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BookwormMama14 (18 KP) rated The Bachelor Girl's Guide to Murder (Herringford and Watts, #1) in Books
Jan 2, 2019
In a time when women never wore trousers and most definitely did not solve murders...Herringford & Watts break every rule in the book of propriety and pave their own future. The year is 1910. Toronto has seen it's share of progress and changes over the last few years. Yet, a woman's duty is still to marry, keep house and raise a family. Merinda Herringford and Jemima Watts are best friends, flatmates...and...detectives. These women do not fit the mold for a "Proper Lady". However, they are living out their dreams and following their passion. And to that I say, "Brava!" When the Herringford & Watts Detective Agency opens for business, mischief, madness and mayhem follow wherever these two go. When the mystery of the deaths of two Irish girls is brushed over by the police and press, Herringford & Watts step in to solve the case. The Morality Squad is on the prowl looking for an excuse to cart women away in the name of, "Cleaning up the town". Reasons may include, but are not limited to: a hemline too short, being out without an escort and sticking their nose in the wrong people's business. For this reason, Merinda and Jem masquerade as men with bowler hats on a fairly regular basis. This offers them the freedom of movement that would otherwise be denied them as women. Leading them to new depths and new heights. Joining forces with Constable Jasper Forth and Ray DeLuca, a reporter, will this team see that justice is served? Will their adventures take them too far? And will these bachelor girls be the voice for the women who have none?
I can honestly say that by page 10 of the novella (A Singular & Whimsical Problem), I was addicted to Herringford & Watts! From the cover design of the book to the quirky traits of these two women, I will treasure their story for many years to come. Let's talk about the book itself for a minute. There are several different aspects to the layout that intrigued me. First of all, the silhouettes on the cover (aren't they gorgeous), can be found at the beginning of each chapter as well, with artwork. Giving a deeper impression of the era. There are lovely quotes at the beginning of each chapter as well. Throughout the book you will find footnotes. Not referencing history books, but referencing our characters and addressing the reader personally. This dynamic didn't just draw me into the story, oh no, it gobbled me up and left me wandering the streets of Toronto, trying to walk without using my hips...Through these footnotes we learn a lot about all of our characters, without the need of an extra hundred pages, although I wouldn't have complained about that either.
The story is one of the most beautifully crafted books I have ever read. I am a HUGE fan of Sherlock and Murdoch Mysteries. And to have a story similar to those with women playing the lead...Brilliant! While we see the story through the perspective of different characters, it is mainly through Jem's eyes. Throughout their crime solving adventure, we can see the strength and determination of these women to do the right thing. Jem and Ray both look to the Lord for guidance and are comforted and encouraged by His voice and His peace. While God is a puzzle too big to solve for Merinda at this point. If you enjoy a good mystery with a lot of humour and some faith...THIS is the book for you! There are pins and needles that I am sitting on, waiting for the next book to come out!
I can honestly say that by page 10 of the novella (A Singular & Whimsical Problem), I was addicted to Herringford & Watts! From the cover design of the book to the quirky traits of these two women, I will treasure their story for many years to come. Let's talk about the book itself for a minute. There are several different aspects to the layout that intrigued me. First of all, the silhouettes on the cover (aren't they gorgeous), can be found at the beginning of each chapter as well, with artwork. Giving a deeper impression of the era. There are lovely quotes at the beginning of each chapter as well. Throughout the book you will find footnotes. Not referencing history books, but referencing our characters and addressing the reader personally. This dynamic didn't just draw me into the story, oh no, it gobbled me up and left me wandering the streets of Toronto, trying to walk without using my hips...Through these footnotes we learn a lot about all of our characters, without the need of an extra hundred pages, although I wouldn't have complained about that either.
The story is one of the most beautifully crafted books I have ever read. I am a HUGE fan of Sherlock and Murdoch Mysteries. And to have a story similar to those with women playing the lead...Brilliant! While we see the story through the perspective of different characters, it is mainly through Jem's eyes. Throughout their crime solving adventure, we can see the strength and determination of these women to do the right thing. Jem and Ray both look to the Lord for guidance and are comforted and encouraged by His voice and His peace. While God is a puzzle too big to solve for Merinda at this point. If you enjoy a good mystery with a lot of humour and some faith...THIS is the book for you! There are pins and needles that I am sitting on, waiting for the next book to come out!
Deborah (162 KP) rated The White Queen (The Plantagenet and Tudor Novels, #2) in Books
Dec 19, 2018
Not quite sure why I decided to read this as the only other book I've read by Gregory was The Other Boleyn Girl, which I thought was pretty dreadful. I suppose I find it difficult to keep away from anything connected with The Wars of the Roses; I certainly found that I'd read almost every book listed in the bibliography and could have recommended a few more that might have been beneficial for the author to have perused.....
While not the worst book I've ever read I know I won't be reading this again and as to The Red Queen - well, I'd probably want to strangle Margaret Beaufort before the first chapter was out, so let's leave it at that shall we.
I do read a lot of historical novels and in general I find that it is much harder for a novel to work well when it is written in the first person, as this is. With a single viewpoint you are restricting yourself and that shows here at several points where the author has to break out of the Elizabeth Woodville narrative to give us a chunk of what is going on elsewhere. I've never found EW a particularly sympathetic historical character and I'm not sure she comes across that well here, either. Certainly in the latter half of the book it's difficult to see what motivation Gregory is ascribing to her.
The family of EW's mother did believe themselves descended from a water goddess and it was not unusual for powerful women to be accused of witchcraft, to discredit either them or their husbands (see Eleanor Cobham). I daresay that mixing of love potions and use of figures and all that sort of thing would have gone on, but the whistling up of storms was going just a bit too far for me. I also thought that the Foreshadowing element of the story was a bit overdone - although that may be because I know too much about the period!
There were also a number of glaring errors and oddities which should have been picked up somewhere down the line. Looks like the favourite one is the anachronistic use of the word 'numpty'! In other places George of Clarence is described as a duke one moment and his wife, Isabel as a countess the next (she would have had that as a subsidiary title, but she was the duchess of Clarence!), an execution was said to have taken place by the axe when the person in question is known to have been hanged, the Parhelion (three suns)are said to have been at Towton when it was in fact at Mortimer's Cross (Towton took place in a snowstorm - I doubt they could see one sun, let alone three!) and Gregory needed to study her history of Barnet a bit more closely as she had her battle lines completely mixed up!
