Search
CIS Fingerprint Scanner & Spy Toolkit
Lifestyle and Entertainment
App
Now with 7 apps in 1!!! Completely fool your friends into thinking that you have an iPhone or iPod...
BookblogbyCari (345 KP) rated Mindhunter: Inside the FBI Elite Serial Crime Unit (Now A Netflix Series) in Books
Mar 10, 2019
Douglas is a show-off
This is hands-down the most action-packed biography I have ever read! And it’s almost the most egotistical and narcissistic sounding biography I have ever read.
In his opening scene in the prologue, Douglas finds himself waking up from a coma in hospital expecting to be tortured by sick criminals, having (almost) single-handily run the FBI’s psychological profiling unit, handling hundreds of cases for several years.
I haven’t had the opportunity to watch the Netflix series based on this book, but I am quite a fan of the Criminal Minds series, so I had an idea of what to expect. However, you need to get 6 chapters in before Douglas starts talking about his work as an FBI profiler. He starts off talking about growing up, his love life, and getting into his career.
Douglas may call himself a profiler, but in my opinion, he is first and foremost a story-teller, with a talent for a drama-filled yarn. And rather than being put off by his constant bragging, I found myself hanging on his every word.
This light and long prelude to the criminal profiling section of the book made the crime details feel all the more gruesome. Some of the predictions made by Douglas about the murderers are barely believable. I mean, how can a crime scene really tell you the age of a murderer or what kind of car he drives?
Unfortunately, Douglas doesn’t offer much explanation into these kinds of things, and the leader is left assuming it’s all down to statistics. And if there’s anywhere the book is let down it would be here, because this would be why readers would pick the book up.
I once read a similar book called The Profiler, by Pat Brown. Brown, however, was a mere spectator to criminal goings on and had no influence whatever on getting criminals brought to justice. Douglas, however, would meet with local police and provide strategies on getting the bad guy, and getting him to confess.
To me, the most crucial chapter was Battle of the Shrinks. It looks at how criminals are dealt with once apprehended. Here Douglas meets with a psychiatrist whose job it was to assess whether criminals can have their sentences shortened and be let off early. This psychiatrist didn’t bother reading police reports to see from an outsider exactly what the criminal had done because he didn’t want to be made biased it and wanted to meet the criminal exactly as they presented himself to him. Douglas was appalled by this attitude and tried to get this over to the psychiatrist, but sadly, to no avail.
In short, this is a very entertaining book, and while it can teach you lot, reading it will never make you as good a profiler as John Douglas himself.
In his opening scene in the prologue, Douglas finds himself waking up from a coma in hospital expecting to be tortured by sick criminals, having (almost) single-handily run the FBI’s psychological profiling unit, handling hundreds of cases for several years.
I haven’t had the opportunity to watch the Netflix series based on this book, but I am quite a fan of the Criminal Minds series, so I had an idea of what to expect. However, you need to get 6 chapters in before Douglas starts talking about his work as an FBI profiler. He starts off talking about growing up, his love life, and getting into his career.
Douglas may call himself a profiler, but in my opinion, he is first and foremost a story-teller, with a talent for a drama-filled yarn. And rather than being put off by his constant bragging, I found myself hanging on his every word.
This light and long prelude to the criminal profiling section of the book made the crime details feel all the more gruesome. Some of the predictions made by Douglas about the murderers are barely believable. I mean, how can a crime scene really tell you the age of a murderer or what kind of car he drives?
Unfortunately, Douglas doesn’t offer much explanation into these kinds of things, and the leader is left assuming it’s all down to statistics. And if there’s anywhere the book is let down it would be here, because this would be why readers would pick the book up.
I once read a similar book called The Profiler, by Pat Brown. Brown, however, was a mere spectator to criminal goings on and had no influence whatever on getting criminals brought to justice. Douglas, however, would meet with local police and provide strategies on getting the bad guy, and getting him to confess.
