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Nick Rhodes recommended Fresh by Sly & The Family Stone in Music (curated)

 
Fresh by Sly & The Family Stone
Fresh by Sly & The Family Stone
(0 Ratings)
Album Favorite

"I discovered this album relatively late. I liked funk, and disco was an earlier discovery for me when I was in my late teens. But, around 1985, I found Sly And The Family Stone. I was about 23 at the time and – wow – was that a discovery, not knowing that that particular album was out there before then. I played it from morning until night before we were doing the Notorious album, which was very influenced by Fresh. For me, it is the greatest funk album. I could have picked a James Brown album – I love Live At The Apollo, which was such a terrific record – but the songs on Fresh like ‘If You Want Me To Stay’ and ‘In Time’ are just masterpieces. Fresh has got such a mood to it. It is very difficult in the studio to capture a mood. In a live show it is easier because there is an atmosphere there already – you’ve got the audience, you are playing together, there is a danger something can go wrong any minute and you will take a song off somewhere and you cannot get yourselves back. But, doing it in a studio and capturing a real vibe is the apex of music. If you can do that and you can get that – then you have something great. The Stones were always very good at that, as were The Who early on. But, this album, Fresh, is just pure vibe and every time I listen to the organ swells in the songs I can almost feel the guy playing them. You don’t get that so much in modern records. That’s what we’ve lost. Andy Newmark played drums on the album and they are some of the greatest drum tracks ever recorded. It’s not just feel – it is vibe. Love it."

Source
  
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RavenclawPrincess913 (253 KP) rated Flirting with fate in Books

Jun 8, 2022  
FW
Flirting with fate
J c cervantes | 2022
7
7.0 (1 Ratings)
Book Rating
To start off I love the cover it's very pretty. Ava's Nana dying was very sad and how she was late to recieve her blessing and it sent out to someone else. How Ava's mom left her when she was younger was sad. I don't understand how people can do this to their own kid.

Quote "Nana spoke your blessing at exactly 8:51." Ava not knowing her blessing is sad.
Quote "Meteors, Stars, 8:51. Collision. And hummingbird." Her grandma said this when Ava was in the accident making her late for her blessing which lead me to think something was up when this happened. I'm including this because it's important part of this story. It had me hooked hooked at this part.

The day following her grandmas death especially her funeral must have been hard. It gave me flash backs to my grandmas funeral. When her sister said she's the family serial dater though it lightened up the mood.

Ava seeing her Nana's ghost was scary at first and what her fate might be if they don't get Ava's blessing back. Her loosing her memory over this mistake is just not ok.

In the story they go after the person who accidentally got the blessing and have to get it back by August 16th on the evening of a meteor shower or Nana looses her memories and the girls can no longer pass blessings onto their daughters. I personally think the guy who she got into accident with is the one. But you'll need to read to find out.

This book was very intense, interesting and emotional. I loved the pace of it. I definitely recommend this one I give it a 4.5/5 stars and I'd definitely reread.

Do I reccomend? 100% yes
  
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Bob Mann (459 KP) rated The Farewell (2019) in Movies

Sep 28, 2021  
The Farewell (2019)
The Farewell (2019)
2019 | Comedy, Drama
10
8.9 (7 Ratings)
Movie Rating Watch
Simply brilliant. Go see it!
The Long Goodbye.
With “Downton Abbey” and now “The Farewell”, the excesses of the summer blockbusters are fading away. (Though I’m sure Rambo might have something to say about that!)

The Plot.
Billi (Awkwafina) is a young Chinese New Yorker struggling to make her way in the world. She has a place of her own to distance herself from her parents – Haiyan (“Arrival“‘s Tzi Ma) and Lu Jian (Diana Lin) – but is struggling to fund it. But despite a typically spiky teenage relationship with her parents, family is important to her.

There’s a big shock then when her beloved “Nai Nai” (Shuzhen Zhao) is diagnosed back in China with terminal cancer. The slight complication is that no-one has told her. Her younger sister (Hong Lu) has taken the decision to keep the news from her. This is in line with the Chinese saying “When people get Cancer they die”. (Based on the rationale that it is not necessarily the disease that kills you, but the fear that destroys your useful life).