Obviously there are some big gaps in our knowledge, which is grist to the fiction writers mill! I thought her Princes in the Tower solution was interesting and glad to see that she acknowledged that Richard III would have had little to gain from their deaths at this point. Not sure if Lambert Simnel is 'explained' in one of the other books in this series, as EW's part is certainly interesting. Also interesting that although the name of Eleanor Butler is mentioned early on and the anullment of the marriage on grounds of Edward's previous marriage come into play later, the two are never linked by the author and she chooses to offer no comment on this piece of the puzzle.
While not the worst book I've ever read I know I won't be reading this again and as to The Red Queen - well, I'd probably want to strangle Margaret Beaufort before the first chapter was out, so let's leave it at that shall we.
I do read a lot of historical novels and in general I find that it is much harder for a novel to work well when it is written in the first person, as this is. With a single viewpoint you are restricting yourself and that shows here at several points where the author has to break out of the Elizabeth Woodville narrative to give us a chunk of what is going on elsewhere. I've never found EW a particularly sympathetic historical character and I'm not sure she comes across that well here, either. Certainly in the latter half of the book it's difficult to see what motivation Gregory is ascribing to her.
The family of EW's mother did believe themselves descended from a water goddess and it was not unusual for powerful women to be accused of witchcraft, to discredit either them or their husbands (see Eleanor Cobham). I daresay that mixing of love potions and use of figures and all that sort of thing would have gone on, but the whistling up of storms was going just a bit too far for me. I also thought that the Foreshadowing element of the story was a bit overdone - although that may be because I know too much about the period!
There were also a number of glaring errors and oddities which should have been picked up somewhere down the line. Looks like the favourite one is the anachronistic use of the word 'numpty'! In other places George of Clarence is described as a duke one moment and his wife, Isabel as a countess the next (she would have had that as a subsidiary title, but she was the duchess of Clarence!), an execution was said to have taken place by the axe when the person in question is known to have been hanged, the Parhelion (three suns)are said to have been at Towton when it was in fact at Mortimer's Cross (Towton took place in a snowstorm - I doubt they could see one sun, let alone three!) and Gregory needed to study her history of Barnet a bit more closely as she had her battle lines completely mixed up!
Obviously there are some big gaps in our knowledge, which is grist to the fiction writers mill! I thought her Princes in the Tower solution was interesting and glad to see that she acknowledged that Richard III would have had little to gain from their deaths at this point. Not sure if Lambert Simnel is 'explained' in one of the other books in this series, as EW's part is certainly interesting. Also interesting that although the name of Eleanor Butler is mentioned early on and the anullment of the marriage on grounds of Edward's previous marriage come into play later, the two are never linked by the author and she chooses to offer no comment on this piece of the puzzle.
Darren (1599 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 7, 2019
Characters – Ken Miles was the greatest racer of the era, the problem with him was always his attitude, never wanting to follow rules almost blacklisting him from most teams around the world, his wife wants him to race, his son looks up to him and Carroll knows he is the best man for the job, he help design the car with Carroll and his team and must prove himself on the track to get the drive at Le Mans. Carroll Shelby won Le Mans, retired from the racing side of the sport to start designing the cars, he is considered the best in America and is pick by Ford to design their race car, he will challenge the order of things because he knows he can achieve this, if he is given the chance to select who he wants in the car. Mollie is the ever-supportive wife of Ken, she wants him to drive knowing he will get bored if he doesn’t, she only asks that he is honest with her, she odes also get a great driving scene. we do get to meet plenty of executives from Ford, who each have their own agenda with Leo Beebe being made out to be the villain of the team, while Henry Ford II is made out to be strict, but will accept honesty.
Performances – Christian Bale and Matt Damon are both fantastic proving to everyone why they are considered two of the best in the business today, they have great individual moments as well as banter between them. Outside of the two big names, nobody does get to reach their level and everybody is a joy to watch in their roles.
Story – The story here follows Henry Ford II desire to beat Enzo Ferrari in the Le Mans 24-hour race, we see him hire a former winner turned designer to build his car, as the two sides do battle to get Ken Miles behind the wheel, in an attempt to make history. This does show how an American decided he would rather push the limits of his bank than improve the product he was making as we see how Ford changed the racing world that Ferrari had been dominating for decades and how faith in a driver is often more important that having the fastest car. The story is told over a couple of years, we get to see the important turns in the battle between Carroll and Ford’s executives to get the best driver behind the wheel, before letting us just sit back and enjoy the races. It could have had a little bit of the story chopped down to save some time though.
Action/Biopic/Sport – The action mixes with the sport wonderfully to give us edge of the seat race moments that will be the highlight of the film, while the biopic side of the film seems to focus more on the car side of things only, while Ken does have a family, we really don’t learn anything else about Carroll outside of his work.
Settings – The film recreates the iconic race track perfectly and shows us how the time relevant cars were used in nearly every scene of the film, on and off the track.
Scene of the Movie – Le Mans Race.
That Moment That Annoyed Me – Give us subtitles for the Ferrari scenes.
Final Thoughts – This is a high speed biopic that doesn’t let you breath through most of the action involved, it has brilliant performances from the whole cast and is a must watch for any motor sports fans.
Overall: Motor Sports Fans Must Watch.
Performances – Christian Bale and Matt Damon are both fantastic proving to everyone why they are considered two of the best in the business today, they have great individual moments as well as banter between them. Outside of the two big names, nobody does get to reach their level and everybody is a joy to watch in their roles.
Story – The story here follows Henry Ford II desire to beat Enzo Ferrari in the Le Mans 24-hour race, we see him hire a former winner turned designer to build his car, as the two sides do battle to get Ken Miles behind the wheel, in an attempt to make history. This does show how an American decided he would rather push the limits of his bank than improve the product he was making as we see how Ford changed the racing world that Ferrari had been dominating for decades and how faith in a driver is often more important that having the fastest car. The story is told over a couple of years, we get to see the important turns in the battle between Carroll and Ford’s executives to get the best driver behind the wheel, before letting us just sit back and enjoy the races. It could have had a little bit of the story chopped down to save some time though.
Action/Biopic/Sport – The action mixes with the sport wonderfully to give us edge of the seat race moments that will be the highlight of the film, while the biopic side of the film seems to focus more on the car side of things only, while Ken does have a family, we really don’t learn anything else about Carroll outside of his work.
Settings – The film recreates the iconic race track perfectly and shows us how the time relevant cars were used in nearly every scene of the film, on and off the track.
Scene of the Movie – Le Mans Race.
That Moment That Annoyed Me – Give us subtitles for the Ferrari scenes.
Final Thoughts – This is a high speed biopic that doesn’t let you breath through most of the action involved, it has brilliant performances from the whole cast and is a must watch for any motor sports fans.
