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AT (1676 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Sep 28, 2019
I liked Hobbs & Shaw. It was dorky in some parts, and Idris Elba's character had long speeches almost every time he spoke, but it was still good fun to watch. It had plenty of action, though less than the Fast & Furious movies. The action was F&F caliber, though. It was great for a fun movie to watch!
Gareth von Kallenbach (971 KP) created a post
Jul 3, 2020
Sasha Grey recommended Escape from New York (1981) in Movies (curated)
Kevin Phillipson (9961 KP) rated Shaft (2019) in Movies
Feb 2, 2020
Paul Bettany recommended It's a Wonderful Life (1946) in Movies (curated)
Bookish832 (16 KP) rated The Great Gatsby in Books
Sep 6, 2017
Awix (3310 KP) rated The Fast and the Furious: Tokyo Drift (2006) in Movies
Mar 5, 2018
Largely superfluous entry to the F&F series doesn't feature any of your favourite characters, probably, was only retconned to have any connection to the rest of the series some years later. Identikit bad-boy teen gets packed off to Japan to teach the locals a thing or two about driving on the famously non-congested streets of Ikebukuro.
Really a film struggling to find a reason to justify its own existence: the plot is very forgettable and the rest of it rather so what - film attempts to make quest to go round corners sideways at high speed look like some kind of spiritual mission; essentially fails. Surprisingly unflattering to the Japanese characters, too; wouldn't happen nowadays. The movie's fascination with the fact some people have cameras on their phones is charmingly quaint, too. All the important parts of Tokyo Drift are recycled in later F&F movies, so you only really need to bother with this one if you're a completist.
Really a film struggling to find a reason to justify its own existence: the plot is very forgettable and the rest of it rather so what - film attempts to make quest to go round corners sideways at high speed look like some kind of spiritual mission; essentially fails. Surprisingly unflattering to the Japanese characters, too; wouldn't happen nowadays. The movie's fascination with the fact some people have cameras on their phones is charmingly quaint, too. All the important parts of Tokyo Drift are recycled in later F&F movies, so you only really need to bother with this one if you're a completist.
Carl Barat recommended track Jobseeker by Sleaford Mods in All That Glue by Sleaford Mods in Music (curated)
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Awix (3310 KP) rated Fast & Furious 9 (2021) in Movies
Jul 9, 2021 (Updated Jul 9, 2021)
'We'll be fine as long as we obey the laws of physics,' says Chris Bridges' character at one point in F&F 9. Well, obviously they should all end up dead, then; but perhaps this is an example of a knowing self-awareness which doesn't quite sit well in this most earnest of empty-headed popcorn movie franchises.
Anyway: Dom and Letty are raising their child off the grid in some rustic idyll or other, when their friends appear asking for help with a problem; not having seen Avengers: Endgame and how things turned out for all involved on that occasion, they agree to pitch in for another exercise in hunt-the-coupons plotting, with overblown stunt sequences linked by a (at this point) mind-bogglingly byzantine backstory.
The sizeable gap left by Dwayne Johnson is filled by cameos and return appearances by virtually everyone who's ever appeared in an F&F ensemble (no idea what young Eastwood did to get left out); virtually everyone comes back, even a couple of the dead ones. Of course, this just makes the film's gymnastics in dealing with the absence of Paul Walker all the more obvious (and a bit uncomfortable by this point).
Decent stunts and action, but all a bit slick and ridiculous even by F&F standards, and showing real signs of sliding into lazy self-parody; this series was effortlessly breezy entertainment for a long time, but it's definitely starting to look like it's running out of steam.
Anyway: Dom and Letty are raising their child off the grid in some rustic idyll or other, when their friends appear asking for help with a problem; not having seen Avengers: Endgame and how things turned out for all involved on that occasion, they agree to pitch in for another exercise in hunt-the-coupons plotting, with overblown stunt sequences linked by a (at this point) mind-bogglingly byzantine backstory.
The sizeable gap left by Dwayne Johnson is filled by cameos and return appearances by virtually everyone who's ever appeared in an F&F ensemble (no idea what young Eastwood did to get left out); virtually everyone comes back, even a couple of the dead ones. Of course, this just makes the film's gymnastics in dealing with the absence of Paul Walker all the more obvious (and a bit uncomfortable by this point).
Decent stunts and action, but all a bit slick and ridiculous even by F&F standards, and showing real signs of sliding into lazy self-parody; this series was effortlessly breezy entertainment for a long time, but it's definitely starting to look like it's running out of steam.