The whole extended family sign up – reluctantly – to the decision. They stage a final get together back in China around the pretence of a trumped-up wedding. This is between the comically reluctant grandson Hao Hao (Han Chen) and his new Japanese girlfriend Aiko (Aoi Mizuhara).

Faced with seeing Nai Nai face-to-face, and being forced to “celebrate” together, can the family – and the emotionally attached Billi in particular – hold it together and keep the secret?

A laff a minute then?
You might naturally assume that given the subject matter that this was going to be SERIOUSLY heavy going. And in many ways you would be right. Most of us over 50 will have lost an elderly relative. And, unless it was a sudden event, you have probably been through the mental pain of having to drive away from a nursing home certain that that will be the final time you will see your loved one alive. If you are therefore not affected by this film, you are not human.

So I was frankly bracing myself.

However, the film is so beautifully put together, and the comedy – albeit some of it very dark – so brilliantly inserted that the film is an UTTER DELIGHT from start to end. There are truly insightful scenes that get under the skin of the well-developed social approach in China to family. (Like the illustrious Mrs Movie-Man, they love big family dinners around a round-table!) Although there is always the teen – Bau (Jinhang Liu) in this case – with his face permanently in his phone!

There are also scenes familiar to anyone who’s visited China. The gaggle of “helpful” taxi drivers outside the airport made me laugh out loud.

Also (unintentionally) funny are the multiple company logos at the start of the film. This is reminiscent of the classic “Family Guy” scene (I think “The Simpsons” also did a similar spoof).

Cinematic.
For such a ‘small’ film, the scale is sometimes truly cinematic. Director and writer, Lulu Wang, achieves some gloriously memorable movie moments. A stony-faced, determined march of the key players towards the camera – which could be subtitled “The Magnificent Eight” – is slo-mo’d for about 30 seconds and is utterly mesmeric.

And a scene at a cemetery is a comic masterpiece of Chinese tradition. Bau of course still has his face in his phone throughout!

This is only Lulu Wang‘s second feature, but it makes me now want to check out her first film (“Posthumous”).

Not afraid to offend either country.
What I found particularly interesting is that the film is truly multi-cultural. It’s not an American film with some local content crudely inserted to cater for the Far East markets. The film is an almost equal blend of American language and Mandarin language with subtitles.

Lulu Wang is also not afraid to upset officials in either country. Which is better: US or China? The question keeps getting posed to Billi and discussed among the family. And – as you might expect – there are positives and negatives on each side. The film doesn’t really take sides. It’s a really balanced position to take.

A quirky soundtrack.
The music is by Alex Weston, and its one of the stars of the film. It’s truly quirky with everything as diverse as a vocalised version of Beethoven’s Sonata No. 8 “Pathetique”; a karaoke version of “Killing Me Softly”; and a hugely entertaining Chinese version of Niilson’s “Without You” over the end titles.

A brilliant ensemble cast.
It’s a great ensemble cast (SAG awards, are you listening?), and everyone pulls their weight. Even the minor members of the cast are superb: Aoi Mizuhara in particular displays acute awkwardness brilliantly!

But leading the charge is Awkwafina. She was in the disappointing “Ocean’s 8” but much more memorable in “Crazy Rich Asians” as Rachel’s wacky Singapore friend. Here it’s a bravado performance that is genuinely moving. She IS the slightly sulky but emotionally crushed teen.

Sub-titles? I don’t do sub-titles.
Get a grip! Yes, this is a film that has sub-titles. But it uses them when required (unless you happen to be fluent in Mandarin that is!). There is also a large percentage of the film that is in English. It’s all eminently watchable, even for “sub-title-phobes”.

This is a feelgood film about a tough subject. The ending of the film pulls off the trick of being both devastating and uplifting at the same time.

So get yourself to the cinema and see this film! Without question, it gets my “highly recommended” tag. It’s also firmly placed itself very high up in my “Films of the Year” list.

And it’s all “based on a true lie”!