Overall: Motor Sports Fans Must Watch.
Debbiereadsbook (1449 KP) rated Hold It Close (MacAteer Brothers #3) in Books
Feb 11, 2021
I'm loving this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the MacAteer Brothers series, and while it's not NECESSARY to read books one, Run With It, and book 2, Ready For It, I personally think you should. It will give you a better feel for these guys, and how they work as a family, and how hard they fall! And, you know, I SAID SO!
Because this series gets better and better with each book, with each brother. Connor was a lot of fun; Owen was dark and brooding; but Garrett is. . broken.
On Christmas Day, Garrett walked out on his relationship, after finally realising that she was killing him; both emotionally and financially. He couldn't take the love/hate thing they had going on anymore. Shipping himself off to stay with Connorto heal, he never expected to fall hard and fast for lady who hires them to renovate her farmhouse into a B&B. Bertie had walked from her marriage when she realised that there wasn't anything there anymore. She needed a clean break, so she packs up and buys the dilapidated farmhouse, moving closer to her sister. And lets just say, there are SPARKS when Garrett meets Bertie! But neither wants a relationship. Can they really work together?
Garrett, I think, is the sweetest of the three brothers we met so far (and although Angus and Patrick turn up here, we don't really get much of them) and I just wanted to wrap him up and look after him, you know?? His ex, she was a nasty piece of work, she really was and she did a number on him that I felt deep in my bones. Going home to his brothers was the only place he needed to be. Connor and Owen were happy to see him, of course, but they were worried that it took time for Garrett to tell his story. I mean we get, in all its gory detail, but the brothers don't get the FULL story till Garrett tells it.
And Bertie?? While she walked for entirely different reasons to Garrett, she is still broken, and needs time to heal. The farmhouse helps, as does being close to her sister. The same sister who tried to fix Bertie up with Owen! (all is forgiven on that front, by the way!)
This one, I think, because of Bertie and Garrett's history, is the most emotionally draining book of the three. It's hard reading, Garrett mostly, and I would recommend you find the time to read the whole book in one go. I did, at stoopid o'clock in the morning, but it's such a brilliant read!
I also think ( in my 'umble opinion) that this is the smexiest of the three. I think because there is a very early connection, and the fact that they fight that connection, when they give in?? Fan yourself, cos it's hawt off the charts!
I did NOT get who was doing what they were doing, not at all. I did NOT see that one coming, so well played there! And Funky Tom from the pub?? That turned a corner I didn't see coming either!
Like I said, we meet the younger set of twins here, identical twins; Patrick and Angus. Given what has been said about these two before, and that they have seperate books, I'm intrigued how those books will play out!
I'm loving this series, but I think Garret and Bertie are my favourite couple so far!
5 full and shiny and so freaking hawt stars!
**same worded review will appear elsewhere**
This is book 3 in the MacAteer Brothers series, and while it's not NECESSARY to read books one, Run With It, and book 2, Ready For It, I personally think you should. It will give you a better feel for these guys, and how they work as a family, and how hard they fall! And, you know, I SAID SO!
Because this series gets better and better with each book, with each brother. Connor was a lot of fun; Owen was dark and brooding; but Garrett is. . broken.
On Christmas Day, Garrett walked out on his relationship, after finally realising that she was killing him; both emotionally and financially. He couldn't take the love/hate thing they had going on anymore. Shipping himself off to stay with Connorto heal, he never expected to fall hard and fast for lady who hires them to renovate her farmhouse into a B&B. Bertie had walked from her marriage when she realised that there wasn't anything there anymore. She needed a clean break, so she packs up and buys the dilapidated farmhouse, moving closer to her sister. And lets just say, there are SPARKS when Garrett meets Bertie! But neither wants a relationship. Can they really work together?
Garrett, I think, is the sweetest of the three brothers we met so far (and although Angus and Patrick turn up here, we don't really get much of them) and I just wanted to wrap him up and look after him, you know?? His ex, she was a nasty piece of work, she really was and she did a number on him that I felt deep in my bones. Going home to his brothers was the only place he needed to be. Connor and Owen were happy to see him, of course, but they were worried that it took time for Garrett to tell his story. I mean we get, in all its gory detail, but the brothers don't get the FULL story till Garrett tells it.
And Bertie?? While she walked for entirely different reasons to Garrett, she is still broken, and needs time to heal. The farmhouse helps, as does being close to her sister. The same sister who tried to fix Bertie up with Owen! (all is forgiven on that front, by the way!)
This one, I think, because of Bertie and Garrett's history, is the most emotionally draining book of the three. It's hard reading, Garrett mostly, and I would recommend you find the time to read the whole book in one go. I did, at stoopid o'clock in the morning, but it's such a brilliant read!
I also think ( in my 'umble opinion) that this is the smexiest of the three. I think because there is a very early connection, and the fact that they fight that connection, when they give in?? Fan yourself, cos it's hawt off the charts!
I did NOT get who was doing what they were doing, not at all. I did NOT see that one coming, so well played there! And Funky Tom from the pub?? That turned a corner I didn't see coming either!
Like I said, we meet the younger set of twins here, identical twins; Patrick and Angus. Given what has been said about these two before, and that they have seperate books, I'm intrigued how those books will play out!
I'm loving this series, but I think Garret and Bertie are my favourite couple so far!
5 full and shiny and so freaking hawt stars!
**same worded review will appear elsewhere**
Kirk Bage (1775 KP) rated Fruitvale Station (2013) in Movies
Aug 6, 2020
Here is another movie that was put up for consideration for my upcoming book 21st Century Cinema: 200 Essential Films. It didn’t quite make the final cut, but is part of the long list of honourable mentions – movies that are easy to like and recommend, but aren’t quite of the very highest quality in their respective genres.
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70
Ivana A. | Diary of Difference (1171 KP) rated Falling Short in Books
Oct 2, 2020
Contains spoilers, click to show
When I first found out about Falling Short, written by Lex Coulton, the blurb promised to be ''fresh, funny and life-affirming''. I am sorry, but no. That is not correct. This book was none of those things. It wasn’t bad at all, but I would prefer describing it as a slow-paced, and confusingly complex in an unsatisfying way.
About the book:
Frances Pilgrim’s father went missing when she was five, and ever since all sorts of things have been going astray: car keys, promotions, a series of underwhelming and unsuitable boyfriends . . . Now here she is, thirty-bloody-nine, teaching Shakespeare to rowdy sixth formers and still losing things.
