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Lee (2222 KP) rated Instant Family (2019) in Movies
Jan 24, 2019 (Updated Jan 24, 2019)
A very funny, heartwarming drama about adoption
On paper, you'd be forgiven for thinking that Instant Family is going to be just like so many other movies you've seen over the years. A couple without children of their own decides to adopt and end up with three troubled siblings of varying ages. And when you read that it's from director/co-writer Sean Anders, along with Mark Wahlberg, who worked together on both of the 'Daddy's Home' movies, you'll think you've got a pretty good idea of the tone and direction this movie is going to follow. Luckily though, while there are some genuinely very funny moments in this movie, it also manages to successfully blend it with some serious human drama and emotion and a fantastic set of characters.
Instant Family is based on the real life experience of the director Sean Anders and the adoption process he went through with his wife. In the movie, the couple are called Pete and Ellie (Mark Wahlberg and Rose Byrne), who earn their living by flipping houses (buy, renovate, sell). After Ellie has an argument with her sister regarding kids, they begin thinking about having children of their own. Worried about their age, they begin looking into fostering, with a view to eventually adopting an older child.
They visit an adoption agency, where they are joined by a number of other couples and single parents all looking to find out more and begin their journey to becoming parents. Octavia Spencer and Tig Notaro are social workers, there to guide them all through the process. A very funny double act, providing a lot of the movies hilariously well timed lines. In fact, all of the other potential adopters are well written and funny, continuing to crop up throughout the movie as we revisit how everyone is getting on with their fostered children. None of this is zany, particularly goofy or over the top though - it's made very clear that many of the children in the foster system have had a pretty awful life so far, and this honest piece of reality is never downplayed.
At a meet-and-greet with potential adoptive children, organised as an outdoor event in a park, Pete and Ellie are drawn to Lizzie (Isabela Moner), a fiery teenage girl who is hanging out with the other older kids - separated from the main gathering, having resigned themselves to the notion that they're never going to get chosen by the prospective parents. When the couple mark her down as a potential for fostering, they learn that she actually comes as part of a package, having a younger brother Juan and even younger sister Lita. Pete and Ellie decide to go for it and foster all three, convinced they can make a difference in these kids lives.
There follows a period of new parents being thrown in at the deep end - the stressful night time routine, the problems with getting kids to eat and dress properly, problems at school etc. But again, it's not over the top - rooted in reality and successfully managing to walk the line between comedy and drama without resorting to exaggerated comedy set pieces. The problems experienced are made all the more challenging as the couple trying to care for and raise children who haven't had a great start in life, and have been used to a very particular way of living. Made even more difficult when the children's birth mother appears on the scene later in the movie.
I wasn't expecting to enjoy this movie as much as I did. There are more laugh out loud moments than any movie I've seen in recent years that bills itself as a comedy, but at the same time it's also a really heartwarming feel-good drama. So many enjoyable characters too, and with a sharp script that brings out the best in them all. Hugely enjoyable.
Instant Family is based on the real life experience of the director Sean Anders and the adoption process he went through with his wife. In the movie, the couple are called Pete and Ellie (Mark Wahlberg and Rose Byrne), who earn their living by flipping houses (buy, renovate, sell). After Ellie has an argument with her sister regarding kids, they begin thinking about having children of their own. Worried about their age, they begin looking into fostering, with a view to eventually adopting an older child.
They visit an adoption agency, where they are joined by a number of other couples and single parents all looking to find out more and begin their journey to becoming parents. Octavia Spencer and Tig Notaro are social workers, there to guide them all through the process. A very funny double act, providing a lot of the movies hilariously well timed lines. In fact, all of the other potential adopters are well written and funny, continuing to crop up throughout the movie as we revisit how everyone is getting on with their fostered children. None of this is zany, particularly goofy or over the top though - it's made very clear that many of the children in the foster system have had a pretty awful life so far, and this honest piece of reality is never downplayed.
