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5 Minute Movie Guy (379 KP) rated Blinded by the Light (2019) in Movies
Sep 16, 2019
Based on a true story, Blinded by the Light follows the life of Javed, a down-on-his-luck Pakistani teenager living in Great Britain in the 1980s, who is in a social stranglehold by his strict father. He just wants to live a life like any other kid his age, and hang out with his friends, and go to parties, and maybe even meet a girl, but his overbearing dad has other expectations and plans for him. Being that they’re minorities in a foreign country in a time of racism, Javed’s father wants him to keep his head down and put his family first and foremost. That means living the life his father chooses for him, and not being able to live the life he desires. Feeling trapped by his circumstances, Javed’s bleak outlook becomes changed completely after he makes a new friend at school who introduces him to the music of the All-American legend, Bruce Springsteen.
One stormy night, fueled by his frustrations with his family, Javed turns to the cassette tapes he borrowed from his friend, and listens to “The Boss” for the very first time. It’s an instantly cathartic and unforgettably life-changing experience. The words speak to him in a way that no song ever has before. The lyrics speak of his ambitions and know his struggles and pain. It’s as if suddenly through the songs of Springsteen, Javed has found his voice and a guiding light. He’s instantly transformed by it, and is given a purpose and a passion to pursue it. For him, the music is the spark to light the fire to his ambitions; to leave his small town, to escape poverty, to resist his father’s oppression, to live on his own accord, to become a writer, and to feed his hungry heart.
As a writer and a lover of Springsteen myself, I connected with Blinded by the Light on a profoundly personal level. Springsteen’s music has spoken to me in a similar fashion as it does to Javed in the film. While I’m not the super fan that he is, I like to think we all have comparable experiences with certain musical artists who resonate with us deep in our souls. Bruce’s music in particular speaks to the common man, and it rallies against the injustices of the world in the pursuit of the American dream. I can’t think of a single musician that I personally find to be more motivational than him. It is my hope that people will watch this movie, particularly those who are unfamiliar with the music of Bruce Springsteen, and they’ll have a reaction to it much like Javed in this movie.
It goes without saying that the soundtrack in Blinded by the Light is fantastic. It has a nice mix of classic hits as well as some lesser known Springsteen songs, including some live versions, and they’re all put to good use here. Out of all of the recent movies inspired by real-life musicians, including Bohemian Rhapsody, Rocketman, and Yesterday, Blinded by the Light is by far my personal favorite. There are no poor cover songs nor bad lip synching to be found here. What you get is 100% The Boss. In a few parts, the movie even breaks out into full-on dancing musical numbers. While they’re a little cheesy and even feel a bit out of place, I found that they remained true to the music and were simply too much fun not to enjoy.
Director Gurinder Chadha does a fine job crafting Javed’s story and all of its complexities while also paying homage to The Boss. The movie explores our innate desire for freedom and finding ourselves, while also exposing the sacrifices we often must make in life for those we love. The film additionally explores social issues of the era, including political turmoil, fascist movements, and racism, which Javed faces first-hand as a Pakistani in England, and which unfortunately still feel uncomfortably relevant today. Javed is played by Viveik Kalra in his motion-picture debut, and he is immensely likable and relatable in his performance. The cast as a whole is pretty good, with the standouts being Hayley Atwell as Javed’s teacher, Ms. Clay, who encourages him to continue with his writing, as well as Kulvinder Ghir, who plays Javed’s controlling father. I also liked Aaron Phagura as Roops, Javed’s loyal Bruce-Springsteen-cassette-tape-sharing friend. We all could use more friends like him!
Overall, Blinded by the Light is a loving tribute to the music of Bruce Springsteen, but more than anything, it’s an emotional, identifiable, and uplifting tale about reaching for your dreams. The struggles that Javed faces resonate brilliantly with the messages of the music, and his story is an inspiring one worth hearing. Springsteen fans in particular definitely won’t want to miss this movie, but I think regardless of your interest or familiarity with Springsteen and his music, you’re likely to find something to enjoy here. And maybe, just maybe, you’ll even walk out of the theater as a fan.
One stormy night, fueled by his frustrations with his family, Javed turns to the cassette tapes he borrowed from his friend, and listens to “The Boss” for the very first time. It’s an instantly cathartic and unforgettably life-changing experience. The words speak to him in a way that no song ever has before. The lyrics speak of his ambitions and know his struggles and pain. It’s as if suddenly through the songs of Springsteen, Javed has found his voice and a guiding light. He’s instantly transformed by it, and is given a purpose and a passion to pursue it. For him, the music is the spark to light the fire to his ambitions; to leave his small town, to escape poverty, to resist his father’s oppression, to live on his own accord, to become a writer, and to feed his hungry heart.
