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Andy K (10823 KP) rated Dragged Across Concrete (2019) in Movies
May 5, 2019
What a thrill ride!
So to say director S. Craig Zahler is one of my favorites working today is an understatement. I was a HUGE fan of his first two films, Bone Tomahawk and Brawl in Cell Block 99 (read my reviews on both on Smashbomb) so I was really looking forward to this one. Of course the film did not play at a cinema local to me, so I had to wait until Blu Ray to give it a watch and I was enthralled.
Two cops on suspension for using excessive force against a drug dealing hoodlum leave very different lives off the job. One is prone to violence living in a bad neighborhood desperate for better for his wife and child and the other just wants to marry the girl of his dreams and is now worried she will no longer have him.
Out of desperation, the men decide to participate in a criminal enterprise to better their own personal situations and end up inside something much bigger. The decisions they make within the context of the second act of the film will have profound repercussions throughout the remainder of their lives.The two cops do what they have to do to try and make their lives better and help their families through hard times.
I don't want to sound like a movie snob here, but after viewing the film I checked out the MANY 1 star reviews this film received on IMDb and was not surprised. I am not making fun of the modern movie going public at all. I enjoy explosions and superheroes as much as anyone; however, for some time I have strived to find the different, unusual, deeper film where its heroes don't wear spandex and everything is not just black and white. Those films have their place.
This film was kind of "Tarantino-esque" in the way the story was told, the way the characters conversed with each other and even the fact that the characters were multilayered and very interesting. There were also several stories going on simultaneously at the beginning and didn't combine until well into the film. One could argue the 2 hour and 40 minute film "dragged" (no pun intended) at times or had unnecessary scenes, but no one complained when Marge Gunderson had lunch with Mike Yanagita, so that didn't bother me here.
Both of Zahler's previous films were violent and had that one squeamish scene you could hardly believe happened as did this film.
I can safely say this movie isn't for everyone and its slow pace will turn off some modern moviegoers who expect non stop action. Having said that, I still highly recommend this movie and would love to know your opinion once watching it.
Two cops on suspension for using excessive force against a drug dealing hoodlum leave very different lives off the job. One is prone to violence living in a bad neighborhood desperate for better for his wife and child and the other just wants to marry the girl of his dreams and is now worried she will no longer have him.
Out of desperation, the men decide to participate in a criminal enterprise to better their own personal situations and end up inside something much bigger. The decisions they make within the context of the second act of the film will have profound repercussions throughout the remainder of their lives.The two cops do what they have to do to try and make their lives better and help their families through hard times.
I don't want to sound like a movie snob here, but after viewing the film I checked out the MANY 1 star reviews this film received on IMDb and was not surprised. I am not making fun of the modern movie going public at all. I enjoy explosions and superheroes as much as anyone; however, for some time I have strived to find the different, unusual, deeper film where its heroes don't wear spandex and everything is not just black and white. Those films have their place.
This film was kind of "Tarantino-esque" in the way the story was told, the way the characters conversed with each other and even the fact that the characters were multilayered and very interesting. There were also several stories going on simultaneously at the beginning and didn't combine until well into the film. One could argue the 2 hour and 40 minute film "dragged" (no pun intended) at times or had unnecessary scenes, but no one complained when Marge Gunderson had lunch with Mike Yanagita, so that didn't bother me here.
Both of Zahler's previous films were violent and had that one squeamish scene you could hardly believe happened as did this film.
I can safely say this movie isn't for everyone and its slow pace will turn off some modern moviegoers who expect non stop action. Having said that, I still highly recommend this movie and would love to know your opinion once watching it.
Sensitivemuse (246 KP) rated Jar City in Books
Jan 15, 2018
What made this book enjoyable was how such an intricate web was spun throughout the novel giving the reader enough interest to keep reading. I was not sure what to expect from this book. Although I’ve heard good things about it I didn’t think I would be so engrossed and be flying through the pages to find out what will happen next.
I’m still not sure what to think of Erlandur as a character. Like most protagonists in series like these they usually have an underlying personal issue (whether it be health, or family for example) which he does have, but his personality I can’t really quite make out. He doesn’t seem to have much of one except he cares for his daughter and her well being even though they are estranged. He does have some sense of humor and wit but overall he appears to be driven by his work and hard working to solve the crime (we all need police like these don’t we?.)
I’m liking how his relationship with his daughter is turning out. It’s nice to see them slowly step away from their estrangement and it shows they do truly care for each other even though it’s done through yelling (most families are like that though, aren’t they?) It shows a lot of tough love, and I’m hoping the best for Eva Lind in the next books (I hope she appears as I’m slowly starting to like her more.)