To me, the most crucial chapter was Battle of the Shrinks. It looks at how criminals are dealt with once apprehended. Here Douglas meets with a psychiatrist whose job it was to assess whether criminals can have their sentences shortened and be let off early. This psychiatrist didn’t bother reading police reports to see from an outsider exactly what the criminal had done because he didn’t want to be made biased it and wanted to meet the criminal exactly as they presented himself to him. Douglas was appalled by this attitude and tried to get this over to the psychiatrist, but sadly, to no avail.
In short, this is a very entertaining book, and while it can teach you lot, reading it will never make you as good a profiler as John Douglas himself.
Hazel (1853 KP) rated Spontaneous in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Dubbed the “funniest book about spontaneous combustion you will ever read” by the acclaimed best-selling author, John Green, <i>Spontaneous</i> by Aaron Starmer is a story about growing up and blowing up. Seeing a classmate explode in front of you during third-period pre-calc class is not something you ever expect to happen. Nor do you expect this to be the first of many to randomly occur throughout your senior year, but for Mara, this is her appalling fate.
Mara’s senior year was not all that exciting until the first explosion, but after a few more students from her class spontaneously combust, it is clear she is never going to get a normal final year of school. Only affecting the seniors, Mara and her friends are ostracised from society while FBI agents try to solve the problematic situation. With bombs, terrorists and government conspiracies eventually ruled out, the class is left abandoned to explode at their own leisure – although they would rather not!
Mara, along with boyfriend, Dylan, and best friend, Tess, attempts to continue living their lives. They encourage students to start up their own school so that they can still graduate at the end of the year, but with an increasing number of messy ends, they begin to doubt they will make it that far.
Full of crack-pot ideas that will leave readers laughing, Mara’s dry sense of humour gets her through most of the year, however, the painful loss of her friends and acquaintances soon catch up with her. It is hard not to despair when you know you could detonate at any moment.
The easiest way to describe <i>Spontaneous</i> is bonkers, absolutely bonkers. For a start, spontaneous combustion is not a likelihood for any living creature. Mara’s inappropriate humour and acidulousness only add to the farcical state of affairs, providing a comical and entertaining narrative. However, as Mara begins to acquiesce to her new situation, and live as if regularly being sprayed with blood and guts is normal, the story takes a sombre downturn.
Annoyingly, the conclusion of <i>Spontaneous</i> is rather ambiguous, leaving attentive readers with no answers. Had Starmer not imaged a solution, or was it too difficult to explain? Whatever the reason, it leaves us with a dissatisfying ending.
On the other hand, the ending of a book is only one fragment of a story. The beginning and middle were of the author’s optimum quality. Combining typical teenage emotion and behaviour - romance included - with a horrifying crisis, results in a book that will make you “feel all the feels”, to borrow a Mara term, and enjoy every moment.
<i>Spontaneous</i> will entertain young and old adults, although perhaps not the more sensitive reader. With uncensored language and no sugarcoating, Mara gives us all the gory details blow-by-blow (literally). Be prepared for laughter, shock and unadulterated pleasure.
Dubbed the “funniest book about spontaneous combustion you will ever read” by the acclaimed best-selling author, John Green, <i>Spontaneous</i> by Aaron Starmer is a story about growing up and blowing up. Seeing a classmate explode in front of you during third-period pre-calc class is not something you ever expect to happen. Nor do you expect this to be the first of many to randomly occur throughout your senior year, but for Mara, this is her appalling fate.
Mara’s senior year was not all that exciting until the first explosion, but after a few more students from her class spontaneously combust, it is clear she is never going to get a normal final year of school. Only affecting the seniors, Mara and her friends are ostracised from society while FBI agents try to solve the problematic situation. With bombs, terrorists and government conspiracies eventually ruled out, the class is left abandoned to explode at their own leisure – although they would rather not!
Mara, along with boyfriend, Dylan, and best friend, Tess, attempts to continue living their lives. They encourage students to start up their own school so that they can still graduate at the end of the year, but with an increasing number of messy ends, they begin to doubt they will make it that far.