At a meet-and-greet with potential adoptive children, organised as an outdoor event in a park, Pete and Ellie are drawn to Lizzie (Isabela Moner), a fiery teenage girl who is hanging out with the other older kids - separated from the main gathering, having resigned themselves to the notion that they're never going to get chosen by the prospective parents. When the couple mark her down as a potential for fostering, they learn that she actually comes as part of a package, having a younger brother Juan and even younger sister Lita. Pete and Ellie decide to go for it and foster all three, convinced they can make a difference in these kids lives.
There follows a period of new parents being thrown in at the deep end - the stressful night time routine, the problems with getting kids to eat and dress properly, problems at school etc. But again, it's not over the top - rooted in reality and successfully managing to walk the line between comedy and drama without resorting to exaggerated comedy set pieces. The problems experienced are made all the more challenging as the couple trying to care for and raise children who haven't had a great start in life, and have been used to a very particular way of living. Made even more difficult when the children's birth mother appears on the scene later in the movie.
I wasn't expecting to enjoy this movie as much as I did. There are more laugh out loud moments than any movie I've seen in recent years that bills itself as a comedy, but at the same time it's also a really heartwarming feel-good drama. So many enjoyable characters too, and with a sharp script that brings out the best in them all. Hugely enjoyable.
Phillip McSween (751 KP) rated Léon: The Professional (1994) in Movies
Jul 5, 2020
Heart-racing Drama
Against his better judgement, a hitman takes in a little girl after her entire family is slaughtered.
Acting: 10
Loved Jean Reno as Leon the hitman as it is inarguably his greatest performance. You can tell very early on this is a guy you don’t want to mess with. Despite his excellence, Natalie Portman outshined everyone, even Reno, in her role as Mathilda, a revenge-seeking girl that has to grow up before she’s ready. She leaves such an impact from the way she harbors rage and sadness, sometimes within the same scene. While young, this is also one of her strongest performances as an actress. When you’re getting the best of your two stars, you know you have a great movie on your hands.
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Conflict: 7
I think my issue with the actual conflict throughout the duration of the movie stems more from how amazing the beginning is. The first ten minutes of the movie almost spoil you into expecting the rest of the film to be that way. Alas it is not. It moves at a bit of a slower clip and you start to feel it playing out as more of a drama than an action movie. Don’t get me wrong, there is plenty of tension to be had, just not quite enough to blow me away.
Entertainment Value: 8
Memorability: 7
There is one particularly tense moment that had my heart racing: I don’t want to give too much away by setting the scene, but Mathilda is waiting outside of Leon’s door, pleading for him to let her in. Every single time I watch that scene, my heart leaps into my throat even though I know what’s going to happen. It’s that intense vulnerability that really sticks out. While the movie isn’t oozing with scenes to remember, say like my last review of Dirty Dancing, there was definitely enough to keep my attention.
Pace: 10
Once you understand that the movie is a drama and not an action film, you can respect the pace a lot more. The movie pushes character development and the relationship between Leon and Mathilda. By the time the film reaches its conclusion, there is legitimate concern for their well-being because you’ve grown to like both of them.
Plot: 10
Resolution: 1
Did not like the ending in the slightest. I was hoping for more. Endings like this are fine when there is more closure. As bad as it was, I still enjoyed the movie as a whole.
Overall: 81
Leon: The Professional is a great movie to watch with someone who prefers drama over action and you’re trying to meet them in the middle. It is endearing to watch Leon and Mathilda’s relationship blossom with the mad world that has been thrust upon them. The action is subtle, but the movie is awesome.
Acting: 10
Loved Jean Reno as Leon the hitman as it is inarguably his greatest performance. You can tell very early on this is a guy you don’t want to mess with. Despite his excellence, Natalie Portman outshined everyone, even Reno, in her role as Mathilda, a revenge-seeking girl that has to grow up before she’s ready. She leaves such an impact from the way she harbors rage and sadness, sometimes within the same scene. While young, this is also one of her strongest performances as an actress. When you’re getting the best of your two stars, you know you have a great movie on your hands.