What I enjoyed the most of this book was the plot like I mentioned earlier. It went from point A to point B but in such a dramatic motion it certainly kept you reading to find out what was going to happen next. The mood of the story also, was excellent. It was dark, dreary, melancholy, and although not suspenseful like the majority of the crime novels, it didn’t have to be. It made the setting suitable for the plot and made it more enjoyable.
One little thing I do have to add though, is the side story with the bride. I’m not sure why that was mentioned as it had little to do with the main story and it seemed like a filler. It wasn’t necessary as the plot itself was fine without it. I also enjoyed the ending of the book. It was sad, but you came to the realization it had to come to an ending like this.
As this is book #3 in its native language, it’s considered book #1 in its’ English translation. It seems all right and nothing seems to be lacking. Perhaps a bit of backstory might have helped but it was comprehensible to read. Greatly recommended! It’s a great break from the usual detective novels we have out there.
I’m still not sure what to think of Erlandur as a character. Like most protagonists in series like these they usually have an underlying personal issue (whether it be health, or family for example) which he does have, but his personality I can’t really quite make out. He doesn’t seem to have much of one except he cares for his daughter and her well being even though they are estranged. He does have some sense of humor and wit but overall he appears to be driven by his work and hard working to solve the crime (we all need police like these don’t we?.)
I’m liking how his relationship with his daughter is turning out. It’s nice to see them slowly step away from their estrangement and it shows they do truly care for each other even though it’s done through yelling (most families are like that though, aren’t they?) It shows a lot of tough love, and I’m hoping the best for Eva Lind in the next books (I hope she appears as I’m slowly starting to like her more.)
What I enjoyed the most of this book was the plot like I mentioned earlier. It went from point A to point B but in such a dramatic motion it certainly kept you reading to find out what was going to happen next. The mood of the story also, was excellent. It was dark, dreary, melancholy, and although not suspenseful like the majority of the crime novels, it didn’t have to be. It made the setting suitable for the plot and made it more enjoyable.
One little thing I do have to add though, is the side story with the bride. I’m not sure why that was mentioned as it had little to do with the main story and it seemed like a filler. It wasn’t necessary as the plot itself was fine without it. I also enjoyed the ending of the book. It was sad, but you came to the realization it had to come to an ending like this.
As this is book #3 in its native language, it’s considered book #1 in its’ English translation. It seems all right and nothing seems to be lacking. Perhaps a bit of backstory might have helped but it was comprehensible to read. Greatly recommended! It’s a great break from the usual detective novels we have out there.
Louise (64 KP) rated The Weight of Water in Books
Jul 2, 2018
After reading One by Sarah Crossan I wanted delve into more of her works. This is Sarah's debut novel and I really enjoyed it. What makes her books unique is that they are written in verse, so you can either read it like poetry or just as a normal book.
The weight of water follows Kasienka and her mother who are Polish migrants travelling to the UK to find her father who upped and left one day never to return, all they know is that he lives in Coventry. They manage to rent a bed sit with one bed that they have to share and with little money Kasienka's mum takes on a hospital job. Kasienka's mum is determined to find her husband and as Kasi's English is better than hers she is forced to walk streets of Coventry looking for her dad. Not only does she have to contend with her mum, she also started a new school where she doesn't fit in and becomes a target to bullies. The only thing that Kasienka was good at was swimming which she loved and was also pretty good at. It was where she could escape, It was there she met William.
I loved this book, it is so realistic, raw and heart - breaking. In the UK we have thousands of Polish people come to live in the UK sometimes for work and sometimes for unknown reasons but what we forget is how hard and challenging it can be for them to arrive in a country they are not familiar with and the language barrier.You also forget how difficult it must be at school for them - due to Kasi's language barrier the teacher was not aware of how intelligent she was and enrolled her in a younger year. Kasi is 12 and a very intelligent girl who just wants to fit in at school or even better to return to Poland with her Mother and Father. You see the struggles that she has to overcome and her developing and hitting puberty. I really liked the fact that Sarah Crossan didn't shy away and told us Kasi's periods starting and her becoming more body conscious it makes it so much more real and relatable.
The bit that I really liked was when Kasienka realised that she had treated a new girl at her school back in Poland just as she was being by the bullies in her school, she wasn't perfect and she knew it.
This is a brilliant coming of age story that could be classed as middle grade though it has more depth to it as deals with Poverty, bullying, immigration and families
I definitely recommend this book for anyone that wants to read YA,Poetry or contemporary
Overall I rated 4.5 out 5 stars.