Full of crack-pot ideas that will leave readers laughing, Mara’s dry sense of humour gets her through most of the year, however, the painful loss of her friends and acquaintances soon catch up with her. It is hard not to despair when you know you could detonate at any moment.
The easiest way to describe <i>Spontaneous</i> is bonkers, absolutely bonkers. For a start, spontaneous combustion is not a likelihood for any living creature. Mara’s inappropriate humour and acidulousness only add to the farcical state of affairs, providing a comical and entertaining narrative. However, as Mara begins to acquiesce to her new situation, and live as if regularly being sprayed with blood and guts is normal, the story takes a sombre downturn.
Annoyingly, the conclusion of <i>Spontaneous</i> is rather ambiguous, leaving attentive readers with no answers. Had Starmer not imaged a solution, or was it too difficult to explain? Whatever the reason, it leaves us with a dissatisfying ending.
On the other hand, the ending of a book is only one fragment of a story. The beginning and middle were of the author’s optimum quality. Combining typical teenage emotion and behaviour - romance included - with a horrifying crisis, results in a book that will make you “feel all the feels”, to borrow a Mara term, and enjoy every moment.
<i>Spontaneous</i> will entertain young and old adults, although perhaps not the more sensitive reader. With uncensored language and no sugarcoating, Mara gives us all the gory details blow-by-blow (literally). Be prepared for laughter, shock and unadulterated pleasure.
Darren (1599 KP) rated Revenge of the Green Dragons (2014) in Movies
Jun 21, 2019
Story: Revenge of the Green Dragons starts as we follow the two young boys that immigrated from China to America and New York City, in a neighbourhood that is run by the Chinese gang known as the Green Dragons.
Recruited at a young age Sonny (Chon) and Steven (Wu) have grown up as part of the Green Dragons under the leadership of Paul (Shum Jr) a businessman that uses the gang to get what he wants. We get to see how the two rise through the ranks in the Green Dragons that even grabs the attention of the FBI.
Thoughts on Revenge of the Green Dragons
Characters – Sonny is the quieter of the two friends that gets taken in by the gang, he is the one that would like a life outside the gang which isn’t as easy as it seems, even when he falls in love. Steven was built for the gang, even after he gets seriously injured in the battle between the gangs, he becomes the one that won’t hesitant to pull the trigger. Paul is the leader of the Green Dragons, a businessman on the outside, that uses his intelligence to make sure he can stay ahead of the game in the gang battle.
Performances – The performances in this movie are fine, nothing is great or bad, we get to see the different ranges of emotions that the two friends must face during their decisions. We don’t have any of the performances that stand out though.
Story – The story follows the gangster storylines we have seen before, two young men or in this case boys get recruited to a rising gang to become big players in their gang in a war against another gang, until they step out of line. This time we follow Chinese immigrants in New York and it shows how they would never hold back on anybody of any age or gender. This does give us a brutality in the story, but in the end it is just more of the same.
Action/Crime – The action is just gun battles and brutality to the people who get in the way of the crimes being committed by the Green Dragons, as we see how they try to stay off the radar while conducting their business
Settings – New York will always be a great choice for settings for crime movies, this is unlike any other showing us how gangs had neighbourhoods and always want more.
Scene of the Movie – Put the gun down, it brings a clever kill.
That Moment That Annoyed Me – It offered nothing new to the genre.
Final Thoughts – This is a by the book crime movie, it shows the rise of two in a gang and just where they would go onto be in the gang, but otherwise gives us nothing we haven’t seen before.
Overall: Been Here Seen This.
https://moviesreview101.com/2019/06/18/revenge-of-the-green-dragons-2014/
Recruited at a young age Sonny (Chon) and Steven (Wu) have grown up as part of the Green Dragons under the leadership of Paul (Shum Jr) a businessman that uses the gang to get what he wants. We get to see how the two rise through the ranks in the Green Dragons that even grabs the attention of the FBI.
