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Jamie (131 KP) rated The Darkest Lies in Books
Jul 26, 2017
Believable plot regarding child abduction (1 more)
The mystery is compelling
Frustrating protagonist, (2 more)
Extremely predictable
Good case for why civilians shouldn’t go rogue and get in the way of police work
A frustrating abduction mystery
You know that age in every teenager’s life where they start to become a little bit rebellious? Telling little white lies, sneaking out, hanging out with crowds they know the family wouldn’t approve of? It can be a scary time for parents, who knows who’s out there? The Darkest Lies is every parent’s worst nightmare and follows a mother who finds her world shattered when her daughter goes missing.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
Kara Skinner (332 KP) rated Protector in Books
Jun 12, 2019
Girl Doesn’t Take Her Mate’s Crap in this YA Fantasy Romance Novel
Contains spoilers, click to show
Genre: Fantasy, YA
Word Count: 86,170
Average Goodreads Rating: 3.75 out of 5 stars
My rating: 3 out of 5 stars
Faith thought she was a normal human girl. Then she turned 18 and started developing abilities. Around the same time, a mysterious girl named Belle showed up and explained to Faith that she was really a Halfling, who belonged to an alien planet. Not only that, but she had the powerful ability of Forewarning, a skill that was highly coveted, especially by the Loverias and the Wincrests, two rival royal families on the brink of going to war with each other. Things get even more complicated when Faith forms a mated bond with Prince Davio Loveria– right before finding out her long-absent father is Prince Alexo Wincrest, Davio’s sworn enemy.
Caught in an impending war on a foreign planet, Faith must think and learn fast to keep herself from becoming a political pawn while also keeping her family safe.
Faith is a fucking badass and I love her. She acts like a teenaged girl, with all the angst and drama that comes with it, but at the same times she’s smart, and she won’t take shit, especially not from Davio. I love how resourceful she is and how quickly she’s able to adapt to a foreign planet with different cultures and abilities. But at the same time, she’s not a Mary Sue. She does have issues with learning the culture and controlling her abilities. She also doesn’t deal well with having her world turned upside down but her reactions aren’t unrealistic and they make me love her that much more.
Davio, however, is a piece of shit. I knocked off a star just because he exists. He’s a pompous brat with less maturity and poise than a two-year-old. When he finally accepts that he’s mated to Faith, he shows his “love” by controlling her and ordering her around. He doesn’t let her be alone because she needs to be protected. He demands that she either be with him or one of his bodyguards at all time, effectively keeping her a prisoner. This is supposedly because she has Forewarning, which makes her likely to get kidnapped or killed. I would have an easier time believing that if she had ever gotten attacked in the book. But the only people who attack her are Davio’s own bodyguards. No one else gives a shit.
He also loves ordering her around. He’ll order her to get showered and dressed in two minutes. He also orders her to betray her father. Davio is actually shocked when Faith won’t give him intimate secrets about how to take down her father. He accuses her of being a traitor when she refuses to be part of any plan that will get her father killed or kidnapped.
Davio hates Faith’s father for being from the wrong country, he always thinks he’s right, and he’s controlling to boot. He’s basically teenaged Trump.
Davio is the biggest problem in the book. Almost everything else I enjoyed. I loved the world building and how the mated bond was portrayed. Even though Faith and Davio were connected through the bond and couldn’t be apart very long without feeling anxious and depressed, they weren’t brainwashed by it. They still didn’t trust or even love each other for most of the book and they could identify what feelings were real and what was from the bond. It’s rare when a book can have soulmates without having insta-love, but Protector pulled it off.
I’m still confused by Faith’s parents, however. Faith’s mother raised her by herself on Earth after getting abandoned by Alexo. But when he shows up eighteen years later and has a brief conversation with her, she’s completely willing to travel to a foreign planet, be banned from going back to Earth. She also needs to pretend to be his wife despite hating him for abandoning her. I honestly have no idea why but that might get explained in later books.
Word Count: 86,170
Average Goodreads Rating: 3.75 out of 5 stars
My rating: 3 out of 5 stars
Faith thought she was a normal human girl. Then she turned 18 and started developing abilities. Around the same time, a mysterious girl named Belle showed up and explained to Faith that she was really a Halfling, who belonged to an alien planet. Not only that, but she had the powerful ability of Forewarning, a skill that was highly coveted, especially by the Loverias and the Wincrests, two rival royal families on the brink of going to war with each other. Things get even more complicated when Faith forms a mated bond with Prince Davio Loveria– right before finding out her long-absent father is Prince Alexo Wincrest, Davio’s sworn enemy.
Caught in an impending war on a foreign planet, Faith must think and learn fast to keep herself from becoming a political pawn while also keeping her family safe.
Faith is a fucking badass and I love her. She acts like a teenaged girl, with all the angst and drama that comes with it, but at the same times she’s smart, and she won’t take shit, especially not from Davio. I love how resourceful she is and how quickly she’s able to adapt to a foreign planet with different cultures and abilities. But at the same time, she’s not a Mary Sue. She does have issues with learning the culture and controlling her abilities. She also doesn’t deal well with having her world turned upside down but her reactions aren’t unrealistic and they make me love her that much more.
