Search

Search only in certain items:

The Big Sick (2017)
The Big Sick (2017)
2017 | Comedy, Drama, Romance
One of those products that feels fresh and generic in about an equal ratio, but this just *soars* off of the chemistry of its cast. Zoe Kazan and Kumail Nanjiani are wonderful, simply wonderful together here; Ray Romano and Holly Hunter are faultless; and Kumail's family + stand-up partners are as well cast as can be even if the latter add nothing more than mostly tired jokes that don't land to the story. I admit this is still pretty scattershot, but for me that's part of what makes it so interesting? If anything is subversive here it's two things: 1. the way this flips the typical romcom on its head by taking on multiple different styles of execution as it goes along (the mostly unfunny but charming as hell opening romance, the anxious but amiable [and more funny] first meetings with the parents, the harrowing confrontation of grief, and the confusing [for the characters] but unfortunately rather rushed through ending resolutions) and 2. Kumail playing himself during a real life tumultuous period in his life. Even though dozens of liberties were taken to make this more palatable for a studio romance, the broad side of things remains rooted in truth even down to supporting scenes - and seeing Kumail as himself act out those real life events and formulate them into a positive story add a whole new level of emotional heft. Plus he's just a rock-solid comedic force in general and he handles the sad scenes nearly just as well. Even if there are still some tropes in this, the base story still feels rather nuanced. Very flawed but so nice, so wholesome.
  
    Project Life

    Project Life

    Photo & Video and Productivity

    (0 Ratings) Rate It

    App

    Imagine scrapbooking without scissors or adhesive or tools … or without having to print photos!...

The Last Mrs. Summers
The Last Mrs. Summers
Rhys Bowen | 2020 | Mystery
7
7.0 (1 Ratings)
Book Rating
Gothic Trip to Cornwall
It’s fall 1935, and Lady Georgiana O’Mara is back from her honeymoon and settling into her new married life until Darcy is called away on another of his assignments. Suddenly at loose ends, Georgie jumps at a chance to join her friend Belinda is looking at the cottage she just inherited in Cornwall. However, the cottage turns out to be more of a shack. The friends are deciding what to do when they run into Rose, a childhood friend of Belinda’s. Rose announces she is now the mistress of one of the nearby mansions, and insists that Georgie and Belinda stay with her. However, something is off about life at the mansion. Will Georgie figure out what is going on before tragedy strikes?

It's always fun to slip back into Georgie’s world, and I picked up this book with anticipation. As usual, the book opens with updates on Georgie’s various friends and family, and I enjoy finding out how life is going for them. Once the story gets going, we are treated to a mystery filled with confusing happenings and plenty of atmosphere. The plot is minimally inspired by the classic Rebecca, and it uses the gothic elements well. I’m not familiar with Rebecca, but not picking up on nods to that book didn’t diminish my enjoyment at all. The new characters we meet along the way help pull us into the book. Naturally, everything makes sense once Georgie figures it all out. When you pick up this book, be prepared to be swept back in time. Fans of the series will be thrilled to catch up with Georgie’s latest adventures.
  
In Good Company (2004)
In Good Company (2004)
2004 | Comedy, Drama
10
10.0 (1 Ratings)
Movie Rating
Carter Duryea (Topher Grace) is a man with goals. At 26, he is heading his mega-companies cell phone sales, and is being groomed for bigger and better things. A golden opportunity is handed to Carter when his company acquires another mega company resulting in his placement in the recently acquired Sports magazine division.

The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.

At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.

On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.

Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.

Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.

Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.

What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.

The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.

There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.

Easily the best film of 2005 and one of the better films in recent memory..