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The Blue Cloak (True Colors)
The Blue Cloak (True Colors)
10
10.0 (1 Ratings)
Book Rating
Where to start on a book that sucks you in and doesn’t let go…

     The Blue Cloak by Shannon McNear summed up in one word is: STUNNING. When I started reading this book I could not stop thinking about the characters and their plights, Shannon McNear brought their thoughts and feeling to life in an almost tangible way that made me feel like I was right there experiencing the haunting twists and realizations with the characters. She weaved in such a thread of hope and light amidst all that happened for her characters that were a true reflection of the hope we need to pray for in our fallen world.

I was captivated from the first chapter of this true-crime story in a way that I do not think I have ever been by a book before. The historical detail and research that went into the writing of this book were phenomenal, it made the story even more eye-opening for me. I loved how Shannon McNear took the time at the end (in the author’s note) to explain several different aspects of the story and the historical documentation to back them up.

I truly loved the setting, the plot, and the three main characters in this book. When combined I think they made a truly stunning and captivating story that weaves a tale of faith, perseverance, trust, and hope amid unknowable tragedy. Shannon McNear did a great job portraying the darkness in our world but expressing the hope that we have in Jesus’ name.

I give this book a resounding 5 out of 5 stars for the amazing storyline, the historical details, and the great characters. I highly recommend reading this book and I am personally ordering a physical copy for my book collection.

*I volunteered to read this book in return for my honest opinion. The thoughts and opinions expressed within are my own.
  
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Brian Eno recommended Fresh by Sly & The Family Stone in Music (curated)

 
Fresh by Sly & The Family Stone
Fresh by Sly & The Family Stone
(0 Ratings)
Album Favorite

"I didn't know much about Sly and I'd only heard the two hits that he'd had, which were 'Everyday People', which I loved because of that bass line which goes all the way through without changing once, and 'Thank You (Falettinme Be Mice Elf Agin)', and I loved them but I didn't think that much of them. Then one evening in 1971 I was round the house of this bunch of London musos who I'd kind of fallen in with and they were all sort of jazz-influenced people. They used to smoke a lot of grass. I didn't, but the room was full of enough stuff to probably affect me. They were all talking about this album and how it set the scene for something totally new, and I was interested because they were the very serious people who were into Coltrane and Charlie Parker, yet this was a pop record. It's so sketchy, the whole thing, it hardly holds together. It's like little flicks of paint. Instead of an organised composition, it's just people throwing in these little touches and somehow it coheres. It's like the first time I saw a Jackson Pollock or something. Another interesting thing about this is I had just started experimenting with rhythm boxes, which were considered completely beyond the pale by most musicians. They had like six rhythms on: bossa nova, Latin, rock & roll... something like that, and they had these terrible sounds [mimics rhythm box] but I really liked them and I was starting to write things over them, and everyone was asking me, ""Well, you'll replace that, won't you?"" and I said, ""Actually, I don't think I will."" Then I heard this (first track, 'In Time'), where one is playing alongside Andy Newmark, one of the great drummers of all time. But there's nothing really holding it together except the rhythm box."

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The Fate of the Furious (2017)
The Fate of the Furious (2017)
2017 | Action
Contains spoilers, click to show
Hobbs and the family are back to face their most dangerous enemy yet, Dom in the 8th instalment of the 'Fast and Furious' franchise.
Like the last few films in the franchise, Fate tries to go bigger and louder with more action, guns, missiles, tanks and submarines although there is less time spent on the actual cars.

The film adds more of an element of mystery and questions the ties of family more than any of the other films when the team is betrayed by one of their own and they need to find out why,
I think 'Fate' has more stand out scenes than some of the other films in the franchise, mainly (and spoilers here) The prison break and Shaw shooting up the plane whilst carrying the baby.
I feel that we are now getting into the realms of 'more of the same', the first first few films tried to be a bit different but now we are getting 'The family gets hired by someone, mission goes bad, family need to sort it out' and this isn't necessarily a bad thing, trying to keep thing different is what lead to Tokyo drift, which most fans think is the worst of the franchise.
It's also nice knowing what you are going to get , a fast paced action film, with cars that is relatively safe for most people to watch. That is that, although there is some violence and peril, the language it quite tame, the humour is not to crude and, although there are plenty walking around with not much on, the franchise has never fallen into the trap of relying on sex to spice things up. Instead it keeps the pace fast, the story's (relatively) simple and the one liners fun.
Over all Fate of the Furious is a good addition to a franchise that is getting more over the top by the film.
  
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