The weight of water follows Kasienka and her mother who are Polish migrants travelling to the UK to find her father who upped and left one day never to return, all they know is that he lives in Coventry. They manage to rent a bed sit with one bed that they have to share and with little money Kasienka's mum takes on a hospital job. Kasienka's mum is determined to find her husband and as Kasi's English is better than hers she is forced to walk streets of Coventry looking for her dad. Not only does she have to contend with her mum, she also started a new school where she doesn't fit in and becomes a target to bullies. The only thing that Kasienka was good at was swimming which she loved and was also pretty good at. It was where she could escape, It was there she met William.
I loved this book, it is so realistic, raw and heart - breaking. In the UK we have thousands of Polish people come to live in the UK sometimes for work and sometimes for unknown reasons but what we forget is how hard and challenging it can be for them to arrive in a country they are not familiar with and the language barrier.You also forget how difficult it must be at school for them - due to Kasi's language barrier the teacher was not aware of how intelligent she was and enrolled her in a younger year. Kasi is 12 and a very intelligent girl who just wants to fit in at school or even better to return to Poland with her Mother and Father. You see the struggles that she has to overcome and her developing and hitting puberty. I really liked the fact that Sarah Crossan didn't shy away and told us Kasi's periods starting and her becoming more body conscious it makes it so much more real and relatable.
The bit that I really liked was when Kasienka realised that she had treated a new girl at her school back in Poland just as she was being by the bullies in her school, she wasn't perfect and she knew it.
This is a brilliant coming of age story that could be classed as middle grade though it has more depth to it as deals with Poverty, bullying, immigration and families
I definitely recommend this book for anyone that wants to read YA,Poetry or contemporary
Overall I rated 4.5 out 5 stars.
Hazel (1853 KP) rated What Light in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
Phillip McSween (751 KP) rated Swinging Safari (2019) in Movies
Oct 29, 2019
Whomp Whomp...
I was strongly hoping I had found a hidden gem in Swinging Safari. Not so much…Taking place in 70’s Australia, it follows the lives of three neighborhood families and how their lives swing out of control when they get a little too close.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.
BankofMarquis (1832 KP) rated Parasite (2019) in Movies
Nov 12, 2019
Strongly Directed by Bong Joon-Ho
There are more strong film makers in this world than are just sitting in traditionally English-speaking Countries (like the U.S./England). One of the strongest - and a Director that I will watch WHATEVER he is Directing - is South Korean auteur Bong Joon-Ho. His previous efforts (THE HOST, OKJA, SNOWPIERCER, amongst others) were all led by intriguing stories, interesting people and strong visual imagery, so I was very excited for his newest effort, PARASITE. I purposely did not find out too much about this film, for I wanted to be surprised by what was unfolding in front of me.
And...I was rewarded, greatly by another intriguing story with interesting people and strong visual imagery.
In Korean, with English subtitles, PARASITE follows a lower class Korean family that go to work for a high class Korean family and brings us on a journey for BOTH families. And that's all I'm going to say about it, for to reveal anything else would be to spoil the surprises along the way.
But, as is often the case with these types of stories, it is the journey, not the destination that is the treat of this film. Bong Joon-Ho regular Kang-ho Song stars as the Patriarch of the lower class family who, seemingly, is lazy and allergic to "work", but that is not really the case. Woo-sik Choi is the son of the lower class family that connects with the daughter of the higher class family and Hye-jin Jang is the matriarch of the lower class family and they both bring sensitivity and strength to their roles. But for me, the real star of this film is So-dam Park as the daughter of this family who turns out to be the heart and the brains of the operation.
Director Bong Joon-Ho brings his usual flair to the proceedings, not letting his camera shy away from the seemy underbelly of this society, but not lingering on it either, moving the surprising plot along at a fast (enough) pace to keep you guessing throughout. I see a lot of films, so when I run across a plot that I couldn't tell what was going to come next, it is satisfying.
And, satisfying this film is. Some are calling it an "Oscar Contender" and I don't think I would go quite that far - the film does drag a bit in the middle. But, if you can handle reading the subtitles, you'll be entertained indeed by the fervent mind of one of the better Directors working in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I was rewarded, greatly by another intriguing story with interesting people and strong visual imagery.
In Korean, with English subtitles, PARASITE follows a lower class Korean family that go to work for a high class Korean family and brings us on a journey for BOTH families. And that's all I'm going to say about it, for to reveal anything else would be to spoil the surprises along the way.