Davio, however, is a piece of shit. I knocked off a star just because he exists. He’s a pompous brat with less maturity and poise than a two-year-old. When he finally accepts that he’s mated to Faith, he shows his “love” by controlling her and ordering her around. He doesn’t let her be alone because she needs to be protected. He demands that she either be with him or one of his bodyguards at all time, effectively keeping her a prisoner. This is supposedly because she has Forewarning, which makes her likely to get kidnapped or killed. I would have an easier time believing that if she had ever gotten attacked in the book. But the only people who attack her are Davio’s own bodyguards. No one else gives a shit.
He also loves ordering her around. He’ll order her to get showered and dressed in two minutes. He also orders her to betray her father. Davio is actually shocked when Faith won’t give him intimate secrets about how to take down her father. He accuses her of being a traitor when she refuses to be part of any plan that will get her father killed or kidnapped.
Davio hates Faith’s father for being from the wrong country, he always thinks he’s right, and he’s controlling to boot. He’s basically teenaged Trump.
Davio is the biggest problem in the book. Almost everything else I enjoyed. I loved the world building and how the mated bond was portrayed. Even though Faith and Davio were connected through the bond and couldn’t be apart very long without feeling anxious and depressed, they weren’t brainwashed by it. They still didn’t trust or even love each other for most of the book and they could identify what feelings were real and what was from the bond. It’s rare when a book can have soulmates without having insta-love, but Protector pulled it off.
I’m still confused by Faith’s parents, however. Faith’s mother raised her by herself on Earth after getting abandoned by Alexo. But when he shows up eighteen years later and has a brief conversation with her, she’s completely willing to travel to a foreign planet, be banned from going back to Earth. She also needs to pretend to be his wife despite hating him for abandoning her. I honestly have no idea why but that might get explained in later books.
Gareth von Kallenbach (980 KP) rated Glory Road (2006) in Movies
Aug 14, 2019
Sports films have long been a popular genre in Hollywood as classics such as Pride of the Yankees, The Natural, and Raging Bull are all examples of some of the finest examples of sports films which encapsulate the very essence of the sport they portray.
In the new film Glory Road Josh Lucas stars as Don Haskins, a girls Basketball coach who is given the chance to coach a Division 1 team at Texas Western in 1966.
The small school cannot offer the coach much in the way of amenities as Don and his family are required to live in the student’s dorm. Since his dreams of playing pro ball came to a halt after a knee injury, Haskins looks at his job as a chance for him to make a name for himself.
The task will be daunting as Texas Western is a very small school that puts the majority of its athletic budget into the football program leaving next to no money for the gym, new equipment, and recruiting of players.
After a frustrating attempt to recruit players at a local invitational, Haskins sets his sites on a young African American player who while big on attitude, is also big on potential.
With scholarships to offer, Haskins and his staff travel the nation and shock the conservative school by offering scholarships to 8 African American players. In a day and age when teams had at most 1-2 African American players; many of whom did not see much playing time; this is a risky move for the coach.
Undaunted, the coach begins the process of integrating his new players with his current players all of whom are Caucasian, which leads to some tension over starting rights, abilities, and styles.
Haskins is a no nonsense coach who is very strict in regards to grades, effort in practice, and above all avoiding late nights and carousing while the season is underway. Despite this, many players decide to test the will of the coach which raises issues of commitment to the team and discipline, all of which are standard staples of sports films.
When the season starts, a funny thing happens. Not only is the coach playing his African American players in a heavy rotation, but little Texas Western is winning their games and beating some of the more noted teams in the country in the process.
As their notoriety increases so does the amount of hostility directed towards the team from racially incensed fans who do not like the make up of the team and especially hate their success.
Despite this, the team finds itself in the National Championship game against powerful Kentucky coached by the legendary Adolph Rupp (Jon Voight), where Haskins makes history by starting and playing only his African American players which is a first in NCAA finals history.
While the marketing and trailers for the film certainly do not hesitate from telling you most of the above and underscoring that the team ends up in the finals and that the film is based on a true story, it is not about the final results, it is about the journey the team took getting there.
Producer Jerry Bruckheimer is a master at knowing what the fans want and director James Gartner gives viewers a by the number film that delivers the goods. Yes, the film heavily uses all the sporting clichés from the ailing player, the us against the world mentality, the team of misfits, and so on all of which combines to offer little cinematic tension as it is very clear early on and from the ads where this film will end up.
Despite tipping their hand early and throughout, the filmmakers have decided not to rock the boat and have stuck with a tried and true formula that results with a winning albeit very predictable film.
Lucas does a solid job in the roll and makes the best of the material he has to work with. The game sequences are well managed and rousing which had members of my preview audience cheering.
While it offers little originality, Glory Road is a lot of fun, and despite mining every cliché in the book, is an entertaining time at the movies.
In the new film Glory Road Josh Lucas stars as Don Haskins, a girls Basketball coach who is given the chance to coach a Division 1 team at Texas Western in 1966.
The small school cannot offer the coach much in the way of amenities as Don and his family are required to live in the student’s dorm. Since his dreams of playing pro ball came to a halt after a knee injury, Haskins looks at his job as a chance for him to make a name for himself.
The task will be daunting as Texas Western is a very small school that puts the majority of its athletic budget into the football program leaving next to no money for the gym, new equipment, and recruiting of players.
After a frustrating attempt to recruit players at a local invitational, Haskins sets his sites on a young African American player who while big on attitude, is also big on potential.
With scholarships to offer, Haskins and his staff travel the nation and shock the conservative school by offering scholarships to 8 African American players. In a day and age when teams had at most 1-2 African American players; many of whom did not see much playing time; this is a risky move for the coach.
