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Ticket to Ride: First Journey
Games
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"***It looks like Days of Wonder has come up with a solution to my problem with the introduction of...
Food Network In the Kitchen
Food & Drink and Lifestyle
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THE ALL-NEW FOOD NETWORK IN THE KITCHEN APP IS HERE! Rated as one of the *top recipe apps* in the...
RəX Regent (349 KP) rated Big Hero 6 (2014) in Movies
Feb 20, 2019
Based on a short lived and obscure Marvel comic book series of the same name, Big Hero 6 was an attempt by Disney to develop a Disney feature from their newly acquired catalogue of Marvel properties after Disney's Marvel buy-out in 2010.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Gareth von Kallenbach (980 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
World of Peppa Pig
Games
9.0
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The official World of Peppa Pig app offers your family a safe and ad-free environment filled with...
games
The Chicken Sisters
Book
THREE GENERATIONS. TWO CHICKEN SHACKS. ONE RECIPE FOR DISASTER. A REESE'S BOOK CLUB PICK 'A...
Tangled In Tinsel
8.0
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Dear Santa, please leave a red-headed lumberjack under the tree. I’ve been a very good boy. ...
Contemporary MM Romance Seasonal
JT (287 KP) rated Metro Manila (2013) in Movies
Mar 10, 2020
British directors getting behind the camera and undertaking foreign film seems to be paying off in multitude. Just take a look at what Gareth Evans did with The Raid and its sequel. He took his central character and put him through hell while at the same time painting a graphic picture of the film’s surroundings.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
Blood Pressure Monitor - Family Lite
Medical and Health & Fitness
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Blood Pressure Monitor - Family Lite turns your device into a personal blood pressure and weight...
Kristy H (1252 KP) rated The Roommate in Books
May 6, 2021
A fun, sexy romance
Clara Wheaton comes from a wealthy family--the well-to-do Wheatons are infamous for many things, but socialite Clara has made a life around pleasing her parents and doing everything just right. But she's breaking out of the mold for the first time: heading across the country to move in (as a roommate) with her longtime childhood crush, Everett. But when Everett picks Clara up at the airport, he breaks the news that he's leaving to tour with his band, and she'll be living with a stranger, Josh. Josh seems friendly enough, but uppity Clara has no intentions of sharing a place with someone she doesn't know. When she researches him on the Internet, she makes a startling discovery about his profession. Clara realizes any association with Josh may turn her into another Wheaton scandal. But the more she gets to know him, she realizes Josh is more than his job. And he has a lot to say about women and sexuality and the power of women deserving better sex.
"Somewhere in her bloodline, a Wheaton had crossed Fate, cursing his descendants to pay the price. That was the only explanation for why, the one and only time Clara had taken a leap of faith, she'd landed with a spectacular belly flop."
THE ROOMMATE was one of those books that seemed to be everywhere for a while. I think if it hadn't been quite so hyped, I would have enjoyed it more. I liked it, but did not love it. Josh and Clara are a good couple, but didn't have that irresistible chemistry and witty banter that takes a romance to the next level.
Clara was too worried about the impression she made on everyone--Josh, her family, strangers, etc. I get that she came from a well-known family, but the fact that she dodged her mom's phone calls for weeks because she was too afraid to tell her she wasn't living with Everett was a bit much. But I could relate to a lot of Clara, and I appreciated her growth process. Josh was an interesting character and certainly not typical of what you see in a lot of romances. Neither seemed fully developed to me, though, and perhaps that's why it was hard to fully root for them.
Still, this is a cute and sexy book. It's a fast read and I enjoyed its push for female sexual empowerment. I'll definitely pick up the next book in the series. 3 stars.
"Somewhere in her bloodline, a Wheaton had crossed Fate, cursing his descendants to pay the price. That was the only explanation for why, the one and only time Clara had taken a leap of faith, she'd landed with a spectacular belly flop."
THE ROOMMATE was one of those books that seemed to be everywhere for a while. I think if it hadn't been quite so hyped, I would have enjoyed it more. I liked it, but did not love it. Josh and Clara are a good couple, but didn't have that irresistible chemistry and witty banter that takes a romance to the next level.
Clara was too worried about the impression she made on everyone--Josh, her family, strangers, etc. I get that she came from a well-known family, but the fact that she dodged her mom's phone calls for weeks because she was too afraid to tell her she wasn't living with Everett was a bit much. But I could relate to a lot of Clara, and I appreciated her growth process. Josh was an interesting character and certainly not typical of what you see in a lot of romances. Neither seemed fully developed to me, though, and perhaps that's why it was hard to fully root for them.
Still, this is a cute and sexy book. It's a fast read and I enjoyed its push for female sexual empowerment. I'll definitely pick up the next book in the series. 3 stars.