As a writer and a lover of Springsteen myself, I connected with Blinded by the Light on a profoundly personal level. Springsteen’s music has spoken to me in a similar fashion as it does to Javed in the film. While I’m not the super fan that he is, I like to think we all have comparable experiences with certain musical artists who resonate with us deep in our souls. Bruce’s music in particular speaks to the common man, and it rallies against the injustices of the world in the pursuit of the American dream. I can’t think of a single musician that I personally find to be more motivational than him. It is my hope that people will watch this movie, particularly those who are unfamiliar with the music of Bruce Springsteen, and they’ll have a reaction to it much like Javed in this movie.
It goes without saying that the soundtrack in Blinded by the Light is fantastic. It has a nice mix of classic hits as well as some lesser known Springsteen songs, including some live versions, and they’re all put to good use here. Out of all of the recent movies inspired by real-life musicians, including Bohemian Rhapsody, Rocketman, and Yesterday, Blinded by the Light is by far my personal favorite. There are no poor cover songs nor bad lip synching to be found here. What you get is 100% The Boss. In a few parts, the movie even breaks out into full-on dancing musical numbers. While they’re a little cheesy and even feel a bit out of place, I found that they remained true to the music and were simply too much fun not to enjoy.
Director Gurinder Chadha does a fine job crafting Javed’s story and all of its complexities while also paying homage to The Boss. The movie explores our innate desire for freedom and finding ourselves, while also exposing the sacrifices we often must make in life for those we love. The film additionally explores social issues of the era, including political turmoil, fascist movements, and racism, which Javed faces first-hand as a Pakistani in England, and which unfortunately still feel uncomfortably relevant today. Javed is played by Viveik Kalra in his motion-picture debut, and he is immensely likable and relatable in his performance. The cast as a whole is pretty good, with the standouts being Hayley Atwell as Javed’s teacher, Ms. Clay, who encourages him to continue with his writing, as well as Kulvinder Ghir, who plays Javed’s controlling father. I also liked Aaron Phagura as Roops, Javed’s loyal Bruce-Springsteen-cassette-tape-sharing friend. We all could use more friends like him!
Overall, Blinded by the Light is a loving tribute to the music of Bruce Springsteen, but more than anything, it’s an emotional, identifiable, and uplifting tale about reaching for your dreams. The struggles that Javed faces resonate brilliantly with the messages of the music, and his story is an inspiring one worth hearing. Springsteen fans in particular definitely won’t want to miss this movie, but I think regardless of your interest or familiarity with Springsteen and his music, you’re likely to find something to enjoy here. And maybe, just maybe, you’ll even walk out of the theater as a fan.
Bob Mann (459 KP) rated The Hate U Give (2018) in Movies
Sep 28, 2021
It’s a turf war on a global scale.
I saw this as part of a “Secret Cinema” event by Cineworld cinemas in the UK. That’s where you go to see a pre-release movie without knowing what it is going to be. It’s an interesting litmus test for a) a movie’s upfront marketing appeal (how many people get up and walk out when the BBFC title appears) and b) the “grab ’em early” appeal of the movie itself (how many people get up and walk out during the first 20 minutes of so).
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
Kristy H (1252 KP) rated Sailing Lessons in Books
Mar 18, 2019
Interesting characters & enjoyable read
The Bailey sisters grew up on Cape Cod--and overall, they are fairly close. The sisters are particularly bonded by the fact that their father, Caleb, left when they were small, after a traumatic incident that affected each sister in their own way. Wren remained on the island and is now raising her daughter, Lucy, while juggling an attempt to open a small business. Her older sister, Shannon, is a perfectionist leading a picture-perfect Cape life with her husband and three children: at least that's how it appears. As for the youngest, Piper, who barely even remembers her father: she fled to Boston, where she's spent years pursuing educational degrees she isn't sure she wants. And her love life? Don't ask. The girls' mother, Lindy, has settled down on the island with her second husband, Hank. All in all, everyone has a routine. But Caleb disturbs all that when he sends a letter, asking to return and see the girls again. Each sister responds differently to his return, and each much confront their own past--and present--in light of Caleb's presence.
I really enjoyed this book, and I found myself quite enraptured by its characters. I'm a sucker for some island-themed fiction (I'd love to go to the Cape or Nantucket someday, though I'll be so sad when everyone there isn't grappling with family issues and/or falling in love at first sight!). This was one of the books that I read at the right time, as I needed a story I could escape into. I started it while I was on "vacation" (a trip to Great Wolf Lodge with six-year-old twins - you determine if this counts as a vacation), and I found myself wishing I could transport myself to a beach somewhere to finish it.
The characters in this tale are simply interesting and fascinating. I don't know how else to say it, except I liked them, you know? OK, it took a little while to warm up to Shannon, but I could definitely relate to bits of her anxious characteristics. But I especially loved Wren and Hank. I could just picture them so easily, and I was rooting for them the entire way. (I sort of want Hank to be my Dad now.) Even Caleb was an intriguing sort of guy in his own way.