Undaunted, the coach begins the process of integrating his new players with his current players all of whom are Caucasian, which leads to some tension over starting rights, abilities, and styles.
Haskins is a no nonsense coach who is very strict in regards to grades, effort in practice, and above all avoiding late nights and carousing while the season is underway. Despite this, many players decide to test the will of the coach which raises issues of commitment to the team and discipline, all of which are standard staples of sports films.
When the season starts, a funny thing happens. Not only is the coach playing his African American players in a heavy rotation, but little Texas Western is winning their games and beating some of the more noted teams in the country in the process.
As their notoriety increases so does the amount of hostility directed towards the team from racially incensed fans who do not like the make up of the team and especially hate their success.
Despite this, the team finds itself in the National Championship game against powerful Kentucky coached by the legendary Adolph Rupp (Jon Voight), where Haskins makes history by starting and playing only his African American players which is a first in NCAA finals history.
While the marketing and trailers for the film certainly do not hesitate from telling you most of the above and underscoring that the team ends up in the finals and that the film is based on a true story, it is not about the final results, it is about the journey the team took getting there.
Producer Jerry Bruckheimer is a master at knowing what the fans want and director James Gartner gives viewers a by the number film that delivers the goods. Yes, the film heavily uses all the sporting clichés from the ailing player, the us against the world mentality, the team of misfits, and so on all of which combines to offer little cinematic tension as it is very clear early on and from the ads where this film will end up.
Despite tipping their hand early and throughout, the filmmakers have decided not to rock the boat and have stuck with a tried and true formula that results with a winning albeit very predictable film.
Lucas does a solid job in the roll and makes the best of the material he has to work with. The game sequences are well managed and rousing which had members of my preview audience cheering.
While it offers little originality, Glory Road is a lot of fun, and despite mining every cliché in the book, is an entertaining time at the movies.
Bob Mann (459 KP) rated The Trial of the Chicago 7 (2020) in Movies
Oct 24, 2020
The epic ensemble cast (1 more)
The direction from Aaron Sorkin
“Trial” is a less wordy triumph for Sorkin
So, "The Trial of the Chicago 7" is one which I was unfortunately unable to catch on its short "Oscar-nom" cinema release, but is now on Netflix. And boy, for older viewers who prefer historical drama over wham-bam action, this is definitely worth the watch.
I know a decent bit of 20th century history, but this is a story I knew nothing about. At the 1968 Democratic Convention in Chicago, anti-Vietnam protests resulted in a violent and brutal confrontation with the police. Eight of the ring-leaders were rounded up and charged with inciting the violence. What happens in the court with the eight convicted men, in front of an old and partisan judge (the wonderful Frank Langella), is simply amazing.
There's a nice wiki article on the history you can look up. But its worth watching the movie blind, since it's a great rollercoaster ride.
If you read my blog regularly, you'll know that one of my favourite of the awards in award season is the "Ensemble Cast" award from the Screen Actor's Guild (SAG). I think a good measure of which movies might be good candidates for this award is when you find it difficult to single out particular actors for an individual award when they all work so well together. For this is a cast to die for:
- Sacha Baron Cohen, as Abbie Hoffman: an intelligent 'straight' role, poles apart from Borat and Bruno, that he delivers on 100%;
- Jeremy Strong as Hoffman's buddy Jerry Rubin, doing an enormously entertaining turn;
- Eddie Redmayne as the apparently 'sensible one' Tom Hayden. A bit similar to his role in "Les Miserables", but diving off in a different direction at a key point;
- John Carroll Lynch as the genuine 'boy scout' David Dellinger, so good in "The Founder" and here as the only family man under the judgmental stare of his wife and son;
- Yahya Abdul-Mateen II as Black Panther member Bobby Seale - the "minus 1" from the title - in an astonishingly powerful performance;
- Joseph Gordon-Levitt as the prosecutor Richard Schultz - always quietly dependable;
- And the fantastic Mark Rylance as the defense attorney William Kunstler. I appreciate I am having a tendency to gush in this review, but Rylance expresses such a range of frustration and disgust here that his performance is nothing short of electrifying.
There's also a cracking cameo from Michael Keaton playing the former US Attorney General, Ramsey Clark.
I would think that any of these performances might be Oscar-worthy (somewhere in the Actor/Supporting Actor categories) but my personal choices would be Rylance for Best Actor and Baron Cohen and Langella for Best Supporting Actor nods.
One of my issues with the scripts of Aaron Sorkin is that they tend to be overly dense and wordy. In epic TV like "The West Wing" he could spread the dialogue over a whole series, but in a feature film it can become very dense and verbose. I found that in both of his last two films - "Molly's Game" and "Steve Jobs".
Here, in "The Trial of the Chicago 7", even though there's a lot of speechifying, to me it never felt over the top. Although an epic courtroom drama (akin to his debut script "A Few Good Men") the characters are given time to breath between the lines. And many of those lines are real zingers, particularly out of the mouth of stand-up anarchist Abbie Hoffman (Sacha Baron Cohen).
Aside from the script being a zinger, the direction here from Aaron Sorkin is also top-notch. If you thought a courtroom drama was going to be static and boring, think again. The camera never rests, and inserted flashbacks (excellent film editing from Alan Baumgarten) maintain the momentum of the story.
Overall, this is a movie tour-de-force from Sorkin, and a fantastic watch. Could this be a writing/directing double Oscar nom for Sorkin?
