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Ross (3284 KP) rated Tell Me Lies in Books

Jan 28, 2020  
Tell Me Lies
Tell Me Lies
Ed James | 2020 | Crime
9
9.0 (1 Ratings)
Book Rating
A change in style for James
I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review.
Ed James' new series takes place in Seattle rather than the UK-based series he has penned to date. There is also a change in subject, focusing on child abductions rather than the standard "murrdurr" fayre.
Special Agent Max Carter is tasked with tracking down a senator's abducted children. With the clock ticking, we see the action from the abductor's PoV as well as Carter's and the father's. The senator finds himself trying to help the abductor of his children to uncover a government conspiracy in which he may have been involved. The mix of different perspectives allows the story to flow with a good pace, with different angles of the emerging story adding up for the reader in way they wouldn't yet do for the characters. In the middle of the book the investigation did start to feel a little samey (both the FBI agents and the abductor/senator teams going through the same leads one after the other), but this didn't last long.
The change in location sadly comes with a change in writing style and this was a downside for me. I like James' flowing narrative and the American tone and style were quite jarring. I would say more American than genuine American authors. However once I accepted this it did not spoil my enjoyment of the book as a whole.
The ending of the story was mostly satisfying but with some loose ends that I hope to see addressed in subsequent books.
A departure for James' readers but worth the trip, and a good book for fans of Harlan Coben and David Baldacci.
  
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Kristy H (1252 KP) rated The Empty Bed in Books

Mar 19, 2020  
The Empty Bed
The Empty Bed
Nina Sadowsky | 2020 | Thriller
8
8.0 (1 Ratings)
Book Rating
The second book in The Burial Society series finds its founder Catherine juggling a variety of "cases," so-to-speak. When Eva Lombard and her husband Peter take a trip to Hong Kong to celebrate their anniversary, Peter wakes in their hotel to find an empty bed. Eva has vanished without a trace. Eva thought she was being followed, and now Peter wonders if she was right. As he quickly becomes a suspect in her disappearance, he turns to his boss, Forrest "Holly" Holcomb, who recommends Catherine (his old lover) to assist. Catherine sends two of her associates to Hong Kong while she tends to other work--mainly, protecting a family in Mexico City whose father knows too much about a pharmaceutical company. Meanwhile, a determined FBI agent is working on tracking down a missing mother and child of a wealthy businessman and threatening Catherine's secret agency.

I enjoyed this book. It's told in short chapters from varying points of view--Eva, Catherine, and Jake and Stephanie (Catherine's associates), etc. The result is a story that moves at a brisk pace, with almost a cinematic-type feel. This is no surprise, considering Sadowsky's background in film and as a screenwriter. The three stories intertwine somewhat--with Catherine as the center--and while a lot of information flies at you, I never found the book confusing.

I really like Catherine, and I enjoyed learning even more about her crew in this one. It's fun seeing some of the proteges interact. The novel kept me guessing and putting together the pieces was quite enjoyable. There are plenty of twists and turns to keep you engaged.

Overall, this is an interesting thriller. The whole idea of the Burial Society fascinates me, and I liked the quick pace of this book, along with its twisty and engaging plot. 4 stars.
  
The Secrets They Left Behind
The Secrets They Left Behind
8
8.0 (1 Ratings)
Book Rating
At first I was disappointed this was not one of Redmond's excellent Cold Case novels featuring detective Lauren Riley, whom I love, but that disappointment was short lived. I quickly took to Shea O'Connor, a young but feisty and enjoyable officer who will stop at nothing to solve her case. We realize that Shea clearly had a close call with a serial killer the last time she was undercover and she's still recovering from those wounds. Our girl is hurting, but she's also focused--Shea will do anything to find those girls.

Shea is in a tough spot. She's a young, female officer in a male-dominated profession, and she's often mistaken for a teen. However, her youthful appearance pays off undercover. But is the FBI using her? There's more than a simple mystery to solve here, as we must unravel if Shea can trust those around her.

The central mystery itself, of the girls' disappearance, is engaging and fascinating. I had a fairly good inkling early on who might be involved, but it didn't stop my interest, and I flew through the book. There are, of course, plenty of dirty secrets in Kelly's Falls--as in most small towns--and Shea digs up plenty of them. There's also an interesting angle where she becomes close with one of the missing girl's brother. Shea excels at immersing herself in her undercover role, and it was fun to see her play the young, naive college student (with a knife hidden in her back pocket).

The writing is a little simplistic at times, but overall this is a compelling thriller with an engaging protagonist. 3.5 stars, rounded up to 4 here. I'd love to see another book featuring Shea.
  
It Takes a Nation of Millions to Hold Us Back by Public Enemy
It Takes a Nation of Millions to Hold Us Back by Public Enemy
1988 | Rock
8.0 (3 Ratings)
Album Favorite

"I got to love this album when I was 18, working in a second hand clothes shop in Glasgow, where one of the guys I worked with played it constantly. It was the first time I had heard music that felt like genuine contemporary protest music. The combination of Chuck D’s informed eloquence and unashamed confrontational stance was so potent. Here was a guy name-checking Martin Luther King and Malcolm X in the same breath as Coltrane and Anthrax. It was revolutionary in every sense. It felt dangerous. These guys had the FBI tapping their phones and were taking on the behemoth of the US establishment. While in retrospect the S1Ws may be the campest paramilitaries in history, the imagery of guerrilla conflict intensified the sense of resisting persecution. Like the best groups, it felt like a gang, too. Flav the joker, Chuck the boss, Terminator-X voiceless, but ever-present. Tight. Then there was the music. That fragmented repetition. Those bursts of brass and breakbeats, squealing like sirens against stolen guitars. Amazing. It didn’t sound like anything else. While Chuck D and his cartoon foil Flavor Flav had the lyrical articulacy, Terminator-X, Professor Griff and the Bomb Squad matched it musically. Their imagination was in context – how to take something from its original context, place it against something else out of context to create something way more powerful than either in isolation. In many ways, I still see this LP as the pinnacle of rap. Of course it is of its time and sonic trends advanced, but for sheer inventiveness and lyricism it has never been matched. It felt like rap was violently booting the world into a better direction – a brief flash of genius before it became mired in the vocabulary of egoism, misogyny and avarice. There have been great pinnacles since, but nothing matches this moment."

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