"He'd been given a talent for capturing images and a woman whom he'd loved with a fierceness that he could never seem to capture. And he'd lost it all."
So, yes, there's a bit of predictability to this one, but there's a comfortableness to it that I really liked (and needed). And there were definitely some pieces I didn't always see coming, too. Plus, I was so caught up in the characters that I was along for the ride, no matter what. They were well-written, and I was invested in their lives, which is a sign of good women's fiction, in my opinion. I had a bit of a dysfunctional childhood myself, so maybe I could relate well to this one; it just worked well for me.
"'Memory has weight. We carry it around with us in our baskets.' It had sounded lovely to her ears as a kid, this bountiful collection: a bushel of fruit, a bouquet of flowers. But as she grew, it took on a new meaning. There were days Shannon wished to set her basket of memories down; days she wished to abandon it altogether."
Overall, I really enjoyed this book. Interesting characters, easy-moving plot--it was just a good read. I was actually a little sad to say goodbye to the sisters and their clan by the end.
I really enjoyed this book, and I found myself quite enraptured by its characters. I'm a sucker for some island-themed fiction (I'd love to go to the Cape or Nantucket someday, though I'll be so sad when everyone there isn't grappling with family issues and/or falling in love at first sight!). This was one of the books that I read at the right time, as I needed a story I could escape into. I started it while I was on "vacation" (a trip to Great Wolf Lodge with six-year-old twins - you determine if this counts as a vacation), and I found myself wishing I could transport myself to a beach somewhere to finish it.
The characters in this tale are simply interesting and fascinating. I don't know how else to say it, except I liked them, you know? OK, it took a little while to warm up to Shannon, but I could definitely relate to bits of her anxious characteristics. But I especially loved Wren and Hank. I could just picture them so easily, and I was rooting for them the entire way. (I sort of want Hank to be my Dad now.) Even Caleb was an intriguing sort of guy in his own way.
"He'd been given a talent for capturing images and a woman whom he'd loved with a fierceness that he could never seem to capture. And he'd lost it all."
So, yes, there's a bit of predictability to this one, but there's a comfortableness to it that I really liked (and needed). And there were definitely some pieces I didn't always see coming, too. Plus, I was so caught up in the characters that I was along for the ride, no matter what. They were well-written, and I was invested in their lives, which is a sign of good women's fiction, in my opinion. I had a bit of a dysfunctional childhood myself, so maybe I could relate well to this one; it just worked well for me.
"'Memory has weight. We carry it around with us in our baskets.' It had sounded lovely to her ears as a kid, this bountiful collection: a bushel of fruit, a bouquet of flowers. But as she grew, it took on a new meaning. There were days Shannon wished to set her basket of memories down; days she wished to abandon it altogether."
Overall, I really enjoyed this book. Interesting characters, easy-moving plot--it was just a good read. I was actually a little sad to say goodbye to the sisters and their clan by the end.
The Book of Life is the third book in the All Souls Trilogy by Deborah Harkness. It is time to finish the war that had begun; only this time our characters find that the amount of people backing them is more than expected. As Diana and Mathew continue trying to take down the existing laws and all they stand for, they gain a huge occasion to celebrate, two new infants, who prove that everything that was once known was wrong and begins to put everyone else into questioning mindsets. With their new information and better understandings about each other and themselves from their previous adventures, Diana and Mathew begin the tedious task of going against century old laws in a very direct way that has their family and friends concerned and willing to fight alongside them, especially when the darkest secret has to be faced once and for all.
Like its predecessors before it, The Book of Life is a well-written book that causes emotions to rise to the surface. Harkness is able to cause the feeling of urgency making the reader want to read faster because it could save a life or change a policy that is in place and needs to be changed. I find this to be surprising and often a bit anxiety ridden because I had grown attached to the characters and hated to feel like danger was around the corner and nothing was going to stop it. And though the book was fast paced and kept me turning pages, I find that I wish a little more time would have been given to some characters in the Congregation. I feel it would have helped the story out a bit, though it would have probably added more pages to the already 500+ page book.
I really enjoyed how the character grew and thought that it did finish the story up with a nice red bow. I could see smaller novels or other adventures the main characters could embark on, but even without it I don’t mind. It was very entertaining. It brought up some major questions into view on survival of creature of all kinds and even answered questions on how vampires, witches and daemons are connected in this storyline. The ideas that The Book of Life present to the reader, helps them appreciate life as it is and really begin to gain some prespective of that of what we question more often than not. Even though it is fiction and these creatures don’t exist, you once again wonder if maybe it could happen. And if it did happen and was happening around us now, would it be like what this delicious story had us to see, or would it be something else.
Though the book kept me thinking and exploring ideas that stemmed off its vision, I find that I am questioning a few smaller details of the characters, even though it had revealed some of those answers, I felt like it could’ve been elaborated on to give the reader a better idea on how the main characters came up with this solution or explanation. Even with the few critiques I have mention, I still rather enjoyed the book and found that only after putting a ton of deep thought into it did I find any issues to begin with.
