll have in the cinema all year.
The cast are all reunited, barring Paul Walker’s Brian and those publicised rifts between Vin Diesel and Dwayne Johnson are nowhere to be seen as everyone on screen appears to be having the time of their lives. New recruit Charlize Theron adds a level of class to proceedings as steely supervillain, Cipher. She’s a cracking addition to the series and her acting prowess oozes from every pore, despite the often clunky dialogue.
Of course, successful predecessors command bigger budgets for their follow-ups and Furious 8 is no exception. $250million was spent on creating this film and it shows. It’s a feast for the eyes with explosions, shiny cars, stunning locations and breath-taking special effects. The result is frankly exceptional. From Cuba to NYC and from Berlin to Russia (actually filmed in Iceland), the vistas are nicely filmed and beautifully executed.
The action sequences are also choreographed very well, but from a franchise built on these foundations, I’d expect nothing less. In particular, a street chase through New York City is edge of your seat stuff as literally hundreds of vehicles worm their way through its congested streets.
Negatives? Well, the story is awkward despite some decent twists, the aforementioned plot holes cause a few headaches for a series that prides itself on continuity and some of the comedic elements are poorly placed, but in this eighth outing, much of that can be forgiven. After all, what other franchise could survive eight films and still prove as exciting as its first?
Overall, Fast and Furious 8 is unashamedly ridiculous but who cares? With exceptional special effects and a great new adversary in Charlize Theron, the series once again manages to surpass expectation. Each film tries its best to outdo its predecessor and before long, we’ll no doubt be heading to Mars with the gang. I’m up for that. Are you?
https://moviemetropolis.net/2017/04/13/spectacularly-dumb-fast-furious-8-review/
Kristy H (1252 KP) rated Camino Island in Books
Feb 1, 2018
Princeton University houses five valuable manuscripts--all the originals of F. Scott Fitzgerald's novels. They are housed in the basement under a veil of security, but not enough to stop a band of clever thieves from breaking in and stealing them. This sets loose a chain of events and angers both the FBI, who is trying to track down the criminals, and the insurance company, as they are on the hook for $25 million unless the manuscripts are returned. Meanwhile, on touristy Camino Island, Bruce Cable runs a popular bookstore/coffee shop. Thanks to a lot of persistence and hard work, he's managed to keep it profitable even in the digital age. He's also a major backer of the many authors who come through his town on book tours. But few of those authors, or Bruce's patrons, know that Bruce keeps a vault in his shop housing a variety of rare books and manuscripts--some stolen. Finally, we turn to Mercer Mann--Mercer's just lost her teaching position, and she's three years overdue on delivering her next book to her publisher. She's also drowning in student loans. Mercer's approached by a beautiful and elegant woman who offers her a lot of money to get close to Bruce Cable and learn all about his web of secrets. Trouble, as you may guess, ensues.
I have a soft spot for Grisham, that's for sure. I fell in love with his first novels as a young teen, and I still love Darby Shaw, Gray Grantham, Mark Sway, Reverend Roy, and Reggie Love as if they were real people. Grisham and his family have a home in my town, and we claim him as one of our own. His books are often an easy escape, and CAMINO ISLAND falls into that category. Is it as memorable as [b:The Pelican Brief|32499|The Pelican Brief|John Grisham|https://images.gr-assets.com/books/1389486877s/32499.jpg|490324] or [b:The Client|5359|The Client|John Grisham|https://images.gr-assets.com/books/1388632222s/5359.jpg|137715]? No. Is it a fun diversion for a few days? Sure.
CAMINO ISLAND is a change from most of Grisham's legal thrillers--there are no lawyers or court room scenes here, just some tricky criminals, a heist, and the aftermath. You'll need to keep track of the various bad guys in the beginning, but once you get past that, it's an easy breezy read--much like the Florida setting where most of the novel is set. Mercer's a pleasant, albeit not very complicated protagonist, and Bruce Cable is a trip. It's also a detailed exploration into the world of rare books--something I knew little to nothing about.