(For the full graphical review, check out the bob the movie man review here - https://rb.gy/y6bxtf . Thanks.)
I know a decent bit of 20th century history, but this is a story I knew nothing about. At the 1968 Democratic Convention in Chicago, anti-Vietnam protests resulted in a violent and brutal confrontation with the police. Eight of the ring-leaders were rounded up and charged with inciting the violence. What happens in the court with the eight convicted men, in front of an old and partisan judge (the wonderful Frank Langella), is simply amazing.
There's a nice wiki article on the history you can look up. But its worth watching the movie blind, since it's a great rollercoaster ride.
If you read my blog regularly, you'll know that one of my favourite of the awards in award season is the "Ensemble Cast" award from the Screen Actor's Guild (SAG). I think a good measure of which movies might be good candidates for this award is when you find it difficult to single out particular actors for an individual award when they all work so well together. For this is a cast to die for:
- Sacha Baron Cohen, as Abbie Hoffman: an intelligent 'straight' role, poles apart from Borat and Bruno, that he delivers on 100%;
- Jeremy Strong as Hoffman's buddy Jerry Rubin, doing an enormously entertaining turn;
- Eddie Redmayne as the apparently 'sensible one' Tom Hayden. A bit similar to his role in "Les Miserables", but diving off in a different direction at a key point;
- John Carroll Lynch as the genuine 'boy scout' David Dellinger, so good in "The Founder" and here as the only family man under the judgmental stare of his wife and son;
- Yahya Abdul-Mateen II as Black Panther member Bobby Seale - the "minus 1" from the title - in an astonishingly powerful performance;
- Joseph Gordon-Levitt as the prosecutor Richard Schultz - always quietly dependable;
- And the fantastic Mark Rylance as the defense attorney William Kunstler. I appreciate I am having a tendency to gush in this review, but Rylance expresses such a range of frustration and disgust here that his performance is nothing short of electrifying.
There's also a cracking cameo from Michael Keaton playing the former US Attorney General, Ramsey Clark.
I would think that any of these performances might be Oscar-worthy (somewhere in the Actor/Supporting Actor categories) but my personal choices would be Rylance for Best Actor and Baron Cohen and Langella for Best Supporting Actor nods.
One of my issues with the scripts of Aaron Sorkin is that they tend to be overly dense and wordy. In epic TV like "The West Wing" he could spread the dialogue over a whole series, but in a feature film it can become very dense and verbose. I found that in both of his last two films - "Molly's Game" and "Steve Jobs".
Here, in "The Trial of the Chicago 7", even though there's a lot of speechifying, to me it never felt over the top. Although an epic courtroom drama (akin to his debut script "A Few Good Men") the characters are given time to breath between the lines. And many of those lines are real zingers, particularly out of the mouth of stand-up anarchist Abbie Hoffman (Sacha Baron Cohen).
Aside from the script being a zinger, the direction here from Aaron Sorkin is also top-notch. If you thought a courtroom drama was going to be static and boring, think again. The camera never rests, and inserted flashbacks (excellent film editing from Alan Baumgarten) maintain the momentum of the story.
Overall, this is a movie tour-de-force from Sorkin, and a fantastic watch. Could this be a writing/directing double Oscar nom for Sorkin?
(For the full graphical review, check out the bob the movie man review here - https://rb.gy/y6bxtf . Thanks.)
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Bob Mann (459 KP) rated Long Shot (2019) in Movies
Sep 28, 2021
#Punching.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
Bob Mann (459 KP) rated Ghost in the Shell (2017) in Movies
Sep 29, 2021
A robot you could take home to meet mother.
I was intrigued to watch the other day (purely for the interest in the technology employed of course!) a short Guardian video on the development of the world’s first fully functioning sex robot: a disturbing watch, requiring a fairly broad mind. Watching it on the same day as going to see Scarlett Johansson’s new film “Ghost in the Shell” though was a mistake, since the similarities between Johansson’s character (‘Major’) and the animatronic sex doll (‘Harmony’) were… erm… distracting.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Becs (244 KP) rated Monster Catchers in Books
Jul 6, 2019
Captivating middle grade novel!
You can also find this review on my blog: bookingwayreads.wordpress.com
Thank you to Smith Publicity and the author, George Brewington, for allowing me the wonderful opportunity to be a part of the Monster Catchers blog tour and for sending me a copy to read and review.
TRIGGER WARNINGS: death, kidnapping
"We can't always think of ourselves. There are so many creatures in the world that need love."
Main Characters:
Bailey Buckleby - the main character and co-owner of Buckleby and Sons. He's a monster catcher like his father, but questions how his father goes about the business. Very compassionate and has a good Frisbee throwing arm.
Dougie Buckleby - Bailey's father and the owner of Buckleby and Sons. He has taught Bailey everything he knows about being a monster catcher. A bit selfish by not really listening to Bailey, even though he always ends up being right.
Savannah - schoolmate of Bailey's turned friend. A part of the Bullhead Brigade, which Nikos is also a part of.
Henry - baby Swiss troll that is taken in by Dougie. But is he?
Candycane Boom - a loan shark that ends up teaming up with Axel Pazuzu. Later become an alley to Bailey, Savannah, and Nikos.
Nikos - a Minotaur that is hired to take down Bailey and his father but after being beaten, he joins forces.
Axel Pazuzu - a cynocephaly (part human, part dog that is a god). Known for scamming people worse than Candycane Boom. Ends up causing a lot of problems for Bailey, Savannah, and Dougie.