I would recommend The Book of Life to anyone who has read the first two books in the trilogy. It would create a ton of confusion if you just picked this book up and started reading it without the prior knowledge from the first two books in the All Souls Trilogy. I would rate this book 3 stars out of 4 stars.
Like its predecessors before it, The Book of Life is a well-written book that causes emotions to rise to the surface. Harkness is able to cause the feeling of urgency making the reader want to read faster because it could save a life or change a policy that is in place and needs to be changed. I find this to be surprising and often a bit anxiety ridden because I had grown attached to the characters and hated to feel like danger was around the corner and nothing was going to stop it. And though the book was fast paced and kept me turning pages, I find that I wish a little more time would have been given to some characters in the Congregation. I feel it would have helped the story out a bit, though it would have probably added more pages to the already 500+ page book.
I really enjoyed how the character grew and thought that it did finish the story up with a nice red bow. I could see smaller novels or other adventures the main characters could embark on, but even without it I don’t mind. It was very entertaining. It brought up some major questions into view on survival of creature of all kinds and even answered questions on how vampires, witches and daemons are connected in this storyline. The ideas that The Book of Life present to the reader, helps them appreciate life as it is and really begin to gain some prespective of that of what we question more often than not. Even though it is fiction and these creatures don’t exist, you once again wonder if maybe it could happen. And if it did happen and was happening around us now, would it be like what this delicious story had us to see, or would it be something else.
Though the book kept me thinking and exploring ideas that stemmed off its vision, I find that I am questioning a few smaller details of the characters, even though it had revealed some of those answers, I felt like it could’ve been elaborated on to give the reader a better idea on how the main characters came up with this solution or explanation. Even with the few critiques I have mention, I still rather enjoyed the book and found that only after putting a ton of deep thought into it did I find any issues to begin with.
I would recommend The Book of Life to anyone who has read the first two books in the trilogy. It would create a ton of confusion if you just picked this book up and started reading it without the prior knowledge from the first two books in the All Souls Trilogy. I would rate this book 3 stars out of 4 stars.
Lucy Buglass (45 KP) rated Ekaj (2015) in Movies
Jun 20, 2019
A gritty, raw portrait of a teenage runaway
When I was first introduced to Ekaj, I genuinely thought it was a documentary. The realisation that it was in fact a work of fiction took me by surprise, and this is a testament to the directing style of Cati Gonzalez. She has gone to great lengths to make this film feel as real as possible. None of the actors in the film are well-known or established, making them seem like ordinary people you might pass on the street. This sense of realism draws you closer to the characters we meet throughout, and I really loved this stylistic choice.
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
Darren (1599 KP) rated Aftermath (2014) in Movies
Jun 20, 2019
Story: Aftermath starts by showing us a man struggling to walk through an abandoned landscape. We then flash back to one month earlier where we learn about an ongoing war between America and Israel. We meet or protagonist Hunter (Thomason) as he listens to the ongoing war before nuclear explosion hit leading him to rescue a young family. The group also meet another survivor in the road but find a place to stay underground in a farmhouse with another small group of survivors. Hunter explains they will need to spend at least a month underground while the fall out of the nuclear attack settles. We follow the group through the month as tension rise over time.
When I saw this and the title I was actually looking to settle down and watch a horror like film, but what we got was so much more. First off there is no horror involved, it is all tension building character development. We see the group over 30 days and how their situation gets worse as each day goes by, with only the radio to update them. We get to see how the radiation slowly changes and infects them while others try to get in. it plays on a range of emotions and comes off very bleak. This is a great story of the struggle to survive after a nuclear attack from the point of view of the innocent victims. (7/10)
Actor Review
C.J. Thomason: Hunter doctor and survivalist who leads the group of survivors as they try to make it through the attack in a farm basement. He tries to treat everyone who has issues but even with his skills he can’t save everyone from the situation. C.J. gives a good performance as a reluctant leader. (7/10)
hunter
Monica Keena: Elizabeth stranger picked up on the side of the road, she stays with the group and sometimes looks out for younger members by her calm nature. Monica gives a solid performance but sometimes struggles in the action scenes. (6/10)
monica
Edward Furlong: Brad over protective redneck who doesn’t want to let the group in and is always against the decision to let them in. he is a hot head but as the time goes by he wants to look after the group as much as the rest. Edward gives a good performance and does a good job with the only character that shows full emotion. (7/10)
ed
Support Cast: Aftermath’s supporting cast is mainly extra people in the basement who go through the struggles but also includes the people outside who are too far gone to let in.