Overall, this is fun, easy thriller. There are a few twists and turns along the way to keep you interested, and Grisham's characters are always enjoyable. The ending wraps up fairly quickly after all the build-up, so be prepared for that. Is it Grisham's best? No. But it will keep you entertained for a couple of days. 3.5 stars.
You can read my reviews of Grisham's novels GRAY MOUNTAIN <a href="https://www.goodreads.com/book/show/20707959-gray-mountain">here</a>; and ROGUE LAWYER <a href="https://www.goodreads.com/book/show/25387351-rogue-lawyer">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I have a soft spot for Grisham, that's for sure. I fell in love with his first novels as a young teen, and I still love Darby Shaw, Gray Grantham, Mark Sway, Reverend Roy, and Reggie Love as if they were real people. Grisham and his family have a home in my town, and we claim him as one of our own. His books are often an easy escape, and CAMINO ISLAND falls into that category. Is it as memorable as [b:The Pelican Brief|32499|The Pelican Brief|John Grisham|https://images.gr-assets.com/books/1389486877s/32499.jpg|490324] or [b:The Client|5359|The Client|John Grisham|https://images.gr-assets.com/books/1388632222s/5359.jpg|137715]? No. Is it a fun diversion for a few days? Sure.
CAMINO ISLAND is a change from most of Grisham's legal thrillers--there are no lawyers or court room scenes here, just some tricky criminals, a heist, and the aftermath. You'll need to keep track of the various bad guys in the beginning, but once you get past that, it's an easy breezy read--much like the Florida setting where most of the novel is set. Mercer's a pleasant, albeit not very complicated protagonist, and Bruce Cable is a trip. It's also a detailed exploration into the world of rare books--something I knew little to nothing about.
Overall, this is fun, easy thriller. There are a few twists and turns along the way to keep you interested, and Grisham's characters are always enjoyable. The ending wraps up fairly quickly after all the build-up, so be prepared for that. Is it Grisham's best? No. But it will keep you entertained for a couple of days. 3.5 stars.
You can read my reviews of Grisham's novels GRAY MOUNTAIN <a href="https://www.goodreads.com/book/show/20707959-gray-mountain">here</a>; and ROGUE LAWYER <a href="https://www.goodreads.com/book/show/25387351-rogue-lawyer">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
BankofMarquis (1832 KP) rated Mission: Impossible - Fallout (2018) in Movies
Aug 1, 2018
Quite possibly, the best action film ever made
MISSION IMPOSSIBLE: FALLOUT just might be the best action movie I have ever seen.
Yes...it is that good.
The 6th entry in the MISSION IMPOSSIBLE franchise, this film stars, as usual, Tom Cruise as Ethan Hunt, part of the IMF, a secret government entity that takes on the impossible missions that the CIA (and other agencies) won't touch. He is joined, yet again, in this installment of the franchise by his "usual" team, Simon Pegg (Benji), Ving Rhames (Luther), Rebecca Ferguson (Ilse) and Alec Baldwin (IMF Director Hunley). It was fun to have "the band" back together again. They looked like they had a good time filming this and I had a good time watching it.
Jumping right in on the fun is Angela Bassett (BLACK PANTHER) as the head of the CIA, but doing more than just being a thorn in the side of Alec Baldwin. As well as Vanessa Kirby (THE CROWN) as the mysterious "White Widow" and, especially, Henry Cavill, who shows that he can do more than be DC's Superman.
And, finally, the franchise wisely brings back Sean Harris as "big bad" Solomon Lane (think Bond's arch-nemesis Blofeld). He proves to be, yet again, an able adversary for the IMF team.
The plot, of course, is somewhat convoluted, with twists, turns and double-crosses (by both the good and bad guys) throughout this film. If I have a quibble for this film, it is that they got a little "cute" with the plot twists - there was (perhaps) one or two too many "gotchas" - but that is just a quibble, for the plot gets us from point "A" to point "B" nicely.