Thoughts on Revenge of the Green Dragons
Characters – Sonny is the quieter of the two friends that gets taken in by the gang, he is the one that would like a life outside the gang which isn’t as easy as it seems, even when he falls in love. Steven was built for the gang, even after he gets seriously injured in the battle between the gangs, he becomes the one that won’t hesitant to pull the trigger. Paul is the leader of the Green Dragons, a businessman on the outside, that uses his intelligence to make sure he can stay ahead of the game in the gang battle.
Performances – The performances in this movie are fine, nothing is great or bad, we get to see the different ranges of emotions that the two friends must face during their decisions. We don’t have any of the performances that stand out though.
Story – The story follows the gangster storylines we have seen before, two young men or in this case boys get recruited to a rising gang to become big players in their gang in a war against another gang, until they step out of line. This time we follow Chinese immigrants in New York and it shows how they would never hold back on anybody of any age or gender. This does give us a brutality in the story, but in the end it is just more of the same.
Action/Crime – The action is just gun battles and brutality to the people who get in the way of the crimes being committed by the Green Dragons, as we see how they try to stay off the radar while conducting their business
Settings – New York will always be a great choice for settings for crime movies, this is unlike any other showing us how gangs had neighbourhoods and always want more.
Scene of the Movie – Put the gun down, it brings a clever kill.
That Moment That Annoyed Me – It offered nothing new to the genre.
Final Thoughts – This is a by the book crime movie, it shows the rise of two in a gang and just where they would go onto be in the gang, but otherwise gives us nothing we haven’t seen before.
Overall: Been Here Seen This.
https://moviesreview101.com/2019/06/18/revenge-of-the-green-dragons-2014/
Gareth von Kallenbach (980 KP) rated The Heat (2013) in Movies
Aug 7, 2019
In a fun twist to the traditional buddy-cop movie theme, this time we have a pair of ladies bringing The Heat to the streets of Boston for a laugh-out-loud good time.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
The Whispering Room: A Jane Hawk Novel
7.0
Rate It
Book
Jane Hawk--fiction's most relentless, resourceful, stunning new heroine--continues her battle...
thriller
BankofMarquis (1832 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 23, 2021
Kaluuya in an Oscar worthy performance
Ever since Daniel Kaluuya burst onto the scene in 2017’s GET OUT, he has been an actor to watch - one who’s brilliance bursts off the screen in whatever project he is in.
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
5 Minute Movie Guy (379 KP) rated Angel Has Fallen (2019) in Movies
Sep 16, 2019
After putting in plenty of years and two prior movies spent protecting the President, Secret Service member Mike Banning is up for promotion. In Angel Has Fallen, the third installment of the Fallen franchise, Banning has been personally hand-picked by President Allan Trumbull to take over as the new Secret Service Director. Trumbull tells him the good news directly during a getaway fishing trip, but then things quickly turn bad when a drone attack attempts to assassinate the President. Banning is able to successfully save himself and the President, but the attack kills all the rest of the Secret Service members on site and the aftermath leaves Trumbull in a coma. Planted DNA evidence linking Banning to an involvement in the attack leads to his arrest, and with the President unconscious, he has no other witness to clear his name. Banning’s obviously been framed and set-up and will have to escape from authorities to find out who is responsible, and to also protect the President from any further attempts on his life.
Directed by Ric Roman Waugh, Angel Has Fallen is a film that starts off pretty well, yet I feel that the whole narrative of Banning being so easily framed is pretty hard to believe, especially given that he’s been the hero of two films already. It’s the driving force of the film’s story and yet it seems highly questionable to me that the intelligence committee would be so quick to blame it all on Banning considering his reputable history. Naturally any attack on the President is taken very seriously, but the FBI is extremely quick to condemn the man that just saved his life. I think it’s the weakest part of the story, although story is not an area this film ever really excels at. I would even say that most of its attempts at being smart usually fall flat. Regardless, this is the kind of movie that would be best enjoyed if you didn’t take it too seriously. It’s in many ways a throwback to the macho action movies of yesteryear, and that’s where it makes up for its shortcomings.