"Sometimes passion makes one do really, really stupid things. You mustn't beat yourself up about it."
Review:
**Possible spoilers ahead**
Monster Catchers is a middle grade novel about friendship, adventure, sacrifices, saving the ones you love, with a hint of romance and drama. It starts with Bailey sitting at the register in the family shop, rereading In the Shadows of Monsters by his favorite monster catcher. Some teenage boys come in looking for trouble, but Bailey scares them off by showing them the monitor that shows the back room. This very back room is where the real business of Buckleby and Sons take place: monster catching.
Soon after the group of teenage boys leave, a customer comes in needing to have a 'pest' taken care of. Once the Buckleby's are hired, Candycane Boom comes in looking for another fairy friend for his current fairy. He picks on out while Bailey walks Henry on Whalefat Beach. This is where the two meet Axel Pazuzu a cynocephaly, which is a half human, half dog god creature. Axel tries buying Henry from Bailey, but he refuses because he doesn't want to loose this best friend. Bailey quickly heads home with Henry before Axel tries stealing Henry away.
That night, Dougie and Bailey head out to the customer's home to catch the little rascal that has been stealing all of the lights. Well, things don't go according to plane and instead of catching just one little goblin, they catch two and encounter about ten others. This doesn't turn out for Dougie as one of the goblins bites his finger off!
After they returned home, Bailey fell asleep. The next morning, he headed to school to give the report that was due but that he wasn't ready for. So he improvised and told about one of the real stories from In the Shadow of Monsters. Now, the thing with people within Monster Catchers, is that they don't believe that the monsters are real. They are in a constant denial, even when they've seen the monsters themselves. This sparks some major debate in Bailey's class.
Savannah ends up following Bailey back to the store where she is introduced to all the monsters in the back room and even eventually meets Axel Pazuzu when they head to the beach to walk Henry. Axel hires Candycane to get Henry from the Buckleby's. Well, this causes a bunch of different action packed scenes that will leave you turning the pages until the ending.
When you think monsters, you don't think of a father-son duo saving California. But that's just what Dougie and Bailey Buckleby do. For the right price, they will capture anything from goblins and trolls to harpies and fairies. If it's a monster of any sort, the Buckleby's are the one's to call. But, Bailey soon finds out that his father has been lying to him all of his life and it must be he who saves the people of the world. Monster Catcher is a fast-paced, action-packed adventure that will capture young hearts everywhere.
Character/ Story background and development -
I was generally surprised at how much development was within this little novel. Especially for it being book one in a series and a debut! Bailey's and his fathers development were some of the best. The two go from best buds to Bailey questioning everything about him to having to sacrifice him for the sake of the world. It just blew me away the relationship that the duo had as they were massively different, but brought very similar aspects to the relationship.
Plot -
George Brewington weaves lessons of friendship, morals, and action into this fantasy filled debut. Bailey's interest in monsters is heartwarming, especially when he finds out that monsters have feelings and all aren't bad like they are perceived to be.
Spelling/ Grammatical errors -
I honestly didn't seem to find any spelling or grammatical errors that popped out or took away from the overall story. Monster Catchers is a very well-written novel.
Enjoyment -
I really enjoyed going on an adventure with Bailey and all the lovable monsters. I will most defiantly be rereading this. One thing I rather enjoyed, that I have to point out, is how George Brewington mixed extremely important world issues like: environmental issues, understanding differences, and sacrifices along with adding that fantasy aspect that is common among middle-grade novels.
Overall -
With the interwoven lessons and morals, the fun and quirky lines, the cliff hangers, discovering oneself, understanding differences, Monster Catchers encourages the reader to think beyond the words that are written.
Do I recommend? -
Yes! I highly recommend The Monster Catchers by George Brewington. It was such a cute little novel and I need more!!
"We either try or die, Bailey Boy."
Thank you to Smith Publicity and the author, George Brewington, for allowing me the wonderful opportunity to be a part of the Monster Catchers blog tour and for sending me a copy to read and review.
TRIGGER WARNINGS: death, kidnapping
"We can't always think of ourselves. There are so many creatures in the world that need love."
Main Characters:
Bailey Buckleby - the main character and co-owner of Buckleby and Sons. He's a monster catcher like his father, but questions how his father goes about the business. Very compassionate and has a good Frisbee throwing arm.
Dougie Buckleby - Bailey's father and the owner of Buckleby and Sons. He has taught Bailey everything he knows about being a monster catcher. A bit selfish by not really listening to Bailey, even though he always ends up being right.
Savannah - schoolmate of Bailey's turned friend. A part of the Bullhead Brigade, which Nikos is also a part of.
Henry - baby Swiss troll that is taken in by Dougie. But is he?
Candycane Boom - a loan shark that ends up teaming up with Axel Pazuzu. Later become an alley to Bailey, Savannah, and Nikos.
Nikos - a Minotaur that is hired to take down Bailey and his father but after being beaten, he joins forces.
Axel Pazuzu - a cynocephaly (part human, part dog that is a god). Known for scamming people worse than Candycane Boom. Ends up causing a lot of problems for Bailey, Savannah, and Dougie.
"Sometimes passion makes one do really, really stupid things. You mustn't beat yourself up about it."