But she has a much more pressing problem. Her mother, whose odd behaviour Frances has long put down to eccentricity, is slowly yielding to Alzheimer’s, leaving Frances with some disturbing questions about her father’s disappearance, and the family history she’s always believed in. Frances could really do with someone to talk to. Ideally Jackson: fellow teacher, dedicated hedonist, erstwhile best friend. Only they haven’t spoken since that night last summer when things got complicated . . .
As the new school year begins, and her mother’s behavior becomes more and more erratic, Frances realizes that she might just have a chance to find something for once. But will it be what she’s looking for?
My thoughts:
I am usually good at explaining why I don’t like a certain book, or why I feel the way I feel, and believe me, with this one, I have spent two days and 6 sittings in front of this draft (now published post) to try and write about it. So I am doing my best now…
First of all, there has to be something about a certain book to make me want to read it. With this one – there were two things:
I love romance and intrigue, and the blurb promised two people not really talking to each other, but sparks flying around… so yes, that got me.
The Alzheimer’s disease – as a person that has worked with people suffering from Dementia and Alzheimer’s, this subject is very close to my heart. I couldn’t miss this book for this reason.
Now – the romance part disappointed me, as there was no romance. No romance at all. Unless, of course, you count as a romance a person in their mid-forties sleeping around with drunk teens, and is then too complicated of a character to even realise who he loves, and why, and the moment he does, he still has no idea what to do with that information.
The other disappointment I had was that I expected to read about the Alzheimer’s, and not only that they weren’t there, but also some of the symptoms mentioned were not correct at all. There were only sex relationships and sex scenes, and that was supposed to define their relationship in the end. Not realistic at all.
Even though it seems that we follow Frances’s story throughout, we actually follow Jackson’s story as well. Their characters were too complicated and confusing for me, and it let me to now feel nor care about them at all. I honestly cared about Frances’s dog the most in this book.
The plot wasn’t perfect – there were times when the information given didn’t match.
[SPOILER ALERT]
The scene how Frances searches on Google to find the address of her dad. We are then told that she found out his address through Jean. Which one is it, then?
I am actually quite sad that I didn’t enjoy this book, but I will still be curious about new works from Lex Coulton, because, somehow, I really liked her writing style, despite all the flaws.
About the book:
Frances Pilgrim’s father went missing when she was five, and ever since all sorts of things have been going astray: car keys, promotions, a series of underwhelming and unsuitable boyfriends . . . Now here she is, thirty-bloody-nine, teaching Shakespeare to rowdy sixth formers and still losing things.
But she has a much more pressing problem. Her mother, whose odd behaviour Frances has long put down to eccentricity, is slowly yielding to Alzheimer’s, leaving Frances with some disturbing questions about her father’s disappearance, and the family history she’s always believed in. Frances could really do with someone to talk to. Ideally Jackson: fellow teacher, dedicated hedonist, erstwhile best friend. Only they haven’t spoken since that night last summer when things got complicated . . .
As the new school year begins, and her mother’s behavior becomes more and more erratic, Frances realizes that she might just have a chance to find something for once. But will it be what she’s looking for?
My thoughts:
I am usually good at explaining why I don’t like a certain book, or why I feel the way I feel, and believe me, with this one, I have spent two days and 6 sittings in front of this draft (now published post) to try and write about it. So I am doing my best now…
First of all, there has to be something about a certain book to make me want to read it. With this one – there were two things:
I love romance and intrigue, and the blurb promised two people not really talking to each other, but sparks flying around… so yes, that got me.
The Alzheimer’s disease – as a person that has worked with people suffering from Dementia and Alzheimer’s, this subject is very close to my heart. I couldn’t miss this book for this reason.
Now – the romance part disappointed me, as there was no romance. No romance at all. Unless, of course, you count as a romance a person in their mid-forties sleeping around with drunk teens, and is then too complicated of a character to even realise who he loves, and why, and the moment he does, he still has no idea what to do with that information.
The other disappointment I had was that I expected to read about the Alzheimer’s, and not only that they weren’t there, but also some of the symptoms mentioned were not correct at all. There were only sex relationships and sex scenes, and that was supposed to define their relationship in the end. Not realistic at all.
Even though it seems that we follow Frances’s story throughout, we actually follow Jackson’s story as well. Their characters were too complicated and confusing for me, and it let me to now feel nor care about them at all. I honestly cared about Frances’s dog the most in this book.
The plot wasn’t perfect – there were times when the information given didn’t match.
[SPOILER ALERT]
The scene how Frances searches on Google to find the address of her dad. We are then told that she found out his address through Jean. Which one is it, then?
I am actually quite sad that I didn’t enjoy this book, but I will still be curious about new works from Lex Coulton, because, somehow, I really liked her writing style, despite all the flaws.
KittyMiku (138 KP) rated A Discovery of Witches in Books
May 23, 2019
A Discovery of Witches by Deborah Harkness is the first book in the All Souls Trilogy. It introduces a witch and her vampire lover and the fight they must endure to be together against all odds. As the first book of the series, it really draws you in and makes you really think about how things are perceived and creates the illusion that vampires, witches and daemons (daemons are demons in Harkness’s fantastical world) could be hiding amongst us without us ever knowing. The book is placed in modern times, but brings in tons of history as the main character; a witch named Diana, is a historian and often is immersed in one history topic or another. It is quite interesting to read about her approach to life and see how it changes when she meets a vampire who whisks her away, so to speak. As a reader, you are able to delve into a world where anything is possible and see how just similar things would be if this was truly our world.
A Discovery of Witches is a book about a witch names Diana has encountered a very old and lost manuscript that many others want. Upon being granted access to this book and denying the magic in her that calls her to investigate it with her powers, she returns it, only to find herself being threatened, stalked and in danger due to it only being obtained by her and returned to the library and back to its magical disappearance. The finding of this book however, helps he discover who she is and a new lover, who is a vampire. The odd couple experience a threat and a mystery that they wish to uncover. As well as, an old rule that they now must try to change, no matter the cost
I had really enjoyed reading the first book, and found its quick pace refreshing but also pleasing to read. Though there were many things left for me to wonder about. All the secrets the vampire had and his worries that will be revealed in the second book, I hope anyways, makes me want to just read all the books back to back. Though the book was 576 pages long, I was able to finish reading it in two days. I often didn’t want to tear myself out of the book to do my daily tasks. It’s definitely a page turned with how Harkness was able to describe everything in the book and flush out some character while leaving mystery on what is to come in the next book.