As the first film I’ve seen in this series, I admittedly had low expectations for it. If not for my dad wanting to see it, I probably would have skipped it entirely, but in truth it turned out to be better than I had anticipated. It’s also been the number one movie at the box office for two weeks running, so what do I know? I must confess that ever since seeing Den of Thieves last year, I’ve instantly become a huge fan of Gerard Butler, whose filmography I’ve largely overlooked. I love his energy, his over-the-top acting and his tough guy persona. He’s a great fit here in Angel Has Fallen as Banning and is enjoyable to watch, even if at times it can be a little hard to believe that he’s somehow always the smartest guy in the room.
The rest of the cast in the movie is respectful as well. Morgan Freeman is a comfortable choice as President Trumbull, and he truly makes me long for a time when we had a sane and competent President. It’s a rather reserved role for Freeman, as he spends most of the runtime in a coma. Still, he’s a graceful and welcome presence who has at least a couple moments to shine. Jada Pinkett Smith has the unfortunate role of playing the FBI agent who orders Banning’s arrest, and I wish she had a bit more to work with. Nick Nolte plays Banning’s estranged father Clay, a paranoid war veteran living off the grid, and he’s one of the highlights of the film. I enjoyed his character’s relationship with Banning, and he and Butler play off each other well. Danny Huston also gives a worthwhile performance as Banning’s former military companion Wade Jennings.
Despite having the appearance of a run-of-the-mill, rescue-the-President type of action movie, the action is actually for the most part quite admirable. Right from the get-go, it makes an impressive statement with its tense and exciting introductory scene which feels reminiscent of tactical military-style video games. The movie is heavy on explosions, shootouts, and hand-to-hand combat, and its action is generally fun. There’s also an impressive final stand-off that’s surprisingly well-planned and executed. It’s in moments like this where the movie demonstrates its intelligence and expertise. If not for these strong action sequences, I feel the movie as a whole would have suffered tremendously, but it rightfully delivers on what we came to see. Of course, not all of the action is stellar, and there’s a clunker of a car chase thrown into the mix, but overall I was entertained.
One area where the movie could have used some more improvement was with the special effects. They’re sufficient in the sense that they still clearly convey what the movie is trying to show, but a lot of it looks noticeably fake. It’s unfortunate, but I also don’t believe it was ever a major distraction. Another issue with the film is that its run-time feels a little long and there are some subplots that I really couldn’t care less about. It’s your standard government scheming and political conspiracy stuff, complete with all of the twists you would expect, but it isn’t particularly interesting, even if it does explain the purpose of the initial attack on the President.
Overall, I had a better time with Angel Has Fallen than I would have imagined. It’s far from great, but it’s good enough that I’ll probably now check out the two previous Fallen films at some point. The story might leave a lot to be desired, but the action sequences help fill the void. I would recommend it for fans of action movies, or anyone who likes Gerard Butler. It’s not something anyone needs to rush to the theater to see, but if you’re looking for a little action to end your summer with, it should do the trick.
Directed by Ric Roman Waugh, Angel Has Fallen is a film that starts off pretty well, yet I feel that the whole narrative of Banning being so easily framed is pretty hard to believe, especially given that he’s been the hero of two films already. It’s the driving force of the film’s story and yet it seems highly questionable to me that the intelligence committee would be so quick to blame it all on Banning considering his reputable history. Naturally any attack on the President is taken very seriously, but the FBI is extremely quick to condemn the man that just saved his life. I think it’s the weakest part of the story, although story is not an area this film ever really excels at. I would even say that most of its attempts at being smart usually fall flat. Regardless, this is the kind of movie that would be best enjoyed if you didn’t take it too seriously. It’s in many ways a throwback to the macho action movies of yesteryear, and that’s where it makes up for its shortcomings.