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Conflict: 7
I think my issue with the actual conflict throughout the duration of the movie stems more from how amazing the beginning is. The first ten minutes of the movie almost spoil you into expecting the rest of the film to be that way. Alas it is not. It moves at a bit of a slower clip and you start to feel it playing out as more of a drama than an action movie. Don’t get me wrong, there is plenty of tension to be had, just not quite enough to blow me away.
Entertainment Value: 8
Memorability: 7
There is one particularly tense moment that had my heart racing: I don’t want to give too much away by setting the scene, but Mathilda is waiting outside of Leon’s door, pleading for him to let her in. Every single time I watch that scene, my heart leaps into my throat even though I know what’s going to happen. It’s that intense vulnerability that really sticks out. While the movie isn’t oozing with scenes to remember, say like my last review of Dirty Dancing, there was definitely enough to keep my attention.
Pace: 10
Once you understand that the movie is a drama and not an action film, you can respect the pace a lot more. The movie pushes character development and the relationship between Leon and Mathilda. By the time the film reaches its conclusion, there is legitimate concern for their well-being because you’ve grown to like both of them.
Plot: 10
Resolution: 1
Did not like the ending in the slightest. I was hoping for more. Endings like this are fine when there is more closure. As bad as it was, I still enjoyed the movie as a whole.
Overall: 81
Leon: The Professional is a great movie to watch with someone who prefers drama over action and you’re trying to meet them in the middle. It is endearing to watch Leon and Mathilda’s relationship blossom with the mad world that has been thrust upon them. The action is subtle, but the movie is awesome.
Mark @ Carstairs Considers (2165 KP) rated Wreath Between the Lines in Books
Nov 21, 2018
Killer at Christmas
The town of Chrystal Cove, California is getting into the Christmas spirit, and Jenna Hart is busy with a bunch of Christmas themed events at the Cookbook Nook. Her life is more complicated by the fact that her sister and her family are visiting, and Jenna gets pulled into their drama. But things take a huge turn when her neighbor, Jake, comes over in a panic one night to report that a friend who had been staying with him has been murdered, trussed up with Christmas light and stabbed by a Christmas star. Who would want to kill a visitor to town? Or was Jake the intended target?
If you are looking for a cozy filled with Christmas spirit, you've come to the right place. This book is filled with Christmas. The mystery is a little weak since a couple of sub-plots crowd it out, but we do still get some twists before reaching a creative and fun climax. The series regulars are all here, and it is wonderful to catch up with them again. Once you've finished the book, you can keep the Christmas spirit with the many recipes for holiday goodies at the end.
If you are looking for a cozy filled with Christmas spirit, you've come to the right place. This book is filled with Christmas. The mystery is a little weak since a couple of sub-plots crowd it out, but we do still get some twists before reaching a creative and fun climax. The series regulars are all here, and it is wonderful to catch up with them again. Once you've finished the book, you can keep the Christmas spirit with the many recipes for holiday goodies at the end.
Rache (174 KP) rated The Angel of Vine in Podcasts
Jan 12, 2019
Brilliant storyline (4 more)
True Crime inspired
Amazing cast
Glorious suspense
Truly Wonderful writing
Fantastic Fiction
As a fan of true crime podcasts, I have very few fiction podcasts in my favourites (mostly things like King Falls AM, for the wackiness) and I tend to avoid crime fiction, primarily because the real thing is better, crazier, and so much more twisted.
The Angel of Vine is a sublime fictional podcast, written to sound like true crime in the Noir tradition being retold in the modern podcast format. The podcast begins with the discovery of some old cassette tapes by the family of a deceased ex-cop turned private detective, and their choice to involve a podcaster/reporter to help them investigate the story enshrined in those cassettes.
Following the investigation into the murder of a young actress in Hollywood, the podcaster makes use of the recordings to tell Harry's story.
Voiced by some amazing talent (including the gorgeous growl of Joe Manganiello, the incomparable Alan Tudzyk, and the delightful Mischa Collins) the story is gripping, compelling, and extremely difficult to not binge.
For fans of true crime, crime drama, and any sort of Noir (Sam Spade eat your heart out), this is a podcast to listen to, save, and listen to again later.