Review:
**Possible spoilers ahead**
Monster Catchers is a middle grade novel about friendship, adventure, sacrifices, saving the ones you love, with a hint of romance and drama. It starts with Bailey sitting at the register in the family shop, rereading In the Shadows of Monsters by his favorite monster catcher. Some teenage boys come in looking for trouble, but Bailey scares them off by showing them the monitor that shows the back room. This very back room is where the real business of Buckleby and Sons take place: monster catching.
Soon after the group of teenage boys leave, a customer comes in needing to have a 'pest' taken care of. Once the Buckleby's are hired, Candycane Boom comes in looking for another fairy friend for his current fairy. He picks on out while Bailey walks Henry on Whalefat Beach. This is where the two meet Axel Pazuzu a cynocephaly, which is a half human, half dog god creature. Axel tries buying Henry from Bailey, but he refuses because he doesn't want to loose this best friend. Bailey quickly heads home with Henry before Axel tries stealing Henry away.
That night, Dougie and Bailey head out to the customer's home to catch the little rascal that has been stealing all of the lights. Well, things don't go according to plane and instead of catching just one little goblin, they catch two and encounter about ten others. This doesn't turn out for Dougie as one of the goblins bites his finger off!
After they returned home, Bailey fell asleep. The next morning, he headed to school to give the report that was due but that he wasn't ready for. So he improvised and told about one of the real stories from In the Shadow of Monsters. Now, the thing with people within Monster Catchers, is that they don't believe that the monsters are real. They are in a constant denial, even when they've seen the monsters themselves. This sparks some major debate in Bailey's class.
Savannah ends up following Bailey back to the store where she is introduced to all the monsters in the back room and even eventually meets Axel Pazuzu when they head to the beach to walk Henry. Axel hires Candycane to get Henry from the Buckleby's. Well, this causes a bunch of different action packed scenes that will leave you turning the pages until the ending.
When you think monsters, you don't think of a father-son duo saving California. But that's just what Dougie and Bailey Buckleby do. For the right price, they will capture anything from goblins and trolls to harpies and fairies. If it's a monster of any sort, the Buckleby's are the one's to call. But, Bailey soon finds out that his father has been lying to him all of his life and it must be he who saves the people of the world. Monster Catcher is a fast-paced, action-packed adventure that will capture young hearts everywhere.
Character/ Story background and development -
I was generally surprised at how much development was within this little novel. Especially for it being book one in a series and a debut! Bailey's and his fathers development were some of the best. The two go from best buds to Bailey questioning everything about him to having to sacrifice him for the sake of the world. It just blew me away the relationship that the duo had as they were massively different, but brought very similar aspects to the relationship.
Plot -
George Brewington weaves lessons of friendship, morals, and action into this fantasy filled debut. Bailey's interest in monsters is heartwarming, especially when he finds out that monsters have feelings and all aren't bad like they are perceived to be.
Spelling/ Grammatical errors -
I honestly didn't seem to find any spelling or grammatical errors that popped out or took away from the overall story. Monster Catchers is a very well-written novel.
Enjoyment -
I really enjoyed going on an adventure with Bailey and all the lovable monsters. I will most defiantly be rereading this. One thing I rather enjoyed, that I have to point out, is how George Brewington mixed extremely important world issues like: environmental issues, understanding differences, and sacrifices along with adding that fantasy aspect that is common among middle-grade novels.
Overall -
With the interwoven lessons and morals, the fun and quirky lines, the cliff hangers, discovering oneself, understanding differences, Monster Catchers encourages the reader to think beyond the words that are written.
Do I recommend? -
Yes! I highly recommend The Monster Catchers by George Brewington. It was such a cute little novel and I need more!!
"We either try or die, Bailey Boy."
Mothergamer (1634 KP) rated the PC version of Assassin's Creed: Odyssey in Video Games
Apr 3, 2019
I love the Assassin's Creed series as past Mother Gamer blogs have shown. While there were a couple I wasn't so thrilled with, I have always enjoyed the stories and exploration the games have offered. The recent Origins definitely captured my heart with all the incredible ancient Egypt history and lore. When Odyssey was announced I was pretty excited because it was going to be set in ancient Greece and I could not wait to play it.
Odyssey is a bit different from its predecessors. The story is set at the beginning of the Peloponnesian war; an ongoing struggle between Sparta and Athens for dominion over Greece. This opens up a lot of interesting places to explore and dialogue options. At the beginning of the game you can choose which Misthios (mercenary) you want to play as; Alexios or his sister Kassandra. It really doesn't matter who you choose because the story is essentially the same for both so it's just a matter of whether or not you prefer to play as a man or a woman. For my first playthrough I went with Kassandra.
Kassandra starts her adventure.
Right from the start, Odyssey hooks you in with an action filled introduction and sets the scene for the story. After that you meet the character you chose; in my case Kassandra and you get a brief tutorial on how the gaming controls work. You also get a mount with this and those controls are pretty easy to navigate. Once you have the hang of it, you can get started on your journey with the main story and the vast amount of side quests.
This is where Odyssey differs a bit. There is more of a role playing aspect to the game with you being able to select different dialogue options while talking to people. You can choose to be cutthroat, a mercenary with a conscience, or ridiculously flirty. Yes, with some of the NPC characters be they men or women Kassandra could have flings with them. Don't worry, nothing overly graphic is shown, but it is definitely heavily implied. Your weapons are different as well. There is no assassin's blade here. You have a precursor artifact weapon in the form of a spear and the options of daggers and swords. You also have a bow and arrows which are quite useful for fighting at a distance.