As the first film I’ve seen in this series, I admittedly had low expectations for it. If not for my dad wanting to see it, I probably would have skipped it entirely, but in truth it turned out to be better than I had anticipated. It’s also been the number one movie at the box office for two weeks running, so what do I know? I must confess that ever since seeing Den of Thieves last year, I’ve instantly become a huge fan of Gerard Butler, whose filmography I’ve largely overlooked. I love his energy, his over-the-top acting and his tough guy persona. He’s a great fit here in Angel Has Fallen as Banning and is enjoyable to watch, even if at times it can be a little hard to believe that he’s somehow always the smartest guy in the room.
The rest of the cast in the movie is respectful as well. Morgan Freeman is a comfortable choice as President Trumbull, and he truly makes me long for a time when we had a sane and competent President. It’s a rather reserved role for Freeman, as he spends most of the runtime in a coma. Still, he’s a graceful and welcome presence who has at least a couple moments to shine. Jada Pinkett Smith has the unfortunate role of playing the FBI agent who orders Banning’s arrest, and I wish she had a bit more to work with. Nick Nolte plays Banning’s estranged father Clay, a paranoid war veteran living off the grid, and he’s one of the highlights of the film. I enjoyed his character’s relationship with Banning, and he and Butler play off each other well. Danny Huston also gives a worthwhile performance as Banning’s former military companion Wade Jennings.
Despite having the appearance of a run-of-the-mill, rescue-the-President type of action movie, the action is actually for the most part quite admirable. Right from the get-go, it makes an impressive statement with its tense and exciting introductory scene which feels reminiscent of tactical military-style video games. The movie is heavy on explosions, shootouts, and hand-to-hand combat, and its action is generally fun. There’s also an impressive final stand-off that’s surprisingly well-planned and executed. It’s in moments like this where the movie demonstrates its intelligence and expertise. If not for these strong action sequences, I feel the movie as a whole would have suffered tremendously, but it rightfully delivers on what we came to see. Of course, not all of the action is stellar, and there’s a clunker of a car chase thrown into the mix, but overall I was entertained.
One area where the movie could have used some more improvement was with the special effects. They’re sufficient in the sense that they still clearly convey what the movie is trying to show, but a lot of it looks noticeably fake. It’s unfortunate, but I also don’t believe it was ever a major distraction. Another issue with the film is that its run-time feels a little long and there are some subplots that I really couldn’t care less about. It’s your standard government scheming and political conspiracy stuff, complete with all of the twists you would expect, but it isn’t particularly interesting, even if it does explain the purpose of the initial attack on the President.
Overall, I had a better time with Angel Has Fallen than I would have imagined. It’s far from great, but it’s good enough that I’ll probably now check out the two previous Fallen films at some point. The story might leave a lot to be desired, but the action sequences help fill the void. I would recommend it for fans of action movies, or anyone who likes Gerard Butler. It’s not something anyone needs to rush to the theater to see, but if you’re looking for a little action to end your summer with, it should do the trick.
Lee (2222 KP) rated Santa Clarita Diet - Season 3 in TV
Apr 7, 2019
I remember watching season 1 of Santa Clarita Diet and wondering after just a few episodes if it would ever make it to another season. Don't get me wrong, I loved the humour and the craziness of the show, but wasn’t sure how they would ever manage to stretch the idea out any further than that. Well, we're now onto season 3 of what has proven to be one of the funniest and most consistently well written shows around right now, with no signs of it slowing down anytime soon.
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
365Flicks (235 KP) rated The Hollow (2016) in Movies
Nov 20, 2019
Often all it takes for me to put a flick on is to see a name of an Actor that I have loved in other movies, this can often make me more forgiving and open to watch the next flick that comes along. When I received The Hollow for the intentions of reviewing. I was smacked in the face by two such names, William Sadler (Shawshank, Die Hard 2) and William Forsythe (Things to Do in Denver When Your Dead, The Rock). Neither actor is setting the world on fire as of late but as a movie fan you know your about to get some solid performances. I was not wrong.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.