The Angel of Vine is a sublime fictional podcast, written to sound like true crime in the Noir tradition being retold in the modern podcast format. The podcast begins with the discovery of some old cassette tapes by the family of a deceased ex-cop turned private detective, and their choice to involve a podcaster/reporter to help them investigate the story enshrined in those cassettes.
Following the investigation into the murder of a young actress in Hollywood, the podcaster makes use of the recordings to tell Harry's story.
Voiced by some amazing talent (including the gorgeous growl of Joe Manganiello, the incomparable Alan Tudzyk, and the delightful Mischa Collins) the story is gripping, compelling, and extremely difficult to not binge.
For fans of true crime, crime drama, and any sort of Noir (Sam Spade eat your heart out), this is a podcast to listen to, save, and listen to again later.
Kim Tierney (5309 KP) rated Cartier's Hope in Books
Jan 5, 2020
Cartier's Hope is set within the gilded age of New York City during the year that Mr. Cartier and his infamous diamond were making headlines all over the city. However, despite the name, the diamond is a background character to Vera Garland, her journalist alter ego Vee and all of the drama that surrounds Vera's life.
Vera is a society girl turned journalist in 1910, which means she has ruffled feathers amongst all of her peers and her family. While trying to prove her worth as a journalist to her mother and the men in her field, she stumbles over a chance to get her big break and perhaps finally have a mother who is proud of her. But this means using Mr. Cartier, without his knowledge, to get her scoop.
There is a lot of hype around this book. And I fell into it, but the book did not live up to it. Overall it is a decent story. But there is so much in the way of background storytelling that readers can easily get lost in the noise. And while the diamond was a key part of the last third of the book, I feel we were oversold on the idea of the book centering around the diamond.
Vera is a society girl turned journalist in 1910, which means she has ruffled feathers amongst all of her peers and her family. While trying to prove her worth as a journalist to her mother and the men in her field, she stumbles over a chance to get her big break and perhaps finally have a mother who is proud of her. But this means using Mr. Cartier, without his knowledge, to get her scoop.
There is a lot of hype around this book. And I fell into it, but the book did not live up to it. Overall it is a decent story. But there is so much in the way of background storytelling that readers can easily get lost in the noise. And while the diamond was a key part of the last third of the book, I feel we were oversold on the idea of the book centering around the diamond.
Hazel (2934 KP) rated Keep Him Close in Books
Mar 15, 2020
A slow-burner
From the author of a who-dunnit story with a difference, If I Die Before I Wake, comes a dark, family drama about the search for the truth behind the death of a young teenager.
Lou is dead ... did he fall, did he jump or was he pushed? His mother, Alice, wants to know why. The police think he was pushed and have arrested Kane. Kane's mother, Indigo, is convinced her son is innocent and so it begins.
This is a slow burner that delves into the psyche of a mother's love for her child. There is tension and heart-rending emotion as you would expect with the subject matter being as it is. The writing is easy to read, the language used is natural and the characters well developed and flawed making them believable.
As I said, this is a slow burner and I do admit to becoming a little impatient at times but I was pretty satisfied with how everything came together at the end.
Another successful book from this author and one which I look forward to reading more from and I want to thank, once again, Random House UK, Vintage Publishing and NetGalley for my copy in return for an honest review.
Lou is dead ... did he fall, did he jump or was he pushed? His mother, Alice, wants to know why. The police think he was pushed and have arrested Kane. Kane's mother, Indigo, is convinced her son is innocent and so it begins.
This is a slow burner that delves into the psyche of a mother's love for her child. There is tension and heart-rending emotion as you would expect with the subject matter being as it is. The writing is easy to read, the language used is natural and the characters well developed and flawed making them believable.
As I said, this is a slow burner and I do admit to becoming a little impatient at times but I was pretty satisfied with how everything came together at the end.
Another successful book from this author and one which I look forward to reading more from and I want to thank, once again, Random House UK, Vintage Publishing and NetGalley for my copy in return for an honest review.
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