Have a horse for your travels!
As you level up, you gain ability points which you can use to unlock certain skills to enhance your fighting and stealth from the following three categories in the skills menu: Hunter, Warrior, and Assassin. It is beneficial to unlock these because they are incredibly useful in battles against your enemies. There are also ship battles which bring back memories of Black Flag. The ship battles are challenging, but they are so much fun. You can upgrade your ship to make it a force to be reckoned with. Upgrading the hull is definitely a must so you can ram the heck out of other ships and take little to no damage. You need a crew also of course and Odyssey has an ability where rather than assassinating targets, you can knock them out and recruit them to join your crew.
Unlock abilities in the skills menu.
The running theme for your protagonist is all about family. This is where you are introduced to the mysterious villains, The Cult Of Kosmos who have a hand in much of the conflict in Greece all for power. You have to travel all over the world map to find clues about each cult member in order to reveal their true identity and the location of their main hideout. Once you have those, you can find them and take them out. Be wary however, some cult members are heavily guarded and quite the challenge to fight. This is where Odyssey's notoriety system comes in. The more crimes you commit i.e. murder (come on, you know that's what assassination is), the more likely it is that someone will put a bounty on your head. Then you find yourself relentlessly hunted by bounty hunters with very colorful names. The bounty hunters are no joke and if you do not plan out your strategy and tactics, they will end you. There were some who had lions and they would tag team the crap out of me which could be more than a little frustrating, but that's part of the challenge. Two ways around this are offing the person who put the bounty on your head or paying off the bounty. If you have the coin, you can pay the money and the bounty will go away.
Besides the main story, there are a ton of side quests and conquest missions to do. Sneaking around and taking out guards in a fort can be difficult, but rewarding as you take everyone out and diminish that nation's power. Looting the treasures, burning the supplies, and taking out the captains completes that area and will show you a meter with their power depleting. Once you have completely drained their influence, you get a conquest battle option. You get an epic battle between Spartans and Athenians and you have to take out all the captains during this battle in order to win the conquest. There were times where I totally screwed up and a guard saw me and then I had to brawl my way out among five or six of them. That was a whole other adventure in itself. It definitely raises the stakes when that happens and makes Odyssey feel like a whole new game.
Getting caught by guards sucks. Time to brawl my way out!
My favorite thing to do in Odyssey was exploring. I loved discovering new areas and hanging out in ancient Greece. Climbing up to the tops of high buildings, cliffs, and statues just to synchronize the map and see the view from a high vantage point was pretty fantastic. No two areas were alike and there was always something new to see. Some of the small side quests were hit or miss at times, but I was never bored at all. There was always something to see or do.
An eagle's eye view of ancient Greece.
There are a variety of armor and weapons choices in Odyssey. As you progress, you can upgrade to better armor, weapons, and crafting materials. If you have a favorite armor set, when you upgrade you can glamour the armor to look like the favorite set. Again, this adds a role playing aspect where you can actually gather materials and craft weapons and armor in the game. This is also true for your ship. You can choose a variety of sails, ship designs, and even tailor your crew with characters from past Assassin's Creed games as your lieutenants.
If you're looking for more challenge with your challenge, there are legendary beast and mythological monster fights you can do. The locations of each legendary beast is marked on your world map. With the monsters, you happen upon some of them doing certain quests. This was how I accidentally discovered the fight with Medusa. These fights are insanely hard and Medusa seemed to be the hardest one of all. I got my ass handed to me quite a few times before I finally won. It is vindicating when you do win because they are so difficult and you have to be constantly thinking about your tactics and theirs. The fights absolutely keep you on your toes, but man what a thrill!
Medusa fight is crazy!
When you see the world map, it can be a little overwhelming with how vast it is. Areas you have already explored will be highlighted and areas that are not unlocked are grayed out. The map will also show you what level each area is so you can level grind and plan accordingly. I had fun unlocking the areas and receiving contract quests and bounties which offered lots of drachmae and sometimes item rewards such as armor.
The world map is huge. Get out there and explore!
While I loved Odyssey, there were issues with the game. One of the big things was I was one of the unlucky people who got the game breaking bug of the game dropping frames and freezing completely in enemy fort areas. I had wondered if it was just me so I looked up the issue and found that many others had this issue with the game also. The solution Ubisoft offered was to close the game completely and restart the game. That's more than a little irritating. While the voice acting is good, there were strange audio issues with the voices being off sync and delaying at times. In spite of those issues, I still had fun with Odyssey and loved the game. Even after the main crux of the story is finished, there's still so much left to do with legendary hunts and searching for precursor relics and the upcoming DLC. Odyssey is slightly different from the games before it, but it is lots of fun. Now, I'm going to get out there and do more exploring. See you at the next adventure!
Odyssey is a bit different from its predecessors. The story is set at the beginning of the Peloponnesian war; an ongoing struggle between Sparta and Athens for dominion over Greece. This opens up a lot of interesting places to explore and dialogue options. At the beginning of the game you can choose which Misthios (mercenary) you want to play as; Alexios or his sister Kassandra. It really doesn't matter who you choose because the story is essentially the same for both so it's just a matter of whether or not you prefer to play as a man or a woman. For my first playthrough I went with Kassandra.
Kassandra starts her adventure.
Right from the start, Odyssey hooks you in with an action filled introduction and sets the scene for the story. After that you meet the character you chose; in my case Kassandra and you get a brief tutorial on how the gaming controls work. You also get a mount with this and those controls are pretty easy to navigate. Once you have the hang of it, you can get started on your journey with the main story and the vast amount of side quests.