Director Review: Peter Engert – Peter does a good job directing Aftermath creating genuine tension throughout. (8/10)
Action: Aftermath only has a few action scenes and they are quick, but each comes off desperate like the situation the people are in. (7/10)
Thriller: Aftermath really pulls you in as you want to know what happens to the group and feel for them when things start to get worse. (8/10)
Settings: Aftermath uses its isolation setting that the group creates for themselves to survive really well, as it keeps us unaware of what is going on outside. (9/10)
Suggestion: Aftermath is worth watching, but I do feel like the casual fan might not enjoy this, it really will appeal to those who enjoy a solid drama about survival. (Try It)
Best Part: The bleakness that surrounds the story.
Worst Part: Aftermath can come off feeling a little bit slow.
Believability: Aftermath tackles a potential real problem the world could face. (7/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 32 Minutes
Overall: A Great Unwatched Thriller
https://moviesreview101.com/2015/03/24/aftermath-2012/
When I saw this and the title I was actually looking to settle down and watch a horror like film, but what we got was so much more. First off there is no horror involved, it is all tension building character development. We see the group over 30 days and how their situation gets worse as each day goes by, with only the radio to update them. We get to see how the radiation slowly changes and infects them while others try to get in. it plays on a range of emotions and comes off very bleak. This is a great story of the struggle to survive after a nuclear attack from the point of view of the innocent victims. (7/10)
Actor Review
C.J. Thomason: Hunter doctor and survivalist who leads the group of survivors as they try to make it through the attack in a farm basement. He tries to treat everyone who has issues but even with his skills he can’t save everyone from the situation. C.J. gives a good performance as a reluctant leader. (7/10)
hunter
Monica Keena: Elizabeth stranger picked up on the side of the road, she stays with the group and sometimes looks out for younger members by her calm nature. Monica gives a solid performance but sometimes struggles in the action scenes. (6/10)
monica
Edward Furlong: Brad over protective redneck who doesn’t want to let the group in and is always against the decision to let them in. he is a hot head but as the time goes by he wants to look after the group as much as the rest. Edward gives a good performance and does a good job with the only character that shows full emotion. (7/10)
ed
Support Cast: Aftermath’s supporting cast is mainly extra people in the basement who go through the struggles but also includes the people outside who are too far gone to let in.
Director Review: Peter Engert – Peter does a good job directing Aftermath creating genuine tension throughout. (8/10)
Action: Aftermath only has a few action scenes and they are quick, but each comes off desperate like the situation the people are in. (7/10)
Thriller: Aftermath really pulls you in as you want to know what happens to the group and feel for them when things start to get worse. (8/10)
Settings: Aftermath uses its isolation setting that the group creates for themselves to survive really well, as it keeps us unaware of what is going on outside. (9/10)
Suggestion: Aftermath is worth watching, but I do feel like the casual fan might not enjoy this, it really will appeal to those who enjoy a solid drama about survival. (Try It)
Best Part: The bleakness that surrounds the story.
Worst Part: Aftermath can come off feeling a little bit slow.
Believability: Aftermath tackles a potential real problem the world could face. (7/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 32 Minutes
Overall: A Great Unwatched Thriller
https://moviesreview101.com/2015/03/24/aftermath-2012/
Gareth von Kallenbach (971 KP) rated White Noise (2005) in Movies
Aug 14, 2019
Ever since the phenomenal success of “The Sixth Sense”, films dealing with the supernatural have been an ever increasing presence at theaters world wide as studios attempt to find the next break out film in the genre to ensure lucrative box office and video returns.
The latest foray into the Supernatural is the new Michael Keaton film White Noise, which is based on the actual study of E.V.P. or Electronic Voice Phenomena which is reputed some paranormal investigators to be the voices of dead people speaking to the living via static in electronic devices.
Although the factuality of this is still a topic of hot debate, as after decades of study, no conclusive finding either way as to the legitimacy of E.V.P. have been found as many people attribute the supposed voices as simply the mind hearing what it wants to hear. Despite this, there are a growing number of groups and organizations worldwide who are dedicated to the study of E.V.P.
The film centers on Jonathan Rivers’s (Michael Keaton), a successful architect who is married to a best selling author Anna (Chandra West). The couple is anxiously awaiting the arrival of their first child as Jonathan has a son from a previous marriage and is thrilled to see his family grow
Tragedy sets in when Anna goes missing and eventually is found dead after an apparent accident. Jonathan has his world collapse around him yet and is living in a state of despair. Shortly, a man named Raymond Price (Ian McNeice) comes to Jonathan claiming that he has been receiving messages from Anna from the afterlife. Jonathan is at first dismissive but when he gets calls on his cell that are originating from Anna’s cell number; he visits Raymond and learns about E.V.P.
Jonathan becomes drawn into the study of E.V.P. and soon becomes obsessed with recording voices and images from the afterlife as he is desperate to stay in contact with Anna. All is not well though as Raymond failed to tell Jonathan that there are evil and dangerous entities in the afterlife and they can also use E.V.P. as a way to access and influence the living.