Harkness was able to draw in each of the five senses into her writing. I was able to smell, taste, and feel what was being describe it was easy to get lost and forget easily all that was around me. However, I did find that somethings where a bit odd and would never have paired up, like the smell of cinnamon and cloves. I will have to try to make the combination in my kitchen to see what that might smell like together as I am not one for the smell of cinnamon. I did find the characters to be extremely well put together and often found myself happy when they were happy, as well as sad when they were. I did quite enjoy that A Discovery of Witches has some things that were extremely accurate while still being fantastical. For example, in Wicca or Paganism rituals are done to do witch craft. Spells and such are handed down to members of the family for generations and the holidays match up to what is practiced today. However, the way magic is portrayed isn’t what really happens in our world, or so I know of, but if it was, I can see how Harkness describes it being how it is.
A Discovery of Witches is just an amazing piece of work that will draw you in and keep you wanting more. Though some words can come across odd, as they aren’t used in normal, everyday conversations, it really says a lot about Harkness’s writing style. She is intelligent and it shows in her work with how she describes things and often uses things from our past to put things in our present world in to perspective to pertain to her characters.
I loved how the book has made me think and do some research myself, on different topics, if only to see what was true and what was made up. For example, alchemy is what puts our character in a situation that seems harsh and completely uncalled for by some extremely bad characters. Not knowing much about alchemy, I had to look up just what the photos Diana might be looking at. The author described them so well, I would picture them in my mind and when I looked them up; I was amazed how much close to the actual images Harkness had described. Though, I am on a computer versus in a library with old manuscripts.
Overall, I would rate this book 3 star out of 4 stars. That may seem harsh seeing as it is one of the best books I have read, and I read a ton, but I found that with all the secrets the characters keep from each other and the reader as a whole quite infuriating. I wanted more and find myself here not able to resist the urge of starting the next book. I do hope some things are clarified and revealed; otherwise I will end up being a very upset reader. Harkness’s writing does seem promising to reveal more as the story develops though. A Discovery of Witches is an extremely good book, even with its infuriating secrets, that I would recommend to anyone who loves the ideas of vampires, witches and demons existing in a world alongside us.
A Discovery of Witches is a book about a witch names Diana has encountered a very old and lost manuscript that many others want. Upon being granted access to this book and denying the magic in her that calls her to investigate it with her powers, she returns it, only to find herself being threatened, stalked and in danger due to it only being obtained by her and returned to the library and back to its magical disappearance. The finding of this book however, helps he discover who she is and a new lover, who is a vampire. The odd couple experience a threat and a mystery that they wish to uncover. As well as, an old rule that they now must try to change, no matter the cost
I had really enjoyed reading the first book, and found its quick pace refreshing but also pleasing to read. Though there were many things left for me to wonder about. All the secrets the vampire had and his worries that will be revealed in the second book, I hope anyways, makes me want to just read all the books back to back. Though the book was 576 pages long, I was able to finish reading it in two days. I often didn’t want to tear myself out of the book to do my daily tasks. It’s definitely a page turned with how Harkness was able to describe everything in the book and flush out some character while leaving mystery on what is to come in the next book.
Harkness was able to draw in each of the five senses into her writing. I was able to smell, taste, and feel what was being describe it was easy to get lost and forget easily all that was around me. However, I did find that somethings where a bit odd and would never have paired up, like the smell of cinnamon and cloves. I will have to try to make the combination in my kitchen to see what that might smell like together as I am not one for the smell of cinnamon. I did find the characters to be extremely well put together and often found myself happy when they were happy, as well as sad when they were. I did quite enjoy that A Discovery of Witches has some things that were extremely accurate while still being fantastical. For example, in Wicca or Paganism rituals are done to do witch craft. Spells and such are handed down to members of the family for generations and the holidays match up to what is practiced today. However, the way magic is portrayed isn’t what really happens in our world, or so I know of, but if it was, I can see how Harkness describes it being how it is.
A Discovery of Witches is just an amazing piece of work that will draw you in and keep you wanting more. Though some words can come across odd, as they aren’t used in normal, everyday conversations, it really says a lot about Harkness’s writing style. She is intelligent and it shows in her work with how she describes things and often uses things from our past to put things in our present world in to perspective to pertain to her characters.
I loved how the book has made me think and do some research myself, on different topics, if only to see what was true and what was made up. For example, alchemy is what puts our character in a situation that seems harsh and completely uncalled for by some extremely bad characters. Not knowing much about alchemy, I had to look up just what the photos Diana might be looking at. The author described them so well, I would picture them in my mind and when I looked them up; I was amazed how much close to the actual images Harkness had described. Though, I am on a computer versus in a library with old manuscripts.
Overall, I would rate this book 3 star out of 4 stars. That may seem harsh seeing as it is one of the best books I have read, and I read a ton, but I found that with all the secrets the characters keep from each other and the reader as a whole quite infuriating. I wanted more and find myself here not able to resist the urge of starting the next book. I do hope some things are clarified and revealed; otherwise I will end up being a very upset reader. Harkness’s writing does seem promising to reveal more as the story develops though. A Discovery of Witches is an extremely good book, even with its infuriating secrets, that I would recommend to anyone who loves the ideas of vampires, witches and demons existing in a world alongside us.
Gareth von Kallenbach (980 KP) rated The Place Beyond The Pines (2013) in Movies
Aug 7, 2019
I really wanted to sit at my computer tonight and write about how much I disliked this movie. I was practically begging people to go with me, but no one wanted to. So I ended up going on my own. The only thing I really knew about this film going into it was that it was from Derek Cianfrance, the writer/director of “Blue Valentine”. I didn’t care much for BV, and so my hopes were not high for “The Place Beyond the Pines”, but actually, Pines surprised me.
Pines is the story of two men on opposite sides of the law, just trying to do the right thing and how what they do impacts each other’s lives, and the lives of their sons. Of course the means by which they got to the “right thing” was not always the “right way”, but ultimately they were trying to good.
Ryan Gosling plays “Heart Throb” Luke Glanton, a stunt motorcycle rider with a traveling circus. We open on him doing his thing in Schenectady, New York, and after his performance he sees Romina (“Roe”, portrayed by Eva Mendes). You can tell these two have history, as though they met the last time his little side show burned through town. Cutting through the awkwardness, Luke finds out that Roe had a kid. His kid, Jason. Though, he didn’t find out from her. Determined to make things right, despite Roe having moved on being with another man, Luke sticks around Schenectady to try and be part of his son’s life and to win Roe from her man. Only things don’t begin moving fast enough for him, and so turns to robbing banks in this small town as a way to provide for his lover and their newborn child. Only things go south fairly quickly and this puts him on a collision course with an ambitious rookie cop.