And when I say "Point A" and "Point B", I mean action set piece "A" to action set piece "B" (and "C" and "D" and "E" and "F"...) - and boy are these action set pieces EXTRAORDINARY!
Director Christopher McQuarrie (he also Directed the previous film in this franchise, ROUGE NATION) is the first person to helm two of these films - and I think it is a smart choice for he established in Rogue Nation an ability to create smart, tense action, chase and fight sequences that are easy to follow and fun to watch.
Credit for most of this fun has to go to 55 year old (at the time of filming) Tom Cruise - looking every bit as fit and capable as a 35 year old Tom Cruise. He dives into the action sequences (literally) with gusto and proves more than capable of delivering the goods. Once again, he does a death-defying stunt that left me amazed.
But, what I really left the theater with was an appreciation for McQuarrie, Cruise and company for delivering an end sequence that earned the build up it was given. EVERY member of the company had something to do and the action in this endpiece was a step up of anything that had come before it - either in the Mission Impossible series, or in any other action flick.
If you are a fan of good, solid action films, MISSION IMPOSSIBLE: FALLOUT is one to not miss.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Yes...it is that good.
The 6th entry in the MISSION IMPOSSIBLE franchise, this film stars, as usual, Tom Cruise as Ethan Hunt, part of the IMF, a secret government entity that takes on the impossible missions that the CIA (and other agencies) won't touch. He is joined, yet again, in this installment of the franchise by his "usual" team, Simon Pegg (Benji), Ving Rhames (Luther), Rebecca Ferguson (Ilse) and Alec Baldwin (IMF Director Hunley). It was fun to have "the band" back together again. They looked like they had a good time filming this and I had a good time watching it.
Jumping right in on the fun is Angela Bassett (BLACK PANTHER) as the head of the CIA, but doing more than just being a thorn in the side of Alec Baldwin. As well as Vanessa Kirby (THE CROWN) as the mysterious "White Widow" and, especially, Henry Cavill, who shows that he can do more than be DC's Superman.
And, finally, the franchise wisely brings back Sean Harris as "big bad" Solomon Lane (think Bond's arch-nemesis Blofeld). He proves to be, yet again, an able adversary for the IMF team.
The plot, of course, is somewhat convoluted, with twists, turns and double-crosses (by both the good and bad guys) throughout this film. If I have a quibble for this film, it is that they got a little "cute" with the plot twists - there was (perhaps) one or two too many "gotchas" - but that is just a quibble, for the plot gets us from point "A" to point "B" nicely.
And when I say "Point A" and "Point B", I mean action set piece "A" to action set piece "B" (and "C" and "D" and "E" and "F"...) - and boy are these action set pieces EXTRAORDINARY!
Director Christopher McQuarrie (he also Directed the previous film in this franchise, ROUGE NATION) is the first person to helm two of these films - and I think it is a smart choice for he established in Rogue Nation an ability to create smart, tense action, chase and fight sequences that are easy to follow and fun to watch.
Credit for most of this fun has to go to 55 year old (at the time of filming) Tom Cruise - looking every bit as fit and capable as a 35 year old Tom Cruise. He dives into the action sequences (literally) with gusto and proves more than capable of delivering the goods. Once again, he does a death-defying stunt that left me amazed.
But, what I really left the theater with was an appreciation for McQuarrie, Cruise and company for delivering an end sequence that earned the build up it was given. EVERY member of the company had something to do and the action in this endpiece was a step up of anything that had come before it - either in the Mission Impossible series, or in any other action flick.
If you are a fan of good, solid action films, MISSION IMPOSSIBLE: FALLOUT is one to not miss.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Connor Sheffield (293 KP) rated Bloodborne: The Card Game in Tabletop Games
Aug 20, 2018
Teamwork (3 more)
Deck building (to an extent)
Pressing your luck
Planning required
Easy to learn and really fun to play!
So I can't say that I've played this game completely right because I actually had to make some house rules so that it would work for 2 players. However, me and my friend played to the best of our ability to stick to the main rules of the game such as dying and losing blood echoes and the monsters escape if you don't kill it.