Jonathan also meets a fellow E.V.P user named Sara (Deborah Kara Unger), who like Jonathan becomes involved in a deeper and darker mystery as Jonathan begins to decipher a pattern behind the messages as well as the intentions behind them.
White Noise starts well as a solid mystery and had a few moments where what you imagine is often more intense than what the reality really is. Early in the film there are some good chills and creepy moments as the story unfolds. Roughly ¾ of the way into the film, the tone of the film changes from supernatural thriller to that of a mystery and I suspect that the film will lose many people at this point. The film was working well as a thrill, yet the last ¼ of the film and the conclusion become confused and sporadic as the momentum and flow of the film is lost.
The conclusion was unsatisfying as I was able to see where it was going and based on the very promising first hour of the film, it was sad to see that the film took the easy way out and relied on tired premises instead of continuing to forge ahead with the new premise and take it to what should have been a much better and more logical conclusion.
Keaton does solid work and carries the film very well. It is great to see him back on the big screen as he is a gifted and versatile actor who is capable of handling a wide range of roles.
While not a bad film, White Noise is sunk by the issues with the finale that I mentioned above. That being said, it is an entertaining film that aside from the ending, does generally work and holds the attention of the viewer.
The latest foray into the Supernatural is the new Michael Keaton film White Noise, which is based on the actual study of E.V.P. or Electronic Voice Phenomena which is reputed some paranormal investigators to be the voices of dead people speaking to the living via static in electronic devices.
Although the factuality of this is still a topic of hot debate, as after decades of study, no conclusive finding either way as to the legitimacy of E.V.P. have been found as many people attribute the supposed voices as simply the mind hearing what it wants to hear. Despite this, there are a growing number of groups and organizations worldwide who are dedicated to the study of E.V.P.
The film centers on Jonathan Rivers’s (Michael Keaton), a successful architect who is married to a best selling author Anna (Chandra West). The couple is anxiously awaiting the arrival of their first child as Jonathan has a son from a previous marriage and is thrilled to see his family grow
Tragedy sets in when Anna goes missing and eventually is found dead after an apparent accident. Jonathan has his world collapse around him yet and is living in a state of despair. Shortly, a man named Raymond Price (Ian McNeice) comes to Jonathan claiming that he has been receiving messages from Anna from the afterlife. Jonathan is at first dismissive but when he gets calls on his cell that are originating from Anna’s cell number; he visits Raymond and learns about E.V.P.
Jonathan becomes drawn into the study of E.V.P. and soon becomes obsessed with recording voices and images from the afterlife as he is desperate to stay in contact with Anna. All is not well though as Raymond failed to tell Jonathan that there are evil and dangerous entities in the afterlife and they can also use E.V.P. as a way to access and influence the living.
Jonathan also meets a fellow E.V.P user named Sara (Deborah Kara Unger), who like Jonathan becomes involved in a deeper and darker mystery as Jonathan begins to decipher a pattern behind the messages as well as the intentions behind them.
White Noise starts well as a solid mystery and had a few moments where what you imagine is often more intense than what the reality really is. Early in the film there are some good chills and creepy moments as the story unfolds. Roughly ¾ of the way into the film, the tone of the film changes from supernatural thriller to that of a mystery and I suspect that the film will lose many people at this point. The film was working well as a thrill, yet the last ¼ of the film and the conclusion become confused and sporadic as the momentum and flow of the film is lost.
The conclusion was unsatisfying as I was able to see where it was going and based on the very promising first hour of the film, it was sad to see that the film took the easy way out and relied on tired premises instead of continuing to forge ahead with the new premise and take it to what should have been a much better and more logical conclusion.
Keaton does solid work and carries the film very well. It is great to see him back on the big screen as he is a gifted and versatile actor who is capable of handling a wide range of roles.
While not a bad film, White Noise is sunk by the issues with the finale that I mentioned above. That being said, it is an entertaining film that aside from the ending, does generally work and holds the attention of the viewer.
Andy K (10821 KP) rated Poltergeist (1982) in Movies
Oct 25, 2019
The TV People!
When the Freeling family moved into their suburban California home, little did they know what they were getting themselves into! Minor oddities began showing themselves like chairs stacking in the kitchen lights flashing or even being pulled across the kitchen floor. It felt like a "tickle". The situation quickly grows more severe as a tree outside the children's room plunges inside and tries to ingest son, Robbie. Simultaneously, a gateway of sorts opens in the children's room eventually pulling the entire contents into its closet vortex including youngest daughter, Carol Anne.
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜
Darren (1599 KP) rated Prospect (2018) in Movies
Jul 22, 2019
Verdict: Slow Paced
Story: Prospect starts when a father Damon (Duplass) and his daughter Cee (Thatcher) are travelling through space, looking to make a big discovery, thrown off path they land on an alien moon, setting out to explore the area.