Bradley Cooper plays Avery Cross; a rookie cop on the force all of six months. After a harrowing deed that puts takes him off duty for several months and causes him so serious psychological issues which make it hard for him to even look at his son, Avery Jr. After his recovery, Avery returns to the force only to be thrust into a den of corrupt cops, gangs and a genuine fear for his life. He is not sure how to react at first, but eventually knows that he must do the right thing… even if it means ratting out his brothers in arms. This doesn’t prove to be an easy course for him, but he is determined to do the right thing, despite it tearing his family apart.
Act one of this film focuses on Gosling and Mendes’ characters and their tumultuous relationship. When they first brought Mendes on screen, I was really questioning the casting choice. By the end of the act, those questions were still there. It just didn’t seem like Gosling and Mendes had the chemistry that the makers of the film were desperately trying to portray. But we do see a lot into the character of Luke and how much he really just wants to be there for his son. Gosling did an excellent job with the role, but I feel like there was thing that was distracting from his performance: his hair. For some reason they decided bleach blond was the way to go to this character, but mostly what I was thinking when he was on screen was that it just looked out of place and I really had to concentrate to get past it.
Act two focuses on Bradley Cooper and the turmoil he goes through. I can’t say too much without giving away some major plot points of the film, but Bradley Cooper definitely did an excellent job playing the young rookie cop. He has an excellent supporting cast for his act with Harris Yulin playing his father, Rose Byrne as his wife and Bruce Greenwood as the District Attorney. He eventually manages to get from underneath all the lies, coercion and corruption to make a bid for an Assistant District Attorney position.
Fast forward to 15 years later, and this is where our act three takes place. Only now we are focusing on the lives of young Jason and Avery Jr. The deeds of their fathers in yester year, portrayed in our first two acts, affect our young subjects as they become friends without realizing the history between their families. I felt that Dane DeHaan who portrayed a 17-year old Jason knocked it out of the park with his performance. But there is something left to be said for Emory Cohen who is on screen as Avery Jr.
Want to know the rest? Watch the movie. Acts one and two, though long winded at points, blew me out of the water. Cianfrance did an excellent job of captivating the audience and making you care for the two focus points, despite them being on completely different sides of the law (as mentioned earlier). Act three, however, fell kind of flat to me. It very well could be a result of a poor casting choice in Emory Cohen, but I also felt like they could have shaped the end of this tail into so much more.
Overall, I actually enjoyed the movie, despite a lackluster ambition to go see it. Would I have gone to see it on my own if I had to pay for it? Nah! But it is a good date movie and might possibly start some interesting conversations between you and your partner.
Pines is the story of two men on opposite sides of the law, just trying to do the right thing and how what they do impacts each other’s lives, and the lives of their sons. Of course the means by which they got to the “right thing” was not always the “right way”, but ultimately they were trying to good.
Ryan Gosling plays “Heart Throb” Luke Glanton, a stunt motorcycle rider with a traveling circus. We open on him doing his thing in Schenectady, New York, and after his performance he sees Romina (“Roe”, portrayed by Eva Mendes). You can tell these two have history, as though they met the last time his little side show burned through town. Cutting through the awkwardness, Luke finds out that Roe had a kid. His kid, Jason. Though, he didn’t find out from her. Determined to make things right, despite Roe having moved on being with another man, Luke sticks around Schenectady to try and be part of his son’s life and to win Roe from her man. Only things don’t begin moving fast enough for him, and so turns to robbing banks in this small town as a way to provide for his lover and their newborn child. Only things go south fairly quickly and this puts him on a collision course with an ambitious rookie cop.
Bradley Cooper plays Avery Cross; a rookie cop on the force all of six months. After a harrowing deed that puts takes him off duty for several months and causes him so serious psychological issues which make it hard for him to even look at his son, Avery Jr. After his recovery, Avery returns to the force only to be thrust into a den of corrupt cops, gangs and a genuine fear for his life. He is not sure how to react at first, but eventually knows that he must do the right thing… even if it means ratting out his brothers in arms. This doesn’t prove to be an easy course for him, but he is determined to do the right thing, despite it tearing his family apart.
Act one of this film focuses on Gosling and Mendes’ characters and their tumultuous relationship. When they first brought Mendes on screen, I was really questioning the casting choice. By the end of the act, those questions were still there. It just didn’t seem like Gosling and Mendes had the chemistry that the makers of the film were desperately trying to portray. But we do see a lot into the character of Luke and how much he really just wants to be there for his son. Gosling did an excellent job with the role, but I feel like there was thing that was distracting from his performance: his hair. For some reason they decided bleach blond was the way to go to this character, but mostly what I was thinking when he was on screen was that it just looked out of place and I really had to concentrate to get past it.
Act two focuses on Bradley Cooper and the turmoil he goes through. I can’t say too much without giving away some major plot points of the film, but Bradley Cooper definitely did an excellent job playing the young rookie cop. He has an excellent supporting cast for his act with Harris Yulin playing his father, Rose Byrne as his wife and Bruce Greenwood as the District Attorney. He eventually manages to get from underneath all the lies, coercion and corruption to make a bid for an Assistant District Attorney position.
Fast forward to 15 years later, and this is where our act three takes place. Only now we are focusing on the lives of young Jason and Avery Jr. The deeds of their fathers in yester year, portrayed in our first two acts, affect our young subjects as they become friends without realizing the history between their families. I felt that Dane DeHaan who portrayed a 17-year old Jason knocked it out of the park with his performance. But there is something left to be said for Emory Cohen who is on screen as Avery Jr.
Want to know the rest? Watch the movie. Acts one and two, though long winded at points, blew me out of the water. Cianfrance did an excellent job of captivating the audience and making you care for the two focus points, despite them being on completely different sides of the law (as mentioned earlier). Act three, however, fell kind of flat to me. It very well could be a result of a poor casting choice in Emory Cohen, but I also felt like they could have shaped the end of this tail into so much more.
Overall, I actually enjoyed the movie, despite a lackluster ambition to go see it. Would I have gone to see it on my own if I had to pay for it? Nah! But it is a good date movie and might possibly start some interesting conversations between you and your partner.
Kirk Bage (1775 KP) rated Roma (2018) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
I watched Roma exactly a week ago today. And although I knew 20 minutes in that I loved it, and at the end that I really loved it, I have taken that time to let it settle within me in before coming to write about it. Some films are so good that you have to do that: let it sink into you fully, before doing anything so trivial as judging and comparing them. Roma is incomparable! I have never seen anything like it, or felt as deeply moved by a film in a long time.