From what I learned during my playthrough, this game is super fun and I can't wait to get my other friends to play it so we can play a proper 3-5 player game with the Hunters Nightmare Expansion including penalties to trophies etc.
This game requires tactics, teamwork and also careful planning to try and make sure your fellow hunters don't win. You can do this by using certain abilities of certain weapons that allow you to deal damage to the hunter yourself, allow the monster to deal damage or double damage to the player, or ensuring that you take little to no damage from the monster and allowing the other hunters to take the hit and/or fall. The game is very sneaky and you have to make sure that with the 7 card limit you have, that in the hunters dream you choose the right upgrades and new weapons and discard any others you won't need, but make sure that the cards you choose help kill the monster as well as hinder your fellow hunters.
However, you can choose to simply play the game and be fair to see who comes out on top by playing the right cards to hurt the monster more and not harm each other...but where's the fun in that?
If you've played the video game, then you'll love the card game as it has all your favourite elements such as blood echoes, weapons, health vials, molotovs, and of course the monsters! Including mini bosses and a single Final Boss card who's effects are apparent throughout the entire game. For example, the Vicar Amelia boss card, cuts players health's down from the maximum of 8, to the new maximum of 6 during the entire game no matter what other cards are played. If you have a card that says return to Max health, your new Max health is 6 which makes the game harder but also makes you think more strategically, and you have to ask yourself that one question each turn "Am I willing to take the risk?"
The payoff as in the video game, is sweet and the fall also as in the game, is bitter, especially if you took that chance whilst holding unbanked blood echoes.
My only issue with the game is that I believe there could have easily been some form of the game that allowed for just two players, but instead Myself and others like me on the internet have to come up with hosuerules, and be careful not to take away the fun of the game, as well as being careful not to drift to far from the original rules so that it doesn't become too easy. Because again, where's the fun in that?
I highly recommend this game and it's expansion to those who have the friends willing to play and not lose their sh*t when things don't go their way :')
From what I learned during my playthrough, this game is super fun and I can't wait to get my other friends to play it so we can play a proper 3-5 player game with the Hunters Nightmare Expansion including penalties to trophies etc.
This game requires tactics, teamwork and also careful planning to try and make sure your fellow hunters don't win. You can do this by using certain abilities of certain weapons that allow you to deal damage to the hunter yourself, allow the monster to deal damage or double damage to the player, or ensuring that you take little to no damage from the monster and allowing the other hunters to take the hit and/or fall. The game is very sneaky and you have to make sure that with the 7 card limit you have, that in the hunters dream you choose the right upgrades and new weapons and discard any others you won't need, but make sure that the cards you choose help kill the monster as well as hinder your fellow hunters.
However, you can choose to simply play the game and be fair to see who comes out on top by playing the right cards to hurt the monster more and not harm each other...but where's the fun in that?
If you've played the video game, then you'll love the card game as it has all your favourite elements such as blood echoes, weapons, health vials, molotovs, and of course the monsters! Including mini bosses and a single Final Boss card who's effects are apparent throughout the entire game. For example, the Vicar Amelia boss card, cuts players health's down from the maximum of 8, to the new maximum of 6 during the entire game no matter what other cards are played. If you have a card that says return to Max health, your new Max health is 6 which makes the game harder but also makes you think more strategically, and you have to ask yourself that one question each turn "Am I willing to take the risk?"
The payoff as in the video game, is sweet and the fall also as in the game, is bitter, especially if you took that chance whilst holding unbanked blood echoes.
My only issue with the game is that I believe there could have easily been some form of the game that allowed for just two players, but instead Myself and others like me on the internet have to come up with hosuerules, and be careful not to take away the fun of the game, as well as being careful not to drift to far from the original rules so that it doesn't become too easy. Because again, where's the fun in that?
I highly recommend this game and it's expansion to those who have the friends willing to play and not lose their sh*t when things don't go their way :')