When the pair run into Ezra (Pascal) another prospector on the moon, things turn to deals with the tension amped up to see who will leave the moon with the treasure on the moon, or whether leaving is a better option and soon they will learn of the other dangers on the moon.
Thoughts on Prospect
Characters – Cee is the teenager girl that has been travelling through space with her father, she does want to make a place her home, always wondering if she can get home, she must work with her father and a stranger to survive her time on this latest moon, proving she is ready to step up to do the more difficult tasks in life. Damon is Cee’s father, he has been searching space for valuable treasures so he can get out of this desperate lifestyle, his greed is his biggest weakness. Ezra is a stranger that the two run into, he is after the same thing and must earn their trust to survive and trust them to get survive the threats the moon has to offer.
Performances – Sophie Thatcher as the teenager does everything she can in her role, she doesn’t get to shine on the levels she could, but this falls back into the writing, Jay Duplass really doesn’t get the time to make an impact in this film, while Pedro Pascal is the highlight of the acting, because he must carry large parts of the dialogue in the film.
Story – The story follows a father and daughter prospector pairing that land on a new moon in search for their own richest only to find themselves in a battle to survive against rivals and the moon itself. This story is easily borrowing the idea of the early days of prospectors around the world, people that travelled great distances in hope of becoming rich, we get to see what is more important, riches or family, all in a position which has threats around every corner. The weakness of this story comes from the idea that moon is dangerous, though we only get environmental issues, with all the other problems being human, it would also have been nice to understand just how big the travelling is in this universe, we just casually follow on ship, is this one of the absolute poorest, is Earth uninhabitable now, there are so many questions about the universe we are entering that feel unanswered.
Sci-Fi – The sci-fi side of the film does just seem to be the characters wearing helmets, we barely get anything that makes this as ambitious as it could be.
Settings – The settings are beautiful though, the opening spaces, the closed woodland, yes it could easily be anywhere on Earth, but the visuals make this look like an alien moon in every shot.
Special Effects – The effects are used to add environment to the mon, but outside of this for a space based movie, we get very little to work with.
Scene of the Movie – First exploring of the moon.
That Moment That Annoyed Me – It is very slow.
Final Thoughts – This is one of the films that could have been a lot more interesting that we get, the pacing of the film does hold everything up and the fact we don’t learn more about the universe doesn’t help us understand just what is going on.
Overall: Keep searching for the treasure.
Rating
Story: Prospect starts when a father Damon (Duplass) and his daughter Cee (Thatcher) are travelling through space, looking to make a big discovery, thrown off path they land on an alien moon, setting out to explore the area.
When the pair run into Ezra (Pascal) another prospector on the moon, things turn to deals with the tension amped up to see who will leave the moon with the treasure on the moon, or whether leaving is a better option and soon they will learn of the other dangers on the moon.
Thoughts on Prospect
Characters – Cee is the teenager girl that has been travelling through space with her father, she does want to make a place her home, always wondering if she can get home, she must work with her father and a stranger to survive her time on this latest moon, proving she is ready to step up to do the more difficult tasks in life. Damon is Cee’s father, he has been searching space for valuable treasures so he can get out of this desperate lifestyle, his greed is his biggest weakness. Ezra is a stranger that the two run into, he is after the same thing and must earn their trust to survive and trust them to get survive the threats the moon has to offer.
Performances – Sophie Thatcher as the teenager does everything she can in her role, she doesn’t get to shine on the levels she could, but this falls back into the writing, Jay Duplass really doesn’t get the time to make an impact in this film, while Pedro Pascal is the highlight of the acting, because he must carry large parts of the dialogue in the film.
Story – The story follows a father and daughter prospector pairing that land on a new moon in search for their own richest only to find themselves in a battle to survive against rivals and the moon itself. This story is easily borrowing the idea of the early days of prospectors around the world, people that travelled great distances in hope of becoming rich, we get to see what is more important, riches or family, all in a position which has threats around every corner. The weakness of this story comes from the idea that moon is dangerous, though we only get environmental issues, with all the other problems being human, it would also have been nice to understand just how big the travelling is in this universe, we just casually follow on ship, is this one of the absolute poorest, is Earth uninhabitable now, there are so many questions about the universe we are entering that feel unanswered.
Sci-Fi – The sci-fi side of the film does just seem to be the characters wearing helmets, we barely get anything that makes this as ambitious as it could be.
Settings – The settings are beautiful though, the opening spaces, the closed woodland, yes it could easily be anywhere on Earth, but the visuals make this look like an alien moon in every shot.
Special Effects – The effects are used to add environment to the mon, but outside of this for a space based movie, we get very little to work with.
Scene of the Movie – First exploring of the moon.
That Moment That Annoyed Me – It is very slow.
Final Thoughts – This is one of the films that could have been a lot more interesting that we get, the pacing of the film does hold everything up and the fact we don’t learn more about the universe doesn’t help us understand just what is going on.