Not that it didn’t get attention at the time of its release, it did, receiving 10 Oscar nominations and winning 3, for best foreign language film, director and cinematography, but it certainly wasn’t seen by as many people as it should have been, despite its presence on Netflix from the start. Having digested it now, and spending some time reading about how and why it was made, I feel a slight mission to recommend it to as many people as I can.
Based on Alfonso Cuarón’s own childhood in Mexico City, and his memories of his family and especially their housemaid, Liboria (Libo) Rodriguez, to whom the film is dedicated, it is a masterpiece labour of love that few directors ever achieve or even attempt to make. After a strong career of exceptional films, including Y Tu Mamá También, Children of Men and Gravity, it was the box office and critical success of the latter that gave Cuarón carte blanche to go and make whatever project he chose. Where many might have been tempted by the big money of superhero or fantasy movies (for which he had some experience with Harry Potter and the Prisoner of Azkaban) he went back to his roots and shot a very personal non-English film, in black and white, where no music exists except that which occurs naturally, and on the surface not much happens.
At least it feels like not much is happening, such is the naturalistic, almost improvised (although it wasn’t) style and pace; shot with a lens capturing detail and nuance with some of the most beautiful photography I have ever had the privilege to see. Truly, an awful lot is happening, but you have to feel and experience it, not simply be told it by the narrative. It takes a while for our Hollywood conditioned brains to accept this at first, and many might come to it and give up half an hour in because of that challenge. I can promise, however, there is not a single thing boring about this film, unless humanity is boring.
Oscar nominated lead Yalitza Aparicio as the shy, loving maid, Cleo, was not an actor before this film. She auditioned and was hand picked by Cuarón from hundreds of young women, without knowing who he was or what the film was about. Apparently, the film was shot in sequence so as not to confuse her emotionally on her extraordinary journey. She is so unassuming and natural that part of you falls in love with her immediately. In time, we almost come to forget we are watching an act at all, and almost become her, such is the empathy she evokes.
Which isn’t an easy ride, as we watch her be gently and then cruelly ignored, mistreated and used; climaxing in one of the most astonishingly painful and jaw-dropping scenes imaginable, and then a scene of such powerful redemption and humanity it instantly breaks the heart and lifts the soul. All the while she never asks for attention or love, but is just herself: a young woman living a difficult but beautiful life in a country and time full of turmoil, prejudice and social change.
The recreation of Mexico in 1970 is so breathtaking, it is hard to imagine at times we are not watching a documentary from that era. But, it is the detail the lens chooses to capture that reminds you this is a visual poem and a love-letter to a time, a place and a family far away in history and the memory of one man (represented by ten year old Carlos Peralta as Paco). At times it evokes the work of the very greatest film artists of all time: Bergman, Fellini, Hitchcock etc. Not one image is wasted or insignificant, from the reflection of the sky in water, to the dog-shit constantly lining the driveway. Everything is chosen and meaningful in the full context of the work.
There is no awkward exposition, no dramatic moments milked for all they are worth, no sequences of heightened excitement that manipulate us; simply truthful moments that hang in the air for what they are, leaving us to decide how we relate to them without ever preaching or teaching us how. In that way, it is a work of such maturity that I doubt many living directors could emulate it at all. The closest comparison I can think of is the personal passion Spielberg put into Shindler’s List, but really it is a moot comparison, and in fact owes much more to films like Haneke’s The White Ribbon.
Can it be faulted? Well, yes, certainly. But, honestly, I don’t see the point in trying. It is as close to perfection a small story of this kind can be. Importantly, I think it is an open film, that allows us to take from it whatever we like, relating to our own experiences and cares. For me, it said that any pain and hardship can be overcome, as long as there is love and beauty walking by its side. A message of no small importance. If you haven’t seen it, I urge you to do so. If you have, then please keep spreading the word. I believe it to be a genuine classic that will endure the criticism of many decades to come. Without a doubt in my mind something very special indeed.
Not that it didn’t get attention at the time of its release, it did, receiving 10 Oscar nominations and winning 3, for best foreign language film, director and cinematography, but it certainly wasn’t seen by as many people as it should have been, despite its presence on Netflix from the start. Having digested it now, and spending some time reading about how and why it was made, I feel a slight mission to recommend it to as many people as I can.
Based on Alfonso Cuarón’s own childhood in Mexico City, and his memories of his family and especially their housemaid, Liboria (Libo) Rodriguez, to whom the film is dedicated, it is a masterpiece labour of love that few directors ever achieve or even attempt to make. After a strong career of exceptional films, including Y Tu Mamá También, Children of Men and Gravity, it was the box office and critical success of the latter that gave Cuarón carte blanche to go and make whatever project he chose. Where many might have been tempted by the big money of superhero or fantasy movies (for which he had some experience with Harry Potter and the Prisoner of Azkaban) he went back to his roots and shot a very personal non-English film, in black and white, where no music exists except that which occurs naturally, and on the surface not much happens.
At least it feels like not much is happening, such is the naturalistic, almost improvised (although it wasn’t) style and pace; shot with a lens capturing detail and nuance with some of the most beautiful photography I have ever had the privilege to see. Truly, an awful lot is happening, but you have to feel and experience it, not simply be told it by the narrative. It takes a while for our Hollywood conditioned brains to accept this at first, and many might come to it and give up half an hour in because of that challenge. I can promise, however, there is not a single thing boring about this film, unless humanity is boring.
Oscar nominated lead Yalitza Aparicio as the shy, loving maid, Cleo, was not an actor before this film. She auditioned and was hand picked by Cuarón from hundreds of young women, without knowing who he was or what the film was about. Apparently, the film was shot in sequence so as not to confuse her emotionally on her extraordinary journey. She is so unassuming and natural that part of you falls in love with her immediately. In time, we almost come to forget we are watching an act at all, and almost become her, such is the empathy she evokes.
Which isn’t an easy ride, as we watch her be gently and then cruelly ignored, mistreated and used; climaxing in one of the most astonishingly painful and jaw-dropping scenes imaginable, and then a scene of such powerful redemption and humanity it instantly breaks the heart and lifts the soul. All the while she never asks for attention or love, but is just herself: a young woman living a difficult but beautiful life in a country and time full of turmoil, prejudice and social change.
The recreation of Mexico in 1970 is so breathtaking, it is hard to imagine at times we are not watching a documentary from that era. But, it is the detail the lens chooses to capture that reminds you this is a visual poem and a love-letter to a time, a place and a family far away in history and the memory of one man (represented by ten year old Carlos Peralta as Paco). At times it evokes the work of the very greatest film artists of all time: Bergman, Fellini, Hitchcock etc. Not one image is wasted or insignificant, from the reflection of the sky in water, to the dog-shit constantly lining the driveway. Everything is chosen and meaningful in the full context of the work.