This is where Odyssey differs a bit. There is more of a role playing aspect to the game with you being able to select different dialogue options while talking to people. You can choose to be cutthroat, a mercenary with a conscience, or ridiculously flirty. Yes, with some of the NPC characters be they men or women Kassandra could have flings with them. Don't worry, nothing overly graphic is shown, but it is definitely heavily implied. Your weapons are different as well. There is no assassin's blade here. You have a precursor artifact weapon in the form of a spear and the options of daggers and swords. You also have a bow and arrows which are quite useful for fighting at a distance.
Have a horse for your travels!
As you level up, you gain ability points which you can use to unlock certain skills to enhance your fighting and stealth from the following three categories in the skills menu: Hunter, Warrior, and Assassin. It is beneficial to unlock these because they are incredibly useful in battles against your enemies. There are also ship battles which bring back memories of Black Flag. The ship battles are challenging, but they are so much fun. You can upgrade your ship to make it a force to be reckoned with. Upgrading the hull is definitely a must so you can ram the heck out of other ships and take little to no damage. You need a crew also of course and Odyssey has an ability where rather than assassinating targets, you can knock them out and recruit them to join your crew.
Unlock abilities in the skills menu.
The running theme for your protagonist is all about family. This is where you are introduced to the mysterious villains, The Cult Of Kosmos who have a hand in much of the conflict in Greece all for power. You have to travel all over the world map to find clues about each cult member in order to reveal their true identity and the location of their main hideout. Once you have those, you can find them and take them out. Be wary however, some cult members are heavily guarded and quite the challenge to fight. This is where Odyssey's notoriety system comes in. The more crimes you commit i.e. murder (come on, you know that's what assassination is), the more likely it is that someone will put a bounty on your head. Then you find yourself relentlessly hunted by bounty hunters with very colorful names. The bounty hunters are no joke and if you do not plan out your strategy and tactics, they will end you. There were some who had lions and they would tag team the crap out of me which could be more than a little frustrating, but that's part of the challenge. Two ways around this are offing the person who put the bounty on your head or paying off the bounty. If you have the coin, you can pay the money and the bounty will go away.
Besides the main story, there are a ton of side quests and conquest missions to do. Sneaking around and taking out guards in a fort can be difficult, but rewarding as you take everyone out and diminish that nation's power. Looting the treasures, burning the supplies, and taking out the captains completes that area and will show you a meter with their power depleting. Once you have completely drained their influence, you get a conquest battle option. You get an epic battle between Spartans and Athenians and you have to take out all the captains during this battle in order to win the conquest. There were times where I totally screwed up and a guard saw me and then I had to brawl my way out among five or six of them. That was a whole other adventure in itself. It definitely raises the stakes when that happens and makes Odyssey feel like a whole new game.
Getting caught by guards sucks. Time to brawl my way out!
My favorite thing to do in Odyssey was exploring. I loved discovering new areas and hanging out in ancient Greece. Climbing up to the tops of high buildings, cliffs, and statues just to synchronize the map and see the view from a high vantage point was pretty fantastic. No two areas were alike and there was always something new to see. Some of the small side quests were hit or miss at times, but I was never bored at all. There was always something to see or do.
An eagle's eye view of ancient Greece.
There are a variety of armor and weapons choices in Odyssey. As you progress, you can upgrade to better armor, weapons, and crafting materials. If you have a favorite armor set, when you upgrade you can glamour the armor to look like the favorite set. Again, this adds a role playing aspect where you can actually gather materials and craft weapons and armor in the game. This is also true for your ship. You can choose a variety of sails, ship designs, and even tailor your crew with characters from past Assassin's Creed games as your lieutenants.
If you're looking for more challenge with your challenge, there are legendary beast and mythological monster fights you can do. The locations of each legendary beast is marked on your world map. With the monsters, you happen upon some of them doing certain quests. This was how I accidentally discovered the fight with Medusa. These fights are insanely hard and Medusa seemed to be the hardest one of all. I got my ass handed to me quite a few times before I finally won. It is vindicating when you do win because they are so difficult and you have to be constantly thinking about your tactics and theirs. The fights absolutely keep you on your toes, but man what a thrill!
Medusa fight is crazy!
When you see the world map, it can be a little overwhelming with how vast it is. Areas you have already explored will be highlighted and areas that are not unlocked are grayed out. The map will also show you what level each area is so you can level grind and plan accordingly. I had fun unlocking the areas and receiving contract quests and bounties which offered lots of drachmae and sometimes item rewards such as armor.
The world map is huge. Get out there and explore!
While I loved Odyssey, there were issues with the game. One of the big things was I was one of the unlucky people who got the game breaking bug of the game dropping frames and freezing completely in enemy fort areas. I had wondered if it was just me so I looked up the issue and found that many others had this issue with the game also. The solution Ubisoft offered was to close the game completely and restart the game. That's more than a little irritating. While the voice acting is good, there were strange audio issues with the voices being off sync and delaying at times. In spite of those issues, I still had fun with Odyssey and loved the game. Even after the main crux of the story is finished, there's still so much left to do with legendary hunts and searching for precursor relics and the upcoming DLC. Odyssey is slightly different from the games before it, but it is lots of fun. Now, I'm going to get out there and do more exploring. See you at the next adventure!