Overall: Keep searching for the treasure.
Rating
Gareth von Kallenbach (971 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 11, 2019
What would you do if you discovered you had superpowers in adolescence? How would you juggle being a fighter for justice and try to have a normal teenage experience? Spider-Man: Homecoming offers a more realistic look at how this would take place. Where the previous series of films never seemed to make that connection of balancing one’s youth and the varied problems that come during that period with what it means to be a superhero. The Tobey Maguire and the forgettable Andrew Garfield portrayals relied on a more comic book look and storylines to bring audiences to the theaters. This is not the case for the newest iteration. The film is not presumptuous or pretentious in its approach.
Tom Holland returns to the Marvel Universe as Spider-Man after being introduced in Captain America: Civil War. In this version, the audience is not subjected to an origin story to carry the bulk of the film. Instead, it addresses the issues of Spider-Man’s genesis in the previous film so that audiences can arrive in their seats ready to watch the action unfold. From the first opening frames of the films, we bear witness to the development of this story which builds off of The Avengers as we are introduced to Adrian Toomes (Michael Keaton), owner of a salvage company tasked with cleaning up the city. Upon his operation, he and his crew begin to discover the power of the alien equipment that they begin to sell on the black market. The development of this character is done with more care than previous films where the villains’ backstories rely simply on jealousy, seeking power, or just a thirst for chaos. The film shows a man who feels wronged by the system and simply wants to provide for his family. We are allowed to make a connection with “The Vulture” that makes us question if whether we would do anything much differently than he.
The same development is demonstrated with Tom Holland’s portrayal of Spider-Man. He is thrust into this role through the encouragement of Tony Stark, but when Stark doesn’t return his calls or seem to express interest after the battle scene in Captain America: Civil War, he tries to demonstrate his worth through becoming a local superhero. With that new calling, to paraphrase a statement made popular in Spider-Man, comes great responsibility. He must balance his life and try to compartmentalize his existence. The film does not disappoint in allowing the viewers to see Peter Parker as more than Spider-Man. They begin to see all the varied aspects of who he is and his rationale for being a superhero. We bear witness to the pain that he feels in having to keep his identity a secret from his friends and Aunt Mae. His superpowers and abilities come to be seen as a heavy burden that begins pulling him apart. He has to grow and understand who he is in order to be capable of everything he seeks to be.
Spider-Man Homecoming does not disappoint. It is by far, the best Marvel film made due to its ability to connect with fans of different ages and interests. The film is fun, funny, creative, and will have viewers forget about any previous versions and films. Tom Holland is the perfect fit for Peter Parker and an even better fit for Spider-Man. The film is mature, filled with depth, emotion, and many connections to other superhero films in the Marvel cinematic universe. It is well on its way to ensuring that the franchise will have a long life.
Tom Holland returns to the Marvel Universe as Spider-Man after being introduced in Captain America: Civil War. In this version, the audience is not subjected to an origin story to carry the bulk of the film. Instead, it addresses the issues of Spider-Man’s genesis in the previous film so that audiences can arrive in their seats ready to watch the action unfold. From the first opening frames of the films, we bear witness to the development of this story which builds off of The Avengers as we are introduced to Adrian Toomes (Michael Keaton), owner of a salvage company tasked with cleaning up the city. Upon his operation, he and his crew begin to discover the power of the alien equipment that they begin to sell on the black market. The development of this character is done with more care than previous films where the villains’ backstories rely simply on jealousy, seeking power, or just a thirst for chaos. The film shows a man who feels wronged by the system and simply wants to provide for his family. We are allowed to make a connection with “The Vulture” that makes us question if whether we would do anything much differently than he.
The same development is demonstrated with Tom Holland’s portrayal of Spider-Man. He is thrust into this role through the encouragement of Tony Stark, but when Stark doesn’t return his calls or seem to express interest after the battle scene in Captain America: Civil War, he tries to demonstrate his worth through becoming a local superhero. With that new calling, to paraphrase a statement made popular in Spider-Man, comes great responsibility. He must balance his life and try to compartmentalize his existence. The film does not disappoint in allowing the viewers to see Peter Parker as more than Spider-Man. They begin to see all the varied aspects of who he is and his rationale for being a superhero. We bear witness to the pain that he feels in having to keep his identity a secret from his friends and Aunt Mae. His superpowers and abilities come to be seen as a heavy burden that begins pulling him apart. He has to grow and understand who he is in order to be capable of everything he seeks to be.
Spider-Man Homecoming does not disappoint. It is by far, the best Marvel film made due to its ability to connect with fans of different ages and interests. The film is fun, funny, creative, and will have viewers forget about any previous versions and films. Tom Holland is the perfect fit for Peter Parker and an even better fit for Spider-Man. The film is mature, filled with depth, emotion, and many connections to other superhero films in the Marvel cinematic universe. It is well on its way to ensuring that the franchise will have a long life.