There is no awkward exposition, no dramatic moments milked for all they are worth, no sequences of heightened excitement that manipulate us; simply truthful moments that hang in the air for what they are, leaving us to decide how we relate to them without ever preaching or teaching us how. In that way, it is a work of such maturity that I doubt many living directors could emulate it at all. The closest comparison I can think of is the personal passion Spielberg put into Shindler’s List, but really it is a moot comparison, and in fact owes much more to films like Haneke’s The White Ribbon.
Can it be faulted? Well, yes, certainly. But, honestly, I don’t see the point in trying. It is as close to perfection a small story of this kind can be. Importantly, I think it is an open film, that allows us to take from it whatever we like, relating to our own experiences and cares. For me, it said that any pain and hardship can be overcome, as long as there is love and beauty walking by its side. A message of no small importance. If you haven’t seen it, I urge you to do so. If you have, then please keep spreading the word. I believe it to be a genuine classic that will endure the criticism of many decades to come. Without a doubt in my mind something very special indeed.
Christina Haynes (148 KP) rated Things a Bright Girl Can Do in Books
Feb 10, 2018
THINGS A BRIGHT GIRL CAN DO by SALLY NICHOLLS
In 1903 Emmeline Pankhurst founded a new organisation called 'The Woman's Social and Political Union’ because she like many other women believed that they should be equal to men and be allowed a vote!
Although women over thirty did get the vote in 1918 - after the bill was passed. It wasn't until 1928 that all women got the vote. But unfortunately, Emmeline Pankhurst died before she got to see this happen.
When WWI broke out men had to go and fight, leaving their jobs to the woman. This was the start of women getting more opportunities. Even though they weren't being paid the same, they were still happy to be doing something to help. (Though that's a different story)
But this whole having a job, and helping with the war was only for the meantime, because after the war men wanted their jobs back!
Things a Bright Girl Can Do is about three girls who live in this time. Three girls who want to do more with their lives. Three girls who want freedom and the chance to be different.
Evelyn, May, and Nell.
Evelyn is seventeen and has dreamt of going to a university like her brother, but is unable to do so because, for the simple fact, she's a girl!
But mind you, she is probably smarter than her brother. Or any boy for that matter. So what does she do? She joins the suffragettes! And by doing this she see’s exactly what it's like to be a suffragette and what they do first hand. Though it's not as nice as it seems. She takes part in a hunger strike while she's in prison; like many suffragettes before her. She gets ill afterward and though she did what she believed was right, she soon realized that it wasn't such a great idea.
But in some ways, it made her a better person in the future because she knew exactly what it was like and why they were fighting for their rights.
May is fifteen and has been a part of the suffragettes along with her mother for a while now. She campaigns and she fights for the rights of women in a peaceful way. By handing out flyers, by going to meetings and talks. Again like Evelyn, she knows what it's like to have money and to be in a better situation than some women who don't even have that.
Nell, who’s grown up not knowing money, she's always tried to work and help her mother with whatever she can. She later meets May and the two of them fall in love and dream of a better world. She joins the cause of ‘Women's Rights’ and fights for them. Because why should men get everything?
All three girls are very different and all want something out of their vote. They all become a part of the suffragettes in their own different ways.
Sally Nicholls gives you a great insight into the past, bringing it to life again. Questioning what life was like back then, for woman and the government. She does all this by turning three stories into a reality that we all now take for granted. Even now women don't use their votes.
My opinion is that no matter whether you like politics or even believe in them, you should always use your vote. That's what I think anyway. For the simple fact, women died for your right to vote. It's your life as well you should use your vote to make the world better. To have a say.
From the suffragettes to WWI and it's 'we can do it’ attitude, this book is amazing inside and out. From the facts and the stories within its pages to the history lesson of fighting for your rights - to what women did to help in the war, you need to try this book.
So would you be one of the suffragettes, or did you have one in your family? It would be interesting to know.
Just remember, we can all do it.
Love, Christina ?
Although women over thirty did get the vote in 1918 - after the bill was passed. It wasn't until 1928 that all women got the vote. But unfortunately, Emmeline Pankhurst died before she got to see this happen.
When WWI broke out men had to go and fight, leaving their jobs to the woman. This was the start of women getting more opportunities. Even though they weren't being paid the same, they were still happy to be doing something to help. (Though that's a different story)
But this whole having a job, and helping with the war was only for the meantime, because after the war men wanted their jobs back!
Things a Bright Girl Can Do is about three girls who live in this time. Three girls who want to do more with their lives. Three girls who want freedom and the chance to be different.
Evelyn, May, and Nell.
Evelyn is seventeen and has dreamt of going to a university like her brother, but is unable to do so because, for the simple fact, she's a girl!
But mind you, she is probably smarter than her brother. Or any boy for that matter. So what does she do? She joins the suffragettes! And by doing this she see’s exactly what it's like to be a suffragette and what they do first hand. Though it's not as nice as it seems. She takes part in a hunger strike while she's in prison; like many suffragettes before her. She gets ill afterward and though she did what she believed was right, she soon realized that it wasn't such a great idea.
But in some ways, it made her a better person in the future because she knew exactly what it was like and why they were fighting for their rights.
May is fifteen and has been a part of the suffragettes along with her mother for a while now. She campaigns and she fights for the rights of women in a peaceful way. By handing out flyers, by going to meetings and talks. Again like Evelyn, she knows what it's like to have money and to be in a better situation than some women who don't even have that.
Nell, who’s grown up not knowing money, she's always tried to work and help her mother with whatever she can. She later meets May and the two of them fall in love and dream of a better world. She joins the cause of ‘Women's Rights’ and fights for them. Because why should men get everything?
All three girls are very different and all want something out of their vote. They all become a part of the suffragettes in their own different ways.
Sally Nicholls gives you a great insight into the past, bringing it to life again. Questioning what life was like back then, for woman and the government. She does all this by turning three stories into a reality that we all now take for granted. Even now women don't use their votes.
My opinion is that no matter whether you like politics or even believe in them, you should always use your vote. That's what I think anyway. For the simple fact, women died for your right to vote. It's your life as well you should use your vote to make the world better. To have a say.
From the suffragettes to WWI and it's 'we can do it’ attitude, this book is amazing inside and out. From the facts and the stories within its pages to the history lesson of fighting for your rights - to what women did to help in the war, you need to try this book.
So would you be one of the suffragettes, or did you have one in your family? It would be interesting to know.
Just remember, we can all do it.
Love, Christina ?