But, as is often the case with these types of stories, it is the journey, not the destination that is the treat of this film. Bong Joon-Ho regular Kang-ho Song stars as the Patriarch of the lower class family who, seemingly, is lazy and allergic to "work", but that is not really the case. Woo-sik Choi is the son of the lower class family that connects with the daughter of the higher class family and Hye-jin Jang is the matriarch of the lower class family and they both bring sensitivity and strength to their roles. But for me, the real star of this film is So-dam Park as the daughter of this family who turns out to be the heart and the brains of the operation.
Director Bong Joon-Ho brings his usual flair to the proceedings, not letting his camera shy away from the seemy underbelly of this society, but not lingering on it either, moving the surprising plot along at a fast (enough) pace to keep you guessing throughout. I see a lot of films, so when I run across a plot that I couldn't tell what was going to come next, it is satisfying.
And, satisfying this film is. Some are calling it an "Oscar Contender" and I don't think I would go quite that far - the film does drag a bit in the middle. But, if you can handle reading the subtitles, you'll be entertained indeed by the fervent mind of one of the better Directors working in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
ClareR (5779 KP) rated Dear Edward in Books
Mar 8, 2020
A sad, yet life affirming novel.
Dear Edward is a beautiful book, and I suppose I should give a ‘you’ll need a handkerchief’ warning from the off.
It tells the story of twelve year old Edward Adler and his survival of a plane crash that left 119 people dead, including his parents and his older brother. The story moves back and forth in time, where we learn more about some of those people who were on board the plane, and Edwards life post-crash.
In the present day, Edwards grief is all-consuming. He can’t bring himself to eat, or sleep in the room that was always meant to be for his Uncle John and Aunt Laceys baby - she is unable to carry a baby beyond a few weeks, so the bedroom feels like a symbol of her serial losses.
Shay, the girl who lives next door with her mother, seems to be the person who holds Edward together. He sleeps on the floor of her bedroom for a long time, until Shays mother decides that it’s no longer appropriate. So Shay helps Edward prepare the basement of his aunt and uncles house as his bedroom.
Edward has to go through so many huge changes after the crash, and I really felt so much sadness for him. Even just going to school after always being homeschooled must have been a huge hurdle for him to get over, but there were also all of the other firsts that he had to overcome.
The title of the book refers to the letters that Edward and Shay find. The letters have been written by the friends and families of the plane crash victims, and Edwards uncle has hidden them from him. And with good reason. These are the letters of the grieving. They all seem to want something of Edward: to live a certain way, to take up a hobby, to do a certain job. There is no way he can do all of these things, and as 15 year olds, he and Shay realise this. As a 12 year old, he never would have, and it would have no doubt overwhelmed him.
I absolutely loved this book. It drew me in to the story of Edward, and I honestly felt bereft at the end of it. It’s undeniably sad, but it’s also life affirming, and I really liked how something so tragic could ultimately have such a positive outcome.
So if you pick this book up, read the back, then put it down again thinking that it’ll be too depressing, I’d just like to encourage you to give it a go. It’s a book well worth reading.
It tells the story of twelve year old Edward Adler and his survival of a plane crash that left 119 people dead, including his parents and his older brother. The story moves back and forth in time, where we learn more about some of those people who were on board the plane, and Edwards life post-crash.
In the present day, Edwards grief is all-consuming. He can’t bring himself to eat, or sleep in the room that was always meant to be for his Uncle John and Aunt Laceys baby - she is unable to carry a baby beyond a few weeks, so the bedroom feels like a symbol of her serial losses.
Shay, the girl who lives next door with her mother, seems to be the person who holds Edward together. He sleeps on the floor of her bedroom for a long time, until Shays mother decides that it’s no longer appropriate. So Shay helps Edward prepare the basement of his aunt and uncles house as his bedroom.
Edward has to go through so many huge changes after the crash, and I really felt so much sadness for him. Even just going to school after always being homeschooled must have been a huge hurdle for him to get over, but there were also all of the other firsts that he had to overcome.
The title of the book refers to the letters that Edward and Shay find. The letters have been written by the friends and families of the plane crash victims, and Edwards uncle has hidden them from him. And with good reason. These are the letters of the grieving. They all seem to want something of Edward: to live a certain way, to take up a hobby, to do a certain job. There is no way he can do all of these things, and as 15 year olds, he and Shay realise this. As a 12 year old, he never would have, and it would have no doubt overwhelmed him.
I absolutely loved this book. It drew me in to the story of Edward, and I honestly felt bereft at the end of it. It’s undeniably sad, but it’s also life affirming, and I really liked how something so tragic could ultimately have such a positive outcome.
So if you pick this book up, read the back, then put it down again thinking that it’ll be too depressing, I’d just like to encourage you to give it a go. It’s a book well worth reading.
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