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The Nutcracker and the Four Realms (2018)
The Nutcracker and the Four Realms (2018)
2018 | Adventure, Family, Fantasy
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It's Victorian London, Christmas time, and a family mourning the recent loss of their mother is preparing to go to a Christmas party. Their father hands out some gifts left to them by their mother and eldest daughter Clara (Mackenzie Foy) receives an egg shaped box, locked and with the keys whereabouts unknown. Disappointed, they head off to the lavish Christmas party hosted by Claras godfather (Morgan Freeman) and while there, Clara discovers a hidden world consisting of four realms. War is brewing and in the absence of her mother, who discovered this world and became its queen, it's up to Clara to bring everyone together once more.

First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!

It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
  
Hocus Pocus and the All-New Sequel
Hocus Pocus and the All-New Sequel
A.W. Jantha | 2018 | Science Fiction/Fantasy, Young Adult (YA)
8
6.8 (6 Ratings)
Book Rating
It's a very sad thing when the book you were so excited about lets you down. Such is the case with Hocus Pocus & The All-New Sequel. The book, written by A. W. Jantha is split into two parts.

Then.

Now.

Then is a novelization of the movie which I very much enjoyed. 90 percent of the dialogue is taken directly from the movie while there's just enough added detail to give the characters some new depth and set up for the second half of the book.

Now: the second half of the book, the sequel was...

well, It was disappointing.

How?

First, there's the bizarre jump from third person to first and later second POV.

It just throws you into Poppy's world with minimal backstory on who she is and why we should like her or her friends, Travis and Isabella.

Secondly, the characters are STUPID!

Stupid choices left, right, and, center.

As a writer, I understand there needs to be some way to kickstart the conflict but going to the Sanderson house has danger written all over it.

Oh, let's talk about the Sandersons,

The witches are back in all their evil glory with added sister Elizabeth who turned her back on the family legacy of darkness.

Then there's their mother. Their mother who they could not shut up about. Mother this and Mother that.

All the hype got me excited about Sanderson's sister's flashbacks. Backstory. Entire chapters dedicated to them.

it didn't happen.

I was treated to brief remembrances but no backstory.

Then the Mother who was so hyped up made a one chapter appearance before going kersplat.

WHAT WAS THE POINT??

You don't hype a character that much for them to do NOTHING.

The book gets by on nostalgia alone.

Don't even get me started on the bizarre and unneeded cliffhanger.

Very sad.
  
The Personal History of David Copperfield (2019)
The Personal History of David Copperfield (2019)
2019 | Classics, Comedy, Drama
This retelling of Charles Dickens’ David Copperfield takes us from his birth, through his adolescence and adulthood. With the tempo set like a whirling dervish from the moment David (Dev Patel) takes us with him to witness his birth and travel along through his pivotal life moments as he tells his story.

We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.

